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  • Randall Lard
    Joined:
    dripping sounds yield to stillness
    Oh well, fuck them then...
  • Mike Edwards
    Joined:
    Pussy Riot Petition
    I tried to sign it, but that website didn't seem to care for my Android.
  • Randall Lard
    Joined:
    feline vs ferocious
    it's no surprise a male dog barks aggressively.a pussy would sing soprano. did you sign the petition Mary and Mike?
  • marye
    Joined:
    in other news
    it appears that Cyndi Lauper sings "At Last" very well.
  • Mike Edwards
    Joined:
    Vaginal Vigilantism
    I nominate Pussy Riot for the best band name ever.
  • slo lettuce
    Joined:
    SNL "E-Meth" skit with Aaron Paul...
    helps to fill the void of no more Breaking Bad. Completely politically incorrect, too. Enjoy :) www.youtube.com/watch?v=x5q8KWL6Ezw
  • Randall Lard
    Joined:
    hanging fire, to resurrect and dissolve
    Cornelia Parker What Do Artists Do All Day? In Conversation Cornelia Parker is a London-based sculptor and installation artist. She was born during the year 1956 in Cheshire, England. She was raised on a Cheshire smallholding. Cornelia Parker's work is regarded internationally for its complex, darkly humorous, ironic style. Cornelia Parker's work is highly allusive and patterned with cultural references to cartoons, a style which she adapts to her need to capture things in the moment before they slip away and are lost beyond human perception. When examining her work holistically one can see the following themes driving her work forward consumerism, globalization, and the role of the mass media in contemporary life. Cornelia Parker was nominated for the Turner Prize in 1997 and featured in the 8th International Sharjah Biennial in Sharjah, United Arab Emirates in 2007. Cornelia Parker has rural roots, as Simon Hattenstone for the Telegraph writes, Her sickly father had never been out with a girl until he was 34 and met Parker's mother, a German girl who had been traumatised as a Luftwaffe nurse in the second world war. Life was tough and physical – mucking out the pigs, milking the cows. "My father wanted a boy badly and didn't get one, so I was happy to be the surrogate boy. I was very strong, always doing manual labour." Later, Cornelia Parker studied art and received her MFA at Reading University in 1982. The Telegraph reports that Cornelia Parker trained at Wolverhampton Polytechnic because she was turned down by the larger colleges in London. After her Masters degree Cornelia lived a bohemian lifestyle in the fringes of Eastern London where she worked from home. She was awarded honorary doctorates from the University of Wolverhampton (2000), the University of Birmingham (2005), and the University of Gloucestershire (2008). As the Telegraph writes: While she got teaching jobs in the art schools that had rejected her, she was opposed for years to the commercial art market, and wasn’t represented by a gallery until she was nominated for the Turner Prize in 1997. Parker is married to the American artist Jeff McMillan. She has a daughter Lily, with whom she became pregnant with at the age of 44. The pregnancy is depicted in a piece of art in which Parker purchased the night gown worn in the film Rosemary's Baby hoping to wear it for birth but it was too small so she displayed it as a piece of art. Many of Cornelia Parker's artworks are ephemeral or 'site-specific', created for a single time and place. Cold Dark Matter: An Exploded View (1991) was such a work, in which Cornelia Parker had the British Army explode a garden shed, and the fragments were suspended in the air around a single source of illumination casting shadows of the shattered pieces on the walls. This work was displayed at the Tate Modern Gallery. Mark Hudson wrote the following in a review of the work for Telegraph: Squashing a brass band is quite another. Flattening a whole band’s worth of instruments and sending them to the North East, home