May 1977 Box (Digital)
• Five Complete Shows
• 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
• 5/12/77 Auditorium Theatre, Chicago, IL
• 5/13/77 Auditorium Theatre, Chicago, IL
• 5/15/77 St. Louis Arena, St. Louis MO
• 5/17/77 University Of Alabama, Tuscaloosa, AL
•14 Discs, 111 tracks
•Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
•Artwork by Grammy Award-winning graphic artist Masaki Koike
•Period Photos by James R Anderson
•Historical Essay by Steve Silberman
•Individual show liner notes
MAGICAL, MYTHICAL MAY 1977!
If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.
For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.
And now for the nitty-gritty...
Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.
Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.
Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.
May 1977 Show By Show
Take a closer look inside of our numbered, limited-edition boxed set May 1977 with listening parties, videos, artwork and more from each featured show.
5/11/77 St. Paul Civic Center Arena, St. Paul, MN
5/12/77 Auditorium Theatre, Chicago, IL
5/13/77 Auditorium Theatre, Chicago, IL
5/15/77 St. Louis Arena, St. Louis MO
5/17/77 University Of Alabama, Tuscaloosa, AL
"Wharf Rat" 5/11/77
"Mississippi Half-Step" 5/12/77
"Dancing In The Street" 5/15/77
"Terrapin Station" 5/17/77
David Lemieux on What’s Inside May 1977
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See post #1 (or #875 if you have it sorted by newest first):
"Wonder how they dealt with some issues on the masters like the cut in Wharf Rat on 5/11 and the 5/12 Playing in the Band. The circulating copy of 5/13 has sound issues at the end of the tape which may not have been on the master, but both David Gans and David Lemieux have said in the past that the 5/11 and 12 masters have those issues. Not that this will ruin it for me - just curious. Looking forward to another release!"
I'm actually ok with the alternative version patch approach as it allows uninterrupted enjoyment of the flow of the show. I would rather have consistent sounding patches than leaving cuts alone or using drastically different sounding sources such as AUD patches. Disclosure of the fix is, however, another issue ....
Cannot agree that it is great stuff. I got my copy here in the UK a few days ago and have played the first 2 concert sets. This is the first big box I have got that I don't like (I did not get spring 1990).
For £136/215 dollars delivered I am not impressed, it seems inferior musically to other sets from that year/tour for example Winterland from June or Hartford from the same tour.
Is it me,what am I missing. I have loved the Dead since first hearing them in 1968.
Thanks for noting my detective work, but really it was just one of those things that was driving me crazy, b/c I have always considered 6/8/77 one of THE best GDTRFB's ever, and when I kept listening to 5/13 on the boxed set it was nagging me how familar it sounded.
Thing is, I think it's a GREAT choice to have subbed in 6/8/77 if the existing 5/13 SBD copies all suffered from distortion, which seemed to be the case...but why the subterfuge???
I sincerely hope Dave or someone involved w/the decision can just say "yes, the version on the boxed set from 5/13 is NOT really from that show, and here's why we did what we did."
From a customer satisfaction/honesty standpoint it really deserves some explanation.
This just in! 4 different May '77 'Venue' Stealies. Only 250 avail. per venue. Only $6 a pop and a nice addition to the box set. They are really nice, really unique, and they only printed 250?
That is kind of disappointing that they slipped a different version in without fessing up to it. It is definitely not the same GDTRFB as what is on the 5-13 SBD transfers at the IA. I give grendelschoice a ton of credit of figuring out which one it is. It would be nice if someone here (DL etc) would comment on this.
Finally got the box in my hands ;). Never thought it would happen. 1st cd is now blasting through the speakers, great stuff !
The run on SBD (MTX 5/9)/Katie
5/5/77-5/9/77 are not in the vault.
4/30/77 was officially released in the Download Series.
The Spring 1977 tour begins and ends at Winterland.
25 shows played between the Winterland shows.
Tour begins 4/22 in Philly at the Spectrum, ends 5/28 in Hartford, Connecticut at the Hartford Civic Center.
