• 1,587 replies
    Srinivasan.Mut…
    Joined:

    What's Inside:
    7 Previously Unreleased Complete Shows On 20 Discs
    Fox Theatre, St. Louis, MO 12/09/71
    Fox Theatre, St. Louis, MO 12/10/71
    Fox Theatre, St. Louis, MO 10/17/72
    Fox Theatre, St. Louis, MO 10/18/72
    Fox Theatre, St. Louis, MO 10/19/72
    Kiel Auditorium, St. Louis, MO 10/29/73
    Kiel Auditorium, St. Louis, MO 10/30/73
    Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
    Mastered in HDCD by Jeffrey Norman
    Restoration and Speed Correction by Plangent Processes
     
    Individually Numbered, Limited Edition of 13,000

    Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
     
    LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
     
    The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
     
    The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
     
    All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
     
    Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
     
    Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

Comments

sort by
Recent
Reset
  • daverock
    Joined:
    More art

    One of the most stunning experiences I had going to an art gallery was when I went to see "Sunflowers" by Van Gogh a few years ago. I eventually found the room it was in, and noticed a huddle of people in front of a painting on the far side of the room. One of them moved..and there it was. It had a spotlight on it so that the yellow of the flowers shone out into the room. Amazing...but as I got closer, I realised that it didn't have a light on it at all - the light was actually coming out from within the painting. Truly extraordinary.
    It's also quite an experience going to see his work in the Rijksmuseum in Amsterdam. I just wandered in there by chance about 30 years ago. Wow.

  • Oroborous
    Joined:
    Conekid in the know

    per usual!
    Thanks, lol, never knew that request page existed. Goes to show, just gotta poke around!
    Those will get utilized more now for sure…Smithers, release the hounds!

    Yeah that RFK was probably too many units for what it was? Good example of doing say one of these a year at lower unit count along with a more traditional box release at perhaps less units?
    But I liked RFK, (hell I think they’ve done a great job with most) because that stretch from summer through the next summer is prime time for moi, and it sounds great, but they certainly weren’t the best available, once again the ole he went to a great city and street, but picked the wrong house? ? Wasn’t it relatively pricey too?
    But as we’ve all been saying, there’s a whole lot of causal heads out there who might not buy anything UNLESS it was something they were at. Perhaps explains the Giants phenomenon some what?
    That was sorta my M.O. back around turn of the century: “I have more than I need so I’m only going to get shows I was at. That worked out sorta ok at first by sheer dumb luck, but I eventually realized
    A) I’m not going to get many of those any time soon, if at all, and
    B) I’m missing out on some killer shit!
    The E72 Dark Stars are what really brought me back. Didn’t get the trunk but picked up several of the Dark Star shows Ala cart.
    So started dabbling again, but mostly just wanted the music and not more stuff. Luckily or not, my cousin used to get a lot of the releases free through their business connections with GDP etc, but when that all changed with Rhino etc, they lost those relationships. So I was able for a while to get copies of stuff he had that I wanted.
    But then I started getting back into it, hanging with you junkies etc lol, and next thing you know I’m a “collector”, just the thing I was trying to avoid lol.
    So of course the down side of only getting copies is all the great collection stuff I missed out on!
    The biggest regrets were the FW box and Winterland 73. The FW I just wasn’t very in dead land at the time and because of the repetitive set lists figured “oh hell, I have live dead already” idiot!
    Luckily I have the mini version and you know who here tightened me up with copies of the box, so at least I have the music!
    The Winterland 73, being fall 73, which even then was one of the tours I had huge interest in, I contemplated getting it, and man, wasn’t it really cheap considering, but I cheap skated out and have been regretting it ever since!
    Some of the others I regret only as a “collector” now, though I should have grabbed that summer 78, wasn’t that another bargain box?

