Blair’s Golden Road Blog: Here’s Where the Rainbow Ends
By Blair Jackson
Nearly two years and 90 blogs ago, we embarked on a remarkable mutual journey through the world of the Dead. At times, writing Blair’s Golden Road Blog and contributing regular features to Dead.net has felt like a wonderful continuation of putting out The Golden Road, the spirited Dead ’zine my wife, Regan, and I put out between 1984 and 1993.
Writing for this space, I’ve been able to freely explore an incredible variety of topics relating to the Grateful Dead and all the impressive surviving offshoots thriving today. I’ve had the opportunity to interview at length so many fantastic musicians from Furthur, Phil & Friends, RatDog and Mickey’s and Bill’s groups—all of them incredibly nice and interesting folks. These are all truly special people who have been touched by that GD mojo. I’ve been privileged to write about a mind-blowing array of transformative events, from Bob’s transfixing meld with the Marin Symphony, to various New Year’s extravaganzas, Phil’s remarkable 70th birthday concert, Wavy Gravy’s 75th, the Global Drum Project, various magical Rex benefits and so many more. We’ve talked about Dead-related books, movies and videos, debated myriad big and small issues related to the Dead Head community, and gone off on all sorts of strange and colorful tangents. And there was also a fairly large dose of nostalgia—memories, reflections, opinions shared and sometimes battled over.
This week’s column marks the end of Blair’s Golden Road Blog, and I want to sincerely thank you all for your input these past two years. To be honest, when I started the blog, I was worried that the discussions it would prompt might devolve into the sometimes bitter and acrimonious back-and-forth that is so common in discussion groups all over the Internet. I completely understand that this is the way of the modern world, but I don’t have to approve of it! Can’t we all just get along? Yes, we can can!
But I/we lucked out! The responses to nearly every topic I broached in the blog were informative, thoughtfully presented and remarkably free of invective. What a collection of stories you’ve shared with us — insightful, funny, scary, crazy; the whole emotional spectrum. Thanks for being so damn cool! You also have my eternal gratitude for turning me on to your favorite shows, CDs and other inspiring things that brighten your lives. For a guy who is supposedly an “expert” on all this, I have huge humbling gaps in my knowledge—hundreds of shows and even a few entire tours I’ve never heard a note from, sad to say. I’ve taken copious notes from your suggestions and they should keep me busy for a long time to come. And with any luck, you’ve learned a few things from me and your fellow fans along the way. Lord, you know we made a fine connection!
The Grateful Dead has been in the foreground of my life since I first saw the band in 1970 (talk to high school buddies I tortured with endless spins of Live Dead, Workingman’s Dead and American Beauty!), but most intensely since the beginning of the ’80s, when my show-going increased dramatically (thanks to the Dead playing at the Greek, Frost, Ventura, etc.) and wrote my first book about the band, The Music Never Stopped. The feedback that book elicited (dozens of hand-written letters; remember that art form?) led directly to my starting The Golden Road, which dominated nine amazing years of Regan’s and my life. That, in turn, prompted Viking Books to ask me to write Garcia: An American Life following Jerry’s death, a project that affected me more emotionally than any in my career. Its success led to other books (such as Grateful Dead Gear) and to a number of liner notes writing assignments, and even some production work on Grateful Dead and Garcia releases — If An American Life was my favorite project of the post-Grateful Dead era, the box set, All Good Things: Jerry Garcia Studio Sessions, was a close second. To be in a top-flight professional recording studio day after day for months, listening to hour after hour of Jerry in action was powerfully overwhelming. God, I miss Jerry.
It was also an honor to work on the 17-volume Road Trips series with David Lemieux, who has been creatively steering the Good Ship Grateful Dead through both calm and stormy waters in the post-Garcia era and has consistently done magnificent work to keep the flame alive. I was, frankly, disappointed that Road Trips was critically lambasted in some circles, but I stand by every choice that was made and I continue to believe that a strong anthology can be every bit the equal of a single hot show release. Happily, the Dave’s Picks series seems to be working for just about everyone. Another highlight for me was penning the main essay for The Complete Europe ’72 megabox. That was such a special world to live in for the months it took to put together.
