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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • daverock
    Joined:
    Goats Head-Rock n' Roll

    The two albums where Mick Taylor really shines for me, are the Keith lite Goats Head Soup and It's Only Rock n' Roll. Superb soloing by Mick T. on Time Waits For No One.

    I like Ron Wood, but he seemed to adopt a kind of court jester role with The Stones which I found a bit tiresome. I do like these archival Stones live releases though - the Taylor years are still the gold standard, but the last two I got-from The Steel Wheels tour 1989 and 1998 in Beunos Aires rock like the proverbial b......Specially the 1998 one.

  • Forensicdoceleven
    Joined:
    Maybe the universe will get tired of me…..

    50 years ago today………….

    April 25, 1971
    Fillmore East, New York City, New York

    Set 1: Truckin'-Loser-Hard To Handle-Me And Bobby McGee-Cold Rain And Snow-The Rub-Playing In The Band-Friend Of The Devil-China Cat Sunflower>I Know You Rider-Casey Jones

    Set 2: Morning Dew-Beat It On Down The Line-Next Time You See Me-Bertha-Sugar Magnolia-Second That Emotion-Good Lovin'-Sing Me Back Home-“Spanish jam tuning”-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

    It’s long way from Durham to the Fillmore East. About 480 miles, give or take a little………

    Pinballing through New York, Massachusetts, Pennsylvania, New Jersey, New York, Rhode Island, Maine, North Carolina, and finally back once again to New York, you’d think the Dead would be tired by now…………

    On this evening of wonders, they sure don’t sound tired. As so often happened, it appears the Dead upped their game being back in the big apple. They start high, and then soar. The ultra crunchy Hard To Handle. The hyperkinetic Rub. The once-in-71 Friend Of The Devil. The fine China/Rider. The powerful Dew to open the second set. The greasy Good Lovin’. The typically fine NFA suite to close it all out. Maybe not so famous as other shows in this run, but oh so worthy!!

    This is classic Dead!!!

    Rock on!!!

    Doc
    Life is one long process of getting tired

  • SPACEBROTHER
    Joined:
    Shipping notice

    Received mine. #38 on the way. I actually forgot the show date other than the '73 part. Would be fun to receive it before the on-sale announcement for the surprise.

  • cmd
    Joined:
    Rollin' Stones proper

    Just wanted to chime in about my appreciation
    for the Mick Taylor era. As Daverock points out the real
    secret to the Stones true sound was the Jagger/Richard/Watts
    lock-down (Charlie comes in a nano-beat behind Keith).
    That said Mick Taylor played the sweetest leads for their
    material - by far. He was more instrumental in a few
    key songs than most people realize - Moonlight Mile - Keith
    passed out on the studio floor and Jagger, ever the economist
    demanded the sessions proceed and Taylor composed and played
    all guitars, Likewise with Goats Head Soup where he plays bass
    on several of the tracks as well as co-credited for Winter.
    Live by ’73 he was very frustrated with Keith’s erratic
    playing. One night MT was just expected to be the gun slinging
    guitarist while others he had to carry the show cause KR was
    checked out. The final straw came on It’s Only Rock and Roll
    when he and Jagger co-wrote “If You Really Want To Be My
    Friend”, yet when the album came out it was credited to the
    Glimmer Twins. Adios Stones …
    I always loved Ron Wood with the Faces, yet it seemed
    he really dumbed down his act when he joined the Stones.
    His best work was on Some Girls - otherwise he was all mod-rocker
    hairstyle and shades and no substance (probably just what Mick
    & Keith wanted).

  • Vguy72
    Joined:
    The Who's Pinball Wizard....

    http://pinballmuseum.org/
    I chipped in fifty bucks to help make the move happen.
    I've got a pocket full of quarters.