5/8 dubbed 'best of' but unreleased due to what must be sound issues(?).
10 shows officially released, exclusive to the 2nd leg of the tour beginning 5/11 St. Paul.
1 of 2 Winterland runs sandwiching the tour released, from June 7-9 (3 shows).
Note: * 6/4 show in CA> I don't count as part of the tour, a 'transplant' show if you will, but count as a show.
32 total concerts from Winterland->Winterland + 2 shows before Winterland 3/18-20 on 2/26-27 in CA for
a grand total of 34 shows from Jan1-Sept 3 at Raceway Park, Englishtown, New Jersey (Dick's Picks 15).
more notes; from 5/11 St. Paul to Winterland on June 7-9 only 2 concerts not released from 15 shows > Fox Theatre on 5/18. and 5/26 Baltimore Civic Center.
The last I read,all Dead archives are at Warner Brothers Music now, they own Rhino now, I think.
They were doing a lot of "Dancing in The Streets " in 76 shows, almost like these, Donna's vocals and the band make this just a fun jam, 77 is like a split year, as the year goes on, these songs keep evolving into new grooves, but this sure is a great part of the journey. For Sound quality, I have never heard music this rich from a live 2 track recording, no glitches,
As far as other shows in 77, I would sneak May 28 "To Terrapin" in this box, love those performances and good quality, not quite like here, this just an aural treat. As for one other show, DP15, "Englishtown ,NJ" 9/77,I was there in that peaceful 100,000 people show with the Marshall Tucker Band and it was the last show that I saw the Dead and I remember it so vividly, being out in the country and the Stars at night, They sounded so good, great "Truckin'" and a super version of "Terrapin Station". What a Year, and what a great Box sert of Music!!!
I agree with you on your list of favorite shows,that's what I like,
I personally hope this box set sells out for several reasons: (1)to show physical product has a sufficient market, (2) digital can also be offered as well for those who prefer it and (3) future box sets can be offered to this market with a reasonable expectation of adequate financial return. I wish to avoid the debate about limited editions as I can see arguments on both sides of the issue. I have been very satisfied with the preparation which goes into these archival releases and I am happy to own them now and I think I will be even happier to have them in the future to listen to at a time,perhaps, when the well has run dry for any number of reasons.
My faves from this box set in order;
It seems like every show in this box set is a little bit different as the music grows.
Still can't get over how good it sounds, lovin it. All from a 2 track reel to reel,
I'm still really enjoying this box set, the sound is just amazing. Guess it has not sold out due to being available to download. I'm glad to have a copy on CD. I'm delighted that Bluray format has finally arrived for us.
I also read Betty's letter to Rolling Stone magazine. It's odd that she says she has not been paid for any of her 2-track recordings. Wasn't she on the payroll when she was making them? Weren't they recorded for reference purposes and not for release? Don't they belong to the band, since presumably they paid for the tape and Betty's services? Does she expect some kind of residual? I don't know why she would. I'm not dissing Betty -- she made some great sounding tapes. And I agree she should not be mis-characterized as someone who "sold off" the tapes.
Betty Cantor wrote a letter to Rolling Stone magazine correcting them in the issue with Bruce Springsteen on the cover. In effect she says "I never sold any reels to anyone, and also no one ever paid for the re-release of the recordings I made." This was in regards to the may '77 article David Fricke had written where he says she sold off 5/8/77.
If you're still on it, you'd best get off before it's too late. Even with Veneta on deck, these shows are not to be missed.
great stuff, the lead into Fire from Scarlet on 0517 is masterful. I listened to Barton Hall too (what the hell, it's Jerry's birthday...) and the copy I have wasn't quite as happening, the details of the mutron disappeared or weren't there, maybe Jerry was playing around with it and refined his technique by the 17th? I dunno but the transition there blew me away and I hit it a couple of times, really brilliant stuff. It probably helped that it was sunny and warm out and all that but it's a great recording.
