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  • Randall Lard
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    a most pleasing terror
    M.R. James: Ghost Writer Mark Gatiss steps into the mind of MR James, the enigmatic English master of the supernatural story. How did this donnish Victorian bachelor, conservative by nature and a devout Anglican, come to create tales that continue to chill readers more than a century on? Mark attempts to uncover the secrets of James's inspiration, taking an atmospheric journey from James's childhood home in Suffolk to Eton, Cambridge and France, venturing into ancient churches, dark cloisters and echoing libraries along the way.
  • Anna rRxia
    Joined:
    The Colbert Show
    A monument to American excess mixed with a reverse twist of sarcasm. Colbert is a monumental ego who addresses his audience as "Nation". Inevitably there would be a comic who took it to this edge. Although a stupid conservative might feel a kinship with Colbert's comments, it is his unique brand of sarcasm that makes his show witty and Emmy-winning. Although entertaining, it can wear on the intelligent mind after a longer or shorter period.
  • Randall Lard
    Joined:
    Minister Of Information
    can't come a moment too soon. Robert Hood, Luke Slater, Jerome Sydenham, Shifted, jozif, Fritz Zander Oval Space/ 29-32 The Oval; Bethnal Green; London E2 9DY; United Kingdom. we await a plan for the floor.
  • Randall Lard
    Joined:
    exploratory bundles of intelligent matter
    'There's a marvellous antidote to the surfeit of office party faux-bonhomie and murder-inspiring John Lewis ads this Christmas thanks to Robin 'Scanner' Rimbaud. The electronic artist is curating a night called Scanner: Lachrimae takes place on December 13th 2013, and features the following excellent mordant entertainment: Scanner will be performing his interpretation of John Dowland’s Lachrimae, Carter Tutti and Gazelle Twin are playing, Chris Turner and Anna and Maria von Hausswolff are screening films, and friend of tQ Spencer Hickman of Death Waltz Records will be gothing it up in the lounge after.' Details and persons wishing to buy tickets are available here - https://whatson.bfi.org.uk/Online/default.asp?BOparam::WScontent::loadA… Tickets £15, concs £11.50 (Members pay £1.50 less) http://thequietus.com/articles/13796-scanner-gothic-festival Scanner - Lachrimae -

    Scanner / Lachrimae from Favourite Colour: Black on Vimeo.

    'One of the UK’s foremost composers presents an evening of live music and film inspired by the the gothic spirit. As well as performing an interpretation of John Dowland’s mournful ‘Lachrimae’, Scanner will be joined by Gazelle Twin and Carter Tutti in exclusive live cinematic performances, and present specially made films by Chris Turner and Anna and Maria von Hausswolff. With Death Waltz Records presenting spectral, dissonant dancefloor tunes in the Benugo lounge until late.'
  • Randall Lard
    Joined:
    Anna
    Thank you. Please see PM. A heartfelt response is coming soon.
  • Randall Lard
    Joined:
    Pussy Riot
    i sincerely urge everyone to watch this documentary film. Pussy Riot - A Punk Prayer i sincerely urge everyone to sign the Amnesty petition to release Nadezhda Tolokonnikova and Maria Alekhina. http://www.amnesty.org/en/appeals-for-action/PussyRiot http://freepussyriot.org/news
  • PonchoBill
    Joined:
    Game of Thrones
    With season 4 just around the corner I can't help but wonder what's in store for some of the beloved characters. I haven't read the books so I really haven't a clue. But I will say that i'm rooting for the dragons and hoping for King Joffrey to have his throat slit from ear to ear...very slowly.
  • marye
    Joined:
    Side note from the mod: DO NOT POST FULL ARTICLES HERE.
    All things considered, I am not for the moment going to unpublish the full copyrighted article posted above. For future reference, as we have noted previously, please post a short excerpt with a link, as we have no legal rights whatever to reproduce other people's articles here, unless it's the author or another rights holder doing so. See the TOS, not to mention the Berne Convention. I will be editing down all future posts of the work of third parties in this fashion. Thank you. And now back to your regularly scheduled discussion. Thanks.