  • Exile On Main St.
    Joined:
    Giutar Weaving

    The Stones are the one band I know as well as the Grateful Dead. Right you are about Beggars and Bleed Daverock. Taylor was not involved much. He started with the Honky Tonk Women single, which for some odd reason they used as a single and went with Country Honk for the Let It Bleed album (certainly my least favorite on the record). Played on Live with Me from that record too.. Taylor contributed substantially to Sticky Fingers through Only Rock and Roll. He One of the reasons he quit was because he was not getting the writing credits he deserved. I was surprised by your comment crow told me, but I guess if you're not a Stone Head you may not know how involved he was in the writing and recording sessions. I am surprised too hear you found his live playing a distraction. His soloing was so smooth. Prime example is Dead Flowers at the Marquee '71 -OMG unbelievable how many notes he played "in time" on such a fast little diddy, and exits right when he needs to for the next verse after improvising a solo that had a proper beginning middle and end. As far as "weaving" the China cat example is cool yes, but not mahatma Keith is talking about. He means chord weaving, where, he'll play one thing and the other guy will fill in something in between (also chord playing) but the key is that they compliment each other's playing. I would emphasize that I do not mean they playing the same thing in a different octave (this is a different technique altogether that is used to fill out guitar sound). Check out Stray Cat Blues live at the Roundhouse 1971. Mick Taylor was so good he alternate modes within a song, he could play a different solo every time, or in some cases (Midnight Rambler) Keith would start a lick and Mick would finish it for several bars. To each his own is my philosophy I just couldn't figure out where the Taylor criticism made sense. I will say this, that one live song I am too keen on his playing is the Brussels Brown Sugar where he picks up the slide and does sound like he's overplaying. But that was the only time I've heard him play slide on Brown Sugar or sound distracting. Overall he was easily the best guitarist the Stones ever had. Brian Jones was easily the best multi-instrumentalist they had, but he added his touches to music that was already written. Taylor actually composed music in the writing phase (and to his credit he played bass on some tracks that Bill Wyman was not in the studio to play on like Tumbling Dice and Happy).

  • daverock
    Joined:
    guitar styles - Crow

    Yes, China Cat/Rider features wonderful complimentary guitar playing.

    I agree with what you say about The Stones to some extent. I think Mick Taylor happened to be in the band when they made some of their greatest recordings, without necessarily contributing to them being great. Both Beggars Banquet and Let It Bleed were based around Keith Richards playing, with embellishments on some songs by Brian Jones or Mick Taylor. But Keith is the only guitarist, I think, on many tracks on those two albums.

    In many ways, with The Stones, the rhythm is both that, and the lead. The riffs of so many of their songs define the songs -the solos are just the icing on the cake. It doesn't matter to me too much what the soloist is doing on tracks like Jumpin' Jack Flash - its the groove that counts.

    Live, the pulse is what I like most, and that is provided primarily by Keith and Charlie Watts. And again, the soloing is the secondary to the groove.

  • Crow Told Me
    Joined:
    Weir the Weaver

    You want to hear "the art of weaving," as Keith Richards sometimes call the two-guitar thing he supposedly loves? Listen to what Garcia and Weir do on pretty much any recording of China Cat. Or pretty much any recording, period. Because Weir is truly the master of being the Other One, playing jazzy chords and single note runs that complement Garcia's genius. And he can do it on the fly, spontaneously responding to whatever musical thoughts cross Jerry's mind.

    If I say that Weir is the most under-rated guitarist in rock, I doubt if anyone here will argue with me. What he does isn't "rhythm guitar." It's more like what a great jazz pianist does.

    The Stones? I mean, I love the Stones, but at least 90% of the time all that's going on with the guitarists is that one guy is playing lead and the other (almost always Keep) is playing "rhythm": ie, playing the same chords or riff over and over while the singer sings or the other guy solos. This was particularly true during the Mick Taylor years: people talk about how great he was for the band, but when I hear live recordings from that era, half the time Taylor's noodling without regard for anything anybody else is doing, and it's just a distraction. The Stones were much more interesting live with Brian Jones OR Ron Wood.