of the Durham Miners’ Gala, where the blare of brass is the very breath of proletarian pride, suggests a degree of chutzpah bordering on the suicidal. The striking style of the suspended sculpture, which challenges the limitations of time and space, is typical of Cornelia Parker's work. Hanging Fire (Suspected Arson) (1999) is another example of this type of sculpture, in which charred fragments of a building supposedly destroyed by arson are suspended by wires and pins in a pattern which is both geometrical and chaotic. The work captures the identity of the two states by a retroactive positioning, much in the manner of a forensic scientist might reconstruct the scene of a crime. Cornelia Parker has had numerous solo exhibitions in England, Europe, and the United States, at the Serpentine Gallery, London (1998), ICA Boston (2000), the Galeria Civica de Arte Moderne in Turin (2001), the Kunstverein in Stuttgart (2004), Yerba Buena Center for the Arts, San Francisco, California (2005), the Modern Museum at Fort Worth, Texas (2006) and Museo de Arte de Lima, Lima Peru (2008). The work of Cornelia Parker was included in group exhibitions and public collections at the Tate Gallery in London, MOMA in New York, the British Council, Henry Moore Foundation, De Young Museum in San Francisco, the Yale Center for British Art and many other venues. Some of her most noted exhibitions and works include Chomskian Abstract (2008), Never Endings (2007, 2008), Brontëan Abstracts (2006), The Distance (A Kiss with String Attached) (2003), Subconscious of a Monument (2002), Blue Shift (2001), Edge of England (1999), and The Maybe, in collaboration with Tilda Swinton (1995). b. 1956, Cheshire, England For some years Cornelia Parker’s work has been concerned with formalising things beyond our control, containing the volatile and making it into something that is quiet and contemplative like the ‘eye of the storm’. She is fascinated with processes in the world that mimic cartoon ‘deaths’ – steamrollering, shooting full of holes, falling from cliffs and explosions. Through a combination of visual and verbal allusions her work triggers cultural metaphors and personal associations, which allow the viewer to witness the transformation of the most ordinary objects into something compelling and extraordinary. 2013 a solo exhibition at Frith Street Gallery, London 2012 The Unseen: 4th Guangzhou Triennial, Guangdong Museum of Art, China 2012 Medals of Dishonour a group exhibition at Hermitage’s Menshikov Palace, St Petersburg, Russia 2011 Thirty Pieces of Silver York St Mary’s, York 2010 Doubtful Sound, a solo exhibition at Baltic Centre for Contemporary Art, Gateshead 2008 Latent News, a solo exhibition at Frith Street Gallery 2007 – 2008 Never Endings, a touring solo exhibition at IKON, Birmingham; Museo De Arte de Lima, Peru 2001 a solo exhibition at GAM, Galleria Civica D’Arte Moderna, Turin 2000 a solo exhibition at ICA Boston http://www.frithstreetgallery.com/uploads/artist_cvs/Parker%20CV.pdf
  • slo lettuce
    Joined:
    National Geographic Channel presents: 'Cribs' ...
    Next week's episode: "The Do's and Don'ts of Financing a Hollow Log" - {%};-)
  • PalmerEldritch
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    Breaking Bad
    Nice write-up, Anna. I loved the series but found the finale a bit disappointing. I guess I was hoping for a little more thought-provoking ending. Instead, it was a pretty predictable shoot-up. I thought maybe Walt finally succumbing to his cancer, quietly, alone, might have been more poignant. And the machine-gun in the trunk seemed a bit far-fetched. (we knew Walt was a genius chemist, but now apparently he is also a brilliant mechanical engineer....(?)) My favorite seasons were 1 and 2; those seemed to be the most realistic to me. After that they sometimes seemed to try a little too hard. Still, I loved all of it. I think it's the greatest psychological suspense/thriller i've ever seen (movies, TV, or otherwise).
