Moving this ever-popular thread into its next incarnation...
Actually from 72-75[listening to Ramblin'n Man from 11/26/73]
The Allman Brothers Band-Wipe The Windows,Check The Oil,Dollar Gas[quite a good live album from 1976]
Hamburg, West Germany, from 4/29/72 > Very imaginative, to say the least. Wish I had the funds to travel to Europe 36 years ago...
like a steam locomotive, rolling down the track....
Ornette Coleman: "Free Jazz" (just ended)
ABB: American University, 12/13/70 (playing now)
Miles: "Sketches of Spain" (on deck)
"Constantly choosing the lesser of two evils is still choosing evil."
- Jerry Garcia
The Monteverdi Choir
The English Baroque Soloists
John Eliot Gardiner
Recorded Georgenkirche, Eisenach
23-24 April 2000
"Where does the time go?"
Bruce Springsteen & The E Street Band
“Night”
KIVAK MASTER SERIES
The Bottom Line- New York, NY
August 14, 1975 (The Early Show)
Audience Recording
Cassette>CD>Wav>Roxio/CD Wav Editor/Magix>flac
This is the second performance from the legendary Bottom Line Series in New York. It was captured during the
early show on August 14, 1975. Joe Kivak was able to document this magical moment in Bruce Springsteen’s history,
being on the heels of the release of Born To Run. These shows were among the best when a young Bruce Springsteen
& his almighty E Street Band were on the brink of conquering the world! This contains the first live performance
of "Night." "Rosalita" has a very slight edit, as well as "She's The One". Other than that the show is intact and
the sound is good. I hope this remastered edition is the ultimate in replacing the old existing copy. No doubt
that Doberman used Joe's recording as the source for "Runaway American Dreams."
Fanatic Records & Mr Anonymous present the Kivak Master Series!
Enjoy!
Rob Oslan – Fanatic Records
Tenth Avenue Freeze-Out
Spirit In The Night
Then She Kissed Me
Growin’ Up
Saint In The City
E Street Shuffle
Night
She’s The One
Born To Run
Thunder Road
Kitty's Back
Rosalita
Quarter To Three
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http://spanishsunshinedaydream.blogspot.com/
http://www.facebook.com/photos.php?id=633338979
Spanish Jam
Herbie Nichols "Complete Blue Note Recordings" 4/19/56
Art Farmer "Portrait" 4/19/58
Andrew Hill "Grass Roots" 4/18/68
"Where does the time go?"
Grateful Dead
02/18/1971
Capitol Theater
Port Chester, NY
Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert.
Thanks to trailmix for providing the lineaged master DAT for transfer.
Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
Seeded by the Green Mountain Bros. at bt.etree.org, May 2007.
Disc I - Set I
01 Bertha*
02 Truckin'
03 It Hurts Me Too
04 Loser*
05 Greatest Story Ever Told* >
06 Johnny B. Goode
07 Mama Tried
08 Hard To Handle
09 Dark Star >
10 Wharf Rat* >
11 "Beautiful Jam" >
12 Dark Star >
13 Me & My Uncle
Disc II - Set II
01 Chandelier incident
02 Casey Jones
03 Playin' In The Band*
04 Me And Bobby McGee
05 Candyman
06 Big Boss Man
07 Sugar Magnolia
08 Saint Stephen >
09 Not Fade Away >
10 Goin' Down The Road Feelin' Bad >
11 Not Fade Away >
12 Uncle John's Band
Comments:
*First public performance.
- d2t08: Reel flip at 04:48 of "Saint Stephen" crossfaded.
- Approximately 1:39 were removed from the lengthy dead space/tuning preceding "Loser" allowing the entire first set to fit on a single 80 minute disc, while keeping in Bob's "Second oldest ritual" comment... that's a fact....
- Intermittent faint audible artifacts/pops were attenuated using manual pencil redraw under high magnification. These were retrospectively found on all other circulating recordings from this performance. They were most abundant at the beginning of "Dark Star" and also at the start of "Wharf Rat". There are a few spots still remaining in "Wharf Rat" that are just too embedded to get out - sounds like minor transient peak distortion.
- The notorious broad-peaked high pitched whine centered 8000-8100 KHz range was removed using a digital paragraphic equalizer (Waves Q6) with 2 narrow/notch bands (Q set maximal @ 100, -12 dB) set at just under and over 8000K for the first reel and just under and over 8100KHz for the last 3 reels. Previously circulating sources either used a wider band filter or a noise reduction approach performed on low bit/sample rate files which yields suboptimal results. All processing on this transcription was performed at 24/96 resulting in a much smoother transparent sound.
- - - - - - - - - - - - - -
http://spanishsunshinedaydream.blogspot.com/
http://www.facebook.com/photos.php?id=633338979
Spanish Jam
Grateful Dead
02/18/1971
Capitol Theater
Port Chester, NY
Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert.
Thanks to trailmix for providing the lineaged master DAT for transfer.
Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
Seeded by the Green Mountain Bros. at bt.etree.org, May 2007.
Disc I - Set I
01 Bertha*
02 Truckin'
03 It Hurts Me Too
04 Loser*
05 Greatest Story Ever Told* >
06 Johnny B. Goode
07 Mama Tried
08 Hard To Handle
09 Dark Star >
10 Wharf Rat* >
11 "Beautiful Jam" >
12 Dark Star >
13 Me & My Uncle
Disc II - Set II
01 Chandelier incident
02 Casey Jones
03 Playin' In The Band*
04 Me And Bobby McGee
05 Candyman
06 Big Boss Man
07 Sugar Magnolia
08 Saint Stephen >
09 Not Fade Away >
10 Goin' Down The Road Feelin' Bad >
11 Not Fade Away >
12 Uncle John's Band
Comments:
*First public performance.
- d2t08: Reel flip at 04:48 of "Saint Stephen" crossfaded.
- Approximately 1:39 were removed from the lengthy dead space/tuning preceding "Loser" allowing the entire first set to fit on a single 80 minute disc, while keeping in Bob's "Second oldest ritual" comment... that's a fact....
- Intermittent faint audible artifacts/pops were attenuated using manual pencil redraw under high magnification. These were retrospectively found on all other circulating recordings from this performance. They were most abundant at the beginning of "Dark Star" and also at the start of "Wharf Rat". There are a few spots still remaining in "Wharf Rat" that are just too embedded to get out - sounds like minor transient peak distortion.
- The notorious broad-peaked high pitched whine centered 8000-8100 KHz range was removed using a digital paragraphic equalizer (Waves Q6) with 2 narrow/notch bands (Q set maximal @ 100, -12 dB) set at just under and over 8000K for the first reel and just under and over 8100KHz for the last 3 reels. Previously circulating sources either used a wider band filter or a noise reduction approach performed on low bit/sample rate files which yields suboptimal results. All processing on this transcription was performed at 24/96 resulting in a much smoother transparent sound.
- - - - - - - - - - - - - -
http://spanishsunshinedaydream.blogspot.com/
http://www.facebook.com/photos.php?id=633338979
Spanish Jam
Locations
MINGLEWOOD>>TENNESSEE JED