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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • daverock
    Joined:
    Goats Head-Rock n' Roll

    The two albums where Mick Taylor really shines for me, are the Keith lite Goats Head Soup and It's Only Rock n' Roll. Superb soloing by Mick T. on Time Waits For No One.

    I like Ron Wood, but he seemed to adopt a kind of court jester role with The Stones which I found a bit tiresome. I do like these archival Stones live releases though - the Taylor years are still the gold standard, but the last two I got-from The Steel Wheels tour 1989 and 1998 in Beunos Aires rock like the proverbial b......Specially the 1998 one.

  • Forensicdoceleven
    Joined:
    Maybe the universe will get tired of me…..

    50 years ago today………….

    April 25, 1971
    Fillmore East, New York City, New York

    Set 1: Truckin'-Loser-Hard To Handle-Me And Bobby McGee-Cold Rain And Snow-The Rub-Playing In The Band-Friend Of The Devil-China Cat Sunflower>I Know You Rider-Casey Jones

    Set 2: Morning Dew-Beat It On Down The Line-Next Time You See Me-Bertha-Sugar Magnolia-Second That Emotion-Good Lovin'-Sing Me Back Home-“Spanish jam tuning”-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

    It’s long way from Durham to the Fillmore East. About 480 miles, give or take a little………

    Pinballing through New York, Massachusetts, Pennsylvania, New Jersey, New York, Rhode Island, Maine, North Carolina, and finally back once again to New York, you’d think the Dead would be tired by now…………

    On this evening of wonders, they sure don’t sound tired. As so often happened, it appears the Dead upped their game being back in the big apple. They start high, and then soar. The ultra crunchy Hard To Handle. The hyperkinetic Rub. The once-in-71 Friend Of The Devil. The fine China/Rider. The powerful Dew to open the second set. The greasy Good Lovin’. The typically fine NFA suite to close it all out. Maybe not so famous as other shows in this run, but oh so worthy!!

    This is classic Dead!!!

    Rock on!!!

    Doc
    Life is one long process of getting tired

  • SPACEBROTHER
    Joined:
    Shipping notice

    Received mine. #38 on the way. I actually forgot the show date other than the '73 part. Would be fun to receive it before the on-sale announcement for the surprise.

  • cmd
    Joined:
    Rollin' Stones proper

    Just wanted to chime in about my appreciation
    for the Mick Taylor era. As Daverock points out the real
    secret to the Stones true sound was the Jagger/Richard/Watts
    lock-down (Charlie comes in a nano-beat behind Keith).
    That said Mick Taylor played the sweetest leads for their
    material - by far. He was more instrumental in a few
    key songs than most people realize - Moonlight Mile - Keith
    passed out on the studio floor and Jagger, ever the economist
    demanded the sessions proceed and Taylor composed and played
    all guitars, Likewise with Goats Head Soup where he plays bass
    on several of the tracks as well as co-credited for Winter.
    Live by ’73 he was very frustrated with Keith’s erratic
    playing. One night MT was just expected to be the gun slinging
    guitarist while others he had to carry the show cause KR was
    checked out. The final straw came on It’s Only Rock and Roll
    when he and Jagger co-wrote “If You Really Want To Be My
    Friend”, yet when the album came out it was credited to the
    Glimmer Twins. Adios Stones …
    I always loved Ron Wood with the Faces, yet it seemed
    he really dumbed down his act when he joined the Stones.
    His best work was on Some Girls - otherwise he was all mod-rocker
    hairstyle and shades and no substance (probably just what Mick
    & Keith wanted).

  • Vguy72
    Joined:
    The Who's Pinball Wizard....

    http://pinballmuseum.org/
    I chipped in fifty bucks to help make the move happen.
    I've got a pocket full of quarters.