  • Anna rRxia
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    Reaching the end of "Breaking Bad"
    After capturing three Emmies this year alone (Best Dramatic series; Best Supporting role }Anna Gunn, Walter White's wife 'Skyler'[; Best Production/Technical values (or similar)) I would have to say that the ending episode of the series, it's ultimate conclusion, was satisfying. The series was always praised by TV critics. One of the things underlined before the final episode by said critics, and myself also here in this thread last year, is the playing out of the series on a lean, spare run to it's logical conclusion. That is, every episode had something to contribute to the plot line and there was no playing out tangents that had nothing to do with furthering the dramatic content of the series, with the possible exception of the "fly in the super-lab" (not it's official name) episode. Now, as for the ending.... It wasn't one of those confusing or ball-bustingly unsatisfying endings that leaves you gnashing your teeth and wanting to yell at the ceiling. For instance, it would have been a bummer if Walt had left Jessie slaving away in a Meth mine for the Aryan Brotherhood prison gang bent on supplying the Czech Republic's meth-head population. It would have been unsatisfying had not the whole Aryan crew not been taken out by a simple but tech-savvy swiveling machine gun in the huge trunk of an old American car. An older car, but an American classic that logically had room for such a device. The ending continues to play out with such things as Walter being able to pay for his son's college education (coincidentally, with the amount he originally set out to make in the first episode) and getting back at his old lover and her new husband who had used Walter's brilliant technical research for their ultimately wildly successful high-tech start-up called "Grey Matter" or something to that effect. Brilliantly, Vince Gilligan's writer's manage to kill a third bird by including Jessie's two old cohorts whom he has using laser pointers to convince the couple that they are guns for hire who will kill them should they not give "Flynn" (the nickname for Walter's son named Walt Junior) his college cash. that Lydia, the conniving bitch who plays the materials handler for the big German conglomerate that provided a necessary, hard to get precursor chemical gets hers with a simple phone call from Walter saying ricine had been spiked into her stevia sweetner packet at the cafe (slightly unbelievable unless you believe he is willing to kill everybody using stevia at said cafe that day). The number of people who end up being killed on this series during it's six year run is truly staggering and if I had to hazard a guess I would say the number is somewhere around two to three hundred starting with an obscure character chained up in the basement of then Jessie's aunt's house. There is poignancy being developed even at this early point as neither partner in crime wants to kill somebody and they end up having to toss a coin to see who will do the deed. Walt shows a father's tenderness by cutting the crusts off the sandwiches he is feeding his prisoner and showing some real angst about the matter, an angst that is only dispelled when he realizes, by solving the cognitive puzzle of a missing piece of dinner dish that is a jagged shard, that his prisoner intends to kill him with should he get the opportunity. Fast forward one or two seasons when Walt, Jessie and Gus Freyne narrowly avoid being killed by an apparent drone missile attack called in by the DEA, I think, on the marriage of an important cartel relative that is also a summit between two cartels and thus a prime target. The missile kills probably 50-100 people. Fast forward to the last episode while Jessie slowly strangles to death the baby-faced Aryan brotherhood sociopath stone killer whose uncle runs the prison gang. Walt kills the uncle without any compunction at all. The scene that follows is what I found most interesting about the whole final episode: Jessie picks up a pistol and prepares to shoot Walter, who seems to welcome the death which is impending from all angles. Jessie finds this too easy and asks Walter's permission, which he enthusiastically grants. Jessie finds that all too easy and drops the pistol, telling Walter to do it himself. Well thought-out ending by Gilligan's writers of the interaction between these two main characters. Jessie then high-tails it out of the compound, busting a gut laughing while he busts the gate. Walt, meanwhile, takes a final tour of yet another meth lab on the premises of the Aryan compound Jessie has been forced to labor in as the police close in. Whether it be from the cancer, the cops or the bullet wound he has sustained in the final scene, Walt knows he is dying and is no longer running from the law. The most telling scene in the entire episode comes earlier when he is talking to his wife Skyler about why he did this continuing series of crimes when he had had multiple opportunities to just walk away with mad stacks of Benjamins. He says something to the effect that he likes it. It was something that made him feel alive, even as he was dying. Two supporting characters that are worthy of mention and probably rate Emmy's for their support roles, are the lawyer Saul (not even his real name in the fictional mode) who was always good for a laugh whenever he made an appearance. He had the lawyer/criminal/lawyer role nailed right down to the white Cadillac with the license plate "lawyrup". The other was Mike, the former cop turned hard core criminal security chief. The show would have paled somewhat without the brilliant performances turned in by these two. I have to say for a final time that I loved the pathos of this show and the social commentary it provides as a plot for so many people's lives in America, whether it be for the ongoing $800,000 a year lifestyle or the Eighty million dollar empire built up over time. Otherwise good people are turned bad for the slightest of justifications. In America there are ever so many more people "Breaking Bad" rather than "Breaking Good". Thank God for the example of those Breaking Good. May their example always shine brightly! (Please excuse the length of this review, I hope you found it a good summation and a good read.)
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...and there's nothing on? Say it ain't so!
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...does it take to get to the center of a Tootsie Pop? The world may never know! Thanks for the laughs, CCJoe. I always enjoy your posts. "All energy flows according to the whims of the Great Magnet. What a fool I was to defy him."
