5-16 The Gorge

Live Show Downloads

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The Pacific Northwest in May, the best time to be here. This area, out in the Columbia River Gorge, gets incredibly hot in July and August, but in May it is simply stunning.

Although the Grateful Dead never visited this venue back in their touring days, in 1996, on the very first Furthur Festival, the Grateful Dead’s continuing traveling circus made a visit this gorgeous spot along the river. I don’t think I can think of a better looking view for concert-goers. Sitting on the hillside, looking down toward the band, and beyond them all you see is the winding Columbia River, and a strange-looking desertscape that seems oddly out of place way up here in Washington State. Regardless, those of you making this Saturday night trek are in for a real treat if you’ve never been to the Gorge.

The Grateful Dead visited the Pacific Northwest early and often. Seattle, Eugene and Portland were the main sites visited, with Seattle seeing 27 Grateful Dead shows, Portland hosting 22 shows, and Eugene seeing 21 shows. Add to this shows in Corvalis, Ashland, Veneta (near Eugene), Tacoma (near Seattle), Spokane and a few shows in Vancouver, Canada, and the Pacific Northwest was well-covered by the Grateful Dead.

There have been several historically “important” shows in the Pacific Northwest, and plenty of musical highlights, and heading southbound, we’ll look at a few. Vancouver, Canada featured the first-ever Grateful Dead concerts outside of the state of California, great nights of music in July, 1966. They also visited this magnificent city in 1973 and 1974 for excellent shows in both years. Seattle highlights include the January 1968 that was part of the band’s tour of the Pacific Northwest featuring Quicksilver Messenger Service (the 1/23/68 concert featured the finest Viola Lee Blues these ears have ever heard); the July, 1972 concerts that were released as Download Series Volume 10 ; and, like in Vancouver, the great shows of 1973 and 1974. Portland was always a great place for the Grateful Dead, including stops on the 1968 tour (during which Dark Star was played as a rare encore on 2/2/68 at the Crystal Ballroom); shows in 1973 and 1974 on the same tour as the aforementioned Vancouver and Seattle gigs; the comeback shows on 6/3&4/76 at the Paramount (now the Schnitzer Concert Hall); the 1972 shows at the same venue; the terrific little show on 1/18/70 that was released as Download Series Vol. 2; and the 1980 show, during which, at the exact time the Grateful Dead were playing Fire On The Mountain, Mount St. Helen’s volcano erupted just a hundred miles northeast of the Memorial Coliseum. Eugene saw plenty of good Grateful Dead action, with terrific shows on 1/22/78 at McArthur Court, and solid shows in 1983 and 1984 at the Hult Center, as well as loads of excellent nights at Autzen Stadium. Oh, and don’t forget visits to Veneta on 8/27/72 and 8/28/82.

Musically, there is so much to talk about in regards to the Grateful Dead’s history in the Pacific Northwest, but we’ll keep this brief, to two visits that were important moments in Grateful Dead history. The first is 8/27/72 at the Springfield Creamery Benefit in Veneta. You have likely seen the film Sunshine Daydream and it truly represents the idealized image of what it was like to be at a Grateful Dead concert: thousands of hippies, under the hot sun in a field in Oregon, with the soundtrack to the day being the Grateful Dead at the height of its powers. And the music at this show is, for the most, not overrated, which is to say that there are moments from this show that are some of the finest in the band’s history. Highlights that I’ve always thought made this show really stand out include: Bird Song, China>Rider, Bertha, Playing In The Band, Greatest Story Ever Told, Dark Star, Sing Me Back Home. Each of these songs could easily be played as magnificent examples of the Grateful Dead’s magic. Add to this the set and setting of the day, and you have one of the finest Grateful Dead experiences captured on film and multi-track audio tape. The other shows to mention are the two nights at the Paramount in 1976. The shows weren’t the best of 1976, and were the first Grateful Dead shows outside of California since the September, 1974 European tour, but the Grateful Dead that emerged that night was incredibly different from the 1974 Grateful Dead. First of all, Mickey was back, propelling the band forward with a powerful second rhythmic push, but equally important was the return of older, classic songs (Cosmic Charlie; Dancing In The Street in a very different arrangement from 1970; St. Stephen played at the soundcheck and debuted a week later; different arrangements of They Love Each Other and Cassidy), and the addition of many new songs, including Might As Well, Lazy Lightning>Supplication, The Wheel, Mission In The Rain and Samson and Delilah. Clearly, the genesis of the Grateful Dead that would play for the next 20 years was started at these two very interesting shows. Check them out if you get a chance.