  • Anna rRxia
    Joined:
    Excellent, heartfelt writing there, Mr. Lard
    I wrote about Pussy Riot in the Current Events thread when the incident happened and it drew exactly -0- response from deadheads. As you aptly observe, nobody gives an apathetic two shits about Pussy Riot. These three courageous and creative protesters might as well be from Mars, being from Russia. Now they have disappeared into the Gulag with only Amnesty International left to look after them. I'm afraid institutional prejudice is going to win the day in this case and there is not much to be done, unless Ed Snowden takes up their cause personally with his new pal Putin. But I'll sign the petition. I believe what they did in the US, depending on geographical location, would have warranted a stern legal warning from a Catholic lawyer to stay away to a charge of Criminal Trespass with perhaps a few days of jail time, if it happened in Tupelo, Misssissippi. The Russians are a strange, long-suffering people and you don't want to cross them. Not in this way, in this institution. I think you aptly pointed that out. I know it sounds trite, but how would Christ have responded to Pussy Riot?
  • Randall Lard
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    Victory will be for those who create disorder without loving it
    by Grace Dent - Storyville: Pussy Riot - A Punk Prayer. Review - The Independent. 'The actions that skewered Russian protest group Pussy Riot, causing national trauma, are, to the British viewer, so minor that the footage is rather laughable. We watched during Pussy Riot – a Punk Prayer as the girls donned pastel-coloured balaclavas in the Cathedral of Christ Saviour, Moscow, then ran about dancing, singing and making some unsporting comments about Putin. In fact, most Brits wouldn't even find this laughable. More utterly unremarkable. If I were to go to Westminster Abbey this Saturday and leap about in a silly hat and no bra saying David Cameron was a prick, I'd have a bloody long wait for Sky News and the police to turn up. The reactions, I'll wager, would involve: some Christian types who were mid-Mass tutting, someone in a Boden cardigan mumbling that this was a bit like when Jesus protested against money-lenders, some nuns on a day trip from Tring putting me on Instagram and then, eventually, a volunteer in a tabard from the tea shop bringing me a cup of milky PG Tips and a lavender slice. What it would certainly would not lead to is national horror, mass rallys, calls for my hanging, my burning, my exorcism and my eventual transportation to Penal Colony Number 14 in Mordovia. As the documentary aired this week on BBC4, Pussy Riot member Nadia Tolokonnikova was being transferred to another unconfirmed colony. Nadia was, essentially, missing in the Russian prison system, which feels, to me, as disconcerting as the threats that the girls would “be killed in Siberia” for their unholy, feminist, anti-establishment actions that were heard during the trial footage. Nadia is an enigmatic character. She is staggeringly beautiful and aware of the fact. She is emotionally ungiving and puts her feminist beliefs before her role as a mummy. She is wholly shameless about a previous protest she took part in where she had sex in a museum. She is calmly, aloofly and defiantly unrepentant about this whole Cathedral business. All of these elements – each and every one – so very very unbecoming in a woman, especially a Russian woman. The Orthodox Church, the media and her prosecutors detest her. The manner in which the Russian Orthodox Christians of 2013 quickly slip into calling Nadia, Masha and Katia “demons” or discussing how there must be a devil moving in them to commit this “sacrilegious act” feels like earwigging on footage of the Salem witch trials. But it's 2013 and they're holding the Winter Olympics there next February. As we watched footage of the girls in their prison cage, being refused the right to see their children, being warned they might die in prison, while their ageing parents were jostled about by Orthodox thugs, it struck me how half-hearted and duplicitous the tone of tolerance and acceptance would be at the Sochi opening ceremony as compared to Danny Boyle's explosion of Great British free-thinking tolerance. Pussy Riot could have ran across Boyle's