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how long does it take to get to the center of a tootsie pop? I will get my old lady on that one right away... the VDO will be for sale on e-bay quite soon. ( -:
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you guys are killing me..i saw the post w/her from taxie,i just couldnt remember her name.im a women and i could remember the shape. it was her and dolly parton that had shapes like that."dolly alays had the "bleached blonde hair.charo.she was wacky thats why she usedto crack me up.and on the boob thing ya i could be wrong but i dont think they did inlargments back then.but im from the east coast origanoaily so maybe theCAthing was prvlant than too?clueless.....heres on for ya are her lipsnot those,are they real?im glad she didnt have to exploite herself sexually through hef penthouse or such. she was a kick!!!thanks for sharring these storys guys..
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"We're natural-born Carnies, dad. If we only weren't tied down with a family." The Dude Abides!
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fuck, I forgot this question was in the TV thread, and I was racking my brain trying to think of the movie which I think was called Carney... I forgot the character's name, but someone in Natural Born Killers? nope, on a Simpsons episode for sure... a play with the Stone movie line in Natural Born Killers; which was probably the best film he directed... I forgot who said it though on the Simpsons. one of my old high school buds ended up being a staff writer on the Simpsons for a while, but he was not a deadhead; so no cool 'hidden' references in any of the stuff he wrote. ) -;
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When Law and Order SVU or Criminal Intent or The Dallas Cowboys are not on the tube I'll break out the DVD's. Unless the Steelhead are runnin, that case I be fishin.
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16 years 9 months
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this is so frigging true, it is sad. I got DVDs for Hawaii 5 -0, Kojack, Columbo, The Jeffersons, Sanford and Son, Good Times, and so on... etc etc etc Barney Miller, too; just to get me by... what is being produced in La La land these days is a fucking travesty.
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OK, CCJoe, I'll give you credit for a win on my trivia. The character in question was Bart and I thought the line to be of some irony for our lives. As for TV, it is pretty sad, for sure. Thank God for the Simpsons, Family Guy, South Park and Charlie Brown. Wait a minute, I think I see a connection here, hummmm... Also, don't forget to watch The Daily Show and Colbert Report (although they're all repeats this week). Jon Stewart has had several world leaders (both current and past) on the show recently, not the least of which was the President of Bolivia, a former tenant farmer that reformed several major elements of government in six months, including forcing the major natural gas company to re-negotiate a contract that was very unfair to the people of Bolivia while giving what amounted to bribes to top government officials. Not included in that interview (unfortunately) was the fact that The Bush administration tried to paint the newly elected leader (at the time) as a terrorist sponsor. Perhaps reform should travel north? Both are great shows, not to be missed. The Dude Abides!
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Which TV cop of the 70's said: "You can't corrupt it. And you know why? Because to corrupt it, you've got to show how corrupt you really are." a) Baretta b) Columbo c) Kojak d) Steve McGarret e) Barney Miller f) Hutch g) Starsky
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Who was the toughest TV cop of the 70s?? and why?? a) Baretta b) Columbo c) Kojak d) Steve McGarret e) Barney Miller f) Hutch g) Starsky h) __________________________
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Baretta - 'cause thirty years later he "offs" his "wife" and uses the alibi, "I couldn't have killed the woman, I was looking for the gun I left at the restaurant!" Now that statement took balls and a total lack of intelligence which could only result in the toughest 70's TV cop. The Dude Abides!