  • Exile On Main St.
    Joined:
    Giutar Weaving

    The Stones are the one band I know as well as the Grateful Dead. Right you are about Beggars and Bleed Daverock. Taylor was not involved much. He started with the Honky Tonk Women single, which for some odd reason they used as a single and went with Country Honk for the Let It Bleed album (certainly my least favorite on the record). Played on Live with Me from that record too.. Taylor contributed substantially to Sticky Fingers through Only Rock and Roll. He One of the reasons he quit was because he was not getting the writing credits he deserved. I was surprised by your comment crow told me, but I guess if you're not a Stone Head you may not know how involved he was in the writing and recording sessions. I am surprised too hear you found his live playing a distraction. His soloing was so smooth. Prime example is Dead Flowers at the Marquee '71 -OMG unbelievable how many notes he played "in time" on such a fast little diddy, and exits right when he needs to for the next verse after improvising a solo that had a proper beginning middle and end. As far as "weaving" the China cat example is cool yes, but not mahatma Keith is talking about. He means chord weaving, where, he'll play one thing and the other guy will fill in something in between (also chord playing) but the key is that they compliment each other's playing. I would emphasize that I do not mean they playing the same thing in a different octave (this is a different technique altogether that is used to fill out guitar sound). Check out Stray Cat Blues live at the Roundhouse 1971. Mick Taylor was so good he alternate modes within a song, he could play a different solo every time, or in some cases (Midnight Rambler) Keith would start a lick and Mick would finish it for several bars. To each his own is my philosophy I just couldn't figure out where the Taylor criticism made sense. I will say this, that one live song I am too keen on his playing is the Brussels Brown Sugar where he picks up the slide and does sound like he's overplaying. But that was the only time I've heard him play slide on Brown Sugar or sound distracting. Overall he was easily the best guitarist the Stones ever had. Brian Jones was easily the best multi-instrumentalist they had, but he added his touches to music that was already written. Taylor actually composed music in the writing phase (and to his credit he played bass on some tracks that Bill Wyman was not in the studio to play on like Tumbling Dice and Happy).

  • daverock
    Joined:
    guitar styles - Crow

    Yes, China Cat/Rider features wonderful complimentary guitar playing.

    I agree with what you say about The Stones to some extent. I think Mick Taylor happened to be in the band when they made some of their greatest recordings, without necessarily contributing to them being great. Both Beggars Banquet and Let It Bleed were based around Keith Richards playing, with embellishments on some songs by Brian Jones or Mick Taylor. But Keith is the only guitarist, I think, on many tracks on those two albums.

    In many ways, with The Stones, the rhythm is both that, and the lead. The riffs of so many of their songs define the songs -the solos are just the icing on the cake. It doesn't matter to me too much what the soloist is doing on tracks like Jumpin' Jack Flash - its the groove that counts.

    Live, the pulse is what I like most, and that is provided primarily by Keith and Charlie Watts. And again, the soloing is the secondary to the groove.

  • Crow Told Me
    Joined:
    Weir the Weaver

    You want to hear "the art of weaving," as Keith Richards sometimes call the two-guitar thing he supposedly loves? Listen to what Garcia and Weir do on pretty much any recording of China Cat. Or pretty much any recording, period. Because Weir is truly the master of being the Other One, playing jazzy chords and single note runs that complement Garcia's genius. And he can do it on the fly, spontaneously responding to whatever musical thoughts cross Jerry's mind.

    If I say that Weir is the most under-rated guitarist in rock, I doubt if anyone here will argue with me. What he does isn't "rhythm guitar." It's more like what a great jazz pianist does.

    The Stones? I mean, I love the Stones, but at least 90% of the time all that's going on with the guitarists is that one guy is playing lead and the other (almost always Keep) is playing "rhythm": ie, playing the same chords or riff over and over while the singer sings or the other guy solos. This was particularly true during the Mick Taylor years: people talk about how great he was for the band, but when I hear live recordings from that era, half the time Taylor's noodling without regard for anything anybody else is doing, and it's just a distraction. The Stones were much more interesting live with Brian Jones OR Ron Wood.

