• 1,587 replies
    Srinivasan.Mut…
    Joined:

    What's Inside:
    7 Previously Unreleased Complete Shows On 20 Discs
    Fox Theatre, St. Louis, MO 12/09/71
    Fox Theatre, St. Louis, MO 12/10/71
    Fox Theatre, St. Louis, MO 10/17/72
    Fox Theatre, St. Louis, MO 10/18/72
    Fox Theatre, St. Louis, MO 10/19/72
    Kiel Auditorium, St. Louis, MO 10/29/73
    Kiel Auditorium, St. Louis, MO 10/30/73
    Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
    Mastered in HDCD by Jeffrey Norman
    Restoration and Speed Correction by Plangent Processes
     
    Individually Numbered, Limited Edition of 13,000

    Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
     
    LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
     
    The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
     
    The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
     
    All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
     
    Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
     
    Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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  • daverock
    Joined:
    More art

    One of the most stunning experiences I had going to an art gallery was when I went to see "Sunflowers" by Van Gogh a few years ago. I eventually found the room it was in, and noticed a huddle of people in front of a painting on the far side of the room. One of them moved..and there it was. It had a spotlight on it so that the yellow of the flowers shone out into the room. Amazing...but as I got closer, I realised that it didn't have a light on it at all - the light was actually coming out from within the painting. Truly extraordinary.
    It's also quite an experience going to see his work in the Rijksmuseum in Amsterdam. I just wandered in there by chance about 30 years ago. Wow.

  • Oroborous
    Joined:
    Conekid in the know

    per usual!
    Thanks, lol, never knew that request page existed. Goes to show, just gotta poke around!
    Those will get utilized more now for sure…Smithers, release the hounds!

    Yeah that RFK was probably too many units for what it was? Good example of doing say one of these a year at lower unit count along with a more traditional box release at perhaps less units?
    But I liked RFK, (hell I think they’ve done a great job with most) because that stretch from summer through the next summer is prime time for moi, and it sounds great, but they certainly weren’t the best available, once again the ole he went to a great city and street, but picked the wrong house? ? Wasn’t it relatively pricey too?
    But as we’ve all been saying, there’s a whole lot of causal heads out there who might not buy anything UNLESS it was something they were at. Perhaps explains the Giants phenomenon some what?
    That was sorta my M.O. back around turn of the century: “I have more than I need so I’m only going to get shows I was at. That worked out sorta ok at first by sheer dumb luck, but I eventually realized
    A) I’m not going to get many of those any time soon, if at all, and
    B) I’m missing out on some killer shit!
    The E72 Dark Stars are what really brought me back. Didn’t get the trunk but picked up several of the Dark Star shows Ala cart.
    So started dabbling again, but mostly just wanted the music and not more stuff. Luckily or not, my cousin used to get a lot of the releases free through their business connections with GDP etc, but when that all changed with Rhino etc, they lost those relationships. So I was able for a while to get copies of stuff he had that I wanted.
    But then I started getting back into it, hanging with you junkies etc lol, and next thing you know I’m a “collector”, just the thing I was trying to avoid lol.
    So of course the down side of only getting copies is all the great collection stuff I missed out on!
    The biggest regrets were the FW box and Winterland 73. The FW I just wasn’t very in dead land at the time and because of the repetitive set lists figured “oh hell, I have live dead already” idiot!
    Luckily I have the mini version and you know who here tightened me up with copies of the box, so at least I have the music!
    The Winterland 73, being fall 73, which even then was one of the tours I had huge interest in, I contemplated getting it, and man, wasn’t it really cheap considering, but I cheap skated out and have been regretting it ever since!
    Some of the others I regret only as a “collector” now, though I should have grabbed that summer 78, wasn’t that another bargain box?

