Hartford is another one of those places where the Grateful Dead played often, and played well most of the time. From their first gig there in 1972 through the last Hartford show in 1990, the band usually pulled out solid, often exceptional concerts.
The band’s first visit to Hartford was in 1972, on 7/16/72 at Dillon Stadium, a show that had a couple of elements worth noting: this was the first concert without Pigpen as a member of the Grateful Dead, with his last show being about a month before this on 6/17/72 in Hollywood. He did sit out the October-November 1971 tours, but at that time he was still a touring member of the Grateful Dead, albeit one who was taking a brief break to get healthy again. He returned in December, 1971, performed through the entire Europe ’72 tour, plus the Hollywood show, and then, due to health reasons, was no longer able to go on the road. The other thing worth noting about the Hartford 1972 show was that it ended with a jam of NFA>GDTRFB>Hey Bo Diddley, featuring Allman Brothers Band members Dickey Betts, Berry Oakley and Jai Johanny Johanson, and without Phil. It is remarkable to hear how different this jam sounds than anything the Grateful Dead ever performed, owing to the fact that Phil is not playing bass, and demonstrates what an essential element of the Grateful Dead’s sound Phil’s unorthodox bass playing style added. Not only does he play the songs’ melodies and keeps the rhythm going with Billy, but he also plays a lead line that goes way outside of what a standard bass line would be. Simply stunning stuff.
After 1972, the Grateful Dead returned to Dillon Stadium on 7/31/74 for one of the longest concerts in Grateful Dead history. With the Seastones set (Phil and Ned Lagin doing avant garde electronic music between the first and second sets), the show clocks in with more than four hours of music. In 1976, the band played at Colt Park in Hartford on 8/2/76 on a short two-show run on the east coast (along with 8/4/72 at Roosevelt Stadium in Jersey City). In 1977, the Grateful Dead performed for the first time at the Hartford Civic Center, and would return to the venue in downtown Hartford 17 more time, with a yearly trip from 1980 to 1990, with the exception of 1985 and 1989. In 1988, after a three night run in April, it looked as though the Grateful Dead would not be welcomed back to Civic Center, but in 1990 they quietly scheduled two gigs in March, with the shows being announced just three days prior. Needless to say, with the memories of the equally surprising shows in Hampton ’89 fresh in everyone’s minds, the shows sold out quickly. I was fortunate to see my first Grateful Dead concert in Hartford, on 3/26/87, and saw the three 1988 shows and the two 1990 concerts.
Musically, the Grateful Dead usually played solidly in Hartford, often exceptionally. There were highlights throughout the years. The first thing that comes to mind, of course, is the 5/28/77 concert, their first visit to the Civic. This show came at the very end of one of the finest tours in Grateful Dead history, and although they’d been on the road for five weeks, and had obviously been working very hard every night, no signs of fatigue could be heard. In fact, this show is so good that it will be available soon on the CD, Grateful Dead…To Terrapin: Hartford ’77 , a terrific full-concert release. As a bit of an historical side note, the Hartford Civic Center was closed for two years from 1978 to 1980 due to a collapsing roof. The official story was that it collapsed under the weight of a massive snowstorm; however, the huge bombs Phil dropped during that show in 1977 may have affected the structural integrity of the roof.
A few other things worth noting about the Grateful Dead’s history in Hartford include the final east coast performance of St. Stephen on 10/15/83; the 4/3/88 show at which Jerry, who had lost his voice due to laryngitis, grabbed the mic from the mic stand and threw it onto the stage (on the tape, at the end of Black Peter, you can clearly hear a pop of the mic hitting the floor; trooper that he was, Jerry returned to sing the encore, Baby Blue); the 4/18/82 show that featured Phil’s Earthquake Space (check out that show; aside from Phil, it’s outstanding); the first-ever Brent-sung Louie Louie on 4/5/88; and the two typically hot Spring 1990 shows.
We'll update this page shortly after the show with the setlist and to recap each performance by The Dead as it relates to the context of the Grateful Dead's history at this venue or city.
Set 1
Back to the Hartford Civic Center, site of my first Grateful Dead show, 22 years and one month ago today, not to mention site of the new To Terrapin CD release from May 28, 1977. As I recall it from shows there in 1987, 1988 and 1990, it had a nice old feel to it, not quite as much, um, character as the Worcester Centrum but still pretty darn funky. Even this, the 11th show of the tour, and its midway point, they have still found enough old Grateful Dead songs that the show opened with three of the first four songs being new to the tour, specifically Till The Morning Comes, Little Red Rooster and Row Jimmy. Lots of other good songs in the set, but as I recall from a few shows ago, this band does a great job on West LA Fadeaway. I recently listened to a Grateful Dead version of this from 7/9/89 at Giants Stadium that was stunningly good. After West LA Fadeaway comes Cumberland Blues, which was played really well at Albany a little over a week ago, with Phil doing that cool little intro melody he lays down in older versions. One repeat from my first show in Hartford (Row Jimmy), which opened with a dynamite Midnight Hour>Cold Rain and Snow, and featured one of the best Bird Songs I ever saw live.
