Dave's Picks Volume 5: UCLA 11/17/73 CD - SOLD OUT
sku: GRA9900093
Dave's Picks Volume 5 is officially SOLD OUT.
"UCLA, basketball, and the Grateful Dead — it all rolls into one. Teamwork, creativity, imagination, electricity, fundamentals, physical fitness, speed and quickness, the fast-break, dexterity, flexibility, footwork, crazy fingers, communication, discipline, the beat, rhythm and pace, offense, sacrifice, structured freelance, soaring through time and space, a dream, vision, and a plan. Never had such a good time." - Bill Walton
If November 1973 is considered one of the best months in Grateful Dead history and 11/17/73 is widely considered one of the best shows of the month - if not the year, then Dave's Picks Volume 5 is sure to score major points as the first quarter of 2013. Dave's Picks Volume 5, or as liner note scribe Bill "Grateful Red" Walton puts it - "a three-CD package of life, love, and hope, with over three hours of glorious music, and a set and song list to dream about," is major heavyweight Dead.
A stunner of a show, the band come out blazing with phenomenal renditions of new material from the recently released Wake of the Flood, unconventional set starters and some of the finest playing of the year. The first set features one of the hottest, most inspired versions of "Here Comes Sunshine" ever - widely regarded as one of the Top 3 versions of this song ever, and a "China>Rider" that's up there with the best of 1973-1974, and that's saying something. The second set shines the spotlight on the best of the three "Playing>UJB>Dew>UJB>Playing" musical palindromes (the 2nd of 3 times they did this sequence), with every second of it exciting and interesting. And they top that off with a late-show "Eyes Of The World" that is remarkably hot and energetic. To the ears of many, this is a top-25 Grateful Dead show of all time. And the sound quality of this one is perfect, full, clear, great bottom end, and overall terrific.
Mastered from the original analog tapes in HDCD by Jeffrey Norman, with fresh and fabulous cover art by Grateful Dead Comix artist Tim Truman and first-hand insight and wisdom on that very day from UCLA Basketball Center and student Bill Walton, this one is, by all accounts, incredibly satisfying.
A friendly reminder that Dave’s Picks Volume 5, like those that came before it, will sell out and fast. Your best bet is to pre-order it now!
Product Details
3 Disc set
Limited to 13,000 individually numbered copies
Mastered from the original analog tapes to HDCD specs by Jeffrey Norman
Liner Notes by UCLA Basketball Center and Dead Head Bill Walton
Artwork by the illustrious Tim Truman
Digipak made of 100% recycled and PCW materials
Release Date: February 1, 2013
David Lemieux Volume 5 Seaside Chat
Tracklist
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Pauley Pavilion, UCLA, Los Angeles, CA 11/17/1973 |
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Just noticed this little tidbit...
DAP 2012 releases were LIMITED to 12,000 and DAP 2013 are LIMITED to 13,000
Guessing that DAP 2014 will jump up to 14,000 LIMITED
I think we have the exact same tastes in dead music. I couldn't agree more with your assessment. For me, 1968-1974 is the tops. No other music, be that dead..zappa...phish...NOTHING has taken me to the places that 68 through 74 has taken me. The playing of the music and the inventiveness of the jams from this era will never be matched..they were playing on levels that for me have never been touched or even come close to ever again...not by the dead or by any other band for that matter....and yes, 77 was really solid...89 and 90 were also some of the best years...but for me, nothing has made my ears or my mind more happy than the music that was played from 1968 to 1974. The diversity of the jams was infinite. Every show was different and every jam was different in it's own way. Every show, every jam would bring new and exciting sounds. Nobody knew where the music was going to go next... That's why I listen to the dead...because no matter how much you listen, there is always more to be heard. There are an infinite amount of surprises that can awaken feelings and emotions that would otherwise be left dormant...and for me, these surprises and these peaks of inventiveness are packed into 68 to 74...sure every year had its best shows and its best moments BUT those moments were so so prevalent from 1968 to 1974. I love the dead. I truly do. I love their entire career and I wouldn't have it any other way...But when a new issue or release is announced I cross my fingers every single time and hope for a 68 to 74 show. These are the years that move me. These are the years that make me so happy to be a fan of the dead.
So, Wurm, was Dick God? Would you walk up to Phil Lesh and tell him none of the shows the band played after 1978 were worthy enough for release? Would you have walked up to Jerry after an '87 show and said, wow, that was pretty good, but certainly not great, and in fact the last show you guys played that would ever warrant a live album was ten, maybe 13 years ago?