    So yeah Daverock, the scene was relatively small until later. When I started going in late seventies there were tour heads, but not anything like what would come. I think the whole multi show run factor contributed to this. It was now much easier to just plan on a three show run or two, especially day on weekends, then to catch 5 or 6 shows, one stop at a time up and down I 90 etc.
    Now I know old timers talk of how it changed throughout the seventies, especially that huge influx of kids like me in the mid and late seventies, but I don’t think it was near as dramatic as what we saw from late seventies up too 87 when it exploded, perhaps leveled off a bit, but continued at a steady pace that unfortunately just got too big to support it properly. Fame, the kiss of death…

    ART: not a active art participant, but sometimes you get shown the light!
    We had a great Albright Knox gallery back in the tundra, and on family vaca to Europe in late seventies, went to tge Louvre etc. Don’t recall a lot of specifics, Mono Lisa etc? But it definitely impacted my thick adolescent Beavis and Butthead dumb American skull. That whole trip would of been much more awesome if I’d only been older.
    That Hopper work is cool. I’ve seen that corner diner one but wouldn’t say I was familiar. Will have to burn a fat one and check him out. Yasss great light etc. And yes, I can only imagine how much more sharp and vivid his work would be live!
    Good sheet Mon,
    Party on Wayne!

  • That Mike
    Joined:
    E-mail Survey

    DaveRock - Awesome idea with the email to all the folks on the mailing list. Something that perhaps itemizes what is in the vaults (no use clamouring for reels that don’t exist), and survey to see what is in high demand. I know on the Neil Young site, as an example, he has a “Letters” column where he states he answers ALL the letters himself (I’ve sent a few, and always get a reply), and the bulk of requests are folks asking him to release this show, or this tour, etc, and he tells you if the request is even doable. I don’t expect the Core Four to answer Dead Head mail, but a quick email survey is interesting. Maybe it is as easy as Ice Cream Kid says, and we just hit up the request thread, but it doesn’t tell us what tapes are in the vault, and what condition, etc.

    PS - Dave, you are right about seeing the art “in person”, but of course, work of say a DaVinci is so limited, so rare, and will not ever tour, that it would be so hard to see in person, save visiting Paris or Venice. But, should a major show make the rounds, like Picasso, or Diego Rivera/Frida Khalo, I’ve made a point to see it, and you are right - seeing a picture of these works does not do them justice! There is something about seeing The One And Only of something, knowing the artist worked on this piece. I’ll paraphrase Mr Ones al a “Music is the best”: “Art - and sports - are a close second!”

  • daverock
    Joined:
    A new approach

    Crmcnkd - I hadn't noticed that section asking us to make recommendations, so thanks for pointing that out. Maybe, though, the only people likely to fill that out are the people who come on here-all the old faces-and we know what they (we, me) will say in advance. I like the idea of reaching people who may not come on here - maybe an email like we get telling us what is coming out- but asking us what we would like to see coming out instead. The key is, it has to be "them" wanting a survey - as much, if not more, than "us" wanting to fill one in.

    Oro - thinking of casual fans of different eras, it reminds me of the fact that Deadheads didn't actually exist in the 1960s. I can't imagine early fans travelling around the country to see them. I guess it started with the invite to "Deadfreaks" on "Skull and Roses", but I would think it took several years before the travelling circus developed.

    It's interesting watching a documentary on late 60's San Francisco bands called "Go Ride The Music-West Pole". The main bands on this are Jefferson Airplane and Quicksilver Messenger Service - but at one point an interviewer asks people queuing up outside a concert hall, who their favourite bands are. I was expecting them to say "The Dead" automatically-but they don't. They are mentioned but they were clearly perceived at that time as just being another band, along with the two mentioned, Steve Miller, Janis etc.

    Mike - one of the great things about going to art galleries is how much more alive the originals are compared to the prints and posters you can see anywhere. I would say that going to an art gallery to look at paintings is a bit like going out to hear live music. If you go to any gallery, look at the originals, and then go in the gift shop and look at a book reproducing the originals you have just seen, the difference between the two is shocking.

  • icecrmcnkd
    Joined:
    Rehashing past speculation

    Don’t forget that several people, including myself, have previously told stories about talking to other deadheads who are completely clueless or disinterested in the official releases.

    The RFK Box is 15,000 copies and not sold out, although the banner says “less than 750 left”.
    My Boxes are packed away so I can’t check what the production numbers are, but 15,000 seems to be the limit except for a few releases that need an AME.
    I think that the last few Boxes were in the 10,000-12,000 range.

    Dave’s Picks can sell 25,000 due to people buying more than one subscription and resellers.
    And if you subscribe early bird you get 13 or 14 CD’s for $100, which is a pretty good deal.

    For those wanting to take a survey, there is a page on this site called ‘Requests - Box Sets’.
    I posted on it this morning, so use the ‘recent posts’ button to get to it, or use the search box.