This, to me, is a must have release. Even better than the last 77 box release IMHO. I am working through my third listen to all of the shows and I can't find disappointment in any of them. This is a "Desert Island" box set. Hell, put it in space for those theoretical aliens to parse-a glimpse of human accomplishment next to the Mozart, Beethoven and Stravinsky( and Mile Davis). I'm glad I got my copy before it is too late.
Yeah, this box just keeps on giving. Each show contains magic, often in unexpected places. Some versions of songs that normally coast by are intense (Brown-Eyed Women, Ramble on Rose, Minglewood Blues, Ship of Fools) and others have an unexpected edge (Eyes of the World, Estimated Prophet, even Dancing in the Street). I love every show in this box. I don't think there's a weak one in the bunch. And although I disagree with pretty much everything Ace says, I'm glad others see it differently and find their own ways of appreciating it. Amazing. I'd ditch every other 1977 release before you could pry this one out of my hands.
Sometimes I know (better: feel) that I'll love a certain part of a show before having ever heard it. This time it was the "Mississippi - Dancing" bit of May 12. To combine two "dance songs" of such different styles somehow grabbed me. IMHO, these 25 minutes are pure fun. There's so much to discover in "May '77". Isn't Jerry's solo at the end of "Stella Blue" pure magic? It can't get much better than this...
Thanks DL2 for all of the effort you and your buds put in on these projects. Much appreciated!
Customer service came through and decided to send me a new copy. Very happy about that, hope this one actually arrives ;).
Preordered the box and was very much looking forward to it, but now almost 2 months later, still nothing. Why sent a $140,- package with no tracking info ? Customer service seems clueless and just says please wait for delivery for another 2 weeks ....
At this point I just want my money back.
I'm going through these today to figure out which discs to toss into the 6 disc changer in my car for a while, finally a bit burnt on DaP5&6 that have been out there for a bit. So far it seems likely that 15 & 17 are going to be the winners, I like the Dancing-> Estimated- Eyes string and also St. Stephen-> Iko-> NFA is pretty sharp to my tastes. And 051577 disc one's country jams also seem pretty tight for the most part. 051777 is an easy pick, for many of the same reasons, cool country warmups and groovy jamming.
After listening to them, I can sympathize a bit w/ the folks who are not as into these because they're not maybe as "raucous" (sorry, I'm not gonna scroll back for quotes...) but they're still a beautifully packaged, great sounding set to my ears that I'm very pleased to have picked up.
No, I did not tape 9/17/82 myself. I got it 2nd generation from a college friend. It's a good audience tape -- one of the best I had heard of any show at that point. But check out the archive.org Barry Glassberg aud tape of 3/14/81 that someone recently mentioned. That one demonstrates why audience tapes are sometimes better than soundboards. The excitement in the room comes shining through. Plus, the post-Drums Bertha is a scorcher, and it interrupts what would have been a painful Weir slide solo coming out of Miracle.
I'm still chipping away at the May '77 box. Today, I'll probably get through 5/15. I can't say which is my fave yet. I really like all of them so far -- all of them better than Dave's #1, IMO.
I agree, This Box set sounds epic, what was the bonus disc you found from? Thanks for taking your time in making the 3 best of Discs!!!
Hi One Man,
Did you happen to tape it yourself? Have you listened to any more of May 77? I am listening to May 12 again and enjoying it more. I'm liking more stuff in it this time around. You can hear the drums better in this show better than others. Don't know why I did not like it first time around. Seriously great First Set. Take care One Man.
This one is especially interesting, since Brent did not even have a microphone on stage. Bob & Jer handled all the vocals and it sounded surprisingly great. It is one of the only (of about 30) shows I attended that I care to hear now. I bet it is not in the vault. There are so many versions on archive.org that I don't know where to start. I transferred my crisp aud cassette to CD years ago and I listen to it regularly.
If it's going to be an 89 show, I sure hope it's either 10/20/89 (listen to that Other One, w/ Phil chomping at the bit long before it is actually played!) or 7/15/89 (w/ the Close Encounters space!).