80's shows counted. 80's heads counted. And if you discount either or both, you're simply an elitist. I've yet to hear a '73 release that wasn't superlative. That doesn't justify releasing every late '73 at the expense of other months or other whole years, for years on end. Unless you believe that those other years, and the tens of thousands that enjoyed all those shows, are not valid and inherently unworthy. If that's the case, then I wish they'd just make an announcement and then some of us wouldn't keep waiting and hoping.
What's funny is, it was Dick who released an '83 & and an '85. May not have been his favorites, but he understood there were other heads beside himself.
Rrot, just so you know, the website did in fact say the release was sold out earlier this morning. It's now been changed. Since I already laughed at myself for the (one) time I vowed not to subscribe this year, it's fine that you rib me over it. What I don't understand is anyone not understanding why mid-80's fans feel left out on releases. It's simple math, man.
(Did want to say thanks, though, rrot, for sharing Dave's statement last week or so that there would be more releases coming from the lost stash. I am one to follow links, but not one to listen to extended audio-only interviews.....)
Curious it did indicate SOLD OUT earlier, now it says PRE-ORDER ONLY. Probably many of those folks who saw it SOLD OUT and complained have given up.
Best way to get these is to take advantage of the SUBSCRIPTION offer early. You'll get them all plus the BONUS DISC for a cheaper price and FREE SHIPPING. You could always sell any you don't want.
I personally like all eras of the GD and find it fun to look forward to quarterly full show recordings from the vault arriving in the mail. Kind of reminds me of the old record of the month clubs.
Really excited about the DAP Vol 6 announcement, these are all gems.
Great job guys for everyone involved in producing this series, keep them coming!!!
@rrot you're my #1 fan! Dick even said himself that if it were up to him we would never leave the 68-74 era. The releases have been superb so far in my opinion. i can't complain at all.
I read all this complaining that there's no later material being released. honestly, what 80's or 90's show could seriously surpass any of the releases that have been put out thus far?
It's not sold out.
Kwitcher bitchen and go buy it already!
Also: What hbob1995 said: Subscribe, and sell off whatever doesn't appeal to you.
In particular, if you are one of the few clamoring for more '80s and '90s material (and frequently assuring the readers of this site that you will *never* get a subscription -- and this time you really mean it!) because there will be too much '60s and '70s stuff you don't want... Well, you should subscribe next time, because you will eventually miss out on your treasured "first show" from fabulous 198? when it's released as Dave's Pick #11.
Just subscribe next time. Sell of all those lousy '60s and '70s shows to the many, many poor fools who realize, er, I mean dumbly think, that was the best era for GD. "You will have no problem getting your money back" as the man wisely said.
This release is still available for purchase, at least it appears to be.
I am a subscriber, so I don't have to worry about products being sold out, but I must say that this system S U C K S. What's the bloody point of all this limited editions shit? I understand they can´t press millions of copies, but only 13.000? A lot of people wanting this item can't have it now, or will be forced to paid a fortune from those bastards that care nothing 'bout the Dead and buy these records only for reselling it later on Ebay.
The gargantuan box set was limited to 7200 people, it's OK, I understand, but this is just a 3-CD-set, for Christ sake!!! I simply HATE this limited-number editions just for the sake of being "limited".
I am not surprised that this sold out already. This is a great series of music with nice art work & packaging. I suggest that from now on, buy the subscription, and sell any releases you are not interested in. If you don't open them and leave them sealed, you will have no problem getting your money back by finding someone who wants what you do not. For myself, I want them all! Dead cds are my addiction.
I'm guessing that the announcement of the contents of volume 6 is what led to these getting snatched up so quickly, much like the 1969 FW Box (which I missed out on, last time I make that mistake).
Also, on past volumes, we got a heads up on how fast they were selling. It took weeks for all four to sell out each time. And there were 1,000 extra this time around. I acted just as fast as I always do with these new releases. Two days!!! No heads up, nothing. Grrrrrr!
I have waited and waited for this to come on-sale,or to pre-order.How has it possibly sold-out so quickly?
Sold out already??? That's crazy, I was going to buy one right now. How many copies were left after the subscribers.....5? That really sucks! I have all the volumes so far, willing to buy one if anyone has an extra. Something seems fishy about this one. It's only been on sale for 48 hours. Big bummer.
I can´t wait to listen to this new Dave's Picks. 1973 is golden peak era for the Dead, especially late in the year. 1974 is amazing, but the sound quality of the recordings are worse than those of the previous year. I love the way the 1973 Winterland box set sounds, though it is a 2-track recording without the possibility of remixing anything, and, judging from these samples of the new release, the sound quality is similar. Candelario really knew what he was doing! Though they were already using the feedbak cancelation mics in late '73, the vocals do not sound so tinny and thin as they do during the Wall of Sound days. In fact, I really like the music of Dave's Picks Vol.2, but I was let down by the sound quality, as it had happened before with Dick's Picks 24 (anyhow, I usually listen to both of them).