  • That Mike
    Joined:
    Boxes & Paintings

    I am enjoying the discussion, because I’m hoping the marketing folks, or even the interns working at Rhino, see that this is a very passionate group of dedicated fans. Oro, I really think you have made some great points, and it is hard to please everyone (personally I have never been a hardcore 60s Dead fan, because that was before they came along with jewels like Wake of The Flood, Mars Hotel, etc, and all the outstanding concert material those albums brought forth), but so much work goes into the sourcing and mixing of the music in these boxes, and the art work, and the history to the scene happening at the time, that most, if not all, are home runs.
    Oro, you definitely hit the mark on many points, as did others, but collectively, as a group of fans, our mantra is “Keep ‘Em Coming!”

    DR - I love a wide range of art, and even doodle a bit myself, but Hopper is definitely an artist I have held in the highest esteem, for his amazing use of light and open space to paradoxically create figures of loneliness and solitude. If I can ever get my butt to NYC, the Whitney Museum of American Art is where I plan to sleep; the guy was an American master, and really nice to hear you too see his immense talent.

    Last listen - McLaughlin/Corea - Five Peace Band Live
    On Deck - Ry Cooder - The UFO Has Landed

  • 1stshow70878
    Joined:
    Great Discussion

    I think I fall into the category y'all are citing here. Not quite into it as much as the die-hards but wanting it all anyway. The LTTR box was more money than I was willing to put out at the time so I chose the LIA vinyl instead. A trade off decided by my having already pre-ordered Dave's #1 vinyl and simply wanting to get more vinyl. Interestingly, all the fantastic comments have me alternately regretting my choice and being satisfied with a taste of '72. DR said recently the chunk I have on Light Into Ashes is the crux of the biscuit of the box so today I feel satisfied. My collecting took a hiatus around the time the big Europe '72 trunk came out but kindly folks here are helping me fill that void. Thanks to all for keeping the fire alive. It's so nice to have reliable information from everyone here in our disinformation shrouded world.
    Cheers all!

  • Oroborous
    Joined:
    Great comments

    Mike, the 60s vibe, that’s a good example of what I’m saying. To “US”, the hardcore lunatics at deadnet, there appears to be an overwhelming unified consensus demanding a 60s box, but perhaps if you did a survey like DR suggests, our sample might be quite small comparatively? Just talking out me arse, but worth a thought?
    You’d think they’d be doing marketing , but maybe not? Maybe they have been so fortunate to have enough of a loyal, reliable, bankable demand that they could just go with whatever they felt was good?

    Personally, I think it’s good when things don’t sell out immediately. Gives some folks like P.T. etc a chance to decide or what not if they want to buy it. Or maybe you didn’t hear about it right a way, and as the bastard Murphy would have it, your busted after getting yet another of your kids braces, while the other kid smashed the car, and your washing machine broke. Like “Whaaaa???, you want $300 tomorrow morning, Dooaahh”
    But these are singular micro type scenarios and we’re talking macro level.
    Maybe DR is right and the nostalgia factor is bigger then I think, in that logistically, because of age, there are more casual fans from the later years than the early ones. Hell statistically, comparatively there weren’t that many causal fans in the early years. Let’s face it, for good or for ill, as time advanced there were way more causal “lets just go party and check it out folks” going to shows.
    So maybe that’s part of it, when/if something that this larger population feels more akin to comes round, their more likely to buy it, then yet another older moldy from a time they don’t know or care about because they’ve never been in that deep?
    I guess it’s probably a perfect storm of all the things we’ve been discussing? All these factors add up and the amount of units we’re talking about isn’t really that large, so…
    But!….that’s all the more reason to deliver more, but smaller batches of certain eras!

    Though I understand why a Giants type box would sell so fast, I still, do not understand fully how this box, by now, has not? Shifting market demographics and saturation is my guess though?
    Just goes to show…

  • daverock
    Joined:
    Tip of the hat

    ThatMike - my eyes lit up when you mentioned Edward Hopper. I really like his work too. About 20 years ago there was great exhibition on in London, and it was a real treat to be able to go from room to room and get drawn into his world. You can see his influence sometimes in films -"Deep Red" by Dario Argento features a scene that is clearly modelled on "The Nighthawks". And although I can't think of specific examples at the moment, Alfred Hitchcock and David Lynch feature scenes in some of their films that look to me to have been influenced by Hopper's way of seeing things.

