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    Please note that due to its size and weight, this item incurs higher shipping fees than the standard Dead.net store ship rates. 

    WHAT'S INSIDE:
    Avalon Ballroom, San Francisco, CA (4/5/69) – Cassette
    Fillmore West, San Francisco, CA (6/5/69)
    Fillmore West, San Francisco, CA (6/7/69)
    Fillmore West, San Francisco, CA (6/8/69)
    Capitol Theatre, Port Chester, NY (2/24/71)
    Capitol Theatre, Port Chester, NY (2/20/71)
    Fillmore East, New York, NY (4/25/71)
    Fillmore East, New York, NY (4/27/71)
    Boston Music Hall, Boston, MA (9/15/72)
    Boston Music Hall, Boston, MA (9/16/72)
    Nassau Veterans Memorial Coliseum, Uniondale, NY (3/16/73)
    Winterland, San Francisco, CA (3/20/77)
    Philadelphia Spectrum, Philadelphia, PA (5/13/78)
    Red Rocks Amphitheatre, Morrison, CO (8/12/79)
    Alpine Valley Music Theatre, East Troy, WI (8/23/80)
    Alpine Valley Music Theatre, East Troy, WI (7/11/81)
    Hartford Civic Center, Hartford, CT (3/14/81)
    Hampton Coliseum, Hampton, VA (5/1/81)
    Frost Amphitheatre, Stanford University, Palo Alto, CA (8/20/83)
    Greek Theatre, University of California, Berkeley, CA (7/13/84)
    Henry J. Kaiser Convention Center, Oakland, CA (11/21/85)
    Henry J. Kaiser Convention Center, Oakland, CA (11/22/85)
    Madison Square Garden, New York City, NY (9/16/87)
    Deer Creek Music Center, Noblesville, IN (7/15/89)
    Oakland Coliseum Arena, Oakland, CA (12/27/89)
    Shoreline Amphitheatre, Mountain View, CA (5/12/91)
    Capital Centre, Landover MD (3/17/93)
    Capital Centre, Landover MD (9/15/82)
    Boston Garden, Boston, MA (10/3/94)

    Originally Recorded By Owsley “Bear” Stanley, Betty Cantor-Jackson, Kidd Candelario, Dan Healy, & John Cutler
    Mastered By David Glasser & Jeffrey Norman
    Plangent Processes Tape Restoration And Speed Correction
    Custom Keepsake Box w/ A Guide Book By Jesse Jarnow, Producer's Note By David Lemieux, & Essay By The Stanley Owlsey Foundation
    Design By Once Upon A Time

    Limited To 6,000 Individually Numbered Copies
    Dead.net Exclusive

    When the ride begins in '65 at a pizza parlor in the South Bay under another moniker, who would have imagined? When "Who Are You? Where Are You? How Are You?" became "Won't you come with me?" and, ultimately, "Where does the time go?," who would have thought? 60 years on, we're celebrating the Grateful Dead's Diamond Era. Here we go back to the beginning, to the original "Follow," and uncover the wonders of getting on the bus all over again.

    ENJOYING THE RIDE is a sweeping 60-CD collection that maps an epic cross-country road trip along the “Heady Highway” with stops at storied venues where the music, the moment, and the magic of the Dead reliably converged. Spanning 25 years of legendary live performances, this expansive compendium spotlights defining shows from 1969 to 1994 at 20 venues that consistently inspired the band to new heights. 

    With the exception of a few tracks from earlier releases, virtually all of the music on ENJOYING THE RIDE is previously unreleased, with more than 450 tracks and over 60 hours of music. Of the 20 shows in the collection, 17 are presented in full, with some featuring additional material from the same venue. The remaining three — Fillmore West, Fillmore East, and Boston Music Hall — are curated from multiple performances at each venue, capturing key moments on those legendary stages.

    These performances were originally recorded by Owsley “Bear” Stanley, Betty Cantor-Jackson, Kidd Candelario, Dan Healy, and John Cutler. David Glasser and Jeffrey Norman restored and mastered the performances, with select ones using Plangent Processes tape restoration and speed correction for optimal sound quality.