Some other 1980s shows I would love to see chosen include:
7/10/81 (might not be in the vault)
Nice to see Sunshine Daydream is getting a September release
Nice to see Sunshine Daydream is getting a September release
the May '77 Boxset did not include a Bonus Disc...
this was/is a bummer...
so, my feeling was that there was still some tunes to be included here...
& a compare/contrast (sound quality-wise, specifically) by adding
something from 5.8 AND 5.9 as i've got KILLER copies of both of these
shows (like most of you all surely) anyway...
2. Franklin's ~ 5.9
3. Estimated ~ 5.12
4. Loser ~ 5.11
5. Passenger ~ 5.17
6. Ramble On Rose! ~ 5.13
7. NFA ~ 5.12
8. Morning Dew ~ 5.8
~the Boxset sounds EPIC... waaaay better than our 5.8s & 5.9s...
~love the pace of the 5.12 NFA... it needed to be included...
~we all agree that the lack of a H/S/F & Morning Dew is a toooootal
bummer, so they begged to be included from those amazing shows...
and, outta nowhere, while cleanin my apartment yesterday, BOOM!
BONUS DISC TOO:
1. Fire! ~ 5.13
2. Jack Straw ~ 5.17
3. Ramble On Rose ~ 5.11
4. Looks Like Rain ~ 5.17
5. Jack-A-Roe ~ 5.15
6. Bobby banter/Samson! ~ 5.13
7. Row Jimmie ~ 5.15
8. Terrapin ~ 5.17
9. Lazy Lightnin>
10. Supplication ~ 5.15
~~~~~thanx for reading, hope you all discover some gems... irie, ace...
I'm thinking about my own best-of playlist. LLR will not be on it. I love that some of us think that tune is what the GD were all about while others think the opposite. Agreeing to disagree is important. And I would not break up a segue by playing the 5/13 TOO without its successors. It won't be easy to boil it down, but I'll probably try.
DJ is truly the 'MVGDM' on quite a few nights in 1977, this has been my
feeling for quite sometime, so it's refreshing to hear your spot-on views
guit30... she really is in thee finest form in her time with The Boys in 77...
her 'duel' lead vocals on (to name a few) Passenger, NFA & ESPECIALLY
Looks Like Rain (examples: 6.29.76 & 5.19.77 & now 5.11.77!) MAKE those
tunes... feels like Bobby even backs-off a bit vocally & lets her shine...
it was laughable to me to read all the negativity dumped on
LL Rain as a 'skip-track'... the emotion evoked in those versions is the
ESSENCE of what the GD is all about... it is a Classic, Essential Dead tune... anyway, back to my OVER-analyzing of ze Boxset:
~5.12 has grown on me as is indicative in my choice's... it's the distortion of
the recording that gets to me (went to audio engineering school; trained ears
& as the former archivist for Joe Gallant & Illuminati, recording live bands is
something of a passion... anyone familiar with that bands interpretations
of the Dead or even heard of them???) sorry, sidetracked...
so my "period" about it being "worst in Box" in my Disc #1 post is retracted...
~here's my "Top 7 tunes of the Box" (staying with the theme of 7) considering
# of versions, strength of them ALL as a whole & lack of a cluncker... enjoy:
7. Lazy Lightnin/Supp. ~ 2 versions, both different & quite good.
6. Ramble On Rose ~ 2 versions, 5.13 is KILLER & 5.11 is great as well.
5. Sunrise ~ see my diatribe above about Donna Jean.
4. Samson ~ 5 to chose from, 5.15 is THEE finest of the lot for me...
5.12 is smokin too, just the distortion gets me (Betty
was awesome, but not perfect, which is a-okay)
5.13 is also smokin, with Garcia shredding as he sould.
3. Jack-A-Roe ~ we ALL love the shuffle vibe & all 3 versions are groovy.
2. Fire On The Mountain ~ all 3 versions are different, not drastically...
~just love the chill vibe of 5.11 & Jer's Mutron
sound is really warm & tasty here...
