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    One more Saturday night at Winterland! Yes, we're back to home base for DAVE'S PICKS VOLUME 42, the complete show from Winterland, San Francisco, 2/23/74. The one that featured the earliest amalgamation of what would soon become the Wall of Sound, the one that is so "loud, clear, and defined," it's been ripe for release for quite some time and we're glad it's finally getting its due.

    First set or second, there are no wrong answers here. From the unique show opener of Chuck Berry's "Around And Around" and an incredible "Here Comes Sunshine" that would then disappear for 18 years, to a medley of WAKE OF THE FLOOD tracks - "Row Jimmy," "Weather Report Suite," and "Stella Blue" - cementing their status in the canon and an unstoppable hour through the classic 1973-1974 Dead that is “He’s Gone”>“Truckin’”>“Drums”>“The Other One”>“Eyes Of The World,” it's all exceptionally hot.

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 42: WINTERLAND, SAN FRANCISCO, 2/23/74 was recorded by Kidd Candelario and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • JimInMD
    Joined:
    Love and Hate

    The latter is overrated, the former is precious. Life may be sweeter for this, I don't know...

    I do know one thing, we need less hate and more love. Be yourselves but don't get sucked towards the hate magnet. That's about as GD and I can write.

  • Mr. Ones
    Joined:
    It’s A Thin Line…

    …Between Love And Hate, so sayeth the song of that title. I get burned out on bands repeatedly. That’s why I love having a super varied music collection. Burned out on A?? I think I’ll play B, G, or X. I’m seriously impressed at how much Dead some of you folks listen to, I just thrive on variety. So to each their own, that’s why they make chocolate AND vanilla!!

    I won’t disparage anyone’s tastes or bands they like/love. I don’t have time for that. And like DAVEROCK says, why do I have to put a label on it?? I play it, love it, and then play something else. The Dead happen to be one of my favorite bands, who I happen to own hundreds of releases by, But damn, I need so much more. Having said that, I am SUPER stoked for #43!!

    Music just happens to be the Best!!

  • Charlie3
    Joined:
    Love and Hate

    It's ok to love things others don't, and it's ok to not like things others love. That's the benefit of being free to be you, you can dig what you want and disregard the rest.

    As far as dead burnout, if you listen long enough to anything it can get old and stale. Not to mention, there is a ton of great stuff out there that you will miss if you listen to nothing but dead. When I feel like listening to the dead, I dive in and groove, and when I don't, there are hundreds of other choices on the shelf. I do know from past experience, that just because a release doesn't really strike me as fantastic when it is announced, it doesn't mean I won't jones hard for it later if I pass on picking it up, so it's easier to just get nearly everything they release as I rarely have a case of buyers' remorse, but I have had to pay a premium to pick up stuff I passed on when it was first released.

  • Oroborous
    Joined:
    For Moi

    it’s not hate vs love, it’s pure and simple burnout!
    I’ve been listening to too much Dead for over 45 years!
    Some things I used to love I now have to be in the mood for. It’s that simple.
    I won’t list the main culprits Randy cause I’m sure it will incite a shit wind we don’t want or need to blow!
    But, for instance, I’d probably be good if I never heard another me & my uncle again lol, but that doesn’t mean that on the right occasion it won’t get me grooving. So it’s not so much the song as it is I’ve just heard it too much (besides the Dead I used to play it in a band EVERY NIGHT, sometimes twice!, for many years).
    I’m with Daverock about Dark Star vs LL. Since DS is often more modal and or free form, thus not so repetitive etc, versus LL is basically a blues pattern that they improvise over, it’s just naturally more repetitive. And I love Pig, but his shtick too can be very repetitive and thus get old. Plus I’m not 16 anymore so it doesn’t resonate quite as much. Like it was mind blowing the first times on my teenage peanut brain, but now…
    Thus, to me, after all these years, it can sometimes get very tedious listening to something that long and repetitive.
    To be clear, this does not mean I don’t like it, I’m just burned out on it, big difference.
    And like any song, “Sometimes you get shown the light…”
    I only bring this up because I feel like there’s a good contingent out there that feels the same, or not?
    And I think sometimes here, like the rest of the world, things just get to damn binary.
    I mean we’re all supposed to be DHs on the same team loving the same band. Of course everyone is entitled to their opinions etc, it’s just sometimes the tone used is a bummer.
    I liked how Doc gave his strong opinion, but without insulting anyone. It can be done.
    But, as stated, that’s just what moi thinks, so probably meaningless lol.
    Be Kind! Ain’t no time to hate.

