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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • Gary Farseer
    Joined:
    Sixtus

    I still have your original write up as a file on an older computer. I also think One Man did some extensive work/documentation on E72 and other tours.

    But all of this is heady stuff to me, just hard to keep up with this old brain...and I think I remember DHB's beer documentary.

  • Oroborous
    Joined:
    E72

    Didn’t Deadhead brewer do a deep dive a couple years ago?
    Or maybe I’m thinking of Sixtus?
    I know DHB did listening with specially pared beers...

  • daverock
    Joined:
    72

    Sixtus - good post. I seem to have missed your posts on this year in the past - so apologies for that. You clearly have a lot to offer yourself in terms of write ups for 1972.

  • JoshByTheBay
    Joined:
    Shipping Notice Received!

    Just got my shipping notice, hopefully everyone else who pre-ordered will get their tracking # before the end of today. Thank you also to Sixtus for that wonderful E72 Dark Star write up. I hope everyone here has a fantastic day :) much love ✌️

  • JimInMD
    Joined:
    E72

    I know I am not up to the task.. it took me a couple months to get through my first listen all those years ago. I think I'd still be on it if I took notes, rewinding.. taking copious notes, editing down the notes, reslistening then tossing my notes and starting over..

    I do like this writeup from the Internet Archive on the topic. There is a write-up for each show that is pretty close to my impression. I believe it was done before the box came out, so some of the recordings used were not nearly so stellar. Some good light GD listening.

    https://archive.org/post/304297/europe-72-notebook

    Funny.. I took a brief pause from my 71 stream of consciousness yesterday and picked up Lille France. What a great little show.. A+ in my book. Phil's comment is just about perfect, "it felt like he was playing in the midst of a French impressionist painting"

  • Sixtus_
    Joined:
    re: E '72 Write Ups / KeithFan

    I concur. if there is anyone 'round here who purports a vast knowledge of the Europe 72 jaunt, it's KeithFan. It's quite an endeavor, and I know a bit from experience, as I had done this for each of the Dark Stars several years back as I awaited Boxzilla. Likely many have seen this before, but in the spirit of being a team player, I offer an encore sharing of these efforts while we now await word from KF on his uptake for the balance of the tour:

    Here goes....

    4/8/1972 - Wembly Empire Pool, London - 32 mins; intense/fast paced first leg up til about 10 mins then returns to DS theme for 1st verse; spacey post-verse til ~17 min, then pace picks up for a few minutes, followed by a brief meltdown; additional spaciness around 24 mins followed by another full meltdown; interesting groove established around 28 min that has hints of Sugar Mag (into which it segues, flawlessly). No second verse.

    4/14/1972 - Tivoli Concert Hall, Copenhagen, DK - 29 mins; loose first 10 mins not overly spacey; gets spacey around 11 mins; interesting groove establishes around 16 min to head into first verse w/interesting beat; heads off into intense nearly 7-minute jam inclusive of a very tight and fast Feelin Groovy jam; final 3 minutes are a meltdown. No second verse.

    4/17/1972 - Tivoli Concert Hall, Copenhagen, DK - 31 mins; spacey opening to about 7:30 when first DS theme emerges leading to 1st verse at 9:45. Spacey post-2nd verse tries to take off but melts further around 19 min; returns to a partial groove around 24:30 and closes out with spaceyness in the last 2 mins. No second verse.

    4/24/1972 - Rheinhalle, Dusseldorf, Germany - Split by Me & My Uncle; 26 mins 1st half, 14:30 second half. Spacey opening until about 8:45 where it coalesces and falls into first DS theme around 10:15 followed shortly by 1st verse with slow, sparse notes. Spacey feedback following verse until 15:45 and then picks up into an intense, fast paced jam for just under 2 minutes before it becomes dissonant again leading to major meltdown which eventually heads into Me & My Uncle with ease. Second half: spacey reintroduction persists until about 7 mins, where Keith leads-in with some piano phrasing and then the band follows into a tight fast paced jam where Jerry plays some lines back and forth as if in conversation with himself and then maintains an intense level effortlessly segueing into Wharf Rat. No second verse.

    4/29/1972 - Musikhalle, Hamburg, Denmark - 30 mins; spacey opening for ~5 mins, then enters a groove and Phil hints at the Feeling Groovy jam until it finally is joined by Jerry a minute later until about 8:00, then the floor drops out into space. DS theme appears at 14 min which leads to first verse. Spacey post-verse noodling leads to major meltdown, settling in at 22 mins with a fat, fast-paced Keith-led groove. Final 4 mins are spacey & lead to major melt #2, dropping into Sugar Mag as DS finally melts away. No second verse.