    Keith's a GREAT songwriter, a great RHYTHM guitar player, AND one of the all time GREAT bullshitters.

  • icecrmcnkd
    Joined:
    Shipping notice received

    Package last seen in Fontana.
    Hopefully it departs Fontana today and gets Truckin’ on.

  • Green Mtn Dead
    Joined:
    Shipping Notice

    Morning all! Good news - awoke to find a shipping notice for DaP 38 AND the tracking number works and shows the package was shipped yesterday and departed Fontana around 3 am today.

    So fingers cross we all get these soon. Always need a little ‘73.

    Hope folks are getting access to vaccines and getting prime to see shows again.

    Be well!

    Ps thanks to Doc for the daily write ups on the ‘71 tour.

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Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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Second night at the Knick June '95. I remember the police sealed off several blocks close to the venue after some orc mischief among the fans the previous night. We figured that's why they closed with I Fought the Law.

The 06/19/76 Capitol Theater - Passaic, NJ set list you laid out is incredible! I admit, I don’t follow all the unreleased stuff the way other posters do here, but every once and a while, a set list is laid out that makes you go “Wow!”, and this is one of them.

And KeithFan - I can always find time for the Cars, too. Just a great, fun band, with excellent songs, great hooks, and some totally underrated players (the live “Take What You Want” found on bootlegs from their club tours of the 70s still rattles my speakers. I have one recorded at the El Mocambo in Toronto that just brings joy to all the villagers who hear it!)

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In reply to by Vguy72

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Saturday Night for openers...at UC Davis '82...they came out (Sunday eve show) and Bobby said "Here's one we forgot to do last night"...great show...

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You don't want to know which shows I don't care much for; I would be jettisoned from the group!

Opinions are like buttholes: everyone has one, no one wants to hear them, and they usually stink. :)

And the "problem" with GD shows is that they're like sex and brownies: even when they're the worst you've had they're still pretty damn good.

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I was just wondering if anyone in the Leigh Valley or Philly area get there Dap 37 ?

Thanks!

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Here Comes Sunshine
Eyes Of The World
Not Fade Away
Playin' In The Band

ps. 2/27/81 great show!

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9 years 4 months

In reply to by icecrmcnkd

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You’re absolutely right, totally missed that. Clung!! (Wooden mallet to the noggin).
Thanks for showing me the light!

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Got my shipping note on 1/26 but no DP37 in my postbox till today.
Anyone else in Europe still waiting?
Stay all safe & healthy
Best wishes from the sunny Isle of Fehmarn
JJ

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Why don't you have UPS pick them back up for final delivery?

Please and thank you!

ps. I heard on the news,
"there are one million packages waiting to be sorted in Philly since Christmas!"

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13 years 1 month

In reply to by fourwindsblow

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It was a rainy, misty and gloomy day but just before the band takes the stage. . .. The sun began to burn through the clouds and Furthur opened with Here Comes Sunshine -- it was a fabulously appropriate choice. For those of you who have not been to PNC Holmdel N.J. amphitheater it is an outdoor venue built into the earth like other similar venues and the sunshine came through from the west brightening a gloomy day while illuminating the band and crowd. It was The Grateful Dead meets a scene from an old Warner Brothers' Hollywood Biblical Epic Movie! Glancing over my shoulder . . .. I searched the horizon for an apparition. . .. Maybe Charlton Heston holding the Ten Commandments?

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In reply to by fourwindsblow

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I was always partial to a Shakedown Street opener. But I also love it anywhere in the line up.

March 1 on Monday, when is it that box coming out?

Peace out.

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I’m with JiminMD, 9/3/88-Let The Good Times Roll opener, but also, that Box of Rain second set opener too!! Plus 2 song encore ending on Ripple.
I spent at least 5 years loving the Cars, just one of many bands in my long string of “current favorites”, way too long to get into here. Starts in ‘64, ends when I die.

From the lips of Frank Zappa:

Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid.

