Road Trips Series Ends with Boston ’76
1976 was a pivotal year for the Grateful Dead. After an 18-month hiatus that saw just four Bay Area appearances by the band, but also a phenomenal studio album, Blues for Allah, and a slew of solo projects, the Dead returned to the road at the beginning of June ’76. Mickey Hart was officially back in the fold after a long absence, and the band came back with a batch of new songs and fresh approaches to playing their old ones. It was the summer of America’s much-ballyhooed bicentennial, the country was still going through Watergate withdrawal, and we needed our Grateful Dead back!
During their time away, the Dead radically simplified their stage setup. They put their remarkable (but cumbersome) Wall of Sound P.A. out to pasture, in favor of a more conventional (but still great) system. And, as a treat to their fans, they booked their entire first post-hiatus tour into acoustically solid small theaters, eschewing the large arenas that their snowballing popularity and their massive sound system had forced them into. They hit the road well-rehearsed and refreshed; clearly thrilled to be out there playing Grateful Dead music onstage again. And we were, needless to say, psyched to be seeing them again!
This latest—and last—edition of our Road Trips series (more on that in a moment), ingeniously labeled Vol. 4 No. 5, was drawn from two shows early on what was dubbed by many Heads at the time as the Dead’s “comeback” tour. It contains the truly awe-inspiring complete June 9, 1976 Boston Music Hall show (just the third of the tour, but you’d never guess that), and also a handful of hot tracks from the June 12 show at the same venue. The 6/9 show has long been a personal favorite, so I’m really delighted that it is finally being released! It’s definitely one of the strongest of ’76.
The first set includes stand-out versions of then-new songs such as “Crazy Fingers” and “The Music Never Stopped,” just the third version of “Cassidy,” a neatly jammed “Scarlet Begonias” and a potent “Ship of Fools,” among other gems. The second set opens with a long, circuitous “St. Stephen” (the first in five years!), then goes into a tremendous “Eyes,” followed by “Let It Grow,” which was now independent of the first two parts of “Weather Report Suite.” “Samson and Delilah” and “Lazy Lightning” > “Supplication” were brand-new to the Dead repertoire, while the bevy of rearranged songs included “High Time” and the famous disco-influenced “Dancing in the Street.” The encore was another recent one: “Franklin’s Tower” (which would never be played in that slot again). For a band that hadn’t played together in eons, the Dead sound remarkably self-assured and on-the-ball throughout. The 6/12/76 songs include one of only five versions of “Mission in the Rain” the Dead played, “The Wheel” (a few years old, but new to the stage), the revived “Comes a Time” (last played in ’72) and a “Sugar Mag” sandwich with a great “U.S. Blues” as the meaty filling.
As with all the previous Road Trips releases, this final entry comes with a colorful booklet containing an essay and period photos. And needless to say it has been mastered to HDCD specs by Jeffrey Norman. You can find the complete song list for all three discs, as well as ordering information, by clicking here.
So, what’s all this talk about the end of Road Trips? Well, we figured that four years and 17 releases was a pretty good run for that series, and now it’s time to try something new. Don’t worry, there is definitely going to be another release program dedicated to putting out the best material in the vault. We’ll be revealing details of the new series very soon, so stay tuned!
— Blair Jackson
I still have about 1,200 hours of concerts on cassette tapes that I can't seem to find the will power to part with even though I haven't had a tape player in years. I've replaced most of my favorites with digital versions, but those boxes of tapes represent a lot of time spent dubbing, list and tape trading, Relix ad writing, as well as creating artwork for all the cassette holders. Used to have them all on one huge wall of shelves built just for them (in order by date of course!). My daughter used to bring her friends over to show them her dad's "Dead Wall."
SPAM, SPAM, SPAM, SPAM, SPAM............. WTF !
I thought these were shipping November 1st? Is that correct? The estimated ship date has been removed. Has anyone received an email confirmation?
Any idea when this one will ship? I'd like to ensure my postal address is up to date but not sure how. Emailing customer service several times hasn't helped. Mary-e offered to help last time but I didn't respond to her email until recently.
Any assistance would be nice. I'd prefer to receive this one than spend months trying to track it down.
>> Oh I see someone else has already asked the question. Apologies!
Arrived last night......
Did you have regular shipping or Ups 1 or 2 day?
It was three day. If I remember correctly, it seemed odd at the time, was cheaper than regular post. Shipped from the Redwood City disbursement center (CA) which is maybe 10 miles from here.
I don't know who Vegas Krissy is ... but I think I'm in love with you! Your comments on Bill's drummming in relation to the two drummers is spot on. Listening to Euro 72 is spoiling all later Dead (well, after 74 anyway) for me. Maybe it's hearing what Pigpen sounded like (even towards the end) and the transformation of some of the songs into the more jazzier 73-74 type versions is what is so amazing about this tour.
Whatever, Bill is just so incredible and while there are many wondeful and inspiring shows, tours, years, that period of 71 - 74 is something special.
That said, I'm really lookign forward to another 76 show and Dave's Picks; it's all good, but as George Orwell would say if he was a Dead Head, some is just more good than others.
Just listened to the final Road Trips...
"One of the strongest of '76"? Really?
There are certainly some great moments
(fantastic version of "Scarlet", and the 8 minute
intro to the first verse of "Eyes" is impressive),
but there's a lot of slop in their playing.
Botched lyrics, miscues, and messy transitions.
You can hear the band trying to regain their footing
as a live act. They were playing much better a month later.
Bring on the Orpheum box set!!
The second night is fantastic (and Betty didn't miss the first
notes of "St. Stephen" on that tape), and the final show of
the run is incredible. Should be on the short list for complete
run collections, Mr. Dave!
After reading some of her comments here, I concur with
Simon T. Vegas Krissy obviously has excellent taste!
2 hours ago I received notification that my package had shipped.
Two days ago the package arrived.
Time warp is real. The Dead live :-)
I got two copies of Dead Letters. It is great! I'm ordering two more for Xmas presents.