Sometimes I feel as though my life has been one very long Grateful Dead show. There are jamming songs and short tunes, rockers and ballads, smooth transitions and noisy train wrecks; songs I don’t want to hear, others that arrive at the perfect moment, “space” that baffles and soothes; long lines, lots of waiting around and bathroom breaks; dashed expectations and miracles beyond wonder.
At some point around 40 years ago, “Playing in the Band” started rattling around in my head, and stayed there. There have been a thousand offshoots from that theme, but it never disappears completely, and the variations are unending. Like waves upon the sand.
I’ve long embraced the concept that the sound of the Grateful Dead, and their songs, are always out there, floating in the ether, and all we do is just lock onto it/them for brief or long periods, as we ourselves move through time and space. It’s all one “Dark Star,” one “Playing in the Band,” from the early days through the post-Jerry years, and we enter that zone both alone and together. Where does the time go? It’s right there, unfolding before you. How does the song go? Just like you think it does.
Take care, everybody! No doubt I’ll see you again a few exits down The Golden Road. In the immortal words of counterculture sage Scoop Nisker, “Question authority and question reality. Stay high but keep your priorities straight.”
And as my eternal role model, the ever-optimistic Tigger, put it, “Ta-ta for now!”
It's been several years already since this blog went into archive mode.
Not sure why it's still so prominently displayed on the site ... unless the site's developers are being lazy or waiting to surprise us all with the much anticipated 50th year tour and all the zip and wow that promises to bring.
Personally, I love reading the old blog articles. They remain amazing and insightful about a band of mirthful music magicians who gave to much to so many.
Blair's blog or no Blair's blog, I will always remember Cornell, Winterland, Oakland, the Philly Spectrum, RFK, JFK, Giza, Amsterdam and so many other large and small gigs that gave me so much pleasure in ways that I will cherish forever.
I lost touch with this amazing web-based world a year or so ago. Before that I followed the blog and all the wonderful happenings of the Dead. I forgot this place, and then today stumbled across it in remembrance (and in remembering my login after all this time). I am a little late for the farewell party, but I'm here now...
...Keep on truckin' man and never stop the Love.
This place is sure to go down in history, blog and all.
Looks like I showed up late for the blog. I'll get to enjoy it as history, just like so many of the shows I was too young to see. I really appreciate the community that still springs up around this phenomenon, and yet I still yearn for the old days with deep sentiment. Eh, well.
riders are gonna miss ya when you're gone.
Happy trails on your next adventure.
And Rhino has changed the format to a less user-friendly one. Their contract is dues to end in 2015. Perhaps they have had it with the Deadheads. I couldn't blame them. If they exit the year after next so does this website, I would imagine.
All compounded phenomenon arise, dwell and pass away.
It must have been hard for Rhino to deal with the collection of people who take ownership of projects relating to Grateful Dead releases. They certainly couldn't have found a fan base with greater critical commentary. Some times they listened to us, some times they didn't. Who can say if they would have sold more stuff doing it one way as opposed to another? The hard core with discretionary income were always going to buy.
Blessings to you, and thank you for your wonderful writings over the years. Peace.
I know I've only read a small fraction of what you've written about the Dead and the scene, but I always found your work thoughtful, interesting, evocative and revealing.
I admire your dedication to unearthing and validating nuggets of stories that tell a part of this huge tale of ours. I also admire your fortitude in dealing with naysayers, your patience in dealing with the prickly and your perseverance in getting your book projects completed, regardless of the obstacles.
While the blog may be going away, I'm sure we'll all be hearing from you before too long, once you catch your breath again. You've probably got at least three projects in various stages of development - right?
I hope you and Regan take a very special and pampering vacation, and we'll see you when you get back! We'll look forward to it.
well they did trade willie mays
u r loved
and we all thank u again
As the last panel of Calvin & Hobbes had it -- "Let's explore!" Thanks for the memories & the blog!
So are there going to be anything to replace it?
Take care Blair.