Greatest Stories Ever Told - "Dark Star"
By David Dodd
Here’s the plan—each week, I will blog about a different song, focusing, usually, on the lyrics, but also on some other aspects of the song, including its overall impact—a truly subjective thing. Therefore, the best part, I would hope, would not be anything in particular that I might have to say, but rather, the conversation that may happen via the comments over the course of time—and since all the posts will stay up, you can feel free to weigh in any time on any of the songs! With Grateful Dead lyrics, there’s always a new and different take on what they bring up for each listener, it seems. (I’ll consider requests for particular songs—just private message me!)
It was very embarrassing, and I was extremely chagrined, and I forever apologize to whoever it was standing next to me on the floor at Winterland that New Year’s Eve 1978, but when the band launched into my first-ever live “Dark Star,” I was so excited that I threw my hands in the air, fists clenched, and bashed the guy standing beside me in the jaw.
The sign that had been hanging from the balcony since I started going to see the Dead, with its ever changing number: “___ days since last SF Dark Star” was taken down amid general mayhem and craziness. It had been 1,535 days. I had pretty much figured that I would never ever get to hear “Dark Star” performed live. Probably a lot of us felt the same way. Of course, the rumors had been flying that night—“They’re gonna play ‘Dark Star’!”—but I just plain didn’t believe it. So when the third set opened with the song, it was pure magic. That four-note motif resonates more deeply, to a Deadhead, than the opening four-note motif of Beethoven’s Fifth, promising brand-new, magical musical adventures ahead.
Hit pause, here, for a sec.
OK, I’m back. Just went and watched the “Dark Star” segment from the Closing of Winterland DVD, and yep, it was an adventurous moment in an evening full of adventure. Clear as a bell, and almost in self-parody, an audience member is captured on the DVD yelling, just before the band starts playing: “DARK STAR!!” Funny. Where the parody of shouted requests usually, these days, takes the form of someone yelling for “Freebird,” my mind always goes straight to “Dark Star!”
Robert Hunter, in his introduction to Box of Rain, discussed writing the lyrics. He had been invited to join the band as their lyricist, after having sent several songs by mail (“Alligator” and “China Cat Sunflower” among them) and journeyed from New Mexico to San Francisco:
The trip took six weeks with a surreal layover in Denver. By the time I hit Nevada I had a dime in my pocket which I put in a slot machine and parlayed into enough to make a phone call and tell the guys I was on my way. I arrived in San Francisco with a case of walking pneumonia and the clothes on my back. The next day I was writing Dark Star, feeling pretty much as the lyric suggests.
Hunter joined the band at a rehearsal in Rio Nido (in Sonoma County), and wrote the initial lyrics to the song while the band was playing. Thus, “Dark Star” is often referred to as the first song he wrote with the band.
Here’s another snippet of an interview with Hunter talking about the origins of the song:
"I was in my cabin. They were rehearsing in the hall, and you could hear from there. I heard the music and just started writing Dark Star lying on my bed. I wrote the first half of it and I went in and handed what I'd written to Jerry. He said, 'Oh, this will fit in just fine,' and he started singing it... [When] I heard the Grateful Dead playing, those were the words it seemed to be saying.... That did it for the time being. Then, a couple of days or weeks later," Garcia said he wanted another verse, so Hunter wrote the next verse sitting in Golden Gate Park.
"I was very impressed with T.S. Eliot around the time I was writing Dark Star," Hunter said, and one line was clearly influenced by a line in 'The Love Song of J Alfred Prufrock' - "Let us go then, you and I, when the evening is spread out against the sky." "Beyond that, that's just my kind of imagery.... I don't have any idea what the 'transitive nightfall of diamonds' means. It sounded good at the time. It brings up something that you can see."
To add just one more little bit to the origin story, Hunter describes elsewhere how he was sitting in Golden Gate Park working on the lyric when someone came by, asking what he was writing. Hunter responded that it was a lyric called “Dark Star,” adding, “This will be important, remember this.”
These blog posts are nothing more than my small attempts to get a conversational ball rolling among the readers—all of you who might stumble over this particular post. “Dark Star” merits an entire book, and in fact, there has been enough ink spilled about the song to put a book together without too much effort.
Musically, the song’s evolution and variations has been meticulously tracked by Dr. Graeme Boone, published in an essay on the development of the improvisational structure in the song between its initial composition and 1972, identifying sequences that appeared and to which were added other sequences over the course of time. An amazing chart elucidates this evolution, with particular sections (each of which is instantly familiar to any Deadhead) identified and labeled. Some say this kind of extreme theoretical analysis applied to a song whose hallmark is improvisation is a contradiction. For me, it’s just another example of someone allowing his enthusiasm to create and expand meaning. Plus, it’s fun! I heard Boone speak in Amherst, Massachusetts, at the “Unbroken Chain” symposium in November 2007, and I still have his handout from the talk, entitled “Dark Star Revisited,” which contains charts of the sequences as well as two mandalas capturing the form of the song. Amazing.
Photo Credit: David Gans
The Dead recorded “Dark Star” as a single during the Anthem of the Sun sessions, and released in April 1968, backed with “Born Cross-Eyed.” The single version, later released on the compilation album What a Long Strange Trip It’s Been, was short, and included the only instance of Hunter’s voice on an official Dead release, reciting a closing “word salad” over Garcia’s banjo as the single winds down.
Along with many other Deadheads, my own first experience of the song was the version on Live/Dead, released in November 1969.
