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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • daverock
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    Goats Head-Rock n' Roll

    The two albums where Mick Taylor really shines for me, are the Keith lite Goats Head Soup and It's Only Rock n' Roll. Superb soloing by Mick T. on Time Waits For No One.

    I like Ron Wood, but he seemed to adopt a kind of court jester role with The Stones which I found a bit tiresome. I do like these archival Stones live releases though - the Taylor years are still the gold standard, but the last two I got-from The Steel Wheels tour 1989 and 1998 in Beunos Aires rock like the proverbial b......Specially the 1998 one.

  • Forensicdoceleven
    Joined:
    Maybe the universe will get tired of me…..

    50 years ago today………….

    April 25, 1971
    Fillmore East, New York City, New York

    Set 1: Truckin'-Loser-Hard To Handle-Me And Bobby McGee-Cold Rain And Snow-The Rub-Playing In The Band-Friend Of The Devil-China Cat Sunflower>I Know You Rider-Casey Jones

    Set 2: Morning Dew-Beat It On Down The Line-Next Time You See Me-Bertha-Sugar Magnolia-Second That Emotion-Good Lovin'-Sing Me Back Home-“Spanish jam tuning”-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

    It’s long way from Durham to the Fillmore East. About 480 miles, give or take a little………

    Pinballing through New York, Massachusetts, Pennsylvania, New Jersey, New York, Rhode Island, Maine, North Carolina, and finally back once again to New York, you’d think the Dead would be tired by now…………

    On this evening of wonders, they sure don’t sound tired. As so often happened, it appears the Dead upped their game being back in the big apple. They start high, and then soar. The ultra crunchy Hard To Handle. The hyperkinetic Rub. The once-in-71 Friend Of The Devil. The fine China/Rider. The powerful Dew to open the second set. The greasy Good Lovin’. The typically fine NFA suite to close it all out. Maybe not so famous as other shows in this run, but oh so worthy!!

    This is classic Dead!!!

    Rock on!!!

    Doc
    Life is one long process of getting tired

  • SPACEBROTHER
    Joined:
    Shipping notice

    Received mine. #38 on the way. I actually forgot the show date other than the '73 part. Would be fun to receive it before the on-sale announcement for the surprise.

  • cmd
    Joined:
    Rollin' Stones proper

    Just wanted to chime in about my appreciation
    for the Mick Taylor era. As Daverock points out the real
    secret to the Stones true sound was the Jagger/Richard/Watts
    lock-down (Charlie comes in a nano-beat behind Keith).
    That said Mick Taylor played the sweetest leads for their
    material - by far. He was more instrumental in a few
    key songs than most people realize - Moonlight Mile - Keith
    passed out on the studio floor and Jagger, ever the economist
    demanded the sessions proceed and Taylor composed and played
    all guitars, Likewise with Goats Head Soup where he plays bass
    on several of the tracks as well as co-credited for Winter.
    Live by ’73 he was very frustrated with Keith’s erratic
    playing. One night MT was just expected to be the gun slinging
    guitarist while others he had to carry the show cause KR was
    checked out. The final straw came on It’s Only Rock and Roll
    when he and Jagger co-wrote “If You Really Want To Be My
    Friend”, yet when the album came out it was credited to the
    Glimmer Twins. Adios Stones …
    I always loved Ron Wood with the Faces, yet it seemed
    he really dumbed down his act when he joined the Stones.
    His best work was on Some Girls - otherwise he was all mod-rocker
    hairstyle and shades and no substance (probably just what Mick
    & Keith wanted).

  • Vguy72
    Joined:
    The Who's Pinball Wizard....

    http://pinballmuseum.org/
    I chipped in fifty bucks to help make the move happen.
    I've got a pocket full of quarters.

