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    Srinivasan.Mut…
    Joined:

    What's Inside:
    7 Previously Unreleased Complete Shows On 20 Discs
    Fox Theatre, St. Louis, MO 12/09/71
    Fox Theatre, St. Louis, MO 12/10/71
    Fox Theatre, St. Louis, MO 10/17/72
    Fox Theatre, St. Louis, MO 10/18/72
    Fox Theatre, St. Louis, MO 10/19/72
    Kiel Auditorium, St. Louis, MO 10/29/73
    Kiel Auditorium, St. Louis, MO 10/30/73
    Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
    Mastered in HDCD by Jeffrey Norman
    Restoration and Speed Correction by Plangent Processes
     
    Individually Numbered, Limited Edition of 13,000

    Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
     
    LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
     
    The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
     
    The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
     
    All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
     
    Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
     
    Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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  • #31
    daverock
    Joined:
    More art

    One of the most stunning experiences I had going to an art gallery was when I went to see "Sunflowers" by Van Gogh a few years ago. I eventually found the room it was in, and noticed a huddle of people in front of a painting on the far side of the room. One of them moved..and there it was. It had a spotlight on it so that the yellow of the flowers shone out into the room. Amazing...but as I got closer, I realised that it didn't have a light on it at all - the light was actually coming out from within the painting. Truly extraordinary.
    It's also quite an experience going to see his work in the Rijksmuseum in Amsterdam. I just wandered in there by chance about 30 years ago. Wow.

  • #32
    Oroborous
    Joined:
    Conekid in the know

    per usual!
    Thanks, lol, never knew that request page existed. Goes to show, just gotta poke around!
    Those will get utilized more now for sure…Smithers, release the hounds!

    Yeah that RFK was probably too many units for what it was? Good example of doing say one of these a year at lower unit count along with a more traditional box release at perhaps less units?
    But I liked RFK, (hell I think they’ve done a great job with most) because that stretch from summer through the next summer is prime time for moi, and it sounds great, but they certainly weren’t the best available, once again the ole he went to a great city and street, but picked the wrong house? ? Wasn’t it relatively pricey too?
    But as we’ve all been saying, there’s a whole lot of causal heads out there who might not buy anything UNLESS it was something they were at. Perhaps explains the Giants phenomenon some what?
    That was sorta my M.O. back around turn of the century: “I have more than I need so I’m only going to get shows I was at. That worked out sorta ok at first by sheer dumb luck, but I eventually realized
    A) I’m not going to get many of those any time soon, if at all, and
    B) I’m missing out on some killer shit!
    The E72 Dark Stars are what really brought me back. Didn’t get the trunk but picked up several of the Dark Star shows Ala cart.
    So started dabbling again, but mostly just wanted the music and not more stuff. Luckily or not, my cousin used to get a lot of the releases free through their business connections with GDP etc, but when that all changed with Rhino etc, they lost those relationships. So I was able for a while to get copies of stuff he had that I wanted.
    But then I started getting back into it, hanging with you junkies etc lol, and next thing you know I’m a “collector”, just the thing I was trying to avoid lol.
    So of course the down side of only getting copies is all the great collection stuff I missed out on!
    The biggest regrets were the FW box and Winterland 73. The FW I just wasn’t very in dead land at the time and because of the repetitive set lists figured “oh hell, I have live dead already” idiot!
    Luckily I have the mini version and you know who here tightened me up with copies of the box, so at least I have the music!
    The Winterland 73, being fall 73, which even then was one of the tours I had huge interest in, I contemplated getting it, and man, wasn’t it really cheap considering, but I cheap skated out and have been regretting it ever since!
    Some of the others I regret only as a “collector” now, though I should have grabbed that summer 78, wasn’t that another bargain box?

    So yeah Daverock, the scene was relatively small until later. When I started going in late seventies there were tour heads, but not anything like what would come. I think the whole multi show run factor contributed to this. It was now much easier to just plan on a three show run or two, especially day on weekends, then to catch 5 or 6 shows, one stop at a time up and down I 90 etc.
    Now I know old timers talk of how it changed throughout the seventies, especially that huge influx of kids like me in the mid and late seventies, but I don’t think it was near as dramatic as what we saw from late seventies up too 87 when it exploded, perhaps leveled off a bit, but continued at a steady pace that unfortunately just got too big to support it properly. Fame, the kiss of death…

    ART: not a active art participant, but sometimes you get shown the light!
    We had a great Albright Knox gallery back in the tundra, and on family vaca to Europe in late seventies, went to tge Louvre etc. Don’t recall a lot of specifics, Mono Lisa etc? But it definitely impacted my thick adolescent Beavis and Butthead dumb American skull. That whole trip would of been much more awesome if I’d only been older.
    That Hopper work is cool. I’ve seen that corner diner one but wouldn’t say I was familiar. Will have to burn a fat one and check him out. Yasss great light etc. And yes, I can only imagine how much more sharp and vivid his work would be live!
    Good sheet Mon,
    Party on Wayne!

  • #33
    That Mike
    Joined:
    E-mail Survey

    DaveRock - Awesome idea with the email to all the folks on the mailing list. Something that perhaps itemizes what is in the vaults (no use clamouring for reels that don’t exist), and survey to see what is in high demand. I know on the Neil Young site, as an example, he has a “Letters” column where he states he answers ALL the letters himself (I’ve sent a few, and always get a reply), and the bulk of requests are folks asking him to release this show, or this tour, etc, and he tells you if the request is even doable. I don’t expect the Core Four to answer Dead Head mail, but a quick email survey is interesting. Maybe it is as easy as Ice Cream Kid says, and we just hit up the request thread, but it doesn’t tell us what tapes are in the vault, and what condition, etc.

    PS - Dave, you are right about seeing the art “in person”, but of course, work of say a DaVinci is so limited, so rare, and will not ever tour, that it would be so hard to see in person, save visiting Paris or Venice. But, should a major show make the rounds, like Picasso, or Diego Rivera/Frida Khalo, I’ve made a point to see it, and you are right - seeing a picture of these works does not do them justice! There is something about seeing The One And Only of something, knowing the artist worked on this piece. I’ll paraphrase Mr Ones al a “Music is the best”: “Art - and sports - are a close second!”

  • #34
    daverock
    Joined:
    A new approach

    Crmcnkd - I hadn't noticed that section asking us to