Early live versions of the song, as they worked on the song’s structure and performance, no doubt predate the first recorded live performance, on December 13, 1967 at the Shrine Exhibition Hall in Los Angeles. DeadBase X records 217 performances, with the final one taking place on March 30, 1994, at the Omni in Atlanta. After the 1974 hiatus, performances of “Dark Star” were a rare occurrence. I was fortunate to catch one other performance of the song, at the Greek Theatre in Berkeley, in July 1984, performed as an encore.
And as for the lyrics.
It’s hard for me to separate the words from the voice of Garcia singing them. They are a perfect marriage of that particular voice and words by that particular lyricist. The way the opening word bursts from Garcia, eerie or prophetic, just never fails to get me. And the way he sings (yes, still sings...present tense) the line: “Reason tatters...” captures that shredding of logic for me.
The whole world may be falling apart in some cosmic cataclysm (and given what we know about the universe, this does seem to be the case), but nevertheless, we can go, together, “you and I,” through a nightfall of diamonds. “While we can”—as in, live in the now, seize the day.
The lyric, as with other early Hunter lyrics, clearly marks out the psychedelic territory of the band as a whole, lest there be any doubt whatsoever.
I’ve heard many, many interpretations of the words. I leave that to others, generally. Here’s what Garcia said to Charles Reich in Garcia:
“So I have a long continuum of ‘Dark Stars’ which range in character from each other to real different extremes. ‘Dark Star’ has meant, while I’m playing it, almost as many things as I can sit here and imagine...”
Well said, and thank you, Jerry.
Dark Star started for me what I always liked to call " MY ICE TRIP". At a Dead show in 1970, tripping my brains out, I started to realize that a particular pattern had developed at least for me. Dark Star, nightfall, diamonds, cold rain, snow, glass, mirror shatters-- in my trippyness? I had stumbled upon a common thread. All of those words along with others by The Dead share something. It is hard to put into words but lok at the words, feel the words. There is a common link between all of them. Many a night tripping at a Dead Show I would go into " MY ICE TRIP" and get transported somewhere else entirely while still being there and it usually started or culminated with Dark Star!!! It still takes my breath away.
I love those Dark Stars where they noodle for so long that you actually forget there are lyrics to the song, and the hair on the back of your neck stands up right before Jerry starts singing them...
...not cliché. But, most people are searching for a better version. It's possible that it doesn't exist?
Is it cliche to still think the version from Live Dead is still the best? :)
I'm definitely not trying to endorse this as one of the best versions. Just listened to the bonus disc of the There And Back Again album for the first time in about a year. I do enjoy that Dark Star. Especially, the beginning jam.
The first four note analogy to Beethoven's Fifth Symphony is perfect. The version of Dark Star used for Live-Dead reflects the expansive exploration of the time. 1969 Apollo goes to the moon or outer space and at the same time the simultaneous exploration of inner space by the Earth bound. I feel the January through March 1969 versions of Dark Star convey the inner and outer cutting edge explorations both beyond the atmosphere and the quest for higher awareness. I bought Live-Dead just before Christmas 1969 the same time and place I bought my first Grateful Dead tickets. (some head shop record store on 8th street, West Village, NYC for the Fillmore East)Was very fortunate to see the Dead perform Dark Star numerous times from 1970 through
1974. Then another round new years eve 89-90 and new years eve 90-91. The standout Dark Stars I saw live were 9/19/70, 2/18/71 and 8/27/72. There is no way a thinking feeling human being could not help but become transformed, illuminated (even if for a short time) and yet also permanently changed by those live experiences. The best Dark Star? The question is answered with many more questions. Onward through the fog. The metaphysical explorer pops through the sky dome atmosphere of inner and outer simultaneously. "Once in awhile you get shown the LIGHT in the strangest of places if you look at it right". R.Hunter "Shall we go, you and I while we can (while we can....) Through the transitive nightfall of diamonds." Robert Hunter
A little early, but I think Bird Song will be next up.
Second guess: He's Gone
the Dark Stars - and I love it whenever there is any discussion on the Dark Star. Lots of interesting posts here about what the song "says" - and what the song and the music combined "say". Great stuff - I loved all the posts. But you must also check out Blair's piece and the comments at http://www.dead.net/features/blair-jackson/blair-s-golden-road-blog-dark-star-crashes#comment-353871. Shall we go? You and I, while we can? Say Yes.
From Sonic Youth guitarist Lee Ranaldo, a blog post about "Sunshine Daydream," including this paragraph:
As the sun sets, the band really settles in and stretches out, deep into the space of a lengthy and quite remarkable “Dark Star,” truly sublime. It’s so cool to watch them playing this stuff, not just hearing it but watching them onstage, and the filmmakers stay with the music as the band moves into some deep space, and let the playing unfold without trying anything goofy or tricky. There are no histrionics from the players either, or even any stage patter, really, just the music. You can feel them get more comfortable — and more out there — as the bright sun fades to red dusk and then enveloping darkness.
My one and only live Dark Star came in the spring of 1973 at the University Of Illinois Assembly Hall in Champagne. The Hall looks like a giant spaceship and it seemed to inspire Garcia. Garcia evoked sounds from his guitar that were other-worldly. I have never heard anything like it before or since. It sounded exactly like the transitive nightfall of diamonds, whatever that is. Of course, I was tripping at the time. I thought that the whole building was going to take off and head "where no man had gone before."