~5.13 is unique in that Lesh starts 'driven the bus'
before any transition jam is allowed to start...
Garcia's long solo before verse 1 is sweet...
5.17 is a beast, the band sounds like they're havin
a blast (no pun intended) AND confession:
~it is my favourite GD tune, so i'm biased in that respect...
1. ESTIMATED PROPHET ~ all 5 versions are fantastic, similar yet abit
different... 5.15 & 5.17 are powerhouse versions...
5.11 is chill/mellow, with Garcia laying back a bit...
5.12 both Weir & Garcia playing & sound is rite on...
okay, that's all for now, thank you all for your responses/opinions/kind words...
Bonus Disc with some surprises soon... & guit30 i'm from Jerz (although i&i live
in San Francicso now) so Englishtown having been your first show is VERY COOL!
thanx for readig, hope it wasn't "All Too Much..." irie time... ~ace.
Ace man, well done... really enjoyed your picks. I was (am) surprised they didn't release a three-disc compliation from these shows for the mainstream release. Maybe they're saving up for the big Veneta release they'll lay on us in August (fingers crossed)
Interesting to read how varied are the opinions of these shows. 5/17 is generally accepted as the best of them, but then there is no consensus I can see. I gravitate toward the mellow buttery smoothness of 5/11, which really surprised me, and I love 5/12. 5/13 is a snoozer for me, though of course I'll give it another shot. Andj I need more time with 5/15 but what's not to like...
Well, that was a great idea, your best of set was a great idea,Well 77 and 72 were my 2 favorite years. I attended a show in Sept of 77, the Englishtown 100,000 people outside show in New Jersey. They were excellent. This box set is excellent, I have heard it all the way through and it is a great set of shows, sound quality is just awesome. I have a pretty nice stereo, it has an Oppo multi disc player on it so it can decode the hdcd which really enhances the sound. For me, the 2nd show in Chicago is killer, it is a 2 disc show, but at 80 minutes a disc it is still a good long show. I'm listening to a song and it just hits me, this is a 2 track, it sounds like it was mixed. Betty Cantor was a genius,Loved her recording talents on a reel to reel. So, the show on May 13 in my opinion, was just the best sound quality and some great performances too. In 77, "Ramble On Rose" comes on and with "Estimated Prophet" turning into a real strong song, Garcia starting to used The "Envelope Filter" on Estimated which sounds like a dirty autowah. I got a broken case on this show, but it did not bother me, the sound quality much more important. Donna's vocals are just awesome on this set, overall the vocals are great, Jerry's voice never sounded better. Check out Jerry's expression on the big inside picture. Kinda Priceless. Well Ace, this is my take on the middle show of this great box set.
It's winter time here in South Australia and to have this 77 box plus the Dave's Picks and I've just realised I still haven't finished the spring 90 box yet. Keep the releases coming! I'd like to see 4-11-88 at some point. (My first). Great time to be a Deadhead!!
Ace – These shows are new to me, too, which sets us apart from the norm. What a joy it is to hear for the first time. Many of the posters here have become jaded from having too much access to too much of the music; unlike Dave L. who has that youthful exuberance even after all these years. Ace, and Dave, I enjoy your fresh perspective. Keep up the good work. And Ace, I look forward to being able to delve into this release to the degree you are now and will use your work as a reference. I have other releases on my to-do list as well, including the E72 box of which I have listened to only about half.
so, it appears all the fussing & fighting over Dave's latest Pick has sucked
all the energy out of THIS release... look, the thought of an entire Dead show
with repeated Stayin Alive teases nauseates me, personally... but people who
know 4/24/78 intimately SWEAR by it... if the Scarlet>Fire is as epic as has
been reported, bring it on... bickering about what should be released/Dave's
taste is an act of futility...
anyway, Disc #3:
1. Bertha ~ 5.12
2. Playin! ~ 5.17
3. Terrapin ~ 5.12
5. Wharf Rat! ~ 5.11
6. OTHER ONE!!! ~ 5.13
7. St. Stephen ~ 5.15
8. Saturday Night! ~ 5.13
9. Brokedown Palace ~ 5.11
~The Other One is dynamic, unique, awesome...
it is 'The Dark Star of Other Ones' insofar as the overall mellow vibe...
there is a passage of about 2 minutes where Garcia is just playing solo...
not "a" solo, just Jer playing as quietly as you have ever heard...
simply brilliant... & the fact that it's only one verse adds to the
Dark Star-ness... THIS IS THEE HIDDEN GEM OF THE BOXSET!!!