Well, it’s really been fun going through the Grateful Dead’s touring history as we follow The Dead’s tour, from North Carolina to the Pacific Northwest, with plenty of great and exciting stops along the way. Thanks for joining us!

We'll update this page shortly after the show with the setlist and to recap each performance by The Dead as it relates to the context of the Grateful Dead's history at this venue or city.

Set 1

The final show of the tour, on a gloriously beautiful day in the Pacific Northwest. It’s with a sense of relief but also dread that the tour ends, everyone exhausted but satisfied with the music, and a fun quotient that is as high as it’s ever been for these guys, and for the 15,000 (or more) people who came out every night. This show was a late addition to the tour, and it was a very welcome addition, especially those dwellers north of the Bay Area. A sold out concert, with two opening acts (including the omnipresent Warren Haynes) bodes well for a good party to end the tour. Opening with The Music Never Stopped is such an appropriate way to start things out, and with a Sirius XM audience listening along, this show will be reaching 23,000 at The Gorge, and countless others across the satellite airwaves. Loose Lucy and Crazy Fingers take us on a short trip through the mid-1970s era Dead, and then comes the surprising mid-first set Dark Star, always great to hear, especially Phil playing in and out of the guitar parts. Nice. Dire Wolf follows, a surprising choice out of Dark Star, but I suppose little is surprising on this tour. Tom Thumb’s Blues (a tour first? Zomby?) comes next, always great to hear Phil sing a Phil song from back in the day. Goin’ back to San Anselmo, I do believe they’ve had enough… Into the Mystic and Women Are Smarter (another tour first?) end things nicely, with a gorgeous sunset setting the stage for the tour’s final set.

Set 2

The second set opens with two great Weir rockers (ok, one was written by Phil), Passenger and Hell in a Bucket, of which have been ripping on this tour. I love Jerry’s slide playing on Passenger, in which he plays with some really raunchy tones (Phil’s intention in writing the song), but Warren has been doing a nice job with it. Donna, and later Brent, always sang such great high harmony background vocals on this, and Warren’s voice suits this just fine. Following two Weir tunes come two Garcia-Hunter tunes, Althea and Eyes of the World. Certainly no complaints here with those two songs back-to-back. Mickey and Bill’s final trip through the cosmos of the tour (they were GOOD this tour; check them out closely if you bought the CDs or the downloads) during Rhythm Devils ventures, of course, into Space, followed by Days Between. The Dark Star reprise from the first set is somewhat expected with this band, and is greeted very happily by the masses. One More Saturday Night, of course, ends things off with Bobby rocking the house (or the desert/Columbia River Gorge) one last time on the tour. An encore of Box of Rain is a fitting way to send people home after what is up there with the 1998 Other Ones tour as the finest tour these guys have done since 1995.

Thanks for stopping by these Tour Pages, and thanks to the web team at Rhino for keeping things fresh and current. It’s been a blast writing for the site and meeting so many of you out on the road or via email (vault@dead.net reaches me easily) during the tour. Check back soon when we’ll have a tour recap, and as always, we encourage your comments and discussions here on the site. Thanks again.


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Setlist

(Set 1)

  •   The Music Never Stopped
  •   Loose Lucy
  •   Crazy Fingers
  •   Dark Star
  •   Dire Wolf
  •   Just Like Tom Thumb's Blues
  •   Into The Mystic
  •   Women Are Smarter

(Set 2)

  •   Passenger
  •   Hell In A Bucket
  •   Althea
  •   Eyes of the World
  •   Drums
  •   Space
  •   Days Between
  •   Dark Star
  •   One More Saturday Night
  •   Donor Rap

  • (Encore)

  •   Box Of Rain

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Comments

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how come I'm not hearing it?

how come I'm not hearing it?

Because they ain't givin it

Because they ain't givin it yet ;-)

Then how do you know the

Then how do you know the opener, or are you there and it just ain't live?

I am 'calling' a Passenger

I am 'calling' a Passenger opener.

spastik is just calling the

avatar

spastik is just calling the opener as passenger

Uncle John's

opener

"In a bed, in a bed, by the waterside I will lay my head.
Listen to the river sing sweet songs, to rock my soul."

theres three more full tunes

theres three more full tunes in this '71 show and then maybe we'll get our tunes?

Have Love and Keep It
- Patrick

I'm feeling a U.S. Blues

I'm feeling a U.S. Blues

here we go???

here we go???

here we gooooooooo

here we gooooooooo

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