    Keith's a GREAT songwriter, a great RHYTHM guitar player, AND one of the all time GREAT bullshitters.

  • icecrmcnkd
    Joined:
    Shipping notice received

    Package last seen in Fontana.
    Hopefully it departs Fontana today and gets Truckin’ on.

  • Green Mtn Dead
    Joined:
    Shipping Notice

    Morning all! Good news - awoke to find a shipping notice for DaP 38 AND the tracking number works and shows the package was shipped yesterday and departed Fontana around 3 am today.

    So fingers cross we all get these soon. Always need a little ‘73.

    Hope folks are getting access to vaccines and getting prime to see shows again.

    Be well!

    Ps thanks to Doc for the daily write ups on the ‘71 tour.

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Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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....I camped out all night for this place in line. Now where's my Dave's 37.

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Mine's on its way.

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12 years 2 months
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Let's do this.
PLAY DEAD
PLAY DEAD LOUD
HAPPY FRIDAY DEADLAND

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Dave sure is happy on this seaside chat.

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7 years 11 months
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Any other subscribers still waiting on their shipping notification?

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Seems like the overwhelming majority of the Drums segment from 4/18/78 has been cut, but I cant' say I'm complaining. On another note, it's interesting to note that Dave specifically points out in the Seaside Chat that partial releases, such as 4/18/78, will most likely never see the light of day as full releases. For example, while only parts of the second set from 4/19/84 were included in DaP 35, we will most certainly never see the show in its entirety. Just something to mull over. It only makes me disappointed because parts of 9/18/90 were released as a bonus disc during Road Trips, so there may never be a full release of one of *arguably* the most beautiful and excellent shows of the 90s'. Anyways, my DaP 37 is in San Leandro so hoping it crosses the Bay any day now :))))

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In reply to by viewtiful_alan

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Just to respond to an earlier comment, if you are a subscriber, there's a good chance you never got a shipping notification *I personally didn't*. However, if you check the order status there's a good chance it's already been shipped. Good luck!

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In reply to by viewtiful_alan

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VIEWTIFUL_ALAN, I have not received mine either. Shipping on 36 was a complete disaster for many, hope this isn't the case for 2021.

Shipping status still indicates not shipped.

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This and 36 other reasons to be thankful, grateful, and happy.

Bring it on - never heard this one nor any of the filler however the next night (4/16) is one of my all-time favorites so this can't really go wrong.

Sixtus

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Lo and behold, it is as the prophet spaked (thanks JoshbytheBay): though a shipping notice we have naught, if ye subscribers check yr order's odor, you may see that by the grace of St. Dilbert it has indeed shippethed. Or so it says.

And now, like Mr. Plow, we play the waiting game.

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In reply to by Crow Told Me

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this is the absolute truth:

last night I dreamed there was one of these community Rhythm Devils sessions. Jerry was participating, and I was too. What was really weird was that Jerry was wearing a Jamaican tam on his noggin.

it was pretty cacophonic. but i got to play.

20 minutes of those RDs...stay on target Proudfoot...stay on target...

I kvetched about the nearly 20 minute Space from 6/19/94 recently...

THANK YOU DAVE!!!

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My shipping notice came a couple days ago. I have subscribed every year since they first started them and am glad that Dave and company have been mixing it up (except nothing from 90s yet).

I actually just started listening to Dave's Picks 36 having waited since getting it months ago and the crowd energy and virtually perfectly crafted performances with Jerry's recovery and return are perfect for that release. My first post-coma shows were Alpine later that year in summer and they were epic. My timing of coming into the Dead and age demographic are pretty much the same as Dave's. My first show was in 84, then send one and third in 86. Alpine 87 was my third outing. By 89 I was finally hitting multiple tours and venue stops. It was a pretty exviting time to be a fan and witness their growth in real time from Jerry's recovery to the MIDI experiments of 89 and beyond.

