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    Please note that due to its size and weight, this item incurs higher shipping fees than the standard Dead.net store ship rates. 

    WHAT'S INSIDE:
    Avalon Ballroom, San Francisco, CA (4/5/69) – Cassette
    Fillmore West, San Francisco, CA (6/5/69)
    Fillmore West, San Francisco, CA (6/7/69)
    Fillmore West, San Francisco, CA (6/8/69)
    Capitol Theatre, Port Chester, NY (2/24/71)
    Capitol Theatre, Port Chester, NY (2/20/71)
    Fillmore East, New York, NY (4/25/71)
    Fillmore East, New York, NY (4/27/71)
    Boston Music Hall, Boston, MA (9/15/72)
    Boston Music Hall, Boston, MA (9/16/72)
    Nassau Veterans Memorial Coliseum, Uniondale, NY (3/16/73)
    Winterland, San Francisco, CA (3/20/77)
    Philadelphia Spectrum, Philadelphia, PA (5/13/78)
    Red Rocks Amphitheatre, Morrison, CO (8/12/79)
    Alpine Valley Music Theatre, East Troy, WI (8/23/80)
    Alpine Valley Music Theatre, East Troy, WI (7/11/81)
    Hartford Civic Center, Hartford, CT (3/14/81)
    Hampton Coliseum, Hampton, VA (5/1/81)
    Frost Amphitheatre, Stanford University, Palo Alto, CA (8/20/83)
    Greek Theatre, University of California, Berkeley, CA (7/13/84)
    Henry J. Kaiser Convention Center, Oakland, CA (11/21/85)
    Henry J. Kaiser Convention Center, Oakland, CA (11/22/85)
    Madison Square Garden, New York City, NY (9/16/87)
    Deer Creek Music Center, Noblesville, IN (7/15/89)
    Oakland Coliseum Arena, Oakland, CA (12/27/89)
    Shoreline Amphitheatre, Mountain View, CA (5/12/91)
    Capital Centre, Landover MD (3/17/93)
    Capital Centre, Landover MD (9/15/82)
    Boston Garden, Boston, MA (10/3/94)

    Originally Recorded By Owsley “Bear” Stanley, Betty Cantor-Jackson, Kidd Candelario, Dan Healy, & John Cutler
    Mastered By David Glasser & Jeffrey Norman
    Plangent Processes Tape Restoration And Speed Correction
    Custom Keepsake Box w/ A Guide Book By Jesse Jarnow, Producer's Note By David Lemieux, & Essay By The Stanley Owlsey Foundation
    Design By Once Upon A Time

    Limited To 6,000 Individually Numbered Copies
    Dead.net Exclusive

    When the ride begins in '65 at a pizza parlor in the South Bay under another moniker, who would have imagined? When "Who Are You? Where Are You? How Are You?" became "Won't you come with me?" and, ultimately, "Where does the time go?," who would have thought? 60 years on, we're celebrating the Grateful Dead's Diamond Era. Here we go back to the beginning, to the original "Follow," and uncover the wonders of getting on the bus all over again.

    ENJOYING THE RIDE is a sweeping 60-CD collection that maps an epic cross-country road trip along the “Heady Highway” with stops at storied venues where the music, the moment, and the magic of the Dead reliably converged. Spanning 25 years of legendary live performances, this expansive compendium spotlights defining shows from 1969 to 1994 at 20 venues that consistently inspired the band to new heights. 

    With the exception of a few tracks from earlier releases, virtually all of the music on ENJOYING THE RIDE is previously unreleased, with more than 450 tracks and over 60 hours of music. Of the 20 shows in the collection, 17 are presented in full, with some featuring additional material from the same venue. The remaining three — Fillmore West, Fillmore East, and Boston Music Hall — are curated from multiple performances at each venue, capturing key moments on those legendary stages.

