Holy S#%*! It’s the COMPLETE Europe ’72 Box! On Over 60 Discs!
The Complete Recordings
Hey now! Due to overwhelming demand, surprising even those of us with huge faith in the Europe '72 project, the entire limited edition run of 7,200 boxed sets has sold out in less than 4 days. We thank you beyond words for your support and belief in this unprecedented and wonderful release.
After lengthy discussions, we've decided we don't want to deprive anyone of this music, some of the finest the Grateful Dead ever performed. Of course, we're keeping to our promise that the boxed set and all of its accouterments will not be made available beyond these 7,200 boxed sets (and wait until you see the case in which the music is housed, the hard-bound coffee-table book, plus all of the other cool surprises we've been unearthing!). But, we're going to offer just the music, all 22 shows, more than 60 CDs, more than 70 hours of music, each show housed in its own packaging, for the same price as the boxed set, $450 including domestic shipping. Although perhaps not as cool as the boxed set, the bottom line is that the most important aspect of Europe '72: The Complete Recordings is going to be made available to all, the music.
Because you dared dream this might happen one day… Because you went down to the Gypsy Woman and offered up your first-born to try to make it happen… Because there are enough passionate Dead Heads at Rhino/GD who thought it might be cool for this to happen… It’s happening! Coming in September is a gargantuan, beautifully designed EUROPE ’72 MEGA-BOX SET containing ALL 22 SHOWS of what is arguably the greatest tour the Grateful Dead ever played, on a whopping 60+ DISCS (over 70 hours of music!). Bet you didn’t see that comin’!
Really, at this point we probably don’t need to lay on too much hype about how wonderful the music is: Chances are, if you’re even considering buying a copy of this stunning box, you already know how amazing the Dead’s tour of Europe in April and May of 1972 was. To review briefly, though, the Dead’s first tour outside of North America took them to all sorts of historic and unusual venues in England, Denmark, West Germany, France, Holland and even tiny Luxembourg. Many members of the Dead “family” came along on what was really an extended working vacation that was designed to both expose the Dead to new audiences and also reward the band for their unlikely conquest of America during the preceding two years. As a hedge against the costs of the nearly two-month trip, the Dead’s label, Warner Bros., paid for the band to lug around a 16-track recorder to capture the entire tour… and we’re glad they did!
This was a band at the top of its game, still ascending in the wake of three straight hit albums — Workingman’s Dead, American Beauty and the live Grateful Dead (“Skull & Roses”). It had been a year since the lineup had gone to its single-drummer configuration, six months since Keith Godchaux had been broken in as the group’s exceptional pianist, and this marked the first tour to feature Donna Godchaux as a member of the touring band. There was a ton on new, unreleased material that came into the repertoire in the fall of ’71 (after “Skull & Roses” was out) and during the spring of ’72, including “Tennessee Jed,” “Jack Straw,” “Mexicali Blues,” “He’s Gone,” “Comes A Time,” “Ramble on Rose,” “One More Saturday Night,” “Black-Throated Wind,” “Looks Like Rain” and Pigpen’s “Chinatown Shuffle,” “The Stranger (Two Souls in Communion)” and “Mr. Charlie.” (Sadly, this was Pigpen’s final tour.) All those future classics were interspersed with songs from the aforementioned “hit” albums—such as “Uncle John’s Band,” “Brokedown Palace,” “Cumberland Blues,” “Casey Jones,” “Sugar Magnolia,” “Bertha,” “Not Fade Away,” et al — and then were topped off by loads of big jamming numbers — the Europe ’72 tour produced spectacular versions of “Dark Star,” “The Other One” “Playing in the Band,” “Truckin’,” “China Cat Sunflower” > “I Know You Rider,” “Good Lovin’,” “Lovelight” and even the early Pig chestnut “Caution.” And that’s leaving out a truckload of other tunes, too! There wasn’t a clunker show in the bunch, and many are acknowledged today as classics. No doubt you already have some favorites.