  • PT Barnum
    Joined:
    format? sound quality? putting great shows with good shows?

    IMO there seems to be lots of reasons why this has not sold out. I did not buy it and I buy them all. After the so so patch jobs on the PNW box which I did not care for, I passed on this box. These are all good shows, with great shows mixed in. Call me a snob but I want all great shows with no cuts or patches. If that's not possible then I will just keep what I got from the archive or from etree, why spend that kind of scratch for shows I already have that only sound a bit better?
    The format could be the reason, some only want from the era they were a part of, mostly 80's from what I gather here. I like the progression of the band from psychedelic juggernaut to what they became, but not everyone's cup of tea.
    Perhaps it's the ploy of putting out most requested shows with shows that are not up to the great show that they are centered around? The original great box was a tough act to follow, seeings how the E72 tour was their best tour and it was the first one released with a massive 73 discs. With that great price. How to follow that? It's been what tptb have been asking themselves since.
    The spring 90 boxes are a good example of that also, a great tour with consistently great shows released at a great price, which sold out quickly.
    But what do I know? just the ramblings of an old deadhead on the first day of Spring.

user picture

Member for

5 years 8 months

What's Inside:
7 Previously Unreleased Complete Shows On 20 Discs
Fox Theatre, St. Louis, MO 12/09/71
Fox Theatre, St. Louis, MO 12/10/71
Fox Theatre, St. Louis, MO 10/17/72
Fox Theatre, St. Louis, MO 10/18/72
Fox Theatre, St. Louis, MO 10/19/72
Kiel Auditorium, St. Louis, MO 10/29/73
Kiel Auditorium, St. Louis, MO 10/30/73
Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
Mastered in HDCD by Jeffrey Norman
Restoration and Speed Correction by Plangent Processes
 
Individually Numbered, Limited Edition of 13,000

Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
 
LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
 
The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
 
The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
 
All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
 
Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
 
Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

user picture

Member for

11 years 4 months
Permalink

Guess I got lucky?

This is a box set to get on board with. I like the concept of "the river". Listened to 12/10/71 last night at store, very nice show, very nice recording off archive. "Official" release should be a-ok.

NOW WHERE IS DaP 39???? :-)

user picture
Default Avatar

Member for

15 years 11 months
Permalink

.... I am in! Dutifully ordered; grateful for the embarrassment of riches

Another big surprise from Dave. A St. Louis 71-73 combo, nobody had this on their radar screen. Just ordered mine. Never have seen a box released without a seaside chat. What the hell is going on? I am excited!

user picture

Member for

3 years 7 months

In reply to by DeadVikes

Permalink

You are the MAN, Dave!!!

And all the PTB.

:)))

user picture

Member for

10 years 1 month
Permalink

So, everyone was right: it's a '71, fall '72, fall '73 box. The setlists really reflect the band's evolution, especially going from a 7-minute Playing in the Band to a 20+ minute version over the course of the year.

Beautiful the way this box will provide the pre-Euro '72 and post Euro-'72 band in all its glory.

$200? There's the sweet spot.

I believe this will take me a good deal of the w-w-w-winter to listen to, much less fully absorb.

Yet another multi-year geographic focus. Well played, Dave! Muchas gracias!

user picture

Member for

11 years 4 months
Permalink

Is there no end to the releases this month!!!??!?!

We got the Joni, we got the Dylan, we got the dead, we got the lee morgan.

No way I can hide all this from my wife!! I can hide the mail when it comes,,, but,,,, that new book shelf to hold all this stuff I can't hide as easily!

LIstening to Birdsong from 10/17/72,,,, another one from the archive that is damn near perfect, official release should be even better!!!

user picture

Member for

16 years 8 months
Permalink

Been waiting months for this announcement and it’s seven early 70’s shows which I love. Ordered immediately as I expect the 13000 will go quickly. Can’t wait for Autumn to listen to these shows. Now roll on DaP39!

user picture

Member for

4 years 3 months
Permalink

I just ordered 2, one for me and one for my brother. What a knockout!

user picture

Member for

14 years 6 months
Permalink

Of course I’ve ordered it!

user picture

Member for

3 years 7 months

In reply to by proudfoot

Permalink

You got my $$$ for a very appreciated release.

My first show anniversary was this past Sunday (7/18/82)...39 years later, the long, strange trip continues.