    5/4/1972 - Olympia Theatre, Paris - Split by drums; 19 mins 1st half; 17:34 2nd half. Spacey opening til about 6 mins when fast paced jam kicks in until 11:20, slowing down then resurrecting the DS theme into the first verse. 4 mins of space leads into drums. Second half post-drums is very spacey until 7 mins, then kicks into overdrive with a very high energy jam leading to a phenominal Feelin Groovy Jam for several minutes before settling into the second verse. DS dissipates into the Sugar Mag from E'72.

    5/7/1972 - Bickershaw Festival, Wigan, UK - 19:49 mins; decent, coherent jamming for the first several minutes that congeals nicely around 8 minutes. Bottom falls out around 10 mins and leads to some light noodling, cymbal fills and space. DS theme emerges at 14:23 and heads into 1st verse. Space fills the air through the remainder of the song until it totally breaks down into drums. No second verse.

    5/11/1972 - Rotterdam Civic Hall, Netherlands - Split by drums; 13:45 mins 1st half; 30:34 mins 2nd half; Opens with a light, airy jam that persists to congeal into a decent groove as it treads in and out of spacey phrasing. This settles into a mysterious sounding jam that grows with intensity without a return to the DS theme before dissolving into drums. Emerging from drums, Phil and Billy duel for 2 minutes before Jerry joins back in with some complimentary thoughts; the DS theme appears around 5 min followed by 1st verse. A few moments of spacey feedback give way to spacey noodling that devolves into a full blow chaotic meltdown, only to emerge around 19:30 into a very nice, fast paced groove that hints at Caution and PITB jams. This eventually dissolves and a light, sparse outro ends the song as it heads off into Sugar Mag. No second verse.

    5/18/1972 - Kongressaal, Muenchen, Denmark - 28:20 mins; almost 2 mins of noodling before opening notes from Phil; a loose jam ensues around the DS theme for the next several minutes and then decays. At ~9 min an interesting jam emerges, which eventually settles back into the DS theme and 1st verse around 14:30. The remainder of this DS is borderline chaos as it treads in and out of varying degrees of a meltdown until it settles into Morning Dew. No second verse.

    5/23/1972 - The Strand Lyceum, London - 30 mins; Spacey opening minutes lead to tight fast paced jam commencing around 3:30 for two minutes and then it settles into another spacey jam digressing to almost…nothing. Billy and Phil then have a small duel until ~13:30 when the rest of the band fills back into a delicate groove which grows to into a jam reminiscent of the post-Truckin' foray from E'72 until about 17 mins, when they drop into the DS theme and 1st verse. Ensuing is additional delicate spaciness that transgresses into a frenzied meltdown madness, and eventually settles into Morning Dew. No second verse.

    5/25/1972 - The Strand Lyceum, London - 34 mins, out of Wharf Rat. Strong opening with a groove almost from the beginning, no noodling around here in the first 7 minutes. Then turns very spacey until 15 mins when DS theme appears, and heads off into 1st verse. Post-verse finds a Billy, Phil, and Keith duel for several minutes. At 21 mins, Phil institutes a mellow Feeling Groovy jam, soon joined by the rest of the band until ~25 mins. Final minutes are dominated by space and then a monumental meltdown before heading off into Sugar Mag. No second verse.
    ____________________________________________

    Be Well People!
    Sixtus

  • daverock
    Joined:
    Wilfred - 72

    Keithfan seems like the man.

  • Forensicdoceleven
    Joined:
    It is not even the beginning of the end..............

    50 years ago today…………

    April 29, 1971
    Fillmore East, New York City, New York

    Set 1: Truckin'-Bertha-It Hurts Me Too-Cumberland Blues>Me And My Uncle-Bird Song-Playing In The Band-Loser-Dark Hollow-Hard To Handle-Ripple-Me And Bobby McGee-Casey Jones

    Set 2: Morning Dew-Minglewood Blues-Sugar Magnolia-Black Peter-Beat It On Down The Line-Second That Emotion-Alligator>drums>jam>Goin' Down The Road Feeling Bad>Cold Rain And Snow-China Cat Sunflower>I Know You Rider-Greatest Story Ever Told-Johnny B. Goode

    Encore: Uncle John's Band-Midnight Hour-And We Bid You Goodnight

    Don’t get me wrong, this is a very fine show, with more than its fair share of oddities and rarities. I enjoy the quirky goodness of any show that has a Dark Hollow and a Ripple, the Black Peter is wonderful, the Dew is powerful, and who doesn’t love an Alligator? And I sure do savor the CR&S coming out of GDTRFB, and the three song encore was the only time that happened all year.