    These performances were originally recorded by Owsley “Bear” Stanley, Betty Cantor-Jackson, Kidd Candelario, Dan Healy, and John Cutler. David Glasser and Jeffrey Norman restored and mastered the performances, with select ones using Plangent Processes tape restoration and speed correction for optimal sound quality.

    It's all housed in a custom keepsake box inspired by the experience of traveling from city to city to see the Dead at legendary venues across America. Inside, a beautifully detailed tour guide features liner notes by Jesse Jarnow (author and co-host of the Good Ol’ Grateful Deadcast) and a producer’s note from Lemieux, an essay by the Owsley Stanley Foundation, and more. The set is richly illustrated with photos, including many taken at the shows featured in the collection.

    Due May 30th, this one is limited to 6,000 individually numbered copies and exclusive to Dead.net. We invite you to take this not-so-little piece of the road home.

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  • Vguy72
    Joined:
    JFC. King Gizzard And The Hollywood Bowl....

    ....delivered the goods. Holy shit.
    I need to pick up some brain cells after that.
    Y'all need to catch them. Trust me.
    Dude next to me offered a free ticket to the San Diego show tomorrow.
    I would be a liar if I said I didn't think about it. And I thought about it for a while. Dude was begging me to take it. Amazing.

  • billy the kiddd
    Joined:
    "Mason was a mighty man, mighty man was he. .......

    Always said when I'm dead and gone don't you weep for me."

  • nitecat
    Joined:
    30 years...

    I was on the job at an all day presentation that I was video taping, running the camera and recording. I learned about it during a break at 11 am. It was hard for me to concentrate the rest of the day. I felt a big hole in my life. Later friends gathered at our house and we all went over to GG park to join the heads gathering together in grief. There was a large circle of heads on the grass, with lots of candles and pictures of Jerry, and people singing along to guys with guitars and drums.

  • Crow Told Me
    Joined:
    I read the news that day, oh boy

    The day the news of Jerry's death broke, I was starting a new job in a new city and pretty overwhelmed by everything that entailed. I was unpacking boxes, meeting new people, shaking lots of hands and nodding vigorously as my new bosses explained my new duties, and I didn't have much time to think about it.

    Until later. That evening there was a gathering of people in the park near my new apartment, so I went down there to listen to the songs and read the signs and try to process the whole thing.

    I'm still processing.

    I, too, was surprised by huge public outpouring of grief. My primary show-going years were the late '70s and early '80s, a time when the Dead was widely considered a cult band that was barely relevant to the music biz or mainstream culture. By 1995, I had not been to a show in years, and I didn't realize how big the "cult" had become. But the public reaction to Jerry's death--the front page stories, the mass gatherings, the musical tributes--was a lot like when John Lennon was killed. And that was when it first hit me that the Dead's audience was damn near as big as the Beatles.

    And I think it's bigger now than it was then.

    TTB was great at Red Rocks, btw. I also traveled up to Bend to visit a friend and caught a show (just one of the two) there. It was super cool to see some of the same folks I had met at RR, some of whom were following TTB through several cities on the current tour. Strangers stopping strangers. High fives, hugs, and other things were exchanged. Reminded me of the olden days, it did.

  • carlo13
    Joined:
    Jerry

    I was working at Charles River Park next to the Boston garden, and had a wristband for the next show ticket line. I thought it was another false alarm, but soon found out the worst. Poor Jerry.

  • Vguy72
    Joined:
    Safe arrival at Santa Monica beach....

    ....figured I'd hang here until hotel check in time.
    The beach heals and its 76 degrees.

  • daverock
    Joined:
    It was 30 years ago today

    Well, yesterday actually. I can remember that Jerry's death was reported on the national news and was front page news the following day. Apart from my one Deadhead friend, this surprised everyone else I knew. The Dead obviously were nowhere near as well known in the U.K. as The States, and most of my friends assumed they were just a strange acquired taste of mine. An obscure cult band from the 60's with a very limited following. They didn't know anything about you lot.