    So yeah Daverock, the scene was relatively small until later. When I started going in late seventies there were tour heads, but not anything like what would come. I think the whole multi show run factor contributed to this. It was now much easier to just plan on a three show run or two, especially day on weekends, then to catch 5 or 6 shows, one stop at a time up and down I 90 etc.
    Now I know old timers talk of how it changed throughout the seventies, especially that huge influx of kids like me in the mid and late seventies, but I don’t think it was near as dramatic as what we saw from late seventies up too 87 when it exploded, perhaps leveled off a bit, but continued at a steady pace that unfortunately just got too big to support it properly. Fame, the kiss of death…

    ART: not a active art participant, but sometimes you get shown the light!
    We had a great Albright Knox gallery back in the tundra, and on family vaca to Europe in late seventies, went to tge Louvre etc. Don’t recall a lot of specifics, Mono Lisa etc? But it definitely impacted my thick adolescent Beavis and Butthead dumb American skull. That whole trip would of been much more awesome if I’d only been older.
    That Hopper work is cool. I’ve seen that corner diner one but wouldn’t say I was familiar. Will have to burn a fat one and check him out. Yasss great light etc. And yes, I can only imagine how much more sharp and vivid his work would be live!
    Good sheet Mon,
    Party on Wayne!

  • That Mike
    Joined:
    E-mail Survey

    DaveRock - Awesome idea with the email to all the folks on the mailing list. Something that perhaps itemizes what is in the vaults (no use clamouring for reels that don’t exist), and survey to see what is in high demand. I know on the Neil Young site, as an example, he has a “Letters” column where he states he answers ALL the letters himself (I’ve sent a few, and always get a reply), and the bulk of requests are folks asking him to release this show, or this tour, etc, and he tells you if the request is even doable. I don’t expect the Core Four to answer Dead Head mail, but a quick email survey is interesting. Maybe it is as easy as Ice Cream Kid says, and we just hit up the request thread, but it doesn’t tell us what tapes are in the vault, and what condition, etc.

    PS - Dave, you are right about seeing the art “in person”, but of course, work of say a DaVinci is so limited, so rare, and will not ever tour, that it would be so hard to see in person, save visiting Paris or Venice. But, should a major show make the rounds, like Picasso, or Diego Rivera/Frida Khalo, I’ve made a point to see it, and you are right - seeing a picture of these works does not do them justice! There is something about seeing The One And Only of something, knowing the artist worked on this piece. I’ll paraphrase Mr Ones al a “Music is the best”: “Art - and sports - are a close second!”

  • daverock
    Joined:
    A new approach

    Crmcnkd - I hadn't noticed that section asking us to make recommendations, so thanks for pointing that out. Maybe, though, the only people likely to fill that out are the people who come on here-all the old faces-and we know what they (we, me) will say in advance. I like the idea of reaching people who may not come on here - maybe an email like we get telling us what is coming out- but asking us what we would like to see coming out instead. The key is, it has to be "them" wanting a survey - as much, if not more, than "us" wanting to fill one in.

    Oro - thinking of casual fans of different eras, it reminds me of the fact that Deadheads didn't actually exist in the 1960s. I can't imagine early fans travelling around the country to see them. I guess it started with the invite to "Deadfreaks" on "Skull and Roses", but I would think it took several years before the travelling circus developed.

    It's interesting watching a documentary on late 60's San Francisco bands called "Go Ride The Music-West Pole". The main bands on this are Jefferson Airplane and Quicksilver Messenger Service - but at one point an interviewer asks people queuing up outside a concert hall, who their favourite bands are. I was expecting them to say "The Dead" automatically-but they don't. They are mentioned but they were clearly perceived at that time as just being another band, along with the two mentioned, Steve Miller, Janis etc.

    Mike - one of the great things about going to art galleries is how much more alive the originals are compared to the prints and posters you can see anywhere. I would say that going to an art gallery to look at paintings is a bit like going out to hear live music. If you go to any gallery, look at the originals, and then go in the gift shop and look at a book reproducing the originals you have just seen, the difference between the two is shocking.