Green and Pleasant land topless with chainsaws and, in the grand scheme of things, no one would have cared. “But don't you see, in Russia dancing in a cathedral is the equivalent of pissing on a war memorial?” someone Tweeted the other evening as I watched. And, yes, the documentary showed this too. It showed a country where religion was suppressed for many years and is thus now doubly sacred. But, more importantly, it showed a country with no history of performance or conceptual art protest; therefore, Pussy Riot playing bad electric guitar near an altar felt literally like the end of days. Like the Sex Pistols going on TV in the Seventies in Britain and telling Jesus himself to fuck off. Meanwhile, in Britain 2013, we're bored to death with performance art, with Spiderman clinging to Buckingham Palace shouting about his rights as a father, or the Turner Prize exhibition full of child mannequins with cocks for faces or a whole array of passionate political fools who turn up daily on the green at Westminster in fancy dress as toilets, sheep, vaginas etc waving banners to make their point about clean water, EU quotas or chlamydia. In fact, we're so bored by the British equivalents of Pussy Riot that when laws are brought in to deplete our rights to protest, we don't really give a damn. Whether one agrees with Pussy Riot's beliefs or their methods, A Punk Prayer's examination of the girls' fearlessness, their determination to shove feminist protest in the face of Russian Orthodoxy and their unflinching calm in the face of jackboots and holy water was wholly compelling. Before the girls were sentenced – their vows that they weren't being sacrilegious, weren't militant atheists and were in fact making a comment about state involvement in religion roundly ignored – they were permitted to give statements. Katia said: “I now have mixed feelings about this trial. On the one hand, we expect a guilty verdict. Compared to the judicial machine, we are nobodies, and we have lost. On the other hand, we have won. The whole world now sees that the criminal case against us has been fabricated.” I'm not sure that the whole world knows Pussy Riot's story, but this Storyville certainly helped augment their growing legendary status.' Randall Lard - I once again humbly urge everyone on this site to sign the petition here - http://www.amnesty.org/en/appeals-for-action/PussyRiot
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DJ Food - O Is For Orange '"O Is For Orange" is the sound of weathered tape saturation, detuned analogue synthesisers, vinyl crackle and machine hum. It’s also the look of unfocused, flickering lenses, mirror image filters and blurry grain embedded into film. Unofficial fan films sit alongside experimental animation, public information shorts and even the odd official video. Material that Boards of Canada took inspiration from blends with their own work as well as many that they inspired.' This set was originally played at 'A Few Old Tunes', London 20th June 2013, a mix of Boards of Canada related, inspired, and sampled tracks/videos. 01 Sesame Street - Oh! Orange [Sesame Workshop] 02 Galt Macdermot - Aquarius [RCA Victor] Video: 'Conquest Of Light' [Dir. Paul Cohen, 'Mars & Beyond' (Dir. Ward Kimball, 'Time Magazine' Advert, Excerpt From 'Thunderbolt') - Dir. Ira Cohen] 03 Boards Of Canada - The Colour Of The Fire [Warp] Video: Sesame Street 'I Love You' 04 Broadcast & The Focus Group - The Be Colony [Warp] Video: 'Witch Cults' #1 & 2 - Both Dir. Julian House 05 Yosi Horikawa - Wandering [First Word] Video: Yeasayer 'Henrietta' [Dir. Unknown] 06 Prefuse 73 Feat. School Of Seven Bells - The Class Of 73 [Warp] Video: Official (Dir. Chris Boyle) - [Warp Films] 07 Mordy Laye & The Group Modular - Electric Paint [Audio Montage] Video: Official [Dir. Plankton] 08 Boards Of Canada - Everything You Do Is A Balloon [Skam] Video: Unofficial (Dir. Nonameno5, Sampled From 'One Got Fat') [1963] 09 John Abercrombie - Timeless [ECM] Video: 'As The Crow Flies' [Dir. Funki Porcini, At&t Documentaries] 10 Delia Derbyshire And Barry Bermange - The Dreams: Land [BBC] 11 The Books - Group Autogenics I [Temporary Residence] Video: 'Terminal Self' [Dir. John Whitney Jr.] 12 Two Quiet Suns - Light Curve [Bandcamp] Video: Yeasayer 'Fingers Never Bleed' [Dir. Unknown] 13 DJ Food - Sunspot Video: Official [Dir. DJ Food & Tom Clarkson] 14 Lost Idol - Beesmouth [Cookshop] Video: Excerpt From 'The Public Voice' - Dir. Lejf Marcussen 15 Boards Of Canada - A Beautiful Place Out In The Country [Warp] Video: Unofficial - Dir. Neil Krug 16 Meat Beat Manifesto - Prime Audio Soup (Boards Of Canada Remix) [Pias] Video: 'Series 4' (Dir. Normand Grégoire) [Nation Film Board Of Canada] 17 Autechre - Teartear [Warp] Video: 'Beyond The Black Rainbow' (Dir. Panos Comastos, Aldo Aréchar 'That Will Be The Day') - Dir. Matthew Divito] 18 The Human League - Being Boiled (Fast) Video: Unofficial Live Tv Appearance Remixed By DJ Food 19 Wagon Christ - Chunkothy [Ninja Tune] Video: Official [Dir. Celyn Brazier] 20 Boards Of Canada - Satellite Anthem Icarus [Warp] Video: Unofficial - Dir. Videomarsh 21 Boards Of Canada - Music Is Math [Warp] Video: Unofficial - Dir. Unknown 22 Slag Boom Van Loon - Poppy Seed (Boards Of Canada Remix) [Planet Mu] Video: 'Rendezvous With Rama' Arthur C. Clarke 3d Footage 23 Boards Of Canada - Olson (Midland Re-Edit) Video: 'Hello Machine' [Dir. Carroll Ballard] 24 Delia Derbyshire And Barry Bermange - The Dreams: Colour [BBC] 25 Sesame Street - A Lot Of Me [Sesame Workshop]
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Hear In Now Mazz Swift - Violin Tomeka Reid - Cello Silvia Bolognesi - Double Bass Center for New Music + Audio Technologies @ UC Berkeley, 09.23.2014
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Paradoxical Frog Ingrid Laubrock - tenor saxophone Kris Davis - piano Tyshawn Sorey - drums, percussion The Stone, NYC - August 1 2014
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Andrea Wolper / Ken Filiano / Michael TA Thompson Andrea Wolper - voice, compositions Ken Filiano - bass Michael TA Thompson - drums, percussion at 6BC Gardens, NYC - Arts for Art - Oct 2 2016 In Gardens concert series presented by Arts for Art
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Tomeka Reid Artists Respond: Tomeka Reid Performs "Airs for Eliza" Chicago-based cellist and composer Tomeka Reid performs an intimate recital (July 7, 2016) in response to Fo Wilson’s installation, Eliza’s Peculiar Cabinet of Curiosities. In this performance, Reid expertly combines composed vignettes and spontaneous improvisations for a highly personal reaction to Wilson's work. Reid is seated on the porch of Eliza’s Peculiar Cabinet of Curiosities, a full-scale structure on the grounds of the Lynden Sculpture Garden (on view June 6 through October 30, 2016, and seasonally thereafter). The cabinet is both wunderkammer and slave cabin; it imagines what a 19th-century woman of African descent might have collected, catalogued and stowed in her living quarters. Informed by historical research, Eliza expresses a hopeful African American past, present, and future through a collection of found and original objects. Eliza's Peculiar Cabinet of Curiosities is a collaboration with the Chipstone Foundation. Reid's recital is part of a series of programs sponsored by Chipstone and the Lynden Sculpture Garden, in which four artists/collectives were commissioned to respond to the installation. For more information on visiting Eliza's Peculiar Cabinet of Curiosities, see the Lynden Sculpture Garden website here: http://www.lyndensculpturegarden.org/exhibitions/fo-wilson-elizas-pecul…
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Larry Roland Vision Festival 20 | Larry Roland // Poet VISION FESTIVAL 20: His spoken word pays homage to the strength and beauty of his ancestors from whom he has gained knowledge, wisdom, pride, and understanding. Through the use of the African philosophy “Sankofa”, his poetry has made the connection between the past, and present, in order to hypothesize the direction of the future. His spoken word is the “Voice” for the man on the street who does not have a voice. Cameras David Appel Don Mount Michael Lucio Sternbach Adam Worth Edit by MLS Sound by Stephen Schmidt
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Ingrid Laubrock & Tom Rainey Ingrid Laubrock - tenor saxophone Tom Rainey - Drums Interstellar Duos - March 24 2014 at Arts for Art / Evolving Music, NYC
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Cleaver - Ochs Duo Gerald Cleaver - drums, percussion Larry Ochs - saxophones at 19 Paul Fort, Paris, 29 September 2016