  • PT Barnum
    Joined:
    stillwaters

    you got it all wrong bro, I'm not pushing politics, I'm answering some trump sucker who pushed politics. If you come on this site and praise a stinking convicted felon, wife abuser, sexual deviant on this site, I'm right here to tell the truth, and if you don't like it, eff off too.

  • 1stshow70878
    Joined:
    4windsblow

    Wins the best memorial.
    Honors them.
    Makes us remember.
    And makes me feel better.
    Cheers

  • fourwindsblow
    Joined:
    Down the road to Union…

    Down the road to Union Station running through the fog
    I thought I saw Joe Hill last night grinning like a dog
    "I understand they did you in for everyone to see"
    He smiled - shook his head - "that's a lie," said he

    "I been on a mountain top observing from a cloud
    Been in the hearts of workers milling with the crowd
    My tears are shed for freedom and equality of means
    My blood and perspiration oil the gears of your machine"

    Down the road again
    Down the road again

    Down the road to Massachusetts driving through the night
    I thought I saw Jack Kennedy hitchhiking by a light
    I hit the brakes - backed up slow, and Kennedy got in
    I said, "It's nice to see you lookin' back in shape again

    Correct me if I'm wrong but I believe they gunned you down"
    He just shook his head and looked off sadly with a frown
    Said, "bullets are like waves, they only rearrange the sand
    History turns upon the tides and not the deeds of man"

    Down the road again
    Down the road again

    Driving down to Fiddler's Green to hear a tune or two
    I thought I saw John Lennon there, looking kind of blue
    I sat down beside him, said "I thought you bought the store"
    He said "I heard that rumour, what can I do you for?"

    "Have you written anything I might have never heard?"
    He picked up his guitar and strummed a minor third
    All I can recall of what he sang, for what it's worth
    "Long as songs of mine are sung I'm with you on this earth"

    Down the road again
    Down the road again

    From the corner of my eye I saw the sun explode
    I didn't look directly 'cause it would have burned my soul
    When the smoke and thunder cleared enough to look around
    I heard a sweet guitar lick, an old familiar sound

    I heard a laugh I recognised come rolling from the earth
    Saw it rise into the skies like lightning giving birth
    It sounded like Garcia but I couldn't see the face
    Just the beard and the glasses and a smile on empty space

    Down the road again
    Down the road again

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4 years 3 months

Please note that due to its size and weight, this item incurs higher shipping fees than the standard Dead.net store ship rates. 

WHAT'S INSIDE:
Avalon Ballroom, San Francisco, CA (4/5/69) – Cassette
Fillmore West, San Francisco, CA (6/5/69)
Fillmore West, San Francisco, CA (6/7/69)
Fillmore West, San Francisco, CA (6/8/69)
Capitol Theatre, Port Chester, NY (2/24/71)
Capitol Theatre, Port Chester, NY (2/20/71)
Fillmore East, New York, NY (4/25/71)
Fillmore East, New York, NY (4/27/71)
Boston Music Hall, Boston, MA (9/15/72)
Boston Music Hall, Boston, MA (9/16/72)
Nassau Veterans Memorial Coliseum, Uniondale, NY (3/16/73)
Winterland, San Francisco, CA (3/20/77)
Philadelphia Spectrum, Philadelphia, PA (5/13/78)
Red Rocks Amphitheatre, Morrison, CO (8/12/79)
Alpine Valley Music Theatre, East Troy, WI (8/23/80)
Alpine Valley Music Theatre, East Troy, WI (7/11/81)
Hartford Civic Center, Hartford, CT (3/14/81)
Hampton Coliseum, Hampton, VA (5/1/81)
Frost Amphitheatre, Stanford University, Palo Alto, CA (8/20/83)
Greek Theatre, University of California, Berkeley, CA (7/13/84)
Henry J. Kaiser Convention Center, Oakland, CA (11/21/85)
Henry J. Kaiser Convention Center, Oakland, CA (11/22/85)
Madison Square Garden, New York City, NY (9/16/87)
Deer Creek Music Center, Noblesville, IN (7/15/89)
Oakland Coliseum Arena, Oakland, CA (12/27/89)
Shoreline Amphitheatre, Mountain View, CA (5/12/91)
Capital Centre, Landover MD (3/17/93)
Capital Centre, Landover MD (9/15/82)
Boston Garden, Boston, MA (10/3/94)