  • icecrmcnkd
    Joined:
    Rehashing past speculation

    Don’t forget that several people, including myself, have previously told stories about talking to other deadheads who are completely clueless or disinterested in the official releases.

    The RFK Box is 15,000 copies and not sold out, although the banner says “less than 750 left”.
    My Boxes are packed away so I can’t check what the production numbers are, but 15,000 seems to be the limit except for a few releases that need an AME.
    I think that the last few Boxes were in the 10,000-12,000 range.

    Dave’s Picks can sell 25,000 due to people buying more than one subscription and resellers.
    And if you subscribe early bird you get 13 or 14 CD’s for $100, which is a pretty good deal.

    For those wanting to take a survey, there is a page on this site called ‘Requests - Box Sets’.
    I posted on it this morning, so use the ‘recent posts’ button to get to it, or use the search box.

  • That Mike
    Joined:
    Boxes & Paintings

    I am enjoying the discussion, because I’m hoping the marketing folks, or even the interns working at Rhino, see that this is a very passionate group of dedicated fans. Oro, I really think you have made some great points, and it is hard to please everyone (personally I have never been a hardcore 60s Dead fan, because that was before they came along with jewels like Wake of The Flood, Mars Hotel, etc, and all the outstanding concert material those albums brought forth), but so much work goes into the sourcing and mixing of the music in these boxes, and the art work, and the history to the scene happening at the time, that most, if not all, are home runs.
    Oro, you definitely hit the mark on many points, as did others, but collectively, as a group of fans, our mantra is “Keep ‘Em Coming!”

    DR - I love a wide range of art, and even doodle a bit myself, but Hopper is definitely an artist I have held in the highest esteem, for his amazing use of light and open space to paradoxically create figures of loneliness and solitude. If I can ever get my butt to NYC, the Whitney Museum of American Art is where I plan to sleep; the guy was an American master, and really nice to hear you too see his immense talent.

    Last listen - McLaughlin/Corea - Five Peace Band Live
    On Deck - Ry Cooder - The UFO Has Landed

  • 1stshow70878
    Joined:
    Great Discussion

    I think I fall into the category y'all are citing here. Not quite into it as much as the die-hards but wanting it all anyway. The LTTR box was more money than I was willing to put out at the time so I chose the LIA vinyl instead. A trade off decided by my having already pre-ordered Dave's #1 vinyl and simply wanting to get more vinyl. Interestingly, all the fantastic comments have me alternately regretting my choice and being satisfied with a taste of '72. DR said recently the chunk I have on Light Into Ashes is the crux of the biscuit of the box so today I feel satisfied. My collecting took a hiatus around the time the big Europe '72 trunk came out but kindly folks here are helping me fill that void. Thanks to all for keeping the fire alive. It's so nice to have reliable information from everyone here in our disinformation shrouded world.
    Cheers all!

  • Oroborous
    Joined:
    Great comments

    Mike, the 60s vibe, that’s a good example of what I’m saying. To “US”, the hardcore lunatics at deadnet, there appears to be an overwhelming unified consensus demanding a 60s box, but perhaps if you did a survey like DR suggests, our sample might be quite small comparatively? Just talking out me arse, but worth a thought?
    You’d think they’d be doing marketing , but maybe not? Maybe they have been so fortunate to have enough of a loyal, reliable, bankable demand that they could just go with whatever they felt was good?

    Personally, I think it’s good when things don’t sell out immediately. Gives some folks like P.T. etc a chance to decide or what not if they want to buy it. Or maybe you didn’t hear about it right a way, and as the bastard Murphy would have it, your busted after getting yet another of your kids braces, while the other kid smashed the car, and your washing machine broke. Like “Whaaaa???, you want $300 tomorrow morning, Dooaahh”
    But these are singular micro type scenarios and we’re talking macro level.
    Maybe DR is right and the nostalgia factor is bigger then I think, in that logistically, because of age, there are more casual fans from the later years than the early ones. Hell statistically, comparatively there weren’t that many causal fans in the early years. Let’s face it, for good or for ill, as time advanced there were way more causal “lets just go party and check it out folks” going to shows.
    So maybe that’s part of it, when/if something that this larger population feels more akin to comes round, their more likely to buy it, then yet another older moldy from a time they don’t know or care about because they’ve never been in that deep?
    I guess it’s probably a perfect storm of all the things we’ve been discussing? All these factors add up and the amount of units we’re talking about isn’t really that large, so…
    But!….that’s all the more reason to deliver more, but smaller batches of certain eras!

    Though I understand why a Giants type box would sell so fast, I still, do not understand fully how this box, by now, has not? Shifting market demographics and saturation is my guess though?
    Just goes to show…

  • daverock
    Joined:
    Tip of the hat

    ThatMike - my eyes lit up when you mentioned Edward Hopper. I really like his work too. About 20 years ago there was great exhibition on in London, and it was a real treat to be able to go from room to room and get drawn into his world. You can see his influence sometimes in films -"Deep Red" by Dario Argento features a scene that is clearly modelled on "The Nighthawks". And although I can't think of specific examples at the moment, Alfred Hitchcock and David Lynch feature scenes in some of their films that look to me to have been influenced by Hopper's way of seeing things.

  • PT Barnum
    Joined:
    format? sound quality? putting great shows with good shows?

    IMO there seems to be lots of reasons why this has not sold out. I did not buy it and I buy them all. After the so so patch jobs on the PNW box which I did not care for, I passed on this box. These are all good shows, with great shows mixed in. Call me a snob but I want all great shows with no cuts or patches. If that's not possible then I will just keep what I got from the archive or from etree, why spend that kind of scratch for shows I already have that only sound a bit better?
    The format could be the reason, some only want from the era they were a part of, mostly 80's from what I gather here. I like the progression of the band from psychedelic juggernaut to what they became, but not everyone's cup of tea.
    Perhaps it's the ploy of putting out most requested shows with shows that are not up to the great show that they are centered around? The original great box was a tough act to follow, seeings how the E72 tour was their best tour and it was the first one released with a massive 73 discs. With that great price. How to follow that? It's been what tptb have been asking themselves since.
    The spring 90 boxes are a good example of that also, a great tour with consistently great shows released at a great price, which sold out quickly.
    But what do I know? just the ramblings of an old deadhead on the first day of Spring.

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Member for

5 years 8 months

What's Inside:
7 Previously Unreleased Complete Shows On 20 Discs
Fox Theatre, St. Louis, MO 12/09/71
Fox Theatre, St. Louis, MO 12/10/71
Fox Theatre, St. Louis, MO 10/17/72
Fox Theatre, St. Louis, MO 10/18/72
Fox Theatre, St. Louis, MO 10/19/72
Kiel Auditorium, St. Louis, MO 10/29/73
Kiel Auditorium, St. Louis, MO 10/30/73
Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
Mastered in HDCD by Jeffrey Norman
Restoration and Speed Correction by Plangent Processes
 
Individually Numbered, Limited Edition of 13,000

Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
 
LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
 
The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
 
The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
 
All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
 
Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
 
Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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15 years 9 months
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50 years ago today………..