  • daverock
    Joined:
    Hate's too strong a word

    I certainly don't hate Pigpen, but I don't think everything he did was wonderful. Lovelight would have been great to me without the raps. Longer than 15 minutes and it over stayed it's welcome for me . Hard To Handle, on the other hand, was invariably great - all groove and no nonsense.

  • billy the kiddd
    Joined:
    Anniversary show 7/14/84 / Doc. Fillmore West box

    38 years ago today I was at the Greek Theatre to see the Dead. I don't remember much about the show because 7/13/84 was what 1984 was all about. Doc, that Fillmore West box sounds fantastic, I believe your right, next year is the year it happens.

  • Forensicdoceleven
    Joined:
    A mighty flame followeth a tiny spark......

    Hey rockers,

    I am a major deadhead. Saw shows in the 1981-1983 era. That was then, this is now. The new box does NOTHING for me. So what does that make me? LOL! If others like it, great!

    Me, I'm saving my $$$ for next years Banana Box Box Set: Fillmore West February 1970 complete.

    Do I have 1968-1972 blinders on? You bet. No apologies, no explanations........

    And for all you Pigpen/Lovelight haters out there, remember this: No Pigpen, no Grateful Dead.

    Rock on,

    Doc
    Bee to the blossom, moth to the flame; Each to his passion; what's in a name?

  • daverock
    Joined:
    Why bother?

    Why bother considering yourself a Deadhead in the first place? Labels are for jerks. As has been said-music is the best - not all the crap that goes with it.

  • proudfoot
    Joined:
    If this new box doesn't do it for you,

    then why bother considering yourself a Deadhead

  • Mr. Ones
    Joined:
    Virtually Complete

    Sounds like an oxymoron to me, but who cares!! It’s primal 1969, JUST before 1970, which we ALL(well, almost all) have been clamoring for!! I simply CANNOT WAIT to unwrap this and push play!!

    Thanks Dave, Music is the Best!!

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One more Saturday night at Winterland! Yes, we're back to home base for DAVE'S PICKS VOLUME 42, the complete show from Winterland, San Francisco, 2/23/74. The one that featured the earliest amalgamation of what would soon become the Wall of Sound, the one that is so "loud, clear, and defined," it's been ripe for release for quite some time and we're glad it's finally getting its due.

First set or second, there are no wrong answers here. From the unique show opener of Chuck Berry's "Around And Around" and an incredible "Here Comes Sunshine" that would then disappear for 18 years, to a medley of WAKE OF THE FLOOD tracks - "Row Jimmy," "Weather Report Suite," and "Stella Blue" - cementing their status in the canon and an unstoppable hour through the classic 1973-1974 Dead that is “He’s Gone”>“Truckin’”>“Drums”>“The Other One”>“Eyes Of The World,” it's all exceptionally hot.

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 42: WINTERLAND, SAN FRANCISCO, 2/23/74 was recorded by Kidd Candelario and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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Out of house at 5:15 AM, in line at 5:55. Doors opened at 7. Store did a great job of line control, was out of store by 8:15.

Once I get the Mama box of Europe LP's, I will have 6 of the 22 Europe shows on vinyl! Yeah!?!

There's only 6 that's been released, right?

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Hey Nitecat, It would be extremely cool if you could tell us more about your taping days: recording rig, adventures at venues, taping before and after there was a tapers' section, etc. Tapers' tales are always fascinating, but there just aren't enough of them. Nudge, nudge. . . Still wandering through the 13 of your shows I found on the Archive, for which an ongoing THANK YOU! for sharing. Bravissimo!

BTW: I just realized that your auds from 10/10/80 & 10/11/80 got mislabeled/misfiled on the Archive as 10/10/89 & 10/11/89. I wondered about the gap between '80 and '89 in you taping efforts, and was surprised that your taping equipment was the same after nine years. That 'splains it. Onward

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11 years 5 months

In reply to by daverock

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I assume they will release that whole show,,,, I also assume they will release ALL of E72 on vinyl. This will make a nice compliment to the steamer trunk,,,, to have the whole run on cd AND vinyl.

WOW,,,, I shutter at the ebay price!

Dennis - It would be good if they do - but they need to make them available to buy in Blighty for me to splash out.

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In reply to by daverock

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Tracking not yet available.
I expect delivery next Friday or Saturday based on past timetables.

Local record shop opened at 8, I got out of bed at 10, just had breakfast, now starting my first cup of coffee.
I’ll probably get to the record shop around 12:15.
Will there be a copy for me? I’ll let you know later.

They’re all on Losslesslegs too, under Wiseman.
I grabbed 6-13,14-80 so far but haven’t listened yet.