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Hello fellow Dead fans, this is my first time ordering from this site, ordered Dave’s Picks 37 back on 1/29 when it was released and still haven’t received my copy. I contacted customer service and have yet to receive a reply besides the automated email. I have put my tracking number into both UPS and USPS and neither show any updates. I live in eastern KY so I didn’t think it would take this long to get here, and I understand covid and the weather delaying shipping, but can I expect to receive it anytime soon or should I request a refund? I’m a little afraid mine is lost or something haha. Also wondering if I should wait longer for customer service to reply, I sent it back on the 23rd.

It was Easter Sunday 4/7/85, I was literally seeing Easter Bunnies...not on the rail but up pretty close...it’s getting to be time....the lights are still on but Phil comes out and quickly sets up and walks to the mics which weren’t on yet...what’s he saying? “hiyah, hiyah, hiyah kids, can you hear me” ....then seemingly in an instant, ok well maybe a psychedelic instant lol, he bursts into Why Don’t We Do It In The Road! Yeah, it was that kinda show....anyone digs 85 MUST check out this show! Yes JG has a tour “cold” by this point, but so what,....listen to the music play! Best Easter Ever!

EDIT: if I wasn’t a dumb ass I would of caught Day Tripper on 6/25/85, Dooaahhh!

DBL Edit: some other fun/unusual/notables I saw;
- 3/21/86 Road Runner
- 3/27/88 Space>>So What (2nd set)
- 6/30/88 Green Onions (2nd set), Box of Rain opener
- 10/15/88 Space>>One Mo Saturday
- 7/13/94 Truckin’>>New Speedway (2nd set)
- 6/30/85 Rain>>Box of Rain>>Samba in Rain>>LL Rain (2nd set)

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Stillwater’s; not too up on D&C but can attest that most of the Boulder shows were good. Forget which one, but one of the last shows there was excellent, the other decent. I know my cousin spoke highly of the 2 New Years shows from 2019.

I had forgotten that 6-19-76 was in the friggin' '76 box! Just pulled it off the shelf for a re-run, plus dragged out the FW69 discs for this evening's jolt of GD. Got the fresh produce, check. Stout? Check! Jameson? Check! GD collection? Oh boy, it's so large that I can't remember everything that's in it.

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careful with the powder on the bottom...
🥺

Me too!! IceCrmcnKd mentioned it, so I pulled the box out and “Geez!” For the record, I again stand by my “Wow”, what a great set, and it must have blown the roof off the place.

I can hear echos of my dear Mrs “Don’t you have enough Grateful Dead already!?”
The point could be astutely made: Never.

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We were close enough that our sound came from the back line of amps rather than the PA and I was duly impressed with the actual crackling and slight buzzing that came off even these top pro's amps, and the vocals from the side monitors/PA speakers blended real well. Also, when you're close, as most of you know, you get to see the little looks between players while the music is going, solos are traded off, and then the off-mic banter. I was two months shy of my 19th birthday and had already racked up seven GD shows in '72-'73 and starved all of 1974 and '75. So we were ready with a little tootskie and the requisite produce. About 5-6 of us had adjacent seats. I just looked it up: Jer was only 34 years old. Bobby was 29.

Ya know, I'm Hendrixfreak, right? But too young to have seen him in concert; just never had the opportunity really. (I was already Hendrixfreak in '69, then he passed away a month after my 13th b-day and I didn't start going to shows until spring 1971. (Wow, that makes this spring 50 freakin' years in the trenches of live music!) But I feel profoundly fortunate to have caught the GD in concert maybe 75 times between 1972 and 1992. Plus innumerable Jer solo shows.

Oro, as you probably know, when you harvest fresh produce -- especially Indica -- you end up with sticky stuff on your clippers. Carve that off, let it dry, pop it into the bowl and BAM! Free transport to Amsterdam or Kabul, preferably the former..... And, yes, I've got a plan for at least one disc of FW69 with my modest piece of fresh sheesh!

Peace to all!