August 23, 1971
Auditorium Theater, Chicago, Illinois

Set 1: Big Railroad Blues-Playing In The Band-Mr. Charlie-Sugaree-El Paso-Next Time You See Me-Bertha-Me and Bobby McGee-Cumberland Blues-Big Boss Man-Loser-Promised Land -China Cat Sunflower>I Know You Rider-Casey Jones

Set 2: Truckin'-Bird Song-Cryptical Envelopment>drums>The Other One>Me and My Uncle>The Other One>Cryptical Envelopment reprise>Wharf Rat-Deal-Brokedown Palace-Sugar Magnolia-Not Fade Away>Goin’ Down The Road Feelin’ Bad>Not Fade Away>Johnny B. Goode

Deadicated to bkinva, ochs27, Born Cross Eyed in 1956, Gonzopolis, frosted, ummmmm..., PearlyBaker'sMan, Ziffle, jaydoublu, pc245, d-rock, rrussell8, nestamon, dan0,Kjohnduff1, and seabird17, because music, when soft voices die vibrates in the memory……

The second show in a row that opened with Big Railroad Blues, and the third show in a row with an Other One. Was there something in the water???

No windy city blues here. The Dead work it well. A nice, long, substantial show, absolutely worth a listen……

Rock on!!!

Doc
And then when I went to Chicago, that's when I had these outer space experiences and went to the other planets…..

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5 years 10 months
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secretly hoping its been released a month early! Cmon now!! I cannot wait for this one!

Well all got our box one month early.. under the condition that we keep it a secret.

(kidding of course).. patiently waiting in the Mid Atlantic. This box is an going to be an instant classic.

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15 years 9 months
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50 years ago today…..

August 24, 1971
Auditorium Theater, Chicago, Illinois

Set 1: Uncle John's Band-Sugaree-Playing In The Band-Mr. Charlie-Loser-El Paso-It Hurts Me Too-Cumberland Blues-Empty Pages-Beat It On Down The Line-Brown-Eyed Women-Me And My Uncle-Casey Jones

Set 2: St. Stephen>Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away-Sing Me Back Home-Truckin'-Big Railroad Blues-Me And Bobby McGee-Brokedown Palace-Big Boss Man-Sugar Magnolia-Good Lovin’

Deadicated to peakshead, prafter, The Winner, joegs, guit30, rich-raysmarinemoorhead, Lil Brian, SpanishJam, willis550, BigDeadFan, Duece, MiracleMan1982, Morning Sun, TheeAmazingAce333, stopbath, Willysin4wd, and Amy from New York, because memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god…..

On their only (OK, two show) Midwest stop in the summer of 71, the Dead mix things up nicely. Unusual Uncle John’s show opener, the first versions of Empty Pages and Brown Eyed Women, and the weirdly inverted set two opening sequence of St Stephan/NFA suite followed by several individual songs to close out the set.

In the windy city, the wind blew strange……………..

Rock on!!!

Doc
One comfort we have - Cincinnati sounds worse……..

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16 years
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So is it 12,000 hand numbered releases or 13,000 as both are listed in dif topics of the description?

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15 years 9 months
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50 years ago today…..

August 26, 1971
Gaelic Park, Bronx, New York City, New York

Set 1: Bertha-Playing In The Band-Mr. Charlie-Sugaree-El Paso-Big Boss Man-Big Railroad Blues-Hard To Handle-Beat It On Down The Line-Loser-Sugar Magnolia-Empty Pages-Good Lovin'-Casey Jones

Set 2: Me And My Uncle-China Cat Sunflower>I Know You Rider-Deal-Cumberland Blues-Truckin'>drums>The Other One-Next Time You See Me-Me And Bobby McGee-Uncle John's Band-Saint Stephen>Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

Encore: Johnny B. Goode

Deadicated to greatnorthern, Stashew1967, kyleharmon, BlissJBliss, Dschian, TheBiznizwhiz, Porterhouse10, moberg, JackstrawJay, dmcvt, Inquisitive Dantian, Dantian's Brief Interjection, Drumspacejam, mrkaos63, Crimsonandblue, Pelts, WOW69, David Duryea, SkullTrip, and dantian72, because great music is that which penetrates the ear with facility and leaves the memory with difficulty……

The last gasp/last blast of the original quintet. And what a blast it was!

Rock and roll, bobby-country-western, jamming, with a tincture of bittersweet. The last Empty Pages, and the last Pigpen version of Hard Handle, a wonderful rave-up that worked well for the Dead during its short repertoire life span.