  • Exile On Main St.
    Joined:
    Giutar Weaving

    The Stones are the one band I know as well as the Grateful Dead. Right you are about Beggars and Bleed Daverock. Taylor was not involved much. He started with the Honky Tonk Women single, which for some odd reason they used as a single and went with Country Honk for the Let It Bleed album (certainly my least favorite on the record). Played on Live with Me from that record too.. Taylor contributed substantially to Sticky Fingers through Only Rock and Roll. He One of the reasons he quit was because he was not getting the writing credits he deserved. I was surprised by your comment crow told me, but I guess if you're not a Stone Head you may not know how involved he was in the writing and recording sessions. I am surprised too hear you found his live playing a distraction. His soloing was so smooth. Prime example is Dead Flowers at the Marquee '71 -OMG unbelievable how many notes he played "in time" on such a fast little diddy, and exits right when he needs to for the next verse after improvising a solo that had a proper beginning middle and end. As far as "weaving" the China cat example is cool yes, but not mahatma Keith is talking about. He means chord weaving, where, he'll play one thing and the other guy will fill in something in between (also chord playing) but the key is that they compliment each other's playing. I would emphasize that I do not mean they playing the same thing in a different octave (this is a different technique altogether that is used to fill out guitar sound). Check out Stray Cat Blues live at the Roundhouse 1971. Mick Taylor was so good he alternate modes within a song, he could play a different solo every time, or in some cases (Midnight Rambler) Keith would start a lick and Mick would finish it for several bars. To each his own is my philosophy I just couldn't figure out where the Taylor criticism made sense. I will say this, that one live song I am too keen on his playing is the Brussels Brown Sugar where he picks up the slide and does sound like he's overplaying. But that was the only time I've heard him play slide on Brown Sugar or sound distracting. Overall he was easily the best guitarist the Stones ever had. Brian Jones was easily the best multi-instrumentalist they had, but he added his touches to music that was already written. Taylor actually composed music in the writing phase (and to his credit he played bass on some tracks that Bill Wyman was not in the studio to play on like Tumbling Dice and Happy).

  • daverock
    Joined:
    guitar styles - Crow

    Yes, China Cat/Rider features wonderful complimentary guitar playing.

    I agree with what you say about The Stones to some extent. I think Mick Taylor happened to be in the band when they made some of their greatest recordings, without necessarily contributing to them being great. Both Beggars Banquet and Let It Bleed were based around Keith Richards playing, with embellishments on some songs by Brian Jones or Mick Taylor. But Keith is the only guitarist, I think, on many tracks on those two albums.

    In many ways, with The Stones, the rhythm is both that, and the lead. The riffs of so many of their songs define the songs -the solos are just the icing on the cake. It doesn't matter to me too much what the soloist is doing on tracks like Jumpin' Jack Flash - its the groove that counts.

    Live, the pulse is what I like most, and that is provided primarily by Keith and Charlie Watts. And again, the soloing is the secondary to the groove.

  • Crow Told Me
    Joined:
    Weir the Weaver

    You want to hear "the art of weaving," as Keith Richards sometimes call the two-guitar thing he supposedly loves? Listen to what Garcia and Weir do on pretty much any recording of China Cat. Or pretty much any recording, period. Because Weir is truly the master of being the Other One, playing jazzy chords and single note runs that complement Garcia's genius. And he can do it on the fly, spontaneously responding to whatever musical thoughts cross Jerry's mind.

    If I say that Weir is the most under-rated guitarist in rock, I doubt if anyone here will argue with me. What he does isn't "rhythm guitar." It's more like what a great jazz pianist does.

    The Stones? I mean, I love the Stones, but at least 90% of the time all that's going on with the guitarists is that one guy is playing lead and the other (almost always Keep) is playing "rhythm": ie, playing the same chords or riff over and over while the singer sings or the other guy solos. This was particularly true during the Mick Taylor years: people talk about how great he was for the band, but when I hear live recordings from that era, half the time Taylor's noodling without regard for anything anybody else is doing, and it's just a distraction. The Stones were much more interesting live with Brian Jones OR Ron Wood.