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Fred P at Dommune, Tokyo, JP - 11.06.2014
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Fovea Hex Clodagh Simonds, Michael Begg, Laura Sheeran, Colin Potter, with guests Justin Grounds (violin) Gemma Kost (cello) and Gayle Roberts (viola) at TUSK Festival, 16 October 2016, Gateshead, England
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Steve Noble & Alex Ward Steve Noble (percussion) & Alex Ward (clarinet) at IKLECTIK BALLISTIK, presented by Mopomoso on the 4th of December 2016 Filmed & edited by Kostas Chondros Recorded & mastered by Saint Austral Sound
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Richard Dawson Richard Dawson (vocals, guitar) at the Cube Microplex, Bristol, England, 6th March 2013
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Ashtray Navigations Phil Todd - guitar, electronics Melanie O'Dubhshlaine - synth, electronics at TUSK Festival, October 2016, Gateshead, England
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Grateful Dead at Wembley Arena, London, England, 31st October 1990 Video supplied by Lazy Cow Captured by Ray B Synch/Authored by BigWuRock Audio supplied by Darryl Hinko
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King Buzzo vocals and acoustic guitar by King Buzzo at Higher Ground, South Burlington, VT, 7/6/14
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Clutch Neil Fallon - vocals, guitar, harmonica, percussion Jean-Paul Gaster - drums, percussion Dan Maines - bass Tim Sult - guitar Earth Rocker World Tour live at Ogden Theatre, Denver, CO, 11/14/30
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A cult short film "San Francisco 1968" featuring a 15 minute version of Intersteller Overdrive. (note: there is nudity in this so be mindful)
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Honky JD Pinkus - bass, vocals Bobby Landgraf - guitar, vocals Trinidad Leal - drums, vocals at DaveTV October 22, 2016, South Austin Tejas
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Parliament Funkadelic Michael Hampton, Garry Shider, Glenn Goins - guitar Cordell Mosson - bass Jerome Brailey - drums Fred Wesley - trombone Maceo Parker - saxophone Richard Griffith - trumpet Rick Gardner - trumpet Bernie Worrell - keyboards George Clinton, Glenn Goins, Garry Shider, Fuzzy Haskins, Grady Thomas, Calvin Simon, Ray Davis, Debbie Wright, Jeanette Washington - vocals at The Summit, Houston, Texas, October 31, 1976
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Spirit Caravan Wino - guitar, vocals Dave Sherman - bass, vocals Henry Vasquez - drums at Saint Vitus Bar, Brooklyn, NY, April 15, 2014
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Miles Davis Miles Davis - trumpet, organ Dave Liebman - soprano saxophone, tenor saxophone, flute Pete Cosey - electric guitar, percussion Reggie Lucas - electric guitar Michael Henderson - electric bass Al Foster - drums James "Mutume" Foreman - congas, percussion at Stadthalle, Vienna, Austria, November 3, 1973
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High On Fire Matt Pike - guitar, vocals Dez Kensel - drums Jeff Matz - bass guitar, backing vocals at Saint Vitus Bar, Brooklyn, NY, January 9, 2015
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Milford Graves NY HeArt Ensemble Milford Graves - drums, percussion Amiri Baraka - words Roswell Rudd - trombone William Parker - bass Charles Gayle - tenor saxophone, piano at Vision Festival 18 - Roulette, Brooklyn - June 12 2013
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Neneh Cherry & The Thing Neneh Cherry - vocals Mats Gustafsson - tenor saxophone, baritone saxophone, electronics Ingebright Håker Flaten - double bass, electric bass Paal Nilssen-Love - drums at 47th Heineken Jazzaldia Festival de Jazz de San Sebastián, 23 July 2012, Plaza de la Trinidad, Donosti, Spain
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Paula Temple Paula Temple - laptop, electronics at The Peacock Society Festival, 17.02.2017, Parc Floral de Paris, France
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Maja S. K. Ratkje Maja Solveig Kjelstrup Ratkje - vocals, electronics, live processing Tord Knudsen - live visuals at Punkt Festival 2013, Kick, Kristiansand, Norway