    It's all housed in a custom keepsake box inspired by the experience of traveling from city to city to see the Dead at legendary venues across America. Inside, a beautifully detailed tour guide features liner notes by Jesse Jarnow (author and co-host of the Good Ol’ Grateful Deadcast) and a producer’s note from Lemieux, an essay by the Owsley Stanley Foundation, and more. The set is richly illustrated with photos, including many taken at the shows featured in the collection.

    Due May 30th, this one is limited to 6,000 individually numbered copies and exclusive to Dead.net. We invite you to take this not-so-little piece of the road home.

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  • RyXs
    Joined:
    Classics!

    I have to throw a couple of historic 'live' albums in the ring too! They were released just right before the Dick's Picks series was incarnated and the Dead were still actively touring.
    Top of the list is 'One from the Vault', that classic (complete show) 1975 San Francisco premiering, and apparently a widely traded cassette tape from back in the day. I heard it was broadcast over the radio waves, so anyone could've taped it!
    Next is "Without a Net" which is perhaps one of the pinnacles of all 'chop shows' & certainly set the bar for late Brent era releases till "Spring'90" in 2012 & 2014.
    I also agree with "Live Dead" and "Europe'72" and don't forget the "Skull & Roses" album. Them last few are good primal and early Keith era. Yada, yadda,..

  • strat-wolf-bean
    Joined:
    Four Basic GD Samplings - A Primer

    ... all should be commercially available and not too expensive - there's loads beyond this, obviously:

    1. Live Dead
    2. Europe '72
    3. Reckoning (to get the acoustic flavor, Ripple and other 'historical' tracks)
    4. Nightfall of Diamonds (an excellent example of later era Dead)

    Cheers, All

  • hendrixfreak
    Joined:
    Loving "peak Grease"....

    Very thoughtful post, daverock, IMHO. I hear what you say. I'd have to think hard whether any introductory samples blocked further interest in a band. Why yes, I don't dig Keller Williams (looping's not my thing). I may have heard like one or two Phish trax and not really interested. (Vguy won't jump on me for that, will he??) Yet other bands I persisted on and became, um, a freak about. On the GD front, my brother got American Beauty and Skull and Roses upon release and seriously wore out the grooves -- so that was a propitious start to a career as a rabid Deadhead. However, per my prior post, I'm kinda sorta exiting the rabid phase after only 54 years and, frankly, my (and possibly our) days are numbered. So now my strategy is selectivity.

    I'm guessing this old forum will quiet down a bit when that Big Box hits mailboxes. Meanwhile, here's to spirited discussion!

    HF

  • daverock
    Joined:
    cross purposes?

    I'm not suggesting that out tastes should be dictated by other people, just that if we are interested in listening to a new artist there might be better starting points than others. To pick someone I know absolutely nothing about, lets say, Mozart. If I was going to buy a cd of his music tomorrow, would there be a few that might be recommended ? Or are they all equally good as a starting point? Bearing in mind that this purchase might be the only piece of music I will ever hear by him - or might be the start of listening to everything he ever wrote.
    I would think that if someone was curious about The Dead, they wouldn't listen to shows from every year of their existence. More likely that they would pick something out - if they like it, look for more, and if they don't just forget about them.
    Maybe it depends on whether we think artists have peaks or not.

  • hendrixfreak
    Joined:
    Credit where due...

    Well, I have to think that the kind folks behind the curtain heard that customers wanted to know precisely what they're getting and delivered the disc by disc setlist. Well played. They listen! I'm grateful.

    I don't....... hey Oro, when you say something will "grow logarithmically" I feel like I gotta look for growths on my body! Doooooooood! You're killing me! I laughed (in a nice way).

    Hey, I'm with ya in regards to disregarding others' tastes, except when it opens things up rather than turn 'em off.