Originally Recorded By Owsley “Bear” Stanley, Betty Cantor-Jackson, Kidd Candelario, Dan Healy, & John Cutler
Mastered By David Glasser & Jeffrey Norman
Plangent Processes Tape Restoration And Speed Correction
Custom Keepsake Box w/ A Guide Book By Jesse Jarnow, Producer's Note By David Lemieux, & Essay By The Stanley Owlsey Foundation
Design By Once Upon A Time

Limited To 6,000 Individually Numbered Copies
Dead.net Exclusive

When the ride begins in '65 at a pizza parlor in the South Bay under another moniker, who would have imagined? When "Who Are You? Where Are You? How Are You?" became "Won't you come with me?" and, ultimately, "Where does the time go?," who would have thought? 60 years on, we're celebrating the Grateful Dead's Diamond Era. Here we go back to the beginning, to the original "Follow," and uncover the wonders of getting on the bus all over again.

ENJOYING THE RIDE is a sweeping 60-CD collection that maps an epic cross-country road trip along the “Heady Highway” with stops at storied venues where the music, the moment, and the magic of the Dead reliably converged. Spanning 25 years of legendary live performances, this expansive compendium spotlights defining shows from 1969 to 1994 at 20 venues that consistently inspired the band to new heights. 

With the exception of a few tracks from earlier releases, virtually all of the music on ENJOYING THE RIDE is previously unreleased, with more than 450 tracks and over 60 hours of music. Of the 20 shows in the collection, 17 are presented in full, with some featuring additional material from the same venue. The remaining three — Fillmore West, Fillmore East, and Boston Music Hall — are curated from multiple performances at each venue, capturing key moments on those legendary stages.

These performances were originally recorded by Owsley “Bear” Stanley, Betty Cantor-Jackson, Kidd Candelario, Dan Healy, and John Cutler. David Glasser and Jeffrey Norman restored and mastered the performances, with select ones using Plangent Processes tape restoration and speed correction for optimal sound quality.

It's all housed in a custom keepsake box inspired by the experience of traveling from city to city to see the Dead at legendary venues across America. Inside, a beautifully detailed tour guide features liner notes by Jesse Jarnow (author and co-host of the Good Ol’ Grateful Deadcast) and a producer’s note from Lemieux, an essay by the Owsley Stanley Foundation, and more. The set is richly illustrated with photos, including many taken at the shows featured in the collection.

Due May 30th, this one is limited to 6,000 individually numbered copies and exclusive to Dead.net. We invite you to take this not-so-little piece of the road home.

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18 years 1 month
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Made me tear up reading about your Dog . I had a Beagle "Blue" and she was the best friend got her in 1974 Named her after "Old and in the Way"......"Bluegrass" She passed away in 1987 Her body broke down but she came to my arms when she passed 38 years later I still think of her often

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8 years 9 months

In reply to by DeadVikes

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I would have to give the nod to the HCS Box. I mean the sound quality and the performances are top tier. 6/10 is definitely in my top three shows of all time.

The PNW box is no slouch and we get three 74 shows.

#55. Would love to see those 80 shows released.

I will go with an 82 show or 88. However, as we know, Dave is very unpredictable.

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18 years 1 month

In reply to by DeadVikes

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....thanks everyone. He was a sweetheart. We have two other furry family members, so I get to do this again at least two more times.
Paw print avatar updated.
Kickstarter Greyfolded vinyl out for delivery!

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4 years 9 months
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I can never guess what Dave is up to, but it seems like this next one has to be a non-70s show, given that we've just had '76 and '73.

Also:

HCS > PNW

July > FOTDs

Just because.

