Blair's Golden Road Blog - GD Movie Still Thrills!
By Blair Jackson
I’ve said this before, but it’s worth repeating: I believe The Grateful Dead Movie is the single greatest document of the Dead experience ever released. In just two-and-half hours, it explains—or at least illustrates—what is interesting and compelling about the Dead’s music, it captures what the fans were/are all about to a degree, dips into the band’s history a tiny bit, and serves up a heapin’ helping of some of the group’s greatest songs, from rockers to ballads to deep space. Seeing the movie in a theater with a couple of hundred other Dead Heads on 4/20—part of a nationwide one-night-only screening at 540 locations—reinforced the film’s greatness to me. It undeniably captures that ineffable whatever-it-is in spades.
I originally saw the Dead Movie (it’s technically called The Grateful Dead, but no one calls it that—just as no one calls the “Skull & Roses”/“Skullfuck” album by its proper name, Grateful Dead) at its San Francisco premiere at the Northpoint Theater in mid-1977. A special sound system was brought in for the occasion, and though I recall a couple of unfortunate sound glitches that night, it was still awesome to see a film played at near concert volume. I just dug up the review of the film I wrote in the July 28, 1977 issue of the San Francisco Bay Guardian, and I see that at the time I noted that “with virtually no advance publicity, the movie has arrived at San Francisco’s posh Northpoint theater, where it will play through August 2. It was worth the wait for Dead Heads. This movie is for you.” The brilliant 24-year-old critic claimed the Dead Movie “is perhaps the most artistic rock film ever made, and, in my opinion, among the most pleasing musically. It is devoid of the philosophical pretensions that marred feature-length films by Led Zeppelin, Pink Floyd and Yes …” Young Jackson, clearly bound for greatness even at that tender age, also talked about the “superb” editing, how “even though this film was shot during one brief period in the Dead’s career, it shows the quintessential Grateful Dead,” and raved about the opening: “ten minutes of the strangest, most spaced-out animation I’ve ever seen—a doper’s delight … Admission is only $3.50, half a buck under the Northpoint’s regular price. If you’ve ever liked the Dead, it’s worth every penny.”
Unfulfilled Pulitzer aspirations for that jewel of a review notwithstanding (yikes, not my finest hour!), the opinions in the full review don’t vary much from what I felt seeing the Dead Movie a few years later at a repertory cinema in Berkeley, and after I bought it on VHS many years ago. Then I enjoyed it anew (along with all that incredible bonus footage: “Dark Star”! “China Cat”! “Weather Report Suite”! Commentaries! Mini-documentaries!) when the two-disc DVD version came out in 2004 — perhaps David Lemieux’s capolavoro as a producer/packager of all things Dead. It’s funny, it’s trippy, it’s moving, it’s exciting … and it’s probably the most revealing glimpse into the mind of Jerry Garcia we’ll ever get. Because this was Jerry’s baby, beginning to end. (Kudos, too, to supervising editor Susan Crutcher and her fine staff, who assembled the film to Garcia’s taste and vision.)
I was struck again seeing it the other night just how Jerry-centric the film is. For a guy who was self-effacing and self-deprecating to a fault, it’s amazing how much of the film consists of close-ups of his face and his fingers. His little smiles, the looks in his eyes, the glances he shares with band members tell us so much about how he experienced those songs (or at the very least those specific performances). One of my favorite moments in the entire film is when the “Playing in the Band” jam, after going through all sorts of wild diversions and strange turns (including passages focused on Billy’s incredible drum work), finally returns to the “reprise,” and the camera is on Jerry and you see the reflection of the stage lights in his glasses, but you can still see his eyes clearly and they’re fixed on some indeterminate spot—maybe searching for the notes—and the melody from his guitar floats dreamily and gracefully, meeting Bobby’s and Keith’s parts in magical union, and all of that is communicated in his facial expression. In the extreme close-ups of Jerry’s left hand in action, his fingers almost become abstract objects as they dance and slide and stop for split-seconds, then quiver ever so slightly at the maestro’s touch. It’s like watching a virtuoso violinist, except you can almost feel the thought and intuition going into Jerry’s improvisation.
There are so many fantastic moments in the film; I’m sure you all have your own favorites, too. I always like that dark and grainy and crazy nitrous party backstage late in the film; the Winterland mirror ball spitting thousands of points of moving light through the arena; that “Morning Dew,” which is just about as good as any the band ever played—and we have it on film! I can’t even guess how many times I’ve seen the animation sequence through the years (we even used to show it to our kids when they were young), but I still get something new out of it every time—some image I’ve never noticed before.
Part of the draw of the 4/20/11 event was a healthy dose of never-before-screened outtakes of interview footage of Garcia and Weir (the latter with John Barlow) that provide fascinating windows into their quirky personalities. An unexpected bonus, though, was about 20 minutes of Europe ’72 tour photos by Mary Ann Mayer, set to a looped version of the 4/7/72 Wembley “Playing in the Band”—great to see that on the big screen. I would have loved the Dead Movie to have been louder, but seeing it in a theater again reminded me that the audio was mixed to capture the somewhat echo-y ambience of Winterland. It really sounds like the ol’ place, for better and worse—Phil, alas, does not come through as clearly as I like to hear him (but he sounds great on the must-own “Soundtrack” CDs that came out around the same time as the DVD).