Through the years, there have been a few releases of material from the Europe tour—starting with the 3-album Europe ’72 which knocked our socks off in the fall of that year, and followed many years later by material from a pair of German shows and the fantastic 4-CD Stepping Out, culled from the group’s eight shows in England. Incredibly, though, only one full show from the tour has come out previously: the excellent 4/24 concert in Dusseldorf, Germany, released as Rockin’ the Rhein in 2004.
Until now, that is. Jeffrey Norman, who has been the primary mixer of Dead archival multi-track material for the past 15 years (Fillmore West ’69, Ladies and Gentlemen…, Rockin’ the Rhein, Nightfall of Diamonds, etc.) has spent many months toiling over the 16-track masters from the tour, and will continue working on the mixes through the Winter and Spring, employing the high-tech Plangent Processes transfer and restoration tools, trying to get every show to sound “just exactly perfect” (as Bob Weir says) for this release. You might think you’ve heard that intense “Dark Star” > “Sugar Mag” > “Caution” from Copenhagen, but I guarantee you’ve never heard it sound this alive! Mastering to HDCD specs is two-time Grammy-winning engineer David Glasser of Airshow Mastering. Needless to say, all the songs that turned up on previous Europe compilations will be appear in their proper show contexts, and in the case of songs from the Europe ’72 album, without overdubs that were added later (where possible).
So dig deep, raid the penny jar, take a weekend job at Jack-in-the-Box, beg your kindly ol’ grandma for some of your inheritance early… Yes, it’s an extravagance, but jeez, you (or your loved one) deserve it! This is way cool.
Wasn't the London Zappa show from 2/78?
It's one of my longest-held dreams that those fall '70 Capitol SBDs would magically materialize someday... That and the '81 Greeks!
It's true that a 1970 box would be nice to have. Or a thematic box - 20 discs of Dark Stars; 15 discs of Playins (but each in context, ie with the full sequences before and after).
Fun discussion if nothing else.
The only gaps in my collection are the stuff almost nobody has - complete, quality 1970 boards of the April Fillmore West, June Fillmore West, July Fillmore East, August Fillmore West, September Fillmore East, and November Capitol Theater runs. I know the history but there's always hope these surface some day.
There's an entire evolutionary cycle of Dark Star over this time period that's documented almost exclusively by auds in the public trading realm. Very sad!
A box set of any of these runs would have me very excited.
At about 7 ducats a disc for 66(!) discs of the entire tour with extensive and elaborate notes and packaging, I see nothing to complain about. Be glad you're not a Frank Zappa Fan, they recently offered a 3 disc live show from London 10/31/78 for $48! More than twice the price per disc.
... but I've been insulted much worse by many others through the years. Comes with the territory. What I might think is bringing a personal perspective to some things doubtless looks like bragging if seen in a certain light... whereas my view has always been: "I can't believe I was so lucky to have been at this or that great show and now I get to write about it!"
Since I wasn't on the Europe '72 tour, I'm not gonna be a "character" in that essay...
I will purchase one but my primary interest is in the music, not the packaging. 100% of the time I rip the discs to my iTunes library and the packaging goes on a shelf after reading through it once, never to be opened again.
"Can I have mine without another ponderous, self-congratulatory essay from Blair please. I'll pay extra"
ponderous and self-congratulatory? WTF? That's about the last two terms I'd think of to describe blair's writing. Dude's got a gift.
After reading the essay he penned for the Formerly The Warlocks box set, I emailed him to ask if he had actually attended the shows, because he managed to capture the exact spirit of the event without ever mentioning whether he was there or not (turns out he was not).
I smell a whiff of envy, quite frankly.
So, this is going to be held in a friggin' suitcase!? Wow, this is going to take up ALOT of space and the shipping costs - yikes!
One, two, three... take a step back
One, two, three... 'nother step back...