My last dog, a black lab named Doctor Gonzo (who also answered to Gonz, Doc, and Buddy and who was one of the best river swimmers, frisbee catchers, and silent conversationalists I've ever known) died in 1996, and I'm still not over it. I think it's cats for me from here on out. Not that they're easy, but dogs are just ridiculously hard. My heart goes out to you, Vguy.

So sorry, my man, for your beloved buddy Frisco, VGuy.
I know how this goes as we said g'bye to Cisco last fall. He was 13. It was hard.

You have this whole Freakshow's support and love.
Hang in there buddy.

Sixtus

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1 year 11 months
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Didnt BFA come out in August ? the 50th must be just around the corner.. Have a great summer all - from sunny Copenhagen

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5 years

In reply to by Danehead

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Here's to Frisco. Losing a pet sucks donkeys.

Luckily for me, my dog is doing ok, but she is now 13 years old.

When she does go, that week-long wailing you hear in the distance will be me.

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10 years 10 months
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Just got another email that it is "back in stock".
So I guess the 3500 copies haven't sold yet?
That's surprising given the love for these shows.
Cheers

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4 years 9 months
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Something weird happened at Real Gone over the weekend. I mentioned that I placed my order for the DiP 4 vinyl last Thursday and received a confirmation, but no shipping notice for 4 days. Which was weird because they normally ship right away.

But now I just got a shipping notice, and the item is listed on their site as "in stock and ready to ship" (as of about noon Pacific time on the 30th). I'm thinking they must have had a network outage or something. Anyway, if you thought you missed out, you might want to check their website.

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14 years 1 month

In reply to by Dennis

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No shipping notice for me yet either.

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6 years 4 months
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Lazy Lightning>Supplication is absolutely volcanic!!!

wow wow wow

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9 years 10 months

In reply to by jonathan918@GD

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My 4th show. With a friend who had wisely seen the killer 3 show Uptown run that proceeded Alpine (sadly, I had not.) Still remember the seemingly random comment made by another DH who had also seen those Uptown shows as he wandered by us and chatted in the grassy lot before the show:

"All I need now is a Lazy Lightning!"

And later thinking - wow, he got it!

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1 year 10 months
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... all of the shows except one...

two of my friends wanted me and insisted I get on the bus
and I kept resisting (even turned them down for a trip to englishtown)
got badly injured in Oct '77
and finished the last surgery April '78
they said you can't turn down us down this time
they bought me a ticket and drove me to see the GRATEFUL DEAD
still thanking them to this day

as I sit at home today and recuperate from another surgery from this past Friday
I know exactly the reason I purchased this box set

my 1st show
may 13th 1978

now a complete show
and in betty quality

and I can do is thank my friends
thank you Big Dan and Chumpweed!

and thanks to betty, dave, & tptb
for this release

"all the years combine"
AND
"they melt into a dream"

PEACE for ALL!

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16 years 9 months
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Left off @ '72... Blazing O1!!!

Three too go! '73, '89 Oak, and '93 Cap.

One of which is on the list of 70+ all time list!

Dp4 vinyl got a shipping email , said next Wed.. Media Mail .

Now a redo of 15 Englishtown, and 16 '69 Fillmore Aud.

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14 years 1 month

In reply to by fourwindsblow

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Like many others here, I am going in reverse order.. On the last few box sets I went in chronological order which starts with bang. I wanted to end with the big fireworks his time.

Anyway, where I am heading with this and as others have mentioned, Cap Cntr 93 was not at all what I expected and in a good way. The playing and sound are dialed in. They were looking for something and it's like it surprised even them when they found it. Like the dog that caught the car. Very focused playing and an enjoyable show, especially the second set.

Working my way through things when time allows.

Uncle Tripple, I echo what others are saying, best of luck with your recovery. My hand is all messed up at the moment too, at least we have some good new stuff to listen to. Your comments here are always positive, forward looking and reflective. Great spirit, I hope the good comes back to you in the form of a quick and as complete recovery as possible.