    All that being said, almost without fail, this show was rated the best show of 1971 in Deadbase polls, which I never understood. Solid show—absolutely. Great last Fillmore East show by the Dead---you bet. Even so, maybe a teeny tiny microscopic step down from the previous night……………

    Rock on!!!

    Doc
    But it is, perhaps, the end of the beginning……

  • wilfredtjones
    Joined:
    Who’s going to write up 72?

    My vote would be Keith Fan. But it could also be a team effort. Anyway how about the liner notes to E72. Haven't they already been written up? teehee. H.A.D. waiting for this release. TMI?

    P.S. I'm not a robot.

  • carlo13
    Joined:
    Smoking

    The first disk smokes, especially LIG. It's very structured like a studio album but in a good way. If that is the right word.

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Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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Believe those AL speakers were powered by a pair of Macintosh tube amps... this was at Chip's (parents) Bethesda MD house, he converted his attic room into a listening space. Thinking about it, seem to recall he was bi- or tri- amping those speakers... they had 15" woofers. Audiophile, an amazing system for the time. Few high school kids had equipment or parents that would allow serious volume at home. For a while, Are You Experienced seemed to create the before and after, who knew anyone could play like that. Next bulletin from how to make a guitar do anything you ever wanted was Jeff Beck's "Truth", 1968. Thanks for posting a link to Phil's birthday treat, Unbroken Chain, very sweet.

Hey 1stshow70878 - The guy with the neon tape stripes on his guitar is Tom Hamilton from Joe Russo's Almost Dead. Joe Russo is the drummer staring into the camera. If you have not seen "Joe Russo's Almost Dead" or JRAD, it's closest to the wow factor of seeing live Dead probably since Phil and Friends of the late 90's. They really go off than any of the other bands since Jerry's passing. They do a ripping Catfish John and their other guitar player is very good too. I almost didn't recognize Tom with the grizzly beard, but I did recognize his guitar. The guy with the Teal SG is Jackie Greene who did the simultaneous singing/playing with that side by side double zoom session. Mike Gordon from Phish was on bass. Grahame Lesh (Phil's son) is the singer /guitarist that starts off and David Crosby's son Jason is the singer (almost looks and sounds like him). The other guitarist that starts the song with Lesh's son is Ross James with the light blue Strat looking guitar. Stanley Jordan is the guitarist using both hands on the frets. Holly Bowling played the baby grand piano. She does both Phish and Grateful Dead tunes and is a very talented pianist. Karl Denson is on flute. I am not familiar with the other musicians but boy is that an impressive rendition. I think I've listened to it 10 times. I'm going to give a listen on headphones, hopefully it's mixed well.

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Wow Blueskye what a moving article/video. Makes me want to get a mylar balloon filled with helium and give it a go. I was always impressed when I think it was Dead & Co had space for the visual impaired to enjoy the shows.

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....probably not as hopping as when we were there, but its a slow, cautious climb. We added a new hotel though in that neck of the woods. The Circa. Google their amazeballs sports book.. My first shot is tomorrow. EXACTLY one year to the day that Sin City was forced to shut down.
I also concur with the JRAD assessment.

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This 2/14 version never amounted to anything special in my play list. To me it suffered through the gongs like most 1970 Dark Stars, but didn't have anything "special" about it. That was after 15 or 20 plays since it came out on Long Strange Trip.

Tonight was like the first time ever hearing it. This one has some face melting moments. I'm still not crazy about gong time but isn't it great how a Dead performance can be like catching a good wave!

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50 years ago today……………..

March 17, 1971
Fox Theater, St. Louis, Missouri

Information about this show is a bit sketchy. According to setlists.net, Me & Bobby McGee and Lovelight were played.

The following partial set list has been posted at jerrygarcia.com: Next Time You See Me-Me And Bobby McGee-Hard To Handle-Cryptical Envelopment >drums >The Other One >Cryptical Envelopment. If correct, a full CE/TOO/CE suite would have been unusual…….

According to first hand accounts, the show opened with Truckin’, Hard To Handle was played early in the first set, the show closed with NFA/GDTRFB/NFA and Johnny B Goode, and Lovelight was not played.