    Along those lines, I attended many GD shows in the '80s and got crazy at some of them due to the excellent music. Some, poor Jer was not in peak form. I have to admit that, at this juncture, I have only so much time for many pursuits, only one of which is listening to GD tapes in context with so much other music and other activities -- so that to be clear, I can enjoy almost any era but now have to focus more on my sweet spot. Hell, I've heard 90s tapes that sounded pretty hot. So I'm skipping the box as I'll never have time for it all and its pricey. I don't buy clothes, furnture, etc., but CDs and books are my kryptonite. (You don't think that has anything to do with why I'm, uh, single, do you?)

    That said, someone will help me out with the choice Grease era. You know who you are, there's more than one of you and thank you.

    Anyway, lovin' the recent addition of many commenters and their angles. Listen: Oro is right. Don't let anyone convince you that your ears are "wrong." Especially me! (See below.) Just enjoy.

    Hey, even HF digs the Curtis Knight tapes, just not as much as the Timothy Leary tapes. (Tee hee...) At least the Curtis Knight tapes include live sets with Jimi in ~65-66, just before he popped as a star in his own right. In fact, Jimi's straight ahead R&B sets with Curtis have a lot of real nice Jimi on rhythm and lead. The studio stuff, not so much.

    Cheers! Rock on! Resist!

    HF

  • Oroborous
    Joined:
    Higizo/DR

    Higazo: thanks, but no that’s not it, which is what’s frustrating because at purchase the shipping cost of 60 something is stated, but not how it will be shipped: UPS, FedEx, USPS etc…I know not a thought/problem to most of the millions that receive home delivery, but for those that can’t/don’t, receiving ANYTHING is a stupid, stressful, frustrating experience, that frankly, doesn’t have to be!
    They know the cost since it’s stated, so guessing they know how it’s getting shipped?Starting to seem like passive/aggressive nonsense about some of this…maybe riling up the hand that feeds is funny or something?

    Daverock: I love ya, but I totally disagree. I get you mean well, but you yourself would say “who’s peak”? (And intent is here is just friendly conversation like we’re at the pub with a pint)
    I rank certain peaks extremely high that you wouldn’t even listen to, so who’s right? I’d say we both are…and maybe Pancho will determine something else completely.
    Your already trying to bias the dude. Let ‘em like what HE likes, not what YOU like, or THINK is “best”, one one man gathers what another man spills!
    I mean who cares if 89% of the population says “this is terrible” but someone thinks it’s the best, so what, if they dig it, why do you care?
    I mean honestly, your kinda being hypocritical after all the words you’ve written over the years saying basically same thing?
    I think folks should go on their own adventures and figure out what they like, not what Daverock, Hendrixfreak, Doc, PF, VGUY, Jim, Me or even DL likes (just for example, certainly no offense ment to anyone and I do enjoy their, as well as most opinions, just not when it turns into politics/dogma) “That’s crap, this is great” or worse, etc…my favorite: there’s absolutely nothing worth listening to after 197? fill in the blank. But hey, to each his own eh!
    As the old saying goes, beauties in the eye/ears of the beholder.
    And, I also think there’s so much inaccurate bias saturating the Net that many folks miss out on stuff that THEY might have found extra enjoyable, because they just excepted what they read, without even trying to find out for themselves.
    Why does listening to the Dead so often have to end up a contest?
    There is no right or wrong, best or worst, only opinions that attempt to make it so. Or so I’ve had forced down my pie hole for years: “every opinion counts”.
    So it’s great that we all love the band/music beyond description so much, and it’s fun to compare notes etc, maybe let’s not love it to death lol ; )
    Again, just one and probably only one opinion lol
    (Poor guy be all mixed up by the time we’re through with him lol)

    Edit: philosophical question. If you hadn’t heard the lessor Hendrix, perhaps Lectric Ladyland wouldn’t have had as profound effect? Hell, what would be wrong if “someone” thought the lessor one was their favorite?

  • uncle_tripel
    Joined:
    naturlich...