May the four winds blow you safely home (and back to good health)

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16 years 9 months
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left a post on box releases of the three night, 17th being the best of three !

Also left kind words of the 17th in "what are you listening now"

Maybe it was on the list, maybe I turned Dave on?

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3 years 8 months
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Great show!

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16 years 9 months
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Capital Center '93 Set 2...

I have a good felling that a lot the office attended.

On 3/18 saw MG signing lyrics for the deaf.

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4 years 9 months
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Hats off to everybody who is listening to this set in some sort of logical or chronological order. Me, I'm just flailing around!

I started off by listening to a few shows all the way through ('84 Greek, Red Rocks '79, Uniondale '73, Landover '93) but lately I haven't had time for full shows so I'm just cherry picking a disc here and there. Like say disc 42, which is the bonus material for Kaiser in '85, then disc 53, which has the Help/Slip/Franklins from the Shoreline in '91, and then disc 5 from the Capitol '71. Some of it is mind boggling life changing shit. Some of it is just pretty darned good rock and roll. All of it's been enjoyable and well worth owning.

Also wanted to include a shout out to whoever did the travel book. It's pretty entertaining in itself, now that I'm finally getting around to reading it!

My DiP 4 vinyl arrives today, if the tracking info is to be believed. Although I totally agree with Whoever It Was who posted recently that CD (with its longer running time) is actually the superior medium for Dead shows, especially the ones like DiP 4 that include multiple jams that extend beyond the half hour mark, I still had to have this one, even though I still have the CDs. Not sure why, exactly, but that's how it is. Can't wait to drop the needle on it, hopefully later today.

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1 year 10 months
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Dennis ...
old bridge you say
nice and close to englishtown
I was about 8 miles
as the crow flies from nj
across the delaware river in penna

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18 years 1 month
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Hi - saw your comment about signing lyrics of a show in 93. It reminded me of a deadhead in England I knew who was (and is) famous for his interest in deaf culture and who formed deafheads creating a zone at dead concerts and actually signed for the band on numerous occasions. His name is Paddy Ladd and he’s still active. Wikipedia has a page on him.

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16 years 9 months
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That's cool !

we were seated on Phil's side first level, It was like 2/3 into the show when we saw MG signing until then I had no idea that the whole section seated next to was deaf! Great time kids were dancing sweating just like everyone else !

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12 years 9 months

In reply to by uncle_tripel

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.... is actually in Old Bridge township. My high school was on the same road (rt 516) about 5 miles away. Englishtown is one of the outer reaches of Old Bridge. I grew up on the opposite side of town,,, Cliffwood Beach. We were the most southern point in Old Bridge. Nice place to grow up.

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10 years 10 months

In reply to by frankparry

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I can remember Paddy Ladd as a writer for Spiral Light, and excellent British Dead fanzine. I bought copies between 1987 and 1995, although I only have a few of them left.

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16 years 9 months
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If I had a hammer, I'd hammer in the morning
I'd hammer in the evening all over this land
I'd hammer out danger, I'd hammer out a warning
I'd hammer out love between my brothers and my sisters
All over this land, ooh
If I had a bell, I'd ring it in the morning
I'd ring it in the evening all over this land
I'd ring out danger, I'd ring out a warning
I'd ring out love between my brothers and my sisters
All over this land, ooh
If I had a song, I'd sing it in the morning
I'd sing it in the evening all over this land
I'd sing out danger, I'd sing out a warning
I'd sing out love between my brothers and my sisters
All over this land, ooh
Well, I got a hammer, and I got a bell
I've got a song to sing all over this land
It's the hammer of justice, it's the bell of freedom
It's a song about love between my brothers and my sisters
All over this land
It's the hammer of justice
It's the bell of freedom
It's a song about love between my brothers and my sisters
All over this land

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10 years 10 months
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The Weavers with a song for our times.
I had been complaining that we need a protest song.
We already have one. Thanks 4winds.
Cheers

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10 years 10 months
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Digging the Healey matrix mix on this. Has a depth that's more horizontal than vertical.