Keep 'em coming!
(The front cover is adorable, by the way.)
I think of the peak period between '87 -'90 as equal or exceeding the peak period of '68 - '74. They didn't become the top grossing touring act of the late - '80s and '90s by sitting on their hands.
I'm completely satisfied with this release.. kudos Dave! I was hoping Dave would've dove more into the spring 73' stuff, such as the giant sleeper of the first Boston Garden show from 4/2/73!! I still don't understand how this show gets overlooked. The sound quality is phenomenal on archivie.org. I can't help to preach this show up and down over and over. In my opinion this show just wins me over just a little more than 11/17/73, but I've always wanted the pauley pavilion show to get released. see for yourself...
Totally agree 10mileride.
As knowledgeable Deadheads know, 73 was a peak Dead year, when the band's music was still on the ascent, creatively exploring uncharted space, aggressively pushing its boundaries, especially in monster jams that would scale new heights.
That ascent would continue through 74. Pretty much everything that followed, while much of it very worthy, would not again be as adventuresome, with the jams in particular becoming somewhat more rote and formulaic. The band had reached its outer limits.
By wide consensus, the band's peak years were '68 through '74. Other very worthy years would occasionally follow, such as 77, 89 and the Spring 90 tour, but even they could not compare to the peak period.
The Dave's Picks series has some serious art going on for the covers, Vol one with the nod to Lucas's franchise, the Vol 2 Wall/Raven style, Vol 3 the Rose symbol from the SkullFuc album and the Vol 4 Uncle Sam guy. then the Vol 5 nod to the Bruins mascot of the UCLA Basketball team and the strummin' deadhead very cool
But Dick's Picks vol 13 - 18 was my personal fav as they used the fractal images to invoke the psychedelic experience.
the magic carpet/tickets of DP 7 - 12 were cool as were the postage stamps for DP 26 -30
the back cover of the DP 20 set has that amazin road pic just want to be strollin down that lane listening to the Wheel.
thats kinda cool, but they should have just stuck with the tease.
UJB & the eyes of the world chorus are so saccharinely sweet even barney the dinosaur thinks they're too saturated for kids.
back to the topic of dave's picks vol. 5 album cover... i think another tim truman piece would have been a better choice. scroll down to the image of a bear with a banjo.
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http://www.trumanstudio.citymax.com/page/page/1749675.htm
With my lesser knowledge of the earlier years,in regards to that UJB mini jam, is that somewhere they would have gone at all?
-As you pointed out, the UJB mini jam between China-Rider is very prevelant; But with my knowledge of the earlier, years, is somewhere they could have actually gone(?), or as you said, more of of just a "preview" into the second set?
Check out the bridge between "China Cat" and "Know You Rider" in the listening party. Around the 19:30 mark, there are surely some intmations of the "Uncle John's Band" coming up in Set 2.
There's been so much hype about DaP 6 that I almost forgot about this! To remind myself of the magnificance of Fall '73, today I listened to the Oct. Oklahoma show (DP 19?), and the first Winterland '73 box set show. There has been tremendous interplay between band members in all eras, of course, but to me, the synergy in Fall '73 is just amazing. Keith is fully integrated into the band, and he, Jerry, Bob, Phil, and Billy are 5 fingers on one hand. The listening party is a treat. Can't wait.
In early to mid1973, there are some severly immature versions of what will become epic, great songs...they absolutely disappoint...but historically, they are significant for anyone who closely studies the evolution of the band, and for that reason alone, bring on the entire year Mr. Lemiueux...
...given that we live in 2013, it was really enjoyable watching further simulcast the Sweetwater shows...but lets call it as we see it...Further in 2013 or the Dead in 1973,,,its a no brainer for me...'73, at its worst, was more inventive, spontaneous, and pioneering that Further can ever be....much new material was being tossed about in '73, and the later in the year you go, the more evolved the jams become....anyway, one man gathers, right! be well...
...given that we live in 2013, it was really enjoyable watching further simulcast the Sweetwater shows...but lets call it as we see it...Further in 2013 or the Dead in 1973,,,its a no brainer for me...'73, at its worst, was more inventive, spontaneous, and pioneering that Further can ever be....much new material was being tossed about in '73, and the later in the year you go, the more evolved the jams become....anyway, one man gathers, right! be well...
@Mergz....I understand everyone has their own opinion and I respect that...but how can you seriously say 1973 wasn't a good year for the dead...some of the most exploratory and inventive jams of their entire 30 year career came out of this year. To me nothing is better than 72 and 73. Just my opinion and you don't have to agree but at least give credit where credit is due. 1973 was definitely not a bad year for the dead.