Thanks Nitecat.

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8 years 8 months

In reply to by icecrmcnkd

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Seattle...very nice pull indeed!

Again, thanks so much!!!

G

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In reply to by carlo13

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Dave is always displaying the one he gets in the mail on twitter - from what I recall it's always in the middle or back of the pack. That might be his playing edition, but I like him at the helm. My guess is Pinkus gets numero uno, maybe they save #1 for the GD Museum.

My best digits was #75 for DaP12 and #26 for St Louis Box. My triple digits are DaP38, RFK '89 and 1st Spring 1990. The rest are four or five digits. I typically order within an hour when new product or subscription announced, but been doing subscription from year 2.

Was bummed that my 30Trips was so far down the numerical list since I ordered it in 1st five minutes, but then again, once it's taken out of shrinkwrap its value diminishes drastically.

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Belatedly and haven't got there yet, but do look forward to listening. Much appreciation for that... also like to hear a recording adventure story or 3 back in the day. My audio geekdom aside, any details about process too. Gary might have been confused, twas me who wrote I stopped going to Dead shows in 1980. Not that I don't look back with regret on that, it was partly their scene changing and my full dive into jazz. 1980 moved deep into mountains of Vermont, half way off the grid, organic, back to the land adventures previously begun in Maine. Just a few random east coast shows after that for quite a while. Never music on the west coast, huge void there. Out in San Francisco summer 1968, 16, but with parents, kibosh on possible Santana and Dead (Fillmore and/or Shrine) shows, arrghh. Billy The Kidd, thanks for banging the drum on a 60s box, Rhino must have heard almost enough by now, just put 5-6 concerts together, 12-15 discs or so, bingo, 10K sell out. Last Beer: Lagunitas The Waldos. Last music, Rory Block, various.

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8 years
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Hey All,

I've been waiting for this notification to arrive in my inbox... Not seeing it, I checked and had an oh-crap moment and realized that I somehow failed to order a subscription this year. Could have sworn I had ordered it, but then again I'm the same dummy that accidentally ordered 2 subscriptions for 2020 (forgetting that I'd already ordered one).

So, would love to connect with anyone who would be interested in trading their 2022 CD's (unopened would be great, but opened is fine as long as they're not scratched or damaged) for my unopened copies of the 2020 series (33-36). Please message me here, or at brewbat2 at yahoo dot com. Thanks y'all!

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Just got back from a casual stroll into Newbury Comics and despite my horror at finding a gaping hole in the Gs of their display, a clerk happily told me they had a bunch, but due to their size, couldn't display them all, so he pulled out about 5 copies and handed me one. Inquired on the Ramones box and they had only gotten one copy, so not needing anything else, I departed 155 bucks lighter, but with 5LPs of the show where the Dead really started their storming of Europe. The first night is okay, but this show has long seen Most Highly Favored Status along with a handful of others from Europe (4/26, 5/3, 5/7, 5/26). A welcome addition to the collection. Look forward to listening, not sure I'll do a straight through like I did 5/3 this time last year...

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8 years 8 months

In reply to by dmcvt

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Thanks for the correction. I thought when I posted Maine 1980 that I might have mixed two for one.

I can understand the deep jazz dive. I am a lover of all kinds of music.

Several months back there was discussion of the most quiet moment experienced in a live setting. Absolutely a brilliant Morning Dew can have that quiet chills moment. In the early 1990's, I saw Itzhak Perlman with the local symphony orchestra. He was so impressive, walking across the stage with his polio crutches. He then put on an hour show that was incredible. He had a moment where the whole hall hung on this incredibly quiet passage. He gave his all. Sweating profusely. He barely had the energy to walk off of the stage. One of my highlights of seeing music that goes back for me to 1972.

As far as Jazz saw Dizzy Gillespie fried on white lightning at the Blue Note in Greenwich (ooops edit) Village. Have seen him 3 times, 2 in NYC and once in my home town. Have seen Preservation Hall Jazz band numerous times, locally and in New Orleans. I went to Jazz Fest New Orleans form 1997-2004. Lots and lots of fun.

G

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3 years 8 months

In reply to by Gary Farseer

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Last five:

GD Daves hawaii shows Jan 70
David Bowie station to station
David Bowie lodger
GD in progress: 5 6 81 dixpix
Talking Heads 77

and

David Bowie young americans

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DMCVT, I've been banging the drum for a 1960s box for years on this forum. so far no luck, but Ill keep banging that drum. I would also like to see a Frost Ampitheatre Box, 1982 & 1985 shows would make up the box. You were out here in the Bay Area in 1968, my brothers friends went and saw the Grateful Dead on 5/16/68 at the Santa Clara County Fairgrounds, they saw Hendrix there in 1969. Take it easy, have a nice day.