God Bless the Grateful Dead!!!

user picture

Member for

9 years 4 months
Permalink

Dead Fox Box Ordered - check! Lee Morgan Lighthouse Box Ordered - check! Bob Dylan Bootleg Springtime In NY Ordered - check! Plus sundry Dave McMurray, Crosby, Drive-By Truckers, and Son Volt - check! Separation & Divorce - pending!

I just got notice the dog's license is up for renewal, so I can start by adding a zero on the end of that charge on the books...New cord for my tools, add a zero to the total....

...this came as a surprise, however the pre-available sleuthing that was initiated yesterday has now paid off.

Thanks GD!

Sixtus

user picture

Member for

16 years 9 months
Permalink

To Dave L - Thank You! Many of us (myself included) have been asking for the Fox shows in some capacity. It is clear you watch these boards. I know from the Seaside chat that these shows have been on your radar for a while. Still these shows have been heavily discussed on the boards in recent years so we are being given what we asked for. Adding the shows from 1973 is the icing on the cake.

Of course I ordered this box as soon as I saw the announcement. I can't wait to get it.

user picture

Member for

3 years 4 months
Permalink

I was so excited to hear about this new boxed set. After learning about these shows, I’m even more excited. I’m glad that it spans three separate years in the Dead cannon, and the setlists look amazing. Even the shows without the Dark Stars, Other Ones, and other jam vehicles look interesting and captivating. Even more, I’m very grateful that some of this material is getting released separately as well. The 12/10/71 show is getting released on both CD and vinyl(!), and the Playin’>Drums>DS>Dew>Playin’ is getting released on vinyl too. Very smart decision. Overall, this is very exciting.

user picture

Member for

12 years 9 months

In reply to by Vguy72

Permalink

First, is it "Only One Cumberland?...." or, "It's Got a Cumberland!"

Second.. thank you GD/David Lemieux.. not many of you know this, but HendrixFreak has been both on a hunger strike and out on the ledge of 53rd floor of the Wells Fargo Building in Denver threatening to jump unless he gets a Fall '72 box. I am happy to report he is down off the ledge and finishing a greasy pulled pork sammy at the BBQ joint around the corner. Extra greasy...

Third.. Dennis, I am beginning to feel much sympathy for your wife.

All is good with the world again. As you were.

user picture

Member for

11 years 4 months
Permalink

... after a morning of ordering more "stuff" from the cornucopia of musical choices being given us (or thrusted upon us), I head down to read my favorite monthly paper "The Funny Times".

There is the single panel joke. Guy at an AA meeting talking to the group.

My name is Roger. I own a plethora of music on original vinyl, eight-track, cassette and compact disc. Including most digital file formats. I was about to buy remastered rereleases on 180-gram vinyl when my wife said I needed help.

Bottom of panel labeled "Audiophiles Anonymous"

Funny, fate or cry for help?

user picture
Default Avatar

Member for

16 years 3 months
Permalink

I was thrilled when I saw this news. October 19, 1972 was the night I got on the bus. I thought the roof was gonna come off the place during the Casey Jones at the end of the first set. At that moment I knew I wanted more of this. I never missed a St. Louis show after that.

user picture

Member for

2 years 8 months
Permalink

I've been waiting almost 50 years for these! These were amongst the first shows I attended (along with the Miami Rock Festival , a Kiel Auditorium show in late 1970, and Early 1971 shows at the Fox - THAT Fox show is when I got it; got on the Bus!). These shows were seminal! Thank you so much for releasing this set. I can HARDLY WAIT!

user picture

Member for

13 years 4 months
Permalink

Done! No problems ordering. I'm just glad I happened to be doing my morning emails when the announcement
popped up. Let the Games begin!

At least Doc gets more lovingly redone 71, Hendrix freak gets some fall 72, and congrats to the rest of y'all excited about this one....I'm getting disc 10 & 20 with big Dark Stars and fall 73. Sure I'll get hooked on the rest as is usually the case with releases I'm at first apprehensive about..
Curious how long this one will take to sell out?

user picture

Member for

8 years 5 months

In reply to by Oroborous

Permalink

Thanks Dave and Co

user picture
Default Avatar

Member for

13 years 1 month

In reply to by icecrmcnkd

Permalink

This box should be a real crowd pleaser. Thanks Dave and Dead.net -- everyone involved. Like the Pacific Northwest box, this regional, but, over the years releases are a nice touch. With that in mind, Dave please consider an MSG N.Y.C. September 1979 release. . .. Just sayin'. I predict it would be an instant sell out and another crowd pleaser.

