I picked up a copy of "100 Year Hall" in the bargain rack at Rasputin's records here in California (one of the last great record stores incidentally).
I know it's old hat for a lot of fans but it's brand new to me and I'm really enjoying it.
I've been listening to a lot of late 70's and early 80's Dead. I am noticing the crispness of the band in '72.
I was listening to the version of "The Other One" yesterday under the full moon. I saw Rolling Stone used it as part of their reasoning in picking Jerry as one of the greatest guitarists of all time.
Definitely a great concert and picking it up for $ 7 is all the better.
I'm new on the these forums but have been a Dead fan since the mid-80's. I only saw them three times. I wish I had seen them more but the music lives on.
Used vinyl I just grabbed. I used to have a copy of this album, disappeared under mysterious circumstances, which is to say, I have no recollection of where it went. It definitely was a part of my "keyboard rock" period.
Coming off 8/14 & 15/71 - Berkeley Community Theatre that rip. There's a picture of Jerry playing a Strat in Deadbase IX with a caption that says "Berkeley Community Theatre 1971". I think they mean 1972 because surely Jerry's playin' somethin' Gibson at those shows.
8/16/80 Mississippi River Festival Set 1
8/16/51 Dizzy Gillespie
8/16/52 Geri Mulligan w/ Chet Baker
8/16/57 John Coltrane "Lush Life"
8/16/59 Teddy Edwards "Sunset Eyes"
8/16/60 Eric Dolphy "Out There"
8/16/61 R.R.Kirk "We Three Kings"
8/16/80 Mississippi River Festival Set 2
I was at this show and had the best time of any I'd attended - music was pretty good, too. I believe they atoned nicely for any missteps they may have had 11 years earlier.
Between yesterday and today, I heard, and am listening to, a pair of incredible shows.
Though not perfect regarding completeness/sound quality, 8/12/72's essence is not to be denied. When the good sound is there, it's fantastic- Jerry's guitar and voice in this show are what please me most about the man. We get a Stella in the 1st set and Black Peter with a perfect break in the second.
And today's show - 8/13/75 - is simply unstoppable! Last year I and a buddy were on vacation in San Francisco and he decided one morning to score some Asian food. His restaurant of choice turned out to be right around the corner from the Great American Music Hall. As we walked west along O'Farrell St., it dawned on me this was the site of the famed "Spot Check"! After we got the food, we walked back to the GAMH and I tried to see about trying to see the interior of this hallowed space. Just then someone popped out the front door. I asked him if it'd be OK to snoop a bit and he said sure. I'll not get over how small it was relative to what I'd been listening to all these years! So as I listen to Sugaree, I stand upstairs in the back and imagine the band on stage with the crowd rapt and swaying as Jerry slays 'em in the vocal outro.
I've never heard of this band prior to about two weeks ago, but this album blew me away. I recently joined the Volcom Entertainment Vinyl Club, where, for $40 plus shipping and handling, you get an exclusive, limited edition 45 every few months. Well, this particular gem was mixed in with my recent sign-up goodies, and I was a tad skeptical of its potential. Needless to say, my skepticism was unnecessary.
Their style is somewhere between '60s-era psychedelic and '70s-era thrash metal. Side A is pretty solid, but when you get to side B, watch out! The sonic assault of those three songs--"My Big Cups," "Love Hums," and "Edge of the Apocalypse (Forever)"--will not only knock your socks off, they'll require a change of underwear!
For those of you with functioning turntables, get the 12". It comes with a download, and the record itself sounds FANTASTIC. I know, I listened to it (and may have slam-danced, as well) last night. You can also score the MP3s for less than $7 from your local digital retailer, but where's the fun in that?
In what would be her final public live performance, Janis Joplin packed Cambridge’s Harvard Stadium to the brim and beyond for a show that goes down as one of Boston’s most famous live music moments.
According to an article on Harvard.edu about one of the photographers at the show, only about 10,000 people were allowed inside the stadium but the crowd of people that gathered around the stadium to get a glimpse of the show reached as high as about 40,000. Many fans even climbed the walls of the stadium to get inside!
"Live At Japan," a free download of a 26-minute live performance by the Nashville, TN band. You can also download their free debut EP, "Boundary Conditions," for free, but "Live At Japan" is where it's at.