Pigpen would soon be absent, and while he would ultimately return, it would never be quite the same………..

Rock on!!!

Doc
There must be a beginning of any great matter, but the continuing unto the end until it be thoroughly finished yields the true glory…..

Really getting excited for this box to be released. It has only been 18 months since the 76 Box set was released.
Surprised they have not hyped this box set more. Where are the additional videos talking about each show? Where is the unboxing video?
Give us something.
By the way, no Glasser on this box. What is he working on?

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9 years 6 months

In reply to by DeadVikes

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Maybe they don't need to hype this one. In a way, Dave's approach, which seems to be to promote everything as being equally awesome, must make it a bit difficult for him when it comes to describing something that stands out as being genuinely so. Or looks as though its is going to be - no, I am sure it will be!

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16 years 9 months
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Dang, did anyone else get the Real Gone announcement that they have some more vinyl copies of DiP's 36. I was on a work call, and when I looked 30 minutes later it was already sold out. Bummer, eBay prices are way too high for these vinyl releases.

I did not get an email.. but was on the waiting list. Weird...

Edit: Looks like I did get the email.. not so weird. Anyway.. way too late. Oh well..

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10 years 2 months
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One tidbit of good news is that another Dead vinyl box is due late this year according to that same email, which I opened 5 hours late, but wouldn't have been able to buy as they wouldn't let anybody who got one last time get one of those 70. I hope it's Dick's 12th or 14th Pick. Either would be mighty fine. One can dream.

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11 years 4 months
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Struck out here too!!! Damn!!!

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9 years 6 months

In reply to by alvarhanso

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That's good news, that a further vinyl box is due later this year. Over the last few years, they have been my favourite Dead releases. Dicks 12 or 14 would be great - I would like to see 19 considered too - 10/19/73. I've also got 31 here to play soon. It's a bit of a hotch potch, with three nights fading in and out of each other, but it all fits together seamlessly.

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16 years 9 months
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Earlier I received a mail with a lynk to download "Playing in the band", the third and final download that comes with an order for the St. Louis box. Despite the fact that the first two download lynks worked without any problems, this final one failed to work, sending me instead to a login page which displayed the message "Invalid download URL scheme" and wouldn't allow me to login (which wasn't necessary for the first two downloads). I have contacted customer service and have received a mail back which included the get-out statement "Please note that we are currently experiencing longer than usual response times." As far as I am aware, they are always experiencing longer than usual response times. How hard can it be to mail a working lynk? I shall wait and see what transpires.

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9 years 9 months
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I had the same trouble with today's Playing download. I also had the exact same problem with the recent 7" Singles download. The good news is that they sent me a working lenk for the 7" Single download promptly on the same day and within a few hours. . . Keeping fingers crossed for the actual St Louis box via Mail "Innovations". . . Onward.

can't download "Playin'..."....had no issues with the two previous downloads...It's getting old folks...

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12 years 9 months

In reply to by nappyrags

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I'm not sure why they even bother.. you are "buying" a downloaded song that you have already purchased as part of your box set. It just sets another data point where they can (and usually do) make a mistake which yields consumer frustration.

Why bother? It does nothing to increase sales. One man's humble opinion, I could be wrong.

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9 years 9 months
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I agree Jim. The three 'Free Downloads' just complicate the already fraught gauntlet from 'ordering thru delivery'. One or two more additions to the 'Listening Party' might make more sense and create some new sales. What I'd really like to download is a reliable shipping notice with a functioning tracking number – ready to listen to that river. . .

Ha! 'fraught gauntlet' ?

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10 years 2 months

In reply to by JimInMD

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I think they do it, and market it as a "Digital Single", so that we get some sort of product until the full enchilada arrives. For the Dave's Series, they include the same "Free Graphic" or something. It's just the logo. What mystifies me about the downloads is if it's gonna be 3 songs, why not one song per year, since the box represents 3 years? And why not Brokedown, which gives the box its name and was played each year?

