• https://www.dead.net/features/batique/new-release-bob-bralove-and-tom-tc-constanten
    New Release from Bob Bralove and Tom "T.C." Constanten

    Bob Bralove came to the Grateful Dead in 1987 to teach them MIDI (Musical Instrument Digital Interface) technology and swiftly became the band’s on-stage tech wizard, joining in on space with his own keyboard, eventually contributing to songs as a co-writer and producer.

    Tom “T.C.” Constanten joined the Dead in 1968 and spent a year contributing mightily to one of the band’s most brilliant musical eras before moving on.

    Together, they’re Dose Hermanos. They’ve made a lot of music over the past 17 years, but to this point it’s been largely in the realm of the psychedelic and electronic. Then they saw the two grand pianos at Prairie Sun studio, and inspiration flowered – in their ears alone, because the pianos were in different studios.

    Wired together via headphones, they made their cues, entrances, and endings, Bob said, “by psychic transmission. You never know how much you rely on a nod, wink, or smile till you are blindfolded. I was worried about it when we started, but after the first take I realized it wasn’t a problem. We just knew what to do.”

    The result is Batique, an exquisite and soulful series of improvised duets. Because it is acoustic, the subtleties are startlingly accessible, from the Aaron Copland-folk flavors in “Appalachian Summer” to the Stravinsky themes in “Tokyo Dawn.”

    “Recording with acoustic pianos has allowed Batique to breathe in a big way,” said Bob recently. “It becomes all about touch, feel, and commitment. These tracks show Dose Hermanos at its best. We can finish each other’s musical thoughts in a way that still astonishes me.”

    T.C. adds: “Long before there was ‘the cloud’ there were countless ‘clouds,’ arising organically, spontaneously - a gene pool of creativity, cultural conversations in metaspace, ideas tossed about among communities of artists, writers, musicians. Batique is the result of our diving in the deep end, willingly entering an uncharted realm, a vibrant playground where we make it all up as we go along.”

    Bob and T.C.’s partnership has its roots in both their shared foundation in rock improvisation as well as formal training in composition and the musical avant-garde. T.C. studied with the greats – Karlheinz Stockhausen and Luciano Berio. Bob studied with the Pulitzer Prize winning Wayne Peterson before working with Stevie Wonder. Together, they’re Dose Hermanos – and they’re something else.

    Batique is now available at CDBaby, Amazon, and iTunes.

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  • marye
    8 years 4 months ago
    yeah
    this should be pretty great. TC did a bunch of local shows in the Bay Area in the '80s/early '90s. The music was great. The trilingual puns did keep us alert.
  • PatrickJP07
    8 years 4 months ago
    Finally a new Dose Hermanos CD
    I have the 1st CD Sonic Roar Shock, and enjoy listening to it from time to time. I think I'll enjoy this new release even more, being I'm partial to acoustic piano. I also enjoy listening to my Tom Constanten at The Piano CD. This CD I'm thinking will be like tossing both of the CDs I have into a blender. I hope they take they're show on the road, T.C. and Donna are the only two surviving members I've never seen live.
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Bob Bralove came to the Grateful Dead in 1987 to teach them MIDI (Musical Instrument Digital Interface) technology and swiftly became the band’s on-stage tech wizard, joining in on space with his own keyboard, eventually contributing to songs as a co-writer and producer.

Tom “T.C.” Constanten joined the Dead in 1968 and spent a year contributing mightily to one of the band’s most brilliant musical eras before moving on.

Together, they’re Dose Hermanos. They’ve made a lot of music over the past 17 years, but to this point it’s been largely in the realm of the psychedelic and electronic. Then they saw the two grand pianos at Prairie Sun studio, and inspiration flowered – in their ears alone, because the pianos were in different studios.

Wired together via headphones, they made their cues, entrances, and endings, Bob said, “by psychic transmission. You never know how much you rely on a nod, wink, or smile till you are blindfolded. I was worried about it when we started, but after the first take I realized it wasn’t a problem. We just knew what to do.”

The result is Batique, an exquisite and soulful series of improvised duets. Because it is acoustic, the subtleties are startlingly accessible, from the Aaron Copland-folk flavors in “Appalachian Summer” to the Stravinsky themes in “Tokyo Dawn.”

“Recording with acoustic pianos has allowed Batique to breathe in a big way,” said Bob recently. “It becomes all about touch, feel, and commitment. These tracks show Dose Hermanos at its best. We can finish each other’s musical thoughts in a way that still astonishes me.”

T.C. adds: “Long before there was ‘the cloud’ there were countless ‘clouds,’ arising organically, spontaneously - a gene pool of creativity, cultural conversations in metaspace, ideas tossed about among communities of artists, writers, musicians. Batique is the result of our diving in the deep end, willingly entering an uncharted realm, a vibrant playground where we make it all up as we go along.”

Bob and T.C.’s partnership has its roots in both their shared foundation in rock improvisation as well as formal training in composition and the musical avant-garde. T.C. studied with the greats – Karlheinz Stockhausen and Luciano Berio. Bob studied with the Pulitzer Prize winning Wayne Peterson before working with Stevie Wonder. Together, they’re Dose Hermanos – and they’re something else.

Batique is now available at CDBaby, Amazon, and iTunes.

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Bob Bralove came to the Grateful Dead in 1987 to teach them MIDI (Musical Instrument Digital Interface) technology and swiftly became the band’s on-stage tech wizard, joining in on space with his own keyboard, eventually contributing to songs as a co-writer and producer. Tom “T.C.” Constanten joined the Dead in 1968 and spent a year contributing mightily to one of the band’s most brilliant musical eras before moving on. Together, they’re Dose Hermanos. They’ve made a lot of music over the past 17 years, but to this point it’s been largely in the realm of the psychedelic and electronic. Then they saw the two grand pianos at Prairie Sun studio, and inspiration flowered – in their ears alone, because the pianos were in different studios.
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I have the 1st CD Sonic Roar Shock, and enjoy listening to it from time to time. I think I'll enjoy this new release even more, being I'm partial to acoustic piano. I also enjoy listening to my Tom Constanten at The Piano CD. This CD I'm thinking will be like tossing both of the CDs I have into a blender. I hope they take they're show on the road, T.C. and Donna are the only two surviving members I've never seen live.
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this should be pretty great. TC did a bunch of local shows in the Bay Area in the '80s/early '90s. The music was great. The trilingual puns did keep us alert.