    GRATEFULGERD

    ...ist doch kein problem

  • ronmarley1
    Joined:
    Cassette

    I understand the issues folks have with the cassette, and there’s a lot more comments about it on the other (SH) site. Honestly, it’s not a big deal to me. I have an old deck, but I’m not sure I’d put the tape in it, as I haven’t used it in years. I’m sure I’ll find someone that could rip it for me. Either that, or I’ll eventually find a digital version that I can download. In any event, I’ve waited almost 56 years for it to be released. A few more months won’t matter much.

  • RyXs
    Joined:
    Setlistings!

    YeeeeaaaaH! They're posted now, and that 1982 filler looks killer, Shakedown Street!
    Speaking of which I need to sort of add on to Poncho's ponderings about specific songs. Regarding any 1980s Dead, the Brent shows, I look for "Shakedown Street(s)" and "Feel Like a Stranger(s)" feverishly. As they were newer era songs of the time that weren't overly long 'jams' of 2nd set nature but these were not short snappy tunes neither.
    Both songs had varying lengths of instrumental codas and were focal points of shows, mainly 1st & 2nd set openers. This 60th Big Box seems to be heavy on the "Shakedowns" which is cool because the song itself is a rarity in the Dave's series.

    I was eagerly awaiting the responses to Poncho's question since I have only been a subscriber the past five years, though a long time head. I've got a handful (shelfful) of the yearly Big Boxes too.
    I gotta say I am truly Grateful & dig all the insight from all who post here. Also I totally agree with Daverock about 1960s acid test long jam Dead and the mention of full Help~Slip~Frank(s). Though I would also add "Birdsong" from any {applicable} era {Keith & Donna, Brent, or Vince} Dead. It's another good mid range jam song not too long or short.

    ****{edited for accuracy}****

  • daverock
    Joined:
    Not so sure, Oro.

    I'm not so sure about all that. You don't think The Dead had an identifiable peak - or several peaks more like- that people who haven't heard them before would be best off checking out first ? Just thinking of other artists - if you were to pick a random album out by Dylan or The Stones you could pick one that wasn't too good, or one that was amazing. If you already like those artists, then all of what they do is of interest, but not if you are just starting out.

    The first Hendrix album I got was a budget one called "The Eternal Fire of..." with Curtis Knight. Great cover photo of the man in all his psychedelic glory - but the music enclosed was recorded well before he found his style. Luckily I heard Electric Ladyland next...

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Please note that due to its size and weight, this item incurs higher shipping fees than the standard Dead.net store ship rates. 

WHAT'S INSIDE:
Avalon Ballroom, San Francisco, CA (4/5/69) – Cassette
Fillmore West, San Francisco, CA (6/5/69)
Fillmore West, San Francisco, CA (6/7/69)
Fillmore West, San Francisco, CA (6/8/69)
Capitol Theatre, Port Chester, NY (2/24/71)
Capitol Theatre, Port Chester, NY (2/20/71)
Fillmore East, New York, NY (4/25/71)
Fillmore East, New York, NY (4/27/71)
Boston Music Hall, Boston, MA (9/15/72)
Boston Music Hall, Boston, MA (9/16/72)
Nassau Veterans Memorial Coliseum, Uniondale, NY (3/16/73)
Winterland, San Francisco, CA (3/20/77)
Philadelphia Spectrum, Philadelphia, PA (5/13/78)
Red Rocks Amphitheatre, Morrison, CO (8/12/79)
Alpine Valley Music Theatre, East Troy, WI (8/23/80)
Alpine Valley Music Theatre, East Troy, WI (7/11/81)
Hartford Civic Center, Hartford, CT (3/14/81)
Hampton Coliseum, Hampton, VA (5/1/81)
Frost Amphitheatre, Stanford University, Palo Alto, CA (8/20/83)
Greek Theatre, University of California, Berkeley, CA (7/13/84)
Henry J. Kaiser Convention Center, Oakland, CA (11/21/85)
Henry J. Kaiser Convention Center, Oakland, CA (11/22/85)
Madison Square Garden, New York City, NY (9/16/87)
Deer Creek Music Center, Noblesville, IN (7/15/89)
Oakland Coliseum Arena, Oakland, CA (12/27/89)
Shoreline Amphitheatre, Mountain View, CA (5/12/91)
Capital Centre, Landover MD (3/17/93)
Capital Centre, Landover MD (9/15/82)
Boston Garden, Boston, MA (10/3/94)