Next Time You See Me and Me & Bobby McGee were played on “Tapers Section” at dead.net in March 2007, at which time David Lemieux referenced reel cuts in Hard To Handle and The Other One. The sound quality was very good, but with tape hiss. And yes, Next Time You See Me rocks!

As somebody who “grew up” on bootleg tapes and got used to edits, flaws, and omissions in Dead recordings, I would be totally OK with it seeing the light of day eventually……….

Rock on!!

Doc
When we remember we are all mad, the mysteries disappear and life stands explained

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Proudfoot wants to know the year. I want to known how many discs, thus cost. The calculus is complex. If the year is 1968-1972, I no longer care about how many discs, because I'm buying it, while wishing it won't exceed 20 discs/$200. If it's 1976-1995, we'll have to know the exact year and dates, PLUS the number of discs to determine whether to purchase. At this point I'm being choosy on 76-78, but there's smokin' shows in 79-81 that I'd go for.

A word on mylar balloons someone just mentioned: please don't use these mobile bits of trash. I have been in some of the remotest and pristine parts of Colorado -- generally the high desert between 5,000 and 10,000 feet -- and seen a shiny object that turns out to be HAPPY [5th-100th] BIRTHDAY for whomever. Gotta stuff it in my pack and dispose of it properly. Those damn things show up in the least appropriate places. That and Bud Light cans on the backroads. When you're done with it, poke a hole and place it in the trash, please. This PSA brought to you by Get Off My Lawn Enterprises.....

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It occurs to me that it was reported some time ago, about a new fulfillment center that took over Warner's and others shipment of products. Clearly, they seem to be answerable to no one, and feel as if customer service is an unnecessary evil. They seem to feel that since there is nowhere else to go, then "screw you" is their right as a response to any and all complaints.
I have spoken with the management of my local "Indie' record shop, and they have told me that getting Warner and related product is next to impossible. It kind of feels as if we have nowhere to turn, because I don't believe they care if we boycott or don't. I wish I was proposing a reasonable and viable solution, but alas, I do not have one.
Maybe this is part of the "grand plan" to eliminate cds altogether. When physical product disappears, then I am done collecting. I know I am old and out of touch, but I don't want to "own" something that I cannot see, hear, feel, and most importantly, read.
I know cd production will end sooner rather than later, I was just hoping that it could remain until I no longer exist. Sorry for the long rant, but I feel everyone's frustration, and I believe that we all have the "right" to feel this way.

Music is the best-I just hope it stays physical.

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In reply to by Mr. Ones

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The world of art collecting is going digital. Last week some fool paid $millions for digital art.

Vinyl is back, cassette tapes are even being produced in limited quantities. I don’t think that CD’s are going away yet, there are too many of us lunatics who demand them.
Digital is the future, and what we are doing is paying for the digitization and remastering of the reels when we buy the CD’s. The digital files are stored and will be available as downloads at some point in a few decades. The ‘limited’ statement only refers to the current pressing and release of the batch of CD’s.
The downloads are inevitable, and will probably be hi-res, but most of us will probably be gone by then. So for now, order your CD’s and cross your fingers that they actually arrive, are undamaged, and are not defective.
For those who want downloads now, you must not be aware that Rhino isn’t actually competent enough to run a download service. It’s been proven over and over.
Dennis, did you ever get your Angel’s Share download?

And the 3rd-party warehouse incompetence has been going on for years.

Read what the employees say about Direct Shot (Franklin, IN).
https://www.indeed.com/cmp/Direct-Shot-Distributing/reviews

Recall that before Gnarlywood your CD’s came from Franklin.
Before Franklin they came from outside of Nashville, and before that they came from Crozet.

It has only gotten worse with each warehouse/distributor change.

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In reply to by icecrmcnkd

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Yes I finally got it. I hate to say it but it was Marye who accomplished that feat for me. I only hate to say it, because, I not sure if Marye is actually a employee of ANYONE! I would hate to lumber Marye up with anymore work or speak of her like she's responsible for helping us fools. I always get the feeling (and no reason why), that Marye just has the ear of someone in the know and is kind enough to mention the blight of our troubles to them.

In any event, I got the download.

Thanks Marye, and if there are more in the background that helped,,, thanks to you too.