Nice to hear that others are enjoying the '93 Cap Centre show. "One I had back in my tape trading days"...... as Dave might say ;-D

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5 years 4 months
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Hi all, With all the excitement mentioned around, I have a question that i'm sure, my friends, you have bounced around since DP4 came out originally What's the deal?! Even though we have DP4 and Bear's Choice, can't we have it all together in a mini-box? Haven't "the suits" died by now? Perhaps this would have been better at the new album thread. sorry. I'm certainly ETR, perhaps a bit to slowly, but I'm sure I'll get to it all before half way through the next life.

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14 years 1 month

In reply to by unclejohng

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Good question, I'd gobble up a mini box of Feb 1970 in a heartbeat.

The most obvious issue is that Warner Brothers released Bears Choice in 1973, so they likely own the rights to those parts of the shows. I'm not completely sure on this, but that is one issue with repackaging this and reselling it.

Additionally, they don't seem that keen on re-releasing partials that were previously released for some reason. It could be they have other shows they want to get released and want to focus attention on the previously unreleased stuff.

But man, there are a few shows I would like see get a second crack and remastering, Hampton 89 among them and all those partials, especially from the Early Dicks Picks. And more 1968.

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11 years 3 months
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JIMINMD,

PLEASE check your PM.......all my PMs seem to be Hey Now(ed). Sigh.

Regards.

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18 years 1 month
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Without wishing to question your undoubted wisdom, when you state that "The most obvious issue is that Warner Brothers released Bears Choice in 1973, so they likely own the rights to those parts of the shows", surely exactly the same applies to Live/Dead but that didn't prevent the release of Fillmore West 1969: The complete recordings. As Rhino is a part of the Warner empire, it shouldn't be a problem for them to (re)release any Warner material.
You are indeed correct when you say that Rhino appear reticent to release full versions of shows that were earlier partially released. In some cases this is a shame, in others not.

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16 years 9 months
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Started reading today. Just a chapter in, but it’s good so far. Seems to be very well researched.

Great pictures also.

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10 years 11 months

In reply to by simonrob

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The original 3 album set seemed quite expansive to me in the 70's. Little did we know...

I'm not sure Dicks 4 would be improved by including Bears Choice. I never did care much for that album. A bit like with Steal Your Face, it doesn't give any indication at all of the greatness of shows it was taken from.

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4 years 9 months
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Some of those characters Michael Madsen created were just unforgettable. Sad to hear of his passing.

So many hard things in the news these days. But right now a Bobby McGee from '71 is playing, I'm drinking a Russian River pils while the chicken roasts on the grill, there's a sweet cool breeze blowing, and feeling good is good enough for me.

It's weird, isn't it, that Steal Your Face and Bear's Choice both came from live shows that everybody loves, but those are some of least beloved of the '70s Dead records? I actually have a soft spot in my heart for SYF, mainly because I somehow found an 8 track of it back in the day and I kind of wore it out driving around in my '69 Buick Rivera. My friends got sick of it, but not me.

Happy 4th, my friends. One way or another, this darkness got to give.

....Oxford.
Our girls are dosed.
Happy Independence Day everyone.
The true patriots will hold their head high.
And you know who you are✌️
You will never regret being kind.

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Interesting.., Thanks Simon. I had never thought of that. They had a good lawyer in Hal Kant.

Well.. I would buy that mini box in a New York minute. I'd like to see it remastered and released as a complete set.

It was the second Dead album I got, from Virgin Records in Manchester around the time it came out, summer 1976. Great cover, plus a bonus album of tracks from band members solo records of the time.

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I’m a big fan of Bear’s Choice. The Katie Mae that kicks it off is one of my favorite Dead tunes.

I agree, though, Dave. Probably too small of a sample to judge the whole shows. I only have the seven-song version.

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