Originally Recorded By Owsley “Bear” Stanley, Betty Cantor-Jackson, Kidd Candelario, Dan Healy, & John Cutler
Mastered By David Glasser & Jeffrey Norman
Plangent Processes Tape Restoration And Speed Correction
Custom Keepsake Box w/ A Guide Book By Jesse Jarnow, Producer's Note By David Lemieux, & Essay By The Stanley Owlsey Foundation
Design By Once Upon A Time

Limited To 6,000 Individually Numbered Copies
Dead.net Exclusive

When the ride begins in '65 at a pizza parlor in the South Bay under another moniker, who would have imagined? When "Who Are You? Where Are You? How Are You?" became "Won't you come with me?" and, ultimately, "Where does the time go?," who would have thought? 60 years on, we're celebrating the Grateful Dead's Diamond Era. Here we go back to the beginning, to the original "Follow," and uncover the wonders of getting on the bus all over again.

ENJOYING THE RIDE is a sweeping 60-CD collection that maps an epic cross-country road trip along the “Heady Highway” with stops at storied venues where the music, the moment, and the magic of the Dead reliably converged. Spanning 25 years of legendary live performances, this expansive compendium spotlights defining shows from 1969 to 1994 at 20 venues that consistently inspired the band to new heights. 

With the exception of a few tracks from earlier releases, virtually all of the music on ENJOYING THE RIDE is previously unreleased, with more than 450 tracks and over 60 hours of music. Of the 20 shows in the collection, 17 are presented in full, with some featuring additional material from the same venue. The remaining three — Fillmore West, Fillmore East, and Boston Music Hall — are curated from multiple performances at each venue, capturing key moments on those legendary stages.

These performances were originally recorded by Owsley “Bear” Stanley, Betty Cantor-Jackson, Kidd Candelario, Dan Healy, and John Cutler. David Glasser and Jeffrey Norman restored and mastered the performances, with select ones using Plangent Processes tape restoration and speed correction for optimal sound quality.

It's all housed in a custom keepsake box inspired by the experience of traveling from city to city to see the Dead at legendary venues across America. Inside, a beautifully detailed tour guide features liner notes by Jesse Jarnow (author and co-host of the Good Ol’ Grateful Deadcast) and a producer’s note from Lemieux, an essay by the Owsley Stanley Foundation, and more. The set is richly illustrated with photos, including many taken at the shows featured in the collection.

Due May 30th, this one is limited to 6,000 individually numbered copies and exclusive to Dead.net. We invite you to take this not-so-little piece of the road home.

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Oh, to have a whole lotta expendable cash.

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GD

To be responsible or not to be responsible

That is the question

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10 years 6 months
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You got it!
How fast will 6000 copies sell out?
Cheers
And it has 8-12-79 for Hendrixfreak!
(and all the rest of us who were there)

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That's a big gulp!

Like forbidden fruit I bit,,,, ok two bites, records and cds!

Now to tell she who must be obeyed.

IBM middle management axion - Easier to seek forgiveness than to ask permission.

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12 years 4 months
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for 600 bucks, how about some pictures of the damn thing :-)

Already started building that special shelf for this baby!

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12 years 4 months
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.... than Europe 72? That was 22 shows on 73 cd's.

This is only 20 shows.

Pictures be nice!

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12 years 7 months

In reply to by Dennis

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I just bought the 78 box and, after a long debate, the MSG box. So I was going to pass on this. And just when I think I'm out, they pull me back in. This box contains my first show 5/13/78 at Spectrum. And another one I attended, Hampton 81. Oh well. It's only money.

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12 years 4 months

In reply to by delhead

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Can't play money, sure you could leave it to your kids. But hey, fuckem. THIS is an investment.