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So I'm looking through the latest Guitar Player and they have a list of the top 40 underrated guitarists and among them is David Lindley, Kim Simmons from Savoy Brown, Rick Derringer, Robie Krieger from the Doors, Rory Gallagher, Andy Powell and Ted Turner from Wishbone Ash and Charo! No kidding. If the doors of perception were cleansed, everything would appear to man as it is, infinite. Wiliam Blake
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i say 1st:columbo;thats the kind a stuff he would say.2barreta,cause he was pretty slick.and now moing along to Hal,thats pretty cool,you mentioned savoy brown i found a old cassette that my late ol'man had of savoy no tape in it ive looked for a long time in variouse stores for it havent found it yet.charo pretty cool.thanks for sharing that. peace
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did you know that "Baretta" in Swahili means 'stupid dumb ass motherfucker' ?? well, in ONE of the dialects it does! the question was who was the TOUGHEST cop not who was the dumbest!! Who was the toughest? Who was the toughest TV cop of the 70s?? and why?? a) Baretta b) Columbo c) Kojak d) Steve McGarret e) Barney Miller f) Hutch g) Starsky h) __________________________ in my book, Baretta was too short to be really tough. Columbo, while intelligent and pretty much of a hard ass when it came to law breakers, never bitch slapped any perps. McGarret was a bit too 'official' and by the book, though he did threaten and knock around a few suspects in season one. Barney Miller -- no elaboration necessary. How did this guy make Captain anyways? Oh, I know, the only one else up for the job was Fish. (a GREAT comedy TV show, though) Starsky and Hutch were both borderline fags (not that there is anything wrong with that) how many shows did a bomb go off and they were thrown into each other's arms?? sheesh. so, that leaves Kojak -- the toughest bad ass cop of the 70's in a VERY tough neighborhood. The 9th Precint on the lower east side of MaDhattan. He either threatened, violated someone's civil rights,or bitch slapped a perp in almost every episode. Further, he wore a cool hat and his suits were top notch. especially the linings. PLUS he got laid more than all of those other cops combined. Who love's you baby?
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Which 70s cop show had the best theme song?? a) Baretta b) Columbo c) Kojak d) Hawaii 5-0 e) Barney Miller f) Husky and Starch g) ___________________ who even remembers Husky and Starch's theme song? fuckin Zebra - 3. those guys were wankers. Columbo, ok... but certainly not that memorable, any more than Kojak's theme was memorable... a tough choice between Baretta and Hawaii 5-0... but for a cop show, I gotta go with Baretta's theme. sung here by Mr. Entertainment!
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damn developers sure fucked up Waikiki... how things have changed! well, they fucked it up more, and they are still fucking it up even as we speak. my buddy actually lived IN the Ilikai for a year or 2, the building McGarret is on top of... well, anyway, this is a pretty cool song, too!
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and the Barney Miller theme was ALSO pretty cool!
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I have to go with Barney Miller, It has a Jam kinda of feel to it.
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I always liked the Hawaii 5-0 theme song and opening scenes. Made me want to jump up, grab the board, and head for the beach (or at least fire a fatty and imagine the beach). Too bad Telly is still not around. He, of all people, could probably answer how many licks it takes to get to the center of a tootsie pop. Who loves you, baby!
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i like that theme more barneys them was cool too.70s grovin feel to it.yes and i bet telly probly could answer that question."he is oraly fixated".
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16 years 6 months
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Why is the best 70's detective show, The Rockford Files, not being included? Ok, so Jim Rockford was a PI and not a cop, still pretty much a cop show. Great theme song, love the guitar riff. And he could take a punch, too!
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Ralph Kramden voice... hammuna hammuna hammuna... yeah, I should have included Jim Rockford... ) -; sorry Jimbo! but Kojak would still kick his ass; but Rockford certainly ranks above Steve McGarrett! his name is a tough guy name, after all. I am unable to post the beggining song directly, but you can cut and paste this link. http://youtube.com/watch?v=V5pYtG_jo3o peace
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hands down the best line of a cop show theme ever. i almost remember all of it- keep your eye on the sparrow, when the going gets narrow. i used to love both starsky and hutch and baretta when i was a kid. most of the chicks dug david soul-not me-no, no, no, i was a paul michael glaser kinda gal!!! huggy bear (lol) peace all nothing left to do but smile, smile, smile
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OK, who else is watching this show?? i LOVE it. charlie crews kicks major ass. anyone else????? nothing left to do but smile, smile, smile
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i almost forgot about him.my grandfather use to watch that show so when i was ther visiting which was alot i used to watch it with him.pi's kinda like cops "they have to build a case too.it was a cool show..peace
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Huggy Bear was THE man! "Hey Hutch, we have no leads in this case, we have no idea what to do, we don't have any clues at all... hey, let's go ask that pimp who did it"
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i was flippin through channels last night and long and be hold i come across this doc.it was intressting. i still say he ate to much dose.after all this time it still baffels me."im still that way with clockwork orange".strange .makes me feel like i ate some bad shit!!la la land.however very talented and intresting in a obscuer way.