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Fire! Orchestra Fire! Orchestra - Ritual Mats Gustafsson – conduction, baritone sax Martin Hederos – keyboards, violin Mats Äleklint - trombone Mette Rasmussen alto saxophone Finn Loxbo - guitar Lotte Anker – alto saxophone Sofia Jernberg - voice Niklas Barnö - trumpet Mads Forsby – drums Mariam Wallentin – voice Johan Berthling – bass Nate Wooley - trumpet Andreas Werliin – drums Anna Högberg - tenor saxophone Per-Åke Holmlander - tuba Julien Desprez – guitar Per Texas Johansson – bass clarinet, clarinet Andreas Berthling – electronics at A38 Ship, Budapest, Hungary, 6 June 2016
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Dead Kennedys Jello Biafra - vocals East Bay Ray - guitar Klaus Fluoride - bass, vocals D.H. Peligro - drums, vocals at DMPO's On Broadway Nightclub, San Francisco, Saturday, June 16, 1984
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Hey, cool link! I saw a lot of the old 80's punk bands but never did get to see DK's. Peace, -Dave
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Lisa Mezzacappa ORGANELLE ORGANELLE is a “set" of compositions, inspired by diverse scientific processes – some enormous and unfathomable, others impossibly microscopic – that form a whole through the insights and explorations of master improvisers. The modular work draws its musical ideas from the different ways that the human body, the natural world, and the cosmos mark and “experience” the passing of time. The notes, rhythms, musical relationships, melodies, and structures in each movement of ORGANELLE are connected to theories of cell biology, astrophysics, paleontology, zoology, or neuroscience, exploring these otherwise-imperceptible phenomena through sound. The first iteration of ORGANELLE premiered in Europe in spring of 2016, with musicians in Köln, DE; Naples and Rome, IT; and back at home that fall, in Berkeley, CA at the Berkeley Art Museum and Pacific Film Archive. In each presentation, the music is revised, re-imagined, and expanded to embrace a new set of musical personalities and a different performance context. New movements will be added, and old ones discarded or re-worked, to suit different configurations of musicians as the work continues to develop in the coming years. ORGANELLE also reflects my fascination with the challenges of notating musical ideas for improvisers to play (with), which for me has an interesting parallel with the ways science tries to visually represent complex, multi-dimensional systems and processes with flow charts and graphs and diagrams. The practical concern of wanting this score to be playable by any kind of improviser - a laptop electronic musician, an experimental koto player, a guitarist with nontraditional tunings - meant I often needed to find ways of visually representing musical ideas and relationships that were not confined to the traditional music staff. Many of these new graphic notations ended up having poetic connections to the scientific diagrams I was discovering in researching the content for the piece. Part I: Syzygy Lisa Mezzacappa, contrabass + Wayne Grim, electronics/sonification Part II: Percussion Quartet Gino Robair, Kjell Nordeson, Mark Clifford, Jason Levis at Exploratorium, Pier 15, The Embarcadero & Green St., San Francisco, CA
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Big City Orchestra Das - amplified objects, percussion Ninah Pixie - reeds, percussion Andy Cowitt - voice, reeds, guitar Polly Moller - flutes, percussion Suki O'Kane - percussion 15th Annual Outsound New Music Summit San Francisco Community Music Center, July 30, 2016 Big City Orchestra presents a unique version of "In a Persian Market" by British composer Albert William Ketèlbey. Composed in 1920 and inspired by Johann Strauss II's composition "Persischer Marsch", it was very popular with theater orchestras and in sheet music form, and was followed by other similarly exotic compositions such as "In a Chinese Temple Garden" and "In a Monastery Garden".
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Kurouzu Anthony Donovan - fretless-half guitar & electronics Ian Simpson - prepared lap steel Charlie Collins - percussion & metal at the Mopomoso free improvisation afternoon event at the Vortex, London, on 19 April 2015 filmed by Kostas Chondros