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My download is now working. Thanks for the heads up, Dennis.

Edit: I have subsequently received a mail from customer service with lynx for FLAC and ALAC files.

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15 years 7 months

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The 12/10/1971 show is going to be released as an individual 3-disc set. If I had any say in the matter, I'd select 1 song from this show and two others from other shows in this box. Or select 3 songs from 3 different shows other than 12/10/1971. It might sell out this box faster.
Tick, tick, tick, in the last few days of this month of September 2021 we will get a shipping email that these boxes are leaving the wherehouse. Yeah, where is my box...

I am easily as excited about this box as I was about Ventura. True, it's not multi-track and true, there's no video and perhaps no one show outshines Ventura.. but I think this offering is more monumental.

Just an opinion I realize, but there are some great shows in this box. Classic GD.

So soon, I will be making room on the front porch and waiting patiently while the skilled bicycle messengers place my box gently against the front door, nibble the cannabis cookies and sip the warm milk left by the door and peddle away...

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12 years 9 months

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Veneta.. Still waiting on the Multi-Track with video from Ventura. I had a teeny buzz on last night. Thanks for your patience through all these typos over the years.. Hunter Thompson I am not.

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my stoopid linq for my free PITB dl is working now...

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The PITB download isn't free, it cost you $200, but you do get a free 20 CD box set with it. 🤭

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All the reasons I love GD came back to me last night. As it was when initially getting into the band 30 some years ago. Pure flashback and nothing nostalgic about it. No doubt the mood started from going to a VW rally earlier in the evening. Lots of camper vans, including a few with old tour stickers. And just as many vintage Beetles (coolest of which had a Black Sabbath 8-Track cassette plugged into the dash). Got home around 9:30 and opened the house up to a perfect September evening filled with the last remnants of summer- crickets in full stereo, smell of leaves starting to dry out, crisp breeze, something skunky chuckling merrily through the brush. Plugged in DaP Vol 11 (1972/11/17) to get a taste what this box will be like next month and found myself completely in that dimensional head space zone. How the music is meant to be heard. Not a note that didn't weave its way through me fully noticed and enjoyed. So now its an early 70's hiatus until early October! I want those first listenings fresh.

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...recent mention in your deadication. Hope all are enjoying this Labor Day. Doc knows these parts well, having lived up this way many years ago. Thanks so much for keepin 1971 alive. Sweetness of late summer into fall, harvest time. Nose to beak with hummingbirds preparing to head south. Had a free trial of "Serious" come my way, so recent trip to Maine, road music was Ch23, big Steve. Lots of GD graphics found along the way, a garage door with a lightning bolt split heart rather than a skull, Skull and Roses sweatshirt on a deck hand for Casco Bay Lines, dancing bear t-shirts. Fished first for live bait, mackerel by the dozen, then a monster striped bass broke my line. Just another fish story. Found a small organic farm in the middle of an island, spent some time with the farmer, his ancient tool museum included found objects from Native Americans and early settlers. I too cannot wait for this box... today's replay Lindley Meadows 1975.

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This seems to have been released and is available for order from Amazon UK now - supposedly to be delivered in few days time.

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First thing to note on Amazon UK is that they give the original release date as 2020. There are 3 sellers. Amazon themselves give no indication of a delivery window, the other two are Marketplace sellers (one in the UK, one in the USA) who give a delivery window from late September to mid October, even though the UK seller claims that it is usually despatched within 4 to 5 days. All this seems highly speculative bearing in mind we know that October 1 is the official release date. The tried and trusted maxim: "If it seems to good to be true, then it probably is too good to be true" could well be applied in this case. I doubt anyone will see a copy in September, particularly in the UK.