    Keith's a GREAT songwriter, a great RHYTHM guitar player, AND one of the all time GREAT bullshitters.

  • icecrmcnkd
    Joined:
    Shipping notice received

    Package last seen in Fontana.
    Hopefully it departs Fontana today and gets Truckin’ on.

  • Green Mtn Dead
    Joined:
    Shipping Notice

    Morning all! Good news - awoke to find a shipping notice for DaP 38 AND the tracking number works and shows the package was shipped yesterday and departed Fontana around 3 am today.

    So fingers cross we all get these soon. Always need a little ‘73.

    Hope folks are getting access to vaccines and getting prime to see shows again.

    Be well!

    Ps thanks to Doc for the daily write ups on the ‘71 tour.

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Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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In reply to by billy the kid

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How many did you attend at Warfield?

Small theater. The word "intimate" comes to mind

That Space on 9 27 80...

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I went to 3 shows 9/27, 10/9, & 10/10 , ( the two acoustic sets that were released). The Warfield holds about 2,800 people, the Orpheum Theatre, which is right up the street, only holds 1,800 people. I believe Cousins of the, went to all the shows but one, he can correct me if I'm wrong.

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The 2nd Fire - 04/22/77 The Spectrum;
05/05/77 Veteran's Memorial Coliseum;
05/08/77 Barton Hall;
12/31/78 Winterland.
Just to name a few.

Enjoying DaP 37 to the fullest!

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42 years ago today I saw the Dead put on a killer show up in Oakland. I had low expectations for the show going in ,I was never a big fan of the Oakland Coliseum, but the Dead came out firing on all cylinders, they played a great show from start to finish. This show is a definite future Dave's pick. I like the Fire on the Mtn. from 12/31/77 or 12/31/78, but I like a lot of them.

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Hey Billy, I made it to 13 out of the 15; I think it's Nitecat who went to all but one(or maybe all). I had to skip a coupla' shows; going to bed at 2 and working the next day did not agree with me...I passed out right as I got out of the theater on 10/9, missed the next two nights(matter of fact, I think Nitecat and I drove together to the show that night)

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Tying together recent themes: my first love was 10-31-80 with the Space intro. This remains a favorite to this day.

Also love 11-24-78 with the way it rolls out of Ollin Arageed and into Sugar Mag. Jerry's cocaine croup adds soulful umph too.

Another fav is 8-16-91 Scarlet>Victim>Fire perhaps also due in part to unorthodox transitions (sensing a theme as I write this) but also due to the Brucy factor; bang those keys man!

Speaking of banging those keys, 11-26-82 had some vicious attacks by Brent that have always impressed me even as a young man first getting to know the material.

It's been in the single digits here in Memphis TN with more snowfall than we have had since 1985. Perhaps I should warm my bones by a Fire right now!

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2/18/71 anniversary tomorrow. Yee-haa!!

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In reply to by Strider 808808

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3 10 81
11 1 79
6 22 86 (I have my reasons)
9 16 78

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Ok Jimbo I'll bite...I truly love this take on the very first (?) foray into Fire on the Mountain, albeit without the lyrics but the way it pops up here is totally awesome out of Eyes of the World. I'd love for this show to be officially released, you know I have a sweet spot for '76:

https://archive.org/details/gd1976-06-28.sbd.digitalrbb.miller.112296.f…

-Seventy-Sixtus

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Since the DaP 37 Glass page doesn't have a comments section, I'll air out my thoughts here instead. After reading about people having no shipping tracking far past a week for their glass like I did, I thought we were back to where we were last year with the shipping blues. Fortunately, yesterday UPS updated to indicate that the package has been shipped and is now halfway between LA and SF. The ETA is this Friday so keeping my fingers crossed it comes ASAP. Much love everyone!

