I ve got 2 really good ones right now. 3/06/81 Stanley Theater, JackStraw, Peggy-O, They Love Each Other,and Cassidy was in there but those 3 tunes are what got me on the bus. Very Hot. Then 9/26/81 Buffalo, Bertha>EstimatedProphet, and Morning Dew are very very hot as well. I'm a little partial to those because they were my first 2 shows, but give them a listen and I think you will all agree the band was 100% on!!!!!
with my Moniker i had to make a choice on this
I love the version on Ladies and Gentlemen The Grateful Dead
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Ratdog 12th August 2007 Lowell
may not be the best but it is worth a listen, Dennis McNally reading Kerouac about Uncle Neal
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It's the scariest Playin i have heard.....
Dead to the Core
Howdy GD folks,
hmm...it's always hard to say but some good versions off the top of my head are:
Dancin: 02-14-70, atlanta 77, of which there is some bass drum beats that have me wondering what was going on exactly, NEVER heard the bass drum beat so fast, like ginger baker....I think it was mickey, but you never know...the only reason I would think it was mickey is becuase he is the research drummer if you will
Sugar mag>scarlet>fire : 03-27-88 is on fire....this should be looked at for a commericial release, it's that strong, the fire on the mountain is great, nice groove, nice note choice by garcia, etc. the whole band is on...estimated that follows is really good too
Dark Star 04-29-72 Hamburg, Germany, it's difficult to assess europe 72 tour is simply so well performed , this is a nice dark star
Corrina : 06-15-93 , great performance, not a real fan of the tune, but the jam that comes at the end is so organic , and "indian like" not east indian, but american type indian
terrapin station>jam , 06-23-93 , the show is very mundane , until this point after terrapin...it is similar in design to the early 70's, but the tonality is much more complex and modern, not simply a mixolydian type of tonality, a nice full twelve tone tonality, that is very mature
wharf rat: 03-21-90, very well done on the instruments and vocals, the out jam is very strong
china cat sunflower>I know you rider, 07-06-90 is very good, nice phil and jerry trade off's , phil playing is very strong during the segue jam into rider
He's gone>jam , 07-06-90 Louisville, Ky. very nice jam, perhaps one of the best from 90's, very blues laden, but then does the triplet groove as in the other one on the out, nice phil playing on this one
visions of johanna : chicago, 95 , jerry throws out his ear monitor and let's it rip, he singing this one from the heart, I almost think he knew that this might be the last time
space: 06-19-93 chicago, mickey goes nuts on the beam, I never see him baseball swing like this before
playing in the band: 06-06-93, out of UJB, which is usually the oppisite, this one goes to meltdown into drums, full twelve tone wierdness by the end of the jam, also jerry is actually using a wah wah pedal reminiscent of the early 70's
Sugar Magnolia, 03-16-93, on the sunshine daydream, phil let's down on the volume pedal, on the F sharp to E natural kicks, I mean 20 kHz to the max, let the ole subwoofer put the vibe out, good version too
Big River : 06-22-73 standard honky tonk , will Billy K playing a perfect beat on the snare, plus everybody else just letting it rip
that's the short list, I could go on for days, most of this I actually saw, the other I've listened to many, many times
I wish that for just one time, You could stand inside my shoes, and for just that one moment, I could be you - Bob Dylan, Positively 4th St.
9- '72, Baltimore on Dick's Picks is a smoker.
This one is so spicy I swear my speakers were dripping Tobasco.
I am gettin married in Oct and would love our first dance to be to They Love Each Other....I am looking for some ideas about some versions that some others may think would work. I think something from JGB would be best, but maybe some 1990 with Bruce Hornsby.... just looking for some opinions!!!! Hit me up with a message if you have a thought about it!!!!
...shall we go, you and I while we can...
There was a singular moment that occurred during every show that was so meaningful because it contained no music. It was the moment when the house lights dimmed, before the stage lights went up, as the band walked onstage. In that moment, you knew the band could take you anywhere they wanted to, and you gave in to it. It was the moment of the highest trust and vulnerability. The Grateful Dead never took anybody on a bad trip. Even on the off nights, the inherent good will of the musicians shown through. Thanks to Jerry and the rest of the band for letting me experience this 170 times. These were the highest moments of my life.