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In reply to by Mr. Ones

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I agree with you 100% Mr Ones - when CDs are no longer available, my collecting days will be too. I’m currently having a problem with Warner/WEA for another artist, just horrible service. To throw me off the trail, they sent me an email last week with “Post Office Tracking”, product to be delivered on March 16. My dog could tell all they did was create an electronic label, never affixed it to the product and mailed it out. No response to any email. I wouldn’t care, but this, and other items I have were prepaid, and available no where else, otherwise I’d say forget it. Just drives you nuts because you are a fan, you’re an easy touch. How does their business model ever expect to “capture new business”, if they show such disdain for the folks that eagerly tap in their payment info? Sorry to beat the drum on this, but it is certainly not just this site, and Rhino. PS - They also threw me the “warehouse issues” line! Not even original. No green beer for them!

On a happier note, and in toast to St Paddy’s Day, an Irishman walks out of a bar...

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....so probably MC 275s?, damn dude, does he still have those? Those amps are like gold!
Bet that sheet sounded awesome?
A man after my own heart, big system with dedicated room!
Unusual enough in general, let alone back then as a kid.
And good/tolerant parents, that’s key. Like Bill Ks advice on becoming a musician “get good parents” proceeds to tell the story of his old man sticking up for him after a neighbor was beating on the side of the garage with a baseball bat while little Billy was trying to practice lol. PRICELESS! I know our folks probably didn’t understand the need for 2 15”JBL. a 12” JBL, and mid/tweeters (per side) running three way with McIntosh and/or Crown power in the basement, but God bless em they hardly ever complained. The band practices were even worse lol.
My cousin came over once in the winter, with all the windows closed etc, and he could hear the music 3 houses away and that it was 74 Dead lol.

LISTENING VIDEO: Wonder what ole deaf Bob L would be able to hear with that kind of SPL and his balloon? Cool article/story! That’s so amazing but makes sense about how hearing impaired folks can learn to hear like that.
Thanks for sharing.

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9 years 6 months

In reply to by That Mike

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Yes, I am also in agreement with Mr. Ones....I wouldn't buy anything I valued as a download. I have bought a few in my time - in fact most of them mysteriously disappeared when I changed internet provider last month. I had burned them on to cds, so I have still got the music - but they form the fag end of my collection.

In terms of anniversaries, today is the 30th since Dennis the Menace first appeared in The Beano. Chuck Berry might have had the licks - but Dennis had the attitude.

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I’m sure it was just a mistype Dave Rock, but Dennis was 70 today. Amazingly, both the UK version and the US version were first published on the same day.

Many years ago, probably in the late 70’s, a friend was on Cape Clear ( an island off Ireland) sitting in the pub when he noticed it was getting late. He asked the owner when the pub closed. November, the owner replied.

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Colin, excellent pub owner answer. That certainly cleared the way for a few more rounds, eh?

We were at a Dead show at Red Rocks in, oh, about 2004 -- you know, "The Dead." An older friend asked me, "What time did you get here?" I said, "1974." Yuk, yuk.

Vguy: Remember that redditt you linked to where someone demanded Lewiston, ME, 6 Sept '80? And DL said "OK"?

Taping Compendium II: Latvala told the editors that that tape isn't in the Vault. Okay! (And too bad, supposedly a very hot show.)

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In reply to by Mr. Ones

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..everything included is from the same era! 🥸😉
Have a grateful evening my brother and sisters!
Take care & Rock On! As our Doc says you can never go wrong with anything from 1971! I have to Concur with my old friend, Doc!
Ciao’ amigos! 🙏❤️💀🌹

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Has anyone of our gang here listen to the 1968 performance recordings included in the “Origins “ book set yet ?!

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The Spirits tell me it will be the complete recordings from the same era every note released in a boxset 5 shows on 14 discs.

No idea what happened to Chip and that equipment, thought just maybe he would hear that someone was calling him out here on dead.net. Found some Klipsch Cornwalls (1986) for sale nearby a few years ago, 15" woofers, horns for the mids and uppers, they still sound wonderful, ran DaP 37 through them this morning. The trip to youtube for Phil's Unbroken Chain started me down the Terrapin Family Band path, there is a gorgeous version of JJ Cales "Same Old Blues Again" here https://www.youtube.com/watch?v=IL3IoRuS2YU&list=RDIYXBQ4rjgTk&index=2

Spinning 3-18-77 tonight since I have to watch hockey tomorrow night.

Dave,
Bring on the announcement of the release of the Plangentized/Normanized 3-18,19,20-77 Box.

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I really love this cosmic charlie and D.S.. thanks to a kind poster on this site.

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50 years ago today…………….