Simon - yes, I am sure you are right. I ordered a supposedly remastered version of Two From The Vaults on vinyl last October, when it was originally advertised. It still doesn't seem to have come out - or if it has, Amazon haven't got their greedy little mits on it yet.

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I really don't know about this. The original Future Days vinyl release came out in 2014 and was allegedly remastered. There seems to be a new Future Days release out this year but (according to Discogs) it has the same catalog number as the 2014 release and is also remastered. It seems unlikely (but not impossible) that it is a new remaster rather than a reissue of the 2014 remaster. I suspect it would be hard to know exactly what you would get when ordering the 2021 version - if indeed you can find it.

That seems sort of encouraging that Discogs are listing Two From the Vaults as a release for later this year. I never upgraded my original cd, the original from around 1992, so hopefully a new release on vinyl, whether its a straight reissue of the 2014 album, or a remastered version, will be a few steps up from my copy.
Not that I'm holding my breath waiting for it to arrive.

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Has anyone heard of they have a date fort eh release of the July RSD Jerry Garcia Band that didn't make the cut?

Yes, very strange. One seaside chat and done. The box is not sold out and not even close.

I of course bought one and can't wait.

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I've volunteered to pour beer/wine at the Jazz Fest this weekend at Mears Park. Stop by and hear some free tunes, then get a beer and say "Hello". I'll be pouring from 3-5 Friday and 5-7 Saturday. You'll be able to figure out which one I am--51, short, long hair and a beard.

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15 years 7 months

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Yeah, maybe on Release Day! 10/01/2021 October 1st, 2021

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I've volunteered to pour beer/wine at the Jazz Fest this weekend at Mears Park. Stop by and hear some free tunes, then get a beer and say "Hello". I'll be pouring from ... You'll be able to figure out which one I am--51, short, long hair, and a beard.

Short hair AND long hair? Well, that that I first read it.
Yeah I know what you mean - you're at 51 years of age, of shorter stature - maybe under 5 foot, 6 inches in height, long hair (over shoulders), not so big of a beard.

Mears Park location?

I am half tempted to fly just to see if I can I get a free pour. I will be the 55 year old wearing a tie dye holding out my steelie glass. If I hadn't already made up my mind that it was tackie.. I might have my miracle finger up in the air with a blank look in my face.

...alas, I am not sure the finances work out on this one. Have fun.. wish I was there.

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I saw that after I typed it; not my best-ever sentence! :)

Yes, I am 5'6" in stature, with an okay short beard, but with long hair. The hair was always shoulder length, but now hasn't been trimmed since December 2019 (I had an appointment for March 15th, 2020--let's see, what strange thing happened then . . . ?). My stylist has been back at it for a while, but I just haven't bothered going in; I hardly have had to leave the house since that canceled March appointment, and now I have a decent ponytail going.

Mears Park is in downtown Saint Paul. Jim, if you fly out, then I WILL buy you one! ($7 value!) :) (you, too, Cross-Eyed) DeadVikes, you have only a few miles to travel, but I will buy you one after my shift if you present yourself.

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In reply to by Deadheadbrewer

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Hey Brewer what an offer, you are a good man. I will see what I can do. Thanks man. Expensive trip Jim, but worth it.

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I am so geeked and excited for this release! C’mon 10/01/21!!! Hopefully, it will ship early and we will receive it on 10/1. In the meantime, I’ve been refreshing myself with Dave’s Picks, v. 6, Fox Theater, 2/2/70. I cannot recommend this show enough to those who have a copy but not listened to it in awhile. Cheers! Enjoy the magic and flow of Fox Theater 70! More to come from 71,72. YES!!!!!!

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Thank you for the offer, you are a very kind man.
Me: Bethlehem, Pa. or 78 miles west of Times Square, NYC or 60 some miles north of the old Civic Center in Philadelphia, PA (DaP 35!)

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After four plus years of trying to be able post anything, customer service finally helped! So, just a hello to you all, love reading your comments and hope to join in the fun moving forward.

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