~after repeated listens, the 5.12 Terrapin nudged the 5.17 version, for me...
~really wanted to include the 5.12 NFA but it just would not fit...
~guit30, lookin forward to more of your analysis as you, like myself, delve
deeper into the box...
~thanx again for reading... irie vibes... ace.
okay, disc #2 has been completed...
i'm diggin the flow of this one bigtime:
2. Fire!! ~ 5.17
3. Estimated! ~ 5.15
4. Sunrise ~ 5.17
6. Samson! ~ 5.15
7. High Time ~ 5.17
8. Lazy Lightnin>
9. Supplication ~ 5.11
10. Comes A Time! ~ 5.12
~5.13 has grown on me... it is well-represented on disc#3...
definitely a 'bobby show'... alot of my 2nd favourite
versions of tunes played multiple times in the box...
~5.15 is great, just not my 'cup o tea' insofar as setlist, although the Estimated
& Samson are the best versions of the box, for me... & yes i've left the
Eyes off, i'm not a fan of that version... it's a tune i'm picky about...
~disc#3 soon & maybe a bonus disc??
~agreed guit30 they do sound amazing, especially through headphones...
~thanx again for reading... continue to stay irie... ace.
I find myself ageing with you on most everything, Loved the 11th, but just could not get into the 12th which made me skip to the 17th which was different and then back to the 13th which I think is my favorite,but I have not heard the St Louis show yet.Love the quality of the recording, I do love 77, one of my favorite years.
so, upon studied listens to these 5 'completely new to me' shows
these are my choices to make a lil 3 (maybe 4, not sure yet) disc
mini-boxset... the criteria was (since i'm totally UNbiased, having
never heard any of these particular shows) superlative versions &
'best' version from thee entire box...
btw, me & my head friends are all 5.9.77 people, yes 5.8 IS great,
but 5.9 is where it's @ for us...
note: no idea if this will fit on a cdr if your using a computer & just
burning this as a playlist...
my set-up is old school...
2 cd players like a true 'taper' should...
my preference is to add (some of) the tunings @ the
beginning of most tunes, which sounds more natural to me...
personally, my dislike for the system most folks & record labels
use to 'track' live cds is enormous (not that i&i use an mp3 player
or listen to cds on shuffle) it's just weird hearing the tuning of
a tune @ the end of the previous one... especially with these tunes,
just sayin... have @ it people, ace.
1. Music ~ 5.13
2. Half Step!>
3. El Paso ~ 5.17
4. Jack-A-Roe ~ 5.13
5. Big River!! ~ 5.11
6. TLEO ~ 5.17
9. B. E. Women! ~ 5.15
10. Looks Like Rain!!! ~ 5.11
11. Sugaree!! ~ 5.11
final thoughts: 5.11 is killer & underrated...
5.12 is the worst show of the 5... period.
5.17 is great, but 5.9, 5.19, 5.21 & 5.22 are better.
stay tuned for discs 2 & 3 to find out which Estimated & Samson were chosen!
thanx for reading... stay irie... ace.
the past several days - man, what an awesome job
some real fine music - I will be spinning these again in the near future
Hey Jack Straw - try again - I had a defective 5/15 case, and didn't get a reply initially (well, I got an auto-reply that said they were looking into it and would get back to me within seven days). They didn't, so I emailed again, then the other day I got a nice note from Dr. Rhino, and they are sending the replacement case, he says.
Still no reply from dead.net.....regarding defective May '77 box set product.