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Good News KeithFan! Your order is on the way!

And they ain't talkin about the beer glasses.....this is the real deal...DaP 42.....Skeleton Skaters, Part Deux: Back On The Ice!

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Yes indeed, have banged that drum a few times myself along with others here, likely some of the older persuasion. Am OK with what seems emergent pattern for DaP to include a great 80s show or two, nothing against that though my prefs will always be the first decade. And for best audio possible, no cassette master please, just not enough tape there for fourth dimensional details. As far as parents and the short leash summer 1968 while in San Francisco, they held the car keys, I did not know what I was missing, they did not want to be missing me and their car. To be fair, tremendous latitude back home DC with the family car, cruised as far as MSG for Concert for Bangladesh, Ocean City MD for The Byrds.

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In reply to by icecrmcnkd

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It's all over Discogs at the moment. Not from any UK sellers yet, but lots of U.S. outlets there.

I got into taping in 1975 at a Pink Floyd concert at the Cow Palace in Daly City, Ca. I borrowed a roommate's portable Sony recorder. It didn't have volume settings, just auto-level, and a one-point stereo mic. Because the Floyd's sound was epic, my recording came out pretty good. It was fun playing back the show and listening to it again with my roommates.

I was hooked. I sought out a portable Sony with volume controls, and stereo jacks for two mics. The only one available at the time was a huge thing called the TC-152SD. You can google it. It was the size of a thick phone book. I think its size was due to it had a built-in speaker. I bought a Teac cardiod (directional) mic, and for a time only made mono recordings - that was all I could afford at the time.

That Sony deck was a challenge to smuggle into a show, I'll tell you. I put it in a back pack, dropped the straps down so the deck sat in what I hoped was the 'small of my back' and wore a huge puffy down jacket over it all. I got it into clubs ok where there wasn't much of a search. I started taping around 1978, taping Jerry Band, Roy Buchanan. I got it into Bill Graham events a couple times (the Kinks), mainly due to the search person being distracted by the person in front of me, not intentionally, just lucky. I looked really funny wearing that huge down jacket in the summer time!

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This is one of my favorite shows. When they released 2/24, I had actually wished they'd picked this one instead. Better late than never.

With most of the recent Dave's Picks, though, there's already a great SBD in circulation. I wish they'd release some stuff that is not already available in high quality SBD.

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Managed to snag a copy of the 4/8/72 vinyl AND the ABB's 'Cream of the Crop 2003' 3-lp RSD thingy. So I'm now about $200 poorer, but I got me some cool vinyls to spin later. Both releases are ebay and discogs, for anybody who missed out,

What's my secret? After standing in line for two hours last year and getting shut out, I found a different record store, one where the neighborhood is too scary for anybody to camp out overnight, and where their clientele is mostly young punk rockers who, I guessed, would be uninterested in the GOGD or ABB. Worked like a charm. Waltzed in their at noon, picked up the rekkids, and was outta there in 15 minutes. Booyah.

Last five:

GD: DiP 15 (disc one on the ride home)
Haydn symphonies, Szell/Cleveland (can't remember which, just good morning music tho)
John Coltrane: My Favorite Things
Bill Evans: Turn Out the Stars
TTB: Best of the Beacon

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Didn't happen I just went to eBay. Of all of the RSD released 5/4/79 is my favorite I was always hoping it would get released as a CD just like 4/18/70 got both an LP & CD release.

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Phil and Friends will perform for free at the annual Stern Grove Festival in SF August 14.

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16 years 10 months

In reply to by wissinomingdeadhead

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RIP Rick Turner
Alembic godfather that was an important cog in the GD technical machine that changed R&R forever!
As a proud Alembic owner, thanks for all you did directly or indirectly that allowed me many years of joy being privileged to play such a fine instrument!

NITECAT 6/13/80: good job sir!
Look forward to enjoying others.
We’ll have to get a list so we can play more on Pick of the day with discussion as we did yesterday!
400, impressive indeed! What do the real estate folks say: “ location, location, location” lucky basted, you and Billy K and the rest of you Bay Area folks. Yes, totally jealous!

As we count down to 42. perhaps we shall quote Flounder this is gonna be greaaaatttt!

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In reply to by billy the kiddd

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The Santa Clara Pop Fest '69 with Jimi closing the weekend...I have an ok boot of his set...guitar and band come through clearly but the vocals are muffled...five of us in a VW bug (we were a lot skinnier then) drove up the coast from LA to Big Sur for a couple of days and then on to the festival...did your Bro and his pals go to any other of the festival days?

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6 years 11 months
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Hello, Newman. I have a Floyd bootleg called crackers. I think it's a BL. Have you ever heard of this tape? I received it during a dead show at giants stadium. I traded a dead tape for it from a chick I met.

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I've been busy downloading all of the Dark Star Orchestra shows. I've noticed (and have observed this with other bands).

You read the comments from the tapers and the audience, and they will talk about, "oh at this show the rain NEVER let up". Or, sorry about the recording,,,, the rain.

Now I know most of us can picture being at a show where it poured like a bitch for the whole show. And how miserable that can be.

But and a big but, you can't hear any talkers in the recordings. Like they left because they didn't come for the music and are NOT going to stand in the rain. So the tapes maybe a little hissy from the rain, but there is no goddamn talking!!!!

Now that's a plus!

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9 years 10 months
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. . . or Are You Just Glad to See Me?"

Haa! Great story Nitecat – and a hilarious image. Thanks! Keep 'em coming (both your posts and your AUDs)! Onward.

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13 years 5 months

In reply to by carlo13

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Have not heard of Floyd BL 'crackers'.

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16 years 10 months
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Its listed on floydboots.com and discogs.

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6 years 11 months
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Cool. Thanks for the info. Yes, I'm lazy. Thanks nitecat also.

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In reply to by carlo13

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who would put on a phony leg cast and have friend push him in his wheelchair...the seat had a false bottom that held the tools...this was 70's stuff I believe...

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This a a 2-cd set of Hollywood Bowl 9/22/72
Dark Side-Disc1
Careful, Echoes, Saucerful, Set The Controls-Disc 2.
I’ll have to track this down, looks good.
Listening to Billy Cobham Live Ayajala ‘78
The Magic Band tour Chicago 3/4/78.
Getting ready to cue up Dave’s 21-Boston Garden 4/2/73…getting ready in advance of ‘74 show, coming soon(I hope).

Music is the Best!!

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3 years 8 months

In reply to by Mr. Ones

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I went to a swapmeet yesterday

Someone selling stickers

I got a bunch including a Wolf sticker (the image on Jerry's guitar...you know)

Listening to 5 25 74 today

Niiiiice

Thanks for the heads-up on my auds from 10/10/80 & 10/11/80 got mislabeled/misfiled on the Archive as 10/10/89 & 10/11/89. It has been corrected by the team.

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8 years 8 months

In reply to by Gary Farseer

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check pm, will be back in touch.

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In reply to by Gary Farseer

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I just got home from the Drive by Truckers show! They absolutely tore it up, and hats off to them for reminding me why I love live music. Respect for Mike Cooley’s guitar chops!

Thanks for the ABB info. I always have time for them! Cheers!

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11 years 3 months

In reply to by Gary Farseer

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Ha! Found it...the wheelchair taper was the infamous Mike Millard from LA...here's a cool story about the korneyfone label that was an offshoot of TMOQ...the article is mainly about Stan Gutoski a famous Seattle based taper...

theamazingkornyfonelabel dot wordpress dot com

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11 years 3 months

In reply to by nappyrags

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His '75 recording of one of the Stone's shows at The Forum was awesome...it came as a three LP box that sounded great for the time...I have digital rip of it and I play it every now and then...it's like a time machine for me

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Scorpions w/legendary guitarist uli Roth - sails of Charon.
Cream - politician
Electric flag - another country
Sly and the family stone _-don't call me *igger, whitey
The raiders - Indian nation

P.S.- check out the scorpions 'sails of Charon's you tube video - the 1978 German TV 16/01/78 musikladen version. Uli Roth is so incredibly badass on lead guitar w/ his psychedelic hipster clothes

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3 years 8 months

In reply to by carlo13

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GD 5/5/77
GD 5/25/74
TRex Electric Warrior
David Bowie Diamond Dogs (a few good trax, but not as compelling as many of his albums)
Talking Heads Fear of Music (their first 4 albums are extremely tasty)

next GD:
5/7/77
the rest of 5/6/81 dix13

saw a bumpersticker two days ago "Bach Off"

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3 years 8 months

In reply to by proudfoot

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on some show, Pigpen threatens to hogtie and throw out "Mr. Electrician Man" (I think that's what he says) because of ongoing phuqery with lights or the sound

I want to use that sentiment for the reCaptcha genius

I freakin' HATE that stuff

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