A short few years later it was gone in a flash, but I sure enjoyed the ride while it was still cruising.....and still am.

I think I finally get where Dave's choices help to bring a rounded out experience to any ears that want to hear history.

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In reply to by Crow Told Me

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LOL, I can’t believe how much I’ve become attached to the seaside chats! Almost as much as some of the releases lol.
I could totally see just sitting around a bar with Dave and a couple other Dead nutz, hockey game on in the background, arguing about the Dead....maybe I’ve just been cooped up too long lol.
The man sure can sell that’s for sure! He takes some of these shows that I’m sorta nonplussed about and gets me psyched. Don’t get me wrong, I’m thrilled for each and every release, but we all have hopes for “those” shows (thinking of you HF lol), so some releases provide different levels of let’s say, individual enthusiasm. Dave makes em all special!
Good job eh! PLEASE, keep em coming!
And yes, thanks to all the Dead/rhino crew for all ya do, especially Marye.
Now if only we could choose our shipping method, ahem...

Interesting about clarifying that partially released stuff is from shows that won’t get full treatment/release. Makes sense to me, and it’s good to know what’s what etc. Wonder about “there’s no master list”...I think they they might not have a “set list” made up, but there’s probably a master “song list” that their choosing from of what he said; good shows that we have good tapes of”
You’d think there’d be some discussion or ruff drafts of certain things I.e., June 76, or Fillmore 69, or E72...
Let’s face it though, unfortunately there will be limits as to what/when shows will come out.

SHIPPING NOTICES; many of you have inquired about lack of notices etc. personally I’ve had releases where I didn’t get one at all, or got one about the time it arrived, or even after. Received one this time and if there’s no snafus with the PO/shipping labels etc mine should be here early next week. 🤞
But hey, As long as they show up.....mayor Jim and some others still haven’t received 36, and unfortunately i think there’s some folks still trying to hunt down others...
I guess every silver linings got a touch of gray...

FUTURE: was a little bummed he didn’t at least tease us with “future” info. Like will we get an WOTF anniversary release as HF thinks, and of course the million dollar question; what’s in the box? I think it’s fun for all of us to have some tid bit of information to speculate about, (GIVE IT UP DAVE), like the recent 80s rumors...Unfortunately I don’t think we’re getting a WOTF 50th this year. My interpretation of the accelerated release schedule is more about the last few since if they went the full 50 years half of us could be dead. But I hope I’m wrong! ; )

Okay, please Mr postman!

EDIT: Crow, you are one funny mofo, thanks!

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I subscribed, I did not get a shipping notice, checked the mail box earlier and 37 was waiting. 30 minutes later the email came in about the release. Feeling good and lucky and happy for the weekend.
Stay safe and take care
b

shipping notice, no product...but that's cool, it'll get here eventually...but honestly after listening to this on archive I'm kinda meh about it...just me...

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Say you that it's no WOTF 50th till 2023?? I'm so old my CD player remote finger is getting creaky...

I think they want to keep the 50th thing rolling and we'll have it by mid-year. And because Dave wants a two-disc companion show, it'll be ... oh well, I have ranted for too long and y'all know my rap.

I'm less enamored than some on Dave's sea side, squishy-toed schpiels... I fast forward to the last couple minutes to see if he drops a box-related tidbit. He's keeping his powder dry (as I tried to at many rainy shows) as this is only the end of January. By the next DP, he'll say something. Then Bolo will jack us around! All in good fun.

After reading show reviews of 4-15-78 on the Setlist Program, I'm pretty psyched for this release. And when 2 1/2 hours of music is considered a "short" show, it reminds me of the good old daze, when that meant a four-hour excursion, not to mention the adventure of getting safety to and from the shows, which in my case is a relative concept. (Englishtown, lost my ride, found some cardboard and rolled up into it for the night, caught a ride straight to my door the next day...)