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Los Angeles & San Francisco
Highway 101, Paso Robles, near where James Dean crashed his Porsche and died young.

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In reply to by proudfoot

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....I know exactly who you are talking about Proudfoot w/o mentioning names.

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In reply to by Vguy72

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...if only...

EDIT: they come in threes right?

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Cousins, you are right, I went to all the Warfield shows on that run. Funny I don't recall going together to a show, but my memory about how I got to shows is a little hazy. I had a crazy schedule, work in the morning, school in the afternoon, show at night. I do recall nearly falling asleep on the long bus ride from SF State where I was attending classes, and wondering why I was doing this, and then realizing why when the first notes of the acoustic set began. I also remember getting busted for taping by Dan Healy, but that is another story.

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A total beast. If you dig the crackle and burn in the Mississippi > Franklin’s opener, then the rest of the show is for you. A great example at how GD can turn devastation into something spectacular. But unless Norman can perform some wizardry through a matrix, I don’t see it being an official release. The board is just too reined in- a show where I always listen to the Aud over the board.

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Celebrating the death of another human being is something beyond my comprehension.

That is all.

Flame away.

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In reply to by Oroborous

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Still really enjoying this release - spring 78 shows have such a cool & wild vibe to them. Really into this show and can see several repeat listens before it goes on the shelf for a while.

Someone mentioned the Warfield/Radio City run. Over the years many of us wished for a complete box set but that seems pretty unlikely. I loved the release from a couple years ago (10/9 and 10/10 acoustic sets). I would love to see another release from that run (maybe another 4-disc Dave's that features a full acoustic and electric set. My wish would be for 10/4 or 10/14).

Hope everyone is well -

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I know when loved ones and people who are respected die, we have a celebration of life. Not sure about RL. I'm not willing to say I'm happy anyone is dead(Karma!), but if you have not heard, or not recently heard "Tramp The Dirt Down" by Elvis Costello from his Spike album, it is in my opinion, the most vitriolic song I have ever heard(written for Margaret Thatcher). It's a stunning piece of work, and one of my all-time favorite Elvis songs. It's a must hear, the hatred drips from the speaker. And, he's not dead yet. If RL WAS a bigot, good riddance.

DAVEROCK-that 2005 show with Arthur Lee must have been when the Liverpool band Shack was his backing band. I have a live recording from that tour, great stuff. I wish I could have been there.

Music is the best!!

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In reply to by stillwaters

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"The way I see it, Barry, it is a very dynamite show"

Also recommended: 4 3 82

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and her sullen and aborted currents
breed tiny monsters
true sailing is dead

Awkward instant
and the first animal is jettisoned
legs furiously pumping
their stiff green gallop
and heads bob up
Poise
Delicate
Pause
Consent

In mute nostril agony
carefully refined
and sealed over

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In reply to by Mr. Ones

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Thank you Onesies,,,, I usually listen to cheery Elvis like "When I was Cruel #2" :-)

But I liked that one.

Some people should be dead and the sooner the better. Karma be fine, but some are just human pieces of shit and I do rejoice when they go. I'm not talking about killing anyone, but if they die, then the lord must have wanted them. (if you believe in such things) There are people in the world that ONLY care about themselves and will throw ANYONE to wolfs, hell they're bring the wolf. It's a cold thing, but there are those that deserve no sympathy AND they almost always bring it on themselves. You can say karma, but karma works both ways,,,, maybe this was karma catching up with them. Shame it doesn't catch up faster!

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I will say exactly what he said on 8/9/95 of Jerry Garcia: "Just another dead doper. And a dirt bag."

Edited to add the "dirt bag" part, because I wanted to make sure I had the quote right, forgot that part, the first part stuck in my head way back then.

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In reply to by alvarhanso

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Yesterday, upon the stair,
I met a man who wasn't there.
He wasn't there again today
I wish, I wish he'd go away.