One last thought: With live operas and ballets from Europe now being broadcast regularly into American movie theaters in many cities, what’s preventing Furthur (and other bands) from doing the same? Sounds like a good time out at the cinema to me! I can think of 10 or 15 bands I’d pay to see that way.
Do YOU have any reflections about the recent Dead Movie screening or the film in general? What’s your favorite Dead video?
NOTE: The Grateful Dead Movie Event will encore for one-night-only on Thursday, May 5th. Click here to get tickets and more info.
Hey Blair, why not start right here... at Dead.net? Some percentage of folks in the movie must still be on the bus, but perhaps don't actually check through the posts. A banner on the home page might attract some of their attention (and perhaps something on archive.org? I can think of other methods, but they might be a bit too complex--why not an announcement like there was in Europe '72, of the "attention Deadheads" type with official Dead recording? Some of these folks no doubt still purchase such things!
Anyhow, just a suggestion, from "a crazy one"! (Hey, I don't really like movies, ANY movies, what can I say!)
So yes, I took my oldest & youngest to the Glen Allen VA showing Thursday night, and as I said, we have the DVD, and they've seen it mostly the animated beginning which they always enjoy, but it was boys night out and my oldest is now playing guitar (very well I might add...) so I want to provide him with experiences of true guitar artists, if not LIVE, then as close as possible for him to see if he's got the bug to play/write/enjoy real music rather than letting him get influenced on the Grammer School bus with Pop crap where no one is playing anything.
He dug it... he was very interested in hearing the Jerry interview and even MORE interested in Bobby's interview... then the animation... and then the show... we left after Sugar Magnolia because it was a school night and the two of them were starting to nod off... but it was positive.
The only negative (if you want to call it negative) was that he is learning about drugs in school and had just asked me what Chrystal Meth was and Heroin... and he obviously saw all of the joints and buds that were displayed and I think that may have turned him off from the Band or he may now associate them negatively to drugs. I tried to explain about back in the day and natural drugs vs synthetic but, it's a conversation for another year... bottom line son is thatdrugs are not good... don't let anyone tell you they are not, let me know if / when they are offered to you...I'm gonna know immediately anyway, so...
And dont tell yor mother!! :-)
My 4 year old asked me to play that Red White and Blue song... now HIM I gotta keep my eye on :-) !!!!!
Nothin' left to do but :-) :-) :-)
I always thought it would be interesting to track down some of those folks in the film, but I don't even know where you'd begin...
This will stand as the best video just cause it was the first but i enjoy 'em all from Dead Ahead to the pay per views on NYE 85-86, Ticket to New Years, etc. Downhill From Here holds a special place for me as I was there, and the Winterland DVD is fantastic too. Blair, do you know what ever became of the guy in the film who was pissed about the filming? The guy who shook hands and made a bet he wouldn't be lining up to see it? Wonder if he owns all the releases now or just went on to be a big fan of Air Supply or some other crappy band.
If you get confused, listen to the music play!
Did they love it?
"Sometimes the songs that we hear are just songs of our own."
I;m headed to the movie tonight in Glen Allen VA with my 11 yr old and 4 yr old.... even though we've seen the DVD like 10 times, they are psyched for the big screen !
I'll let you know how it went tonight when I get back...
Nothin' left to do but :-) :-) :-)
I love the Grateful Dead Movie, and seeing it in a theater with a lot of other Deadheads was wonderful. The sound was good, too, although it could have been louder. My only complaint was that the digital delivery system did not have the resolution of film. I could see lines on the screen, which I expect while watching TV, but it was a bit jarring on the movie screen. On the other hand, it was fairly easy to ignore.
Steve Premo -- Santa Cruz, California
"If there's ever an answer, it's more love"
- Tim O'Brien
Are you crazy? Yes, I'm afraid so! ;-)
A couple of years ago I revisited the Dead Movie and was inspired to post a detailed account of my reaction to the film, which was overwhelmingly positive in so many ways. Seeing the film again was a revelation. Instead of boiling it down right here, however, I'll just paste the link for anyone interested. Oh, and how amazing would it be to see all the footage from those Winterland gigs assembled in their entirety? Who wouldn't pay to own that? I know I'd be first in line. Here's the link top my thoughts: http://halmasonberg.wordpress.com/2009/08/02/midnight-movies-the-gratefu...
Alas, it did not play recently up here in Canada, so I have not seen it in the theatre since its original showing so long ago. But I do watch it on dvd, and (here come the hisses) I am always somewhat dissapointed! I LOVE 73-74 dead, but still think the best parts only made it to the bonus DVD. Am I crazy, or what, but I find the Dew to be tired, and the Stella perfunctory! I also hate animation during the footage (the open sequence aside), which is so common with all Dead movies/videos. I never appreciate someone's idea of what "trippy" visuals are like, and one advantage of a movie over an actual show (perhaps the ONLY advantage!) is seeing close up the fingerings of Jerry and Co. Often when they get most interesting, some damm visuals are overlayed. Oh well, curmugion am I!