Oro -- at one time I beseeched everyone to live in the moment and stop speculating. And here I am, the very worst cannonball-into-the-pool nutcase. So it goes................

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Always a favorite- released right at the turning point of a long, Midwest winter.

Dave needs his own nature show, methinks. I'd subscribe to that too.

Play Dead!

yeah but your our cannonball into the pool nutcase and I think I can speak for others when saying we wouldn’t want ya any other way! Freak freely my brother, rock on!

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I received a shipping notice two days ago and a tracking number. However, it's not showing up in the UPS system. Oh well, just as long as I get it. Never had issues before so I'm not to concerned.

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What Gives ?...I cannot order by calling anymore....I tried using my mobile phone but it kept saying I cannot order more than 2 CDs...FINE ! I just want to order just ONE !...It kept sending me back to the Order page....I HATE the fact that one cannot call in to order. Sometimes Changes are NOT for the better Amigos...

Pretty sweet GBEN. I love hearing these stories. Enjoy! What does your order status say?

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I own a few 78s , Library of Congress.

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In reply to by Strider 808808

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a license plate that said

5-8-77

no Deadhead stickers or anything else

it was a Tesla, not a Cadillac, btw

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No message, tracking number...no clue...& there it was on my porch. What a nice weekend surprise for a cold and wet Friday...hope all are safe and well.....

I have just snuck through the door and ordered a copy of this one, seemingly without any problems. First time I have not subscribed. Weirdly, it feels more satisfying buying it this way, although I may end up paying more if I get them all, and I will of course miss out on the bonus disc. But it feels as if I have chosen to buy this show myself. Increasingly, with the subscriptions, I was starting to feel as though someone else was deciding what I bought, and was picking shows I wouldn't myself have chosen. This way, I feel I am getting back to getting what I decide to get.
Of course, if you want everything, its not a problem, and you are probably better off subscribing.

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Just wanted to share that #37 is coming in tomorrow ahead of the storm.

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In reply to by daverock

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Based on the Listening Party, this is a fantastic sounding recording! Great job by Betty. Just based on that little bit sounds like she got a better mix than DaP 7 and 15 from the following week. Could be my ears fooling me, just sounds like one of her better tapes. Love the filler, especially cutting the 18 min Drums down to what I assume is the lead into Samson. Really interested to hear Scarlet> Dancing, will wait til it arrives and not listen to one on the Archive. Also digging that 4/12/78 is still a possibility for future release.

Picked up one of the glasses and a tshirt (burnt orange is one of my favorite colors, especially for a shirt, so they had my money right there), as well. Wonder if all this year's Picks will have a glass, or if they just really liked that cover, which, it is one of the best covers in the

PS if you do listen to the Listening Party, listen out for Jack a Roe teases in Let It Grow. Heard it while typing and was pretty cool.

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Looks like Ducks Yas Yas in the background.
When i think of “the Penguin”, no not Admiral Richard Byrd alone in Antarctica, I fast forward to those fabulous 60s and yes, Burgess Meredith.

on a roll today folks 😀 Look out Vguy. Hell, Simon Rob, everyone with the humor lately.....NICE!
“Does anyone remember laughter”

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I’m sure some(but not all) know this but:
Shipping innovations means UPS gets it to your Post Office, and once Uncle Sam has it, THEN your tracking number will be in effect.
Used to work for the P.O. (Like Phil).

I’m still just gonna wait it out, works best for me. About to cue up Dave’s 26, haven’t played it in a while. Be safe, enjoy the white powder!!

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Hi All, I hope everyone is doing well. I have haven't commented in a while as I have been navigating through some work and other events. So we knew what this show was going to be and I am quite excited for it. It looks like it will be high energy. Of course with it being a Betty Board, that just adds to it.