Agree with Patagonian about the Dave's Picks 4 artwork - great image. I disagree about #5, however. I think it's terrific! Love Truman's style and I look forward to seeing what else he comes up with this year.
the artwork for the "dave's picks" series is definitely better than the "dick's picks" series, but i'm not that impressed overall. the "dave's picks volume 4" cover was awesome, but IMO the rest are pretty lackluster. this new cover tries too hard, and just doesn't deliver.
This is by far the best version of this song I've ever heard. I can't wait to get this show!!!!
I was fortunate to see the show. My memories are a little vague - I do remember Walton was walking around in the crowd. There was also a young lady dressed in black vails who was dancing in the back. I really liked the Here Comes Sunshine - a long time ago. . .
My vivid memory is after the show. My buddy, as we were leaving Westwood, mentioned that his brake cylinder was acting up. He said this as we approached a line of cars waiting for the red light to change. Without missing a beat, he drove his old Volvo up on the sidewalk, drove for 1/4 block and threaded his way back into traffic as the light turned green.
I last saw him at a Bob Dylan - Merle Haggard show in the Phoenix area a few years ago. He looks good, That would be cool to get his perspective as a semi-insider to the goings on.
basketball into the mix.
"UCLA, basketball, and the Grateful Dead — it all rolls into one.
Looking forward to #5, Thanks
He shows up at pretty much every Dead related show in SoCal. Last time I saw hime was at Furthur in Santa Barbara.
Sorry, this was a reply to cryptical70's comment below
Thank you for finally releasing a SoCal show. It isn't one I went to, but it is a venue I went to fairly soon after.
I'm actually a fan of the Spring-Summer outdoor shows such as:
Watkins Glen (July 27-28, 1973)
Kesar Stadium (May 26)
RFK Stadium (June 9-10)
Roosevelt Stadium (July 31-August 1) etc.
Unfortunately, Dick Latvala explicitly mentioned that he's not a fan of the abovementioned era. Consequently, it probably going to be an uphill battle to see the eventual release of such underrated shows.
This was not a great year for the dead, but there are some stand out shows and this is one. I just wish that Keith played some B3. On HC Sunshine I hear some swirly whirly B3 in my head. Ah well. BTW, if you didn't catch the Furthur shows from Sweetwater... then Catch the Furthur shows from Sweetwater. They ripped it up.
I'm pleasantly surprised to see that Bill Walton is getting on board to help write the liner notes. When I see him on tv, I always hear him either quoting or plugging the GD!! Now is his time to write down some of his thoughts. Perhaps he can take over for Blair Jackson's blog, or start his own thing on Dead.net!
if I had one complaint about last year's series it would be the cover art. It wasn't bad, but with all the wonderful Spring 1990 work Wes Lang did, the Dave's Picks covers just didn't measure up. I'm glad to see Tim Truman's cover for this volume. He does great work with GD Comix. What do you think about the 11/17/73 cover? Better than the first four, not as good as the first four or indifferent?
Grateful Dead Live at Aladdin Theater on 1984-04-06
*Smokin' Hot CC/Rider!
As I dream the dream of jam and jam and jam, I am jazzed at the inclusion of one of the Holy-Headrush-Bongman moments of GD history, the Triple sandwich of Playin>UncleJohn's>MorningDew>UJB>Playin' and this is the (almost) fifty minute version, the previous version released on the outstanding Winterland 11/73 boxset. And to top it all Furthur played a version at the Shoreline a year or so ago.
Tip of the tiedye to GratefulRed Walton for the memories.
No real need for any filler on this release. One of my all time favorite GD shows has been officially released in a limited edition - and I'm getting a copy! Thank you very much!
does anybody know if the black peter was from the 2-2-70 show or one of the 69 shows that was on the listening party
I'm looking forward to the arrival of DP5, set list looks awesome. I really hope all the kinks have been ironed out, and our Deadheads across the pond get theirs fast. Not so sure about the merchandise,I have a Steal your face hat that was made in China and is cheap, does not fit. I'll see what others have to say about this stuff before I do any shopping. A poster signed by Dave would get my attention. I'm ready to jam.
the orders placed by the subscribers were shipped out today so we can all receive this release no later than 2/1/13...........please, ship em out already!!!
The artwork looks great! Top notch '73 era show!
I agree with the above comment. More '80s and '90s please!
This is definetly the best Dave's pick yet,so we got 5 70s shows two 60s now would please like a 80s and 90s show
Location
I LOVE the artwork for this release!