Grateful Dead

Blair's Golden Road Blog

Why a weekly blog? Well, for a while now I’ve wanted to have a place where I can talk about music, issues, events and people related to the Grateful Dead and the post-GD world on a regular basis — and also hear what you have to say about this unique and fascinating universe we’re all wrapped up in to varying degrees. In coming weeks, I’ll be bringing up various issues connected to the Dead world that we can bat around and (hopefully) have some fun with, I’ll talk about some recent books and films (good and bad) that have connections to the scene, no doubt take a trip or two down memory lane, and we’ll see where it all leads. If there are issues or questions you’d like to see addressed, let me know. Don’t be shy! We’re all friends here…

- Blair Jackson

  • Robert Hunter and Alan Trist, who carefully shepherd the Grateful Dead’s publishing company, Ice Nine, have been quite picky through the years about which film and TV projects they will allow the Dead’s music to appear in. You just know that there must be an avalanche of requests to use “Truckin’” and “Uncle John’s Band” and other tunes, but by being so selective, they have helped maintain the integrity of their song catalog.
  • I just got off YouTube, where I was watching a sharp video of Furthur doing their version of The Beatles’ “I Want You (She’s So Heavy)” last night (3/11/11) at the Best Buy Theater in NYC. I’d followed the progress of the show in the “Furthur” conference on DeadNetCentral.com while it was happening Friday night—one of the site’s administrators, whose nom de web is Dire Wolf, faithfully reports the name of each song as it’s played. So when I went to bed I knew the band had played that Abbey Road gem...

  • This summer, my lovely wife, Regan, and I will celebrate our 30th wedding anniversary (thank you, thank you); a pretty decent accomplishment, I suppose, in this era of fractured families and sky-high divorce rates. You know how they say “opposites attract”? Well, I’ve never bought that for a second—or at least never sought out my own “opposite.”

  • If only I'd read the "Acknowledgments" first. Silly me, I read books front to back, and the “Acknowledgments” appear on page 415 of Mark Christensen's non-biography of Ken Kesey, Acid Christ: Ken Kesey, LSD, and the Politics of Ecstasy (Schaffner Press). So I was finished with the book and had already tossed it down in disgust when I read the author's "explanation" for his approach to the book:

  • There’s a debate that flares up every so often in Deadland (most recently in the discussion on the promo page for the 1988 Road Trips) in which older Heads castigate folks who came to like the Dead during the late ’80s “Touch of Grey”/In the Dark era, the implication being that those fans weren’t hip and cool enough to have gotten into the band earlier, and only embraced the Dead once they had become commercially successful. The worst and most cynical of the arguments — and I’ve actually heard this several times through the years — is that to have climbed on board during the late ’80s (or early ’90s) was to actually contribute to Jerry’s death!

  • Why a weekly blog? Well, for a while now I’ve wanted to have a place where I can talk about music, issues, events and people related to the Grateful Dead and the post-GD world on a regular basis — and also hear what you have to say about this unique and fascinating universe we’re all wrapped up in to varying degrees.

Blair's Golden Road Blog