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I don't watch too much TV, but last Friday I happend to catch Jimi at Woodstock on GPTV! My two cents on theme songs (ha ha) is about the one from MASH. Great show and some haunting music.
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Do not attempt to adjust your monitor, we are in control. Ladies and gentlemen, welcome to my underground lair.
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when i got home last night flippin though the flippin channeles and vh-1 was playing the wall.still way cool even while not under the influence of ilicite stuff.the grapics and animation still blow me away.heavy story too...
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I agree, heatha! Those guys could see into the future, if you ask me. I saw the film at the theater when it was released and was blown away yet couldn't possibly understand all the significance. I was a bit overwhelmed and freaked out in fact when I first experienced the movie and it took years of life to understand why. Thank God I had The Grateful Dead and Hunter to balance the "heavy" implications of psychedelics and their ultimate meaning in my life. Well I must get back to my preoccupation with global domination. Ciao! Ladies and gentlemen, welcome to my underground lair.
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there is a great TV show in England called 'The Real Hustle' if you go on youtube.com and search for 'The Real Hustle' you will get plenty of hits, lots of confidence games, grifts, scams, and other interesting shit. one example, but there are PLENTY of them. watch and learn. peace.
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while this is one of the best shows of all time, it is almost too trippy to see that dude running for president. anyway, I would rather see Lenny Briscoe get to be President. peace.
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especially since Lenny Briscoe is, like, dead. I like Fred Thompson a lot, but let's just say we don't agree on the issues and I wish him a speedy return to Law & Order.
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yeah, that was sad when he passed. I met him once after I saw him appear in 'Chicago' the Broadway musical. Really nice guy, very down to earth and totally unpretentious. still, a dead Jerry Orbach WOULD still make a better Prez than the load of turd politicos out there these daze. peace.
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I liked Jon Stewart's interview with Philip Zimbardo better but Stephen's was funnier. I love that his name has "Bardo" in it. Too funny and ironic! "All energy flows according to the whims of the Great Magnet. What a fool I was to defy him."
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Did anyone catch The Roots last night on Colbert? Pretty darn good, imo. I love me some Roots, though. Obama's wife also appeared and was very funny. "Since you've all been such good boys and girls, I would like to take everybody in this entire audience out for milk and cookies. There are buses outside. Everybody follow me."
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This week's "King of the Hill" featured a portable version of Studio 54. Couldn't help but think of Mr. Pid's story, when I heard this line.Peggy Hill - "Hank, take comfort in knowing that every thread of your leisure suit was made by DuPont." (paraphrased)
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One of my co-workers was ranting about this show-so watched it once, and now am quite into it. Think the guy playing Dexter is just a marvelous actor-his sociopath is really good-BUT the sister drives me nuts! A friend also gave me a series on dvd called Wonderfalls-where inanimate objects tell this young woman to do things. Is kinda goofy and cute.********************************** Don't part with your illusions. When they are gone, you will still exist, but you have ceased to live. Samuel Clemens
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I LOVE house. one of the greatest shows of all time without question. love it. hugh laurie is one of the best actors of all time.Peace, The Kid
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I just sorta stumbled on House lately and I really like it.
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Kutner is a great actor too. his comedic roots add a bit of humor, but he doesnt over do it.my other fav show is law and order svu Peace, The Kid
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... and miami ink also.Peace, The Kid
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Like it too! Is cool how they use those complex medical terms as if we all know what they mean. Agree w/Kid that Hugh Laurie is a good actor-one of the best??? well the jury is still out :-) Have you ever seen him in Jeeves and Wooster? THAT just cracks me up!********************************** Don't part with your illusions. When they are gone, you will still exist, but you have ceased to live. Samuel Clemens
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a big favourite in Badgerland, except if we watch too many episodes in a short period the hypochondria can set in. Oh no, I've got an itch..it must be grandfunkrailroadosis! You are right Deadheadkid and TL, Hugh Laurie is brilliant, ever since his early work with Stephen Fry in their comedy show and in Jeeves and Wooster. His presence on the screen does however generate a worrying twinkle in the eye of Mrs Badger.