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In reply to by Oroborous

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...never a good idea, and I’m wasting time/bored. @ Show Openers;

14 Buckets
13 Touch’s
12 Strangers
8 Shakedowns
8 LTGTR
8 Alabama’s
7 Jack Straws
6 1/2 Steps
5 Iko’s
4 Berthas
3 Midnight Hours
3 Dancin’s
3 H/S/F
3 Cold R&S
2 Picasso Moons
2 GSET
1 Road Runner
1 Do It In the road
1 Foolish Heart
1 Music Never
1 Gimme Some Lovin’
1 Box Of Rain
1 Minglewood
1 Promised Land @ my first show.

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Alligator
Schoolgirl
China>Rider
Hard To Handle
Doing That Rag

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"It was a rainy, misty and gloomy day but just before the band takes the stage. . .. The sun began to burn through the clouds and Furthur opened with Here Comes Sunshine "

Same thing happened at Giants 6/6/1993.

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That must of been sweet!
Unfortunately never saw that one : (

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If you see this, please pm me.................

Now that I have your obviously undivided attention, gentle reminder now that we have a little breather between Port Chester and March 3. Anybody with a hankering for some new 71s, I might be able to help you out. And if anybody needs some light reading, "The 1971 Project" is available upon request. It's probably a continuous work-in-progress, but I'd bet that hendrixfreak or even strider brown might find a nugget or two of interest there......

Thanks for the ABCD list link. So where's 12/1/71 and 12/5/71??????

Rock on rockers!!!

Doc
Memory is a complicated thing, a relative to truth, but not its twin........

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In reply to by Oroborous

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Eugene 8/21/93, my favorite, super sweet start to a fun show. best Standing on the Moon ever. August '93 polished like a golden bowl in my memory.

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Mississippi 1/2 Step 8
Hell In A Bucket 7
Jack Straw 7
Cold Rain & Snow 6
LTGTR 6
Touch Of Grey 5
Bertha 4
Aiko Aiko 4
Picasso Moon 4
Feel Like A Stranger 4
Help On The Way 2
One More Saturday Night 2
Here Come Sunshine 1
Sugar Magnolia 1
Fun fact. My first 3 shows were Aiko openers.
Was present at the HCS Eugene opener.
I also witnessed 2 Saturday Night openers. I don't recall the second one. Might have been late to the gate. It happens.

China Cat Sunflower 10
Scarlet Begonias 5
Victim Or The Crime 5
Aiko Aiko 4
Samson & Delilah 4
Foolish Heart 3
Here Comes Sunshine 3
Box Of Rain 2
Crazy Fingers 2
Hell In A Bucket 2
Help On The Way 2
Saint Of Circumstance 2
Shakedown Street 2
Truckin' 2
Easy Answers 1
Eyes Of The World 1
Hey Pocky Way 1
If The Shoe Fits 1
Jack Straw 1
Just A Little Light 1
Lucy In The Sky With Diamonds 1
One More Saturday Night 1
Sugar Magnolia 1
I was apparently a China Cat Magnet.
I don't recall the If The Shoe Fits opener. Good on me for that lapse of memory.

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Ladies and gentlemen ‘The Grateful Dead’ Live From Oakland! With maybe their very first live shakedown st. DPs series?!
The Grateful Dead played many Primo Prrformances over their career in Oakland! “Play Ball”!
Batter up! Or does it go the other way around?! Lol . Rock on my brothers and sisters! 😎
🙏❤️💀🌹

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Yo! Rockers!!

Some favorite show openers:
Big River (6-26-74)
Cold Rain & Snow (5-11-78)
Mississippi 1/2 Step (10-28-79)
Jackstraw (3-12-81)
Shakedown (4-26-83)
Music Never Stopped (10-21-83)
Dancin' In The Streets (6-24-84)

I seemed to catch a lot of Berthas, Promised Lands, and Alabama Getaways........

Rock on!