I am equally excited for the generous portion of the Pittsburgh show we are getting as well. First, any time we get this much filler its always welcome. Second, I had made a comment many months ago when this was revealed to be the 1st show in the 2021 subscription run, that we should take guesses at what show the extra material would be pulled from. Dave L described that it would come from a good but under the radar show. I am fairly knowledgeable on 1978 GD, but I have gaps when comes to listening to specific tours. I did not know much about the spring tour. When I was consulting the Deadbase as to which show it could be, I hoped for the Pittsburgh show. This is not because of my hometown bias, but the 2nd set looked intriguing. The Scarlet > Dancing segue seems unique especially for the time period. I don't think of Scarlet not being paired with Fire back then. I know eventually it would occasionally be on its own or paired with other songs. Still I always I think of it paired with Fire from 77-79, so this looks cool. Regardless, I am looking forward to getting Vol. 37. I got my shipping notice a few days ago but it hasn't arrived yet.

Stay safe and well everyone and hopefully soon we'll all be spinning this fine music.

Some funny stuff in these threads.. pretty positive so far..

I'm with Oroborous, the seaside chats amuse me and do get my blood pumping in anticipation. I am stoked to hear the cleaned up, pristine sounding NFA>Jam>Morning Dew.. I still can't get over how good the Dew they snuck into #29 at the end of the Swing was. These incredible sounding Betty Board Morning Dews are phenomenal, I will gladly take any I can get my grubby little paws on.. but there are so few to be had.

I do have a piece of troubling news, however. It appears while breaking down his camera equipment and tripod, Dave was attacked by an angry mob of sea otters. You would not think this to look at them because they are so playful and cute, but sea otters are short tempered marine mammals with strong teeth and a powerful bite.. and apparently have been clamoring for 1969 for some time with no success.

Join me in wishing Dave a complete and speedy recovery.

Ignore sea mammals at your own peril people..

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So while I'm still being "processed " I'm going to spend time with FZ

....yet #16978 was in my mailbox tonight.
I reminded myself of Jack Skellington in Nightmare Before Christmas.
"What is this, what is this?"
There's a 1. A 69. And a 78 in my number. I don't know what that means, but sounds neat.

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As a freshman in college, my good friend Phil Epstein and I hitchhiked from New Paltz, NY 4/14/78 to Williamsburg. We had seen Garcia Band, but this was to be our first GD show. The next day was parents day on campus at William and Mary, and the khakis and blue blazers were roaming and staring at the tie-dyed invasion. The show was high energy. The band was on it. The crowd excited. A thoroughly satisfying show! Last week my friend Phil and I were excited about the release of DP37, as this was our first show, and it was epic. As the universe would have it, Phil passed away suddenly last Sunday. This is dedicated to his memory. RIP.

Not only would you have loved Phil, a truly beautiful person, but he would have loved you back. Would have given you his shirt if you were cold, his water if you were thirsty. We had seen hundreds of shows since W&M, and he was the guy you never met, but smiled and high-fived you after Jerry just blew our minds...huge smile on his face...the epitamy of what a Deadhead and generous soul should be. My profile pic is my $6 stub from 4/15/78...

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I purchased a Dap 37 glass for my beer. I'll feel more sophisticated drinking beer from this glass. Mmmmm, beer.

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In reply to by bf312

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....you know? I probably did. I do that a lot.
I do that at hockey games too.
Fuck covid.
On the bright side, this release sounds incredible. And the band is on.
Could always be worse.
You guys got an awesome first show.

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In reply to by alvarhanso

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Hi, You must have placed your order so quickly that you didn’t read the blurb about the beverage glass.

“To honor this year's Dave's Picks releases we will be dropping 4 collective beverage glasses, 1 for each release. Collect all 4! Limited edition run of 1000 units.”

That looks like there will be one for each DaP.

Good luck getting them all.

product sku
081227891695
Product Magento URL
https://store.dead.net/music/dave-s-picks/dave-s-picks-vol-37.html