I really can not wait to see the artwork, box, discs, booklet, inserts, etc..

user picture

Member for

9 years 6 months
Permalink

Great offerings! The "Run, Run, Rudolf" with Pigpen was on a GD Hour from the early/mid 90's. One of my required X-mas selections every year near the holiday. Cheers!

user picture

Member for

10 years 1 month
Permalink

Well, JimInMD has no idea that his mentioning Wells Fargo and BBQ sandwiches is clairvoyant, in that Saturday I had problems with my bank (WF) and went out for BBQ sandwiches.... All is well now. And topped off by this new box.

A rough patch has now passed and, if anyone needs a laugh, check out the avatar on the official announcement at the top of the comments page -- it's "Sri" or somebody likely not connected to DL and TPTB.

This sucker gonna sell out in a day or so, max.

user picture

Member for

14 years 4 months
Permalink

Only 6 versions of Beat It On Down The Line???
Count me out.

user picture

Member for

9 years 9 months
Permalink

Ordered! Now trying to decide if I should grab the 12/10/71 5LP set too. Any idea if that one is Limited Edition too?

user picture

Member for

6 years 4 months
Permalink

Oh wow.......a true 70's Show-Me box set, and vinyl to boot.....sign me up! And I just scored tickets for Phish in Denver on Labor Day weekend!!! Not a bad days work.

Yes I'm still alive and lurking.

Be well & Be good dead folks!

KCJ

Edit: BBQ in St. Louis? Laughable...head west

user picture
Default Avatar

Member for

9 years 7 months
Permalink

Grabbed the hat as well!

user picture
Default Avatar

Member for

2 years 8 months
Permalink

The acoustics of the Fox are incredible. I've seen Dylan and Neil Young solo there. I can't imagine seeing the Dead there. The Kiel Center (now called the Scott Trade Center) is awesome too, but the Fox is the best in St Louis.

user picture

Member for

9 years 6 months

In reply to by Colin Gould

Permalink

I can't seem to get through to the pre-order page. It looks plenty good -especially the 1972 and 1973 shows, but I'm drawing blanks trying to order it at the moment.

user picture

Member for

11 years 11 months
Permalink

looks great

Did you select the three ALAC files? They have to be selected even if you don’t intend to download them. The lower pre-order button should then work. If that isn’t the problem then I can’t help It seemed pretty seamless to me. Good Luck.

Edit certainly easier to order than submit the comment 3 attempts and I had to replace the word downlo(ads) with files

user picture

Member for

11 years 6 months
Permalink

Try turning off your VPN. That worked for me.

user picture

Member for

7 years 1 month
Permalink

7 shows, from '71-'73, and there's only 1Wharf Rat?

user picture

Member for

9 years 6 months

In reply to by stillwaters

Permalink

Stillwaters & Colin-thanks for your advice. It was not choosing to download the three tracks to listen to that was stopping me getting through. It does say its a required field, but as I am not going to listen to them I assumed I didn't need to fill in the field.
It would have been ironic if, after checking on here every day since Doomsday to see if a box had been announced, then seeing it had, and that it included shows from the 71-73 era - I found I didn't have the wherewithal to order it !

Had the Brisket Bomb along pork bellies and hush puppies yesterday for lunch - you guys and gals north of Boston, check out The Rusty Can in Byfield MA...

Looking at Compendium - a Feeling Groovy Jam, a Mind Left Body Jam, a couple of Darkstars, TOOs, Birdsongs plus a Cumberland and a Here Comes Sunshine, wow all I need is a Black Peter - woops check that box too.

Now the important part are the two vinyl ala carte's worthy???

user picture

Member for

3 years 7 months

In reply to by PatagonianFox

Permalink

Simply glorious

:))))))))))))))))))))))

The 2 lp "highlights" seem limited to dead.net

Amazon has the 5 Lp set,,,, they say limited.

I ordered all,,, my Daddy said "if you're gonna be broke, be happy". I remember when he told that to Uncle Bobby....

product sku
889198321643
Product Magento URL
https://store.dead.net/special-edition-shops/st-louis-collection/listen-to-the-river-st-louis-71-72-73-20-cd-1.html