March 18, 1971
Fox Theater, St. Louis, Missouri

Set 1: Casey Jones-Me And My Uncle-Big Boss Man-Bertha-Me And Bobby McGee-Loser-China Cat Sunflower>I Know You Rider-The Rub-Playing In The Band-Cumberland Blues

Set 2: Truckin'>The Other One>drums>The Other One>Wharf Rat-Sugar Magnolia-Greatest Story Ever Told>Johnny B. Goode-Not Fade Away>Goin' Down The Road Feeling Bad>Caution (Do Not Stop On Tracks)>Feedback

Encore: Uncle John's Band

The Grateful Dead bring the thunder………..

What this show lacks in subtlety, it makes up for with sheer power. What I call “the sledgehammer approach”. Charging out of the gates with a Casey Jones opener (a relative rarity for 1971), the first set also includes a typical sweet early 71 China/Rider, a rare-in-71 version of The Rub (although this version is a bit disjointed), and another rare-in-71 occurrence---closing the set with a fine Cumberland Blues (although it doesn’t sound like that was originally their intent at the time). Set 2 is pretty much a non-stop rock and roll assault on our auditory neural pathways, climaxing with the very much unexpected Caution. Some people were scratching their heads when TPTB released this as part of the “Thirty Trips Around The Sun” box set, but to me it made sense. It is a fine show, very representative of the era, a show that very much stands on its own merits……………………..

Rock on!!!

Doc
I am a being of Heaven and Earth, of thunder and lightning, of rain and wind, of the galaxies…..

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I ordered a bong from Hoss Glass on Monday (3/15),,,, it will be here Friday (3/19) via DHL.

Not sure how that worked out but I will have my new glass on my wedding anniversary! (only 38 years)

I've been buying a lot of Hoss Glass lately. I was concerned about comments from "The Wife". Last night I realized I could quash it with a single word if questioned on my need for yet another glass piece ,,,,,,,,,,, pocketbooks!

Go ahead honey, say something!

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How about a standalone release that features:
- fall '66 show
- 3-18-67
- fall '67 show
- spring '68 show
- 10-21-68 show

5-6 discs, call it "Evolution."

Or, let me pose this question: If not this sort of thing, under what circumstances do TPTB conceive of the release of key early shows?

I mean, c'mon, they're holding back 3-18-67 and 10-21-68 and releasing 1987 shows?

Wow, here I am, yelling across the moat at "TPTB"!! Lordy we're getting closer to getting out into the backcountry, just as my behavior tanks.

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Jim - Sorry to hear you were effected by the DaP36 snafu as well.

Mine arrived Monday via USPS in a small jewel-case-sized cardboard sleeve, inside a plastic mail bag. Was small enough to fit inside my apt. mailbox. There's a good chance it fits in your mailbox and wasn't left on the porch. Guessing it will arrive soon. Hope all's well!

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Just got email from DHL,,, my glass will be delivered today!

From email purchase, packed, delivered Montreal to Plano in 4 days!!

Shouldn't all online purchase work that way?

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10/13/68 would also make a nice stand alone release, or a great addition to a 1968 box set.

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16 years 9 months
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One of my favorite 30 Trips Around the Sun years. The final feedback 50 years ago on this date.

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All this talk about "equipment", for some relief, I love acoustic stuff and in this area of Vermont, house concerts happened most every winter weekend until this pandemic, like all of us, I dearly miss the live stuff. Hands down the best venue ever was a place known as The Abbey, now sold, up in northern New Hamster. Brenda ran a B&B at her home and next to her house, built an amazing art barn, the second floor was performance space for about 80-90 seats with a full kitchen in a side wing. Several times a year, she brought top flight acoustic music in, there was a large pot luck supper before hand for lucky folks on her list. We all felt very special just being there for joyful evenings, the quality of the food folks brought to share was amazing. The musicians usually came to eat before hand and sat with us, often a small afterparty and encore for those who stuck around. Perhaps the best single show there was Martin Hayes, solo. Never shy about nabbing a from row seat in this intimate space, all were good. We hung out afterwards with Martin, talking music, harmonics, pitch bends, he was the one who brought up Jimi Hendrix, not me. in honor of St. Pat's, here's a taste of his music with The Gloaming, link below. Lucky to see Chick Corea play with Christian McBride and Brian Blade at Dartmouth a few years ago, discovered him in high school, his album Now He Sings, Now He Sobs my intro. The great drummer Vinnie Colaiuta has a wonderful tribute to Chick up on YouTube. Here's Martin
https://www.youtube.com/watch?v=_Scs_z-SIfA&mc_cid=5606aeffda&mc_eid=62…

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