Doc
All old music was modern once

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....I only caught one Alabama Getaway. Better than none. Third song into the second set on 2.12.89. That counts as two in my opinion.
Also caught the last/final Monkey & The Engineer that gig.
Lucky me. Those Forum runs in 89 were electric.

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So I finally received my #37, but unfortunately it doesn’t do me any good as the discs are all faulty, some don’t play at all and the other just constantly skips and pauses. Just wondering if anyone else ran into this kind of bad luck with their discs. I just contacted customer service, hopefully I don’t have to wait a really long time to finally listen to this show, but that seems to be the way with my past experiences.

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This customer service is completely SHIT. I live 30 minutes drive from where all the Dave’s are shipped from Carlsbad, CA. I have a subscription. An order confirmation... and right now, no shipping notice, no nothing. No phone number to call or rep to speak to, no reply from Dr Rhinos emails. NOTHING. This is completely unsat. I’ve filed a Better Business Bureau complaint.

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To be fair, not my favourite Dead cover by a long chalk. They always seemed a bit constrained by the riff to me...but the one played on 3/25/72, as evidenced on Dicks Picks 30, goes stratospheric. Easily the best version of it they did-that I have heard. Curious that they seemed to drop it after that. I say, without checking to see if they did-I don't remember it featuring on the European tour.

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I may have been at that one but I am not sure. I was there again in 94, and, being a Traffic fan, I left the parking lot scene to go inside at the Giants 94 shows. With the Furthur show at PNC Bank Arts Center, and, it being an open air amphitheater with a circular roof, the way the light broke through the clouds in between the narrow area between the roof and ground was , well, Biblically-Hollywood. What a great show that was. In fact the crowd was so loud and boisterous that Phil commented on it during his "Donor-Rap." He dug the crowd energy.

To those of us in the northern hemisphere, let's hope for an early beautiful Spring and an end to this Pandemic. Peace to all here.

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2 28 69 FW!

TIME FOR A '69 BOX release.

Not sure what the hold up is....

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On key opening songs I witnessed. Just a few highlights:

In '72-'73, it's all Bertha and Promised Land, depending on whether Jer or Bob started the show
Except, 7-31-73, when they opened with Ramble On Rose

In '76, there's that H>S>F>TMNS, one Sugaree, one Promised Land.

In '77, it's all Bertha and Promised Land again

In '78, there's a Jack Straw, Bertha, Promised Land, and a Mississippi Half Step (all at Red Rocks)

In '79, a Shakedown

In '80, a Jack Straw and an Uncle John's Band (both in Boulder)

Skipping ahead to highlights: 8-13-87, Jer sings Big Boss Man to open a third night at the Rocks. (Man, how did we ever do those three nighters in a row??)

Oh hell, that exercise wasn't that exciting... the openers certainly got the crowd going - esp. Bertha and Promised Land = except in the early days, '72-'73, the mixer used the first song to dial in the sound, so the opener was a bit of a sacrificial lamb as it were. (Witness: the PNW box.) Basically we took Jer's Bertha to mean that he was comin' out ready for action.

Again, feel fortunate to have seen lots of shows with my friends and thousands of friends I had never met before arriving at the show.

I managed to get the out of production Hendrix Box Set Stages on the cheap and in great shape via eBay for $41.64 including shipping and taxes. Pretty good deal! I have not listened to it yet but will check back in . . .. That Songs for Groovy Children box will be next.

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In reply to by deadegad

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We watched a comedian the other night brian regan i believe

It was recorded at red rocks

I kept visualizing the GD playing there

That must have been FANTASTIC

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In reply to by proudfoot

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Walkin the Dog>Deal in 85

1/2 Step>Road Runner in 86

Big Boss Man in 88

Saw a ton of Shakedown openers from the early to mid 80s.

H>S>F has to be at the top of show openers, if for no other reason than From the Vault 1. HCS might be up there, but the quality on the song was not the same when it reemerged.

I was also at that Rochester show when they started the second set with Green Onions. Other interesting second set openers were Terrapin (85) and Quinn>Dancin (86).

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