Set 2
The second opens with that great song by The Band, The Weight, which was debuted by the Grateful Dead about a week after their final Hartford shows in 1990, on 3/28/90 at Nassau. Poignantly, this was the last song the Grateful Dead ever played with Brent Mydland, the encore on 7/23/90 at The World Amphitheatre near Chicago. Following a Band song with a Beatles song shows that these guys listen to a lot of the same music we listen to, or at least a lot of us, with The Weight followed by Tomorrow Never Knows. Too bad it wasn’t paired with Baba O’Riley like the Grateful Dead used to do starting in 1992. Next is the second song repeated from 3/26/87, Black Peter, another tour first, just amazing that they keep pulling out terrific Garcia-Hunter tunes that they haven’t yet played on the tour. It feels like there’s a bottomless well of tunes from which to draw. And top quality tunes at that. And then comes an always-fun Greatest Story Ever Told, which settles into Drums and Space (ok, another repeat from my first show…). A few killer tunes out of space, King Solomon’s Marbles and Viola Lee Blues is followed by the expected Sunday night tune, Samson and Delilah. And then perfect capper any night, Ripple, the first since the second show of the tour in DC. After shows on six straight nights in six different venues (including last Thursday on Letterman), Monday is a well-deserved night off.
Read more about the Dead in our local and national press section.
name to the list of people attending the show.
(Set 1)
-
Bertha
-
Till The Morning Comes
-
Little Red Rooster
-
Row Jimmy
-
All Along the Watchtower
-
Glory Road
-
West L.A. Fadeaway
-
Cumberland Blues
(Set 2)
-
The Weight
-
Tomorrow Never Knows
-
Black Peter
-
Greatest Story Ever Told>
-
Drums>
-
Space
-
King Solomon's Marbles
-
Viola Lee Blues>
-
Samson & Delilah
-
Donor Rap
-
Ripple













Comments
Just got back...
Overall a very good, but not stellar, show. Despite seeing King Solomon's Marbles and Ripple, the show was remarkably laid-back and mellow. Bobby forgot several lyrics.
Phil's new bass has blue LED's for fretmarks; you could see the thing lit up everywhere. It was kinda neat. Phil is still quite spry, and Mickey brought The Beam out for another tour. He was bowing it this time, something I've never seen him do before. That was quite interesting! So were the Obama samples during Drums...It's interesting to see how overtly political the remaining members have become.
Glad to have gone, but they seemed a little tired. We're all a little older now, and that takes its toll on every body. Still they played until 11:40pm, so it's not like they're just sitting on their asses. Nice to see so many folks at the Wharf Rats meeting between sets, too!
Thanks for taking the show back on the road, Gents!
Sean K.
NOBAMA
i hear of them sampling obama during drums, sure hope they dont pull that at chicago.please guys understand not all think he is the savior after being hit over the head by entertainment worship i.e brittney/j-lo/obama/american idol/ can i please come to the show and not have to hear it too.i will walk the fuck out,change we can belive in yeh right
Tonights show was the best
Tonights show was the best I've seen recently, so far......
The Cumberland Blues was
The Cumberland Blues was quite something tonight
Viola was my best time
Viola was my best time
THE DEAD & FRIENDS ON JAM CRUISE
I"M PRAYING THAT THIS COULD HAPPEN :
THE DEAD > ON JAM CRUISE! ISLAND ADVENTURES with Band Members??
"THE DEAD ON JAM CRUISE WITH VERY SPECIAL GUESTS..."
jam cruise?
I don't really know what that means, but if the Dead ever play on a cruise ship, it's officially over.
As far as tonight: haven't heard it yet, but solid if unremarkable set. As we all know from back in the day, sometimes what it looks like on paper (or screen) ain't necessarily how it all went down.
Kudo's for a good show in
Kudo's for a good show in Hartford. I can’t compare it to any others, as I'm back at work as I type this. I'm 46 now, and this was my first dead show in 25 years. My days of Dreads and N2O are far behind me. (Actually, it was different then, my crowd had long hair, usually in a pony tail, and trips). Many things have changed, including the band, the crowd, and the 'scene'. I brought three generations of family with me and we all had a great time. I am well past the time when I could tour with the dead, so I can’t compare this show to any others, but I can say that I only noticed one down song all night. What I did notice was a crowd that was far more laid back than it would have been in the late 70's and early 80's. Last nights show had far less reefer and far less need for crowd control (which, thankfully, was almost non existent). This was a nice change from 25 years ago. Back then there were major security/crowd issues. And, I didn't see a single ambulance all night, before the show or after. (That should give you the biggest clue about how the scene has changed). My biggest disappointment, if you could call it that, was that I went there expecting a "light show" and there wasn't one. At least, not by the standards of my memory, but the lack of smoke in the air (and none in my lungs), probably gives me a different perspective than I have 25 years ago. On the plus side, the Dead opened with Bertha, closed with Ripple, and played three great covers ... The Weight", "All Along the Watchtower", and "Tomorrow Never Knows". The Rhythm Devils portion of the show was great, and received a huge cheer, the space portion was just noise, somewhat drawn out and not really enjoyable for 90% of the crowd, (you guessed it, no cheer), but the jam coming out of space was PRIME! The set list doesn't look like much on this screen, but they played the right songs for this tour. All in all, this was a very enjoyable "Evening with The Dead".
"Bobby forgot several
"Bobby forgot several lyrics."
Seriously???!
There seem to be alot of
There seem to be alot of haters on this tour....This is not the Grateful dead and never will be...but give them a break they have gotten alot older and maybe they should have played a few shows then taken a few days off then play a few more...Bobby always forgets lyrics , thats what makens him bobby....Listen to albany, now that was a great show...stop hating or stop going. Times change but atleast there out there trying....