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In reply to by daverock

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...."I've never wished a man dead, but I have read some obituaries with great pleasure."
Admitted to being hooked on opioids in 2003 while slamming Garcia as a dead doper as was posted here by alvarhanso.
Dude once said Michael J. Fox was faking his Parkinson's Disease. The list is long. Great man that RL.
edited for sarcasm.

Jim thanks, yes, Hamza El-din. I remember Mickey introducing him, but couldn't recapture his name. I saw two maybe three concerts with him joining Mickey and Bill, and perhaps with the rest of the band for a while. Monster sets, maybe someday released. The drums were thunder and lightning those shows. Thanks.

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Yes, some of these performances with the Dead were released on Rockin the Cradle and RT1. 4. That RT release has really started to grow on me the last couple of years.

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In reply to by Dennis

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Hell, yes-I hope it didn't look as if I was trying to pass it off as mine! Thanks for making it clearer.

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And now, back to our regularly scheduled programming.

50 years ago today……………….

February 18, 1971
Capitol Theater, Port Chester, NY

Set 1: Bertha-Truckin'-It Hurts Me Too-Loser-Greatest Story Ever Told-Johnny B. Goode-Mama Tried-Hard To Handle-Dark Star>Wharf Rat>Dark Star>Me And My Uncle

Set 2: Casey Jones-Playing In The Band-Me And Bobby McGee-Candyman-Big Boss Man-Sugar Magnolia-St. Stephen>Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away-Uncle John's Band

I’ve said it before, and I’ll say it again---I think this is a bit overrated, and not close to the best of the Port Chester run. We can’t deny its historic significance, although the Dead themselves may not have viewed it as such at the time. One era ending, another about to begin, five fine new songs. The first great seismic shift of 1971…….

We should luxuriate in the subtle magnificence of the luminous Dark Star, and get down and greasy with the crackling crisp energy of Hard To Handle. Those two alone would make this certainly worth the price of admission……………..

Hail Port Chester!

Rock on,

Doc
Live out of your imagination, not your history

Mr Ones - you may know more about that Love show in 2005 than I do. The main buzz about the concert I saw, as I remember it, was the re-appearance of Johnny Echols alongside Arthur Lee.

Its always surprised me that although Love are listed as having played on the same bill as The Dead and The Allmans at the Fillmore East 2/11 - 2/14, you never read any reports as to how they played or went down. Not very well, presumably!

Right...as you were.

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Bertha, Jerry like are we here to play! You guy's are OAITW! hahaha

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who nailed it with the 'pleasure to read an obit' quote.

Thanks for that. Hypocrisy dies one by one.

Oh yeah, this is a music thread. Listened to 2-18-71 the other night and thoroughly enjoyed it.

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this is what happens when you preach hate your entire life. Lung cancer, what a way to go. I can see him now, gasping for breath, wishing he had done something else with his life instead of hating so many good people. Remember what he said about Jerry, so I will add to his obit, just another dead hateful republican.
Lots of great anniversaries of some great shows coming up soon. So much great Grateful Dead, so little time. Captcha, watch your parking meters.....

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Dave: A big thanks from snowy St. Charles, IL. This show is a great mood lifter when dealing with the snow/bitter cold in the Chicago burbs.
Vguy72, your Mark Twain obit quote was spot on. Have a Grateful day out there and stay safe.

You share my concerns.

I sent a PM to Skulltrip wishing him a Merry Christmas and have yet to here back. His response times are sometimes delayed, but never this long.

If anyone has been in contact with Skulltrip, please post.

I hope all is well with you my good man.

AJS

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In reply to by unkle sam

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The passing of RL reduces hate pollution by 50%. Fox News will remove the other 50%. Who knew that hate had such a receptive audience?

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Well, I never talk politics here, but besides saying who cares if Jerry is dead he was just a druggy, RL also said drug users should be "sent up river" even casual cannabis users. This while he was addicted to opioids.

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