Delhead, go for it. Your worth it. If not you, who?

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In reply to by delhead

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I was afraid of something like this.

Do we think this is the only box of the year then?

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10 years 6 months
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a joint venture, lol. Go together with others to divide and conquer to get only the shows you want. He says (over on the 3-CD page) he is most interested in the early stuff and our R.R. show from 8-12-79. An interesting and brilliant proposal but would require going in with someone of different era tastes. A meeting of the minds between the different generations of Deadheads.
Cheers

"do you think this will be the only box this year?"

IT BETTER BE!!!! :-) My wife ain't made of money!

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next to the first offering 4-5-69 Avalon?
Is it from a cassette?
Or on a cassette?
Can't imagine them producing cassettes but I'm OK with that if they do.
EDIT: Yes, from Dave's Office Hours chat, the first show is on a cassette! Wow.
Cheers
Sure sign of Spring: The deer ate my daffodils. Dang! They only bloomed yesterday.

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This one came out of nowhere, it looks pretty stacked I must say.
But but but where's the GREASE, pre-69???

Not complaining, just asking for a friend.

Be Well People!
Sixtus

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I'm in and can't wait!

First time a show I was at being released 3/17/93. Capital Centre was dozed to the gills and the band knew it!!

Alright!

This is big!

Expensive.

Dennis are you in?

Any codes out there?

This is clocking in at $681

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17 years 8 months

In reply to by DeadVikes

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....I was at that one.
That's a lot of cheddar. I just got probed a couple days ago!
Draghollow. I use PayPal credit. No interest if paid in off in 6 months. Thats what I'll probably use for this.

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Why are there no no set lists under "track list" ? Looking forward to this baby - soo many great shows.. BW from a very happy Danehead..

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3 years 4 months
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I went to 5 of these shows. Fun times! I wish there was something from 1970, but other then that it looks great!

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In reply to by Danehead

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Indeed!

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In reply to by Danehead

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Things are too tight for this right now - Spouse lady would freak, badly.

I need more remastered early-years shows though ...

Will have to see if it sticks around long enough -
or perhaps will be able to split it with someone ??
(i.e. that's not usually preferred, as I enjoy having the full physical package on hand)

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I thought it meant from cassette master (which threw me), but to give a cassette to us now!?!?

This falls in the trinket realm. They better offer a digital copy of it (by itself, free).

I don't have a cassette player anymore. I think I tossed almost all my cassette after ripping in or replacing with a current digital copy.

Whining here, but I'm sure SOMEONE on these boards will get us a digital copy.

Dave says "3 cds per venue" so that sounds to me like a lot of these are not complete shows, I'm kinda confused about this...

edit: ok SOME of them maybe not complete, looks like the important ones remain intact.

edit again: I stand by my original statement, confused

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17 years 9 months
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I really want to get this, but a bit steep and money is tight. Lots of shows I've been clamouring for too.

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10 years 9 months
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Anybody found a Discount Code for this Boxtrosity?

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8 years 6 months
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I really wish you guys released these as individual shows. The Europe 72 boxed set made sense because that was a full tour, but like the 50 trips around the sun release I want only some of these shows. That forces me to eBay to get them from people who buy the set and sell off the individual shows just to make a profit

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Well, on the plus side, there's a bunch of '69, and '71 plus some shows I actually went to during the '80s, a thing that almost never seems to happen. Including one at the Greek, which finally breaks the ice on that strangely ignored venue.

On the other hand: $600.

Also, this thing has got to be humongous. Especially given the warning about higher shipping rates. A potential problem for those of us whose unlimited desire to collect all of this music stands in conflict with the limited amount of space available.

But who am I kidding? I don't see how I can not get this. I'll just have find the money and space somehow.

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8 years 11 months
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Wow, what a surprise! I ordered one. I always order one...

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12 years 8 months
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How the hell do you create this box set and skip over spring and summer 1990, arguably their strongest period since ‘77?

I know you can argue that a lot of spring ‘90 has already been released, but good god man, May through July 1990 had some epic goddamn shows

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10 years 6 months
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That installment option is available as per the email announcement.
Cheers
I like HF's divide and conquer idea. Go in with someone who wants different shows than you.

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8 years 1 month
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I haven't owned a home audio cassette player in 35 years. How are we supposed to rip the 4/5/69 show so we can actually listen to it? For $600?

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in the Seaside (office actually) the cassette is only one and got him that 21st venue in a 20 venue box. I got a fully restored cassette deck (killer 1982 high end Teac) recently for $175+shipping and love hearing all my collection again. If anybody needs it PM me for vendors that do 100% of the required resto, not an "I tested it and it works" guy. I follow two vendors (techs actually) that always seem to have a fully restored decent deck for between $100 and $300 that will get you back there. Obviously you can spend a lot more if you want a Nak Dragon but I'm not THAT into it, lol.
Cheers

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13 years 11 months
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Huge thanks and love to Dave Lemieux! Remember - no good deed goes unpunished. What a great way to celebrate GD60. Ignore the comments that include anything other than appreciation and LOVE.
NFA

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17 years 9 months
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Would order, I can't, captcha error of all things, years of releases riddled with IT issues, going back at least as far as E72

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Every morning after breakfast, the first thing I do is check to see what's happening in Grateful Deadland.
As cousin Eddie once said, "Clark, this IS a surprise".
No way did I see this coming.
Needless to say, I'm in, and like many of you, I will need to do some shelf rearranging.
I was at 5/1/81 Hampton, and Jerry was PUMPED!

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8 years 4 months

In reply to by Vguy72

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Ordered! Yes, expensive.

I just had tell myself it will be more expensive when it is sold out.

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I have now remitted $680 USD legal tender. Please notify Mr. Jerome Garcia and his esteemed colleagues, Mr. Ron McKernan; Mr. Keith Godchaux; Mr. Brent Mydland; Mr. Vince Welnick; and Mr. Philip Lesh, that an old friend says, "They said that they would play tonight!" This fellow then laughed hysterically and could not seem to finish his thought. However, I am sure that they will understand.

As well, kindly share with the good Doctor Lemieux that I did not wait to finish reading the list all of the included shows before I purchased this box. I don't know where I will store it, but I cannot look a gift horse in the mouth.

I have the honour to remain,
Your humble obt. servant,
-Obeah, a longtime fan of 3/20/77

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15 years 6 months
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30 Trips was 6500, plus a few 100s All Music editions.
Grabbed this one mainly for the early stuff, but will stick around for the late shows.

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13 years 11 months
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Some folks can AFFORD it
Honestly Dave ……since the downloads are available…..lets us pick and choose from it…..
I see only one 90’s show
Guess after the 90’s box …..there were slim pickings…….or after Brett was gone…..why bother…… being retired and on a fixed income…all I can afford is the Daves picks and thats with the $5 dollar birthday bonus……
If I live to be 100 maybe I’ll be able to actually listen to all of the collection…..at this stage of life $600 dollars can go to traveling somewhere on this planet

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3 years 8 months
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The deer creek show first time there I caught the tour Sullivan stadium thru Greek. What a summer. Psyched for all the 69 Fillmore east and west. Bring it! Use my taper relic TCD5M Awesome!

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4 years 5 months
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Amazingly, there’s 5 shows I attended in the ser, including my first show 3/14/81 and my first Cali show 8/20/83, and my first Greek show 7/13/84.

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9 years 7 months

In reply to by 1stshow70878

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Nak Dragon's still at a premium? Will have to poke around. Would appreciate a DM on your techs, cassette or otherwise. Still perplexed about a cassette? Maybe a trinket, maybe bad recording but want to get it out. Havent had time for office chat yet...

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17 years 4 months
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I would have loved it if this box was broken up in section but I know it’s probably not practical. I would love to see 30 trips shows all broken out on nugs.net I think enough time has passed peace. ✌️

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13 years 3 months
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You know the deal
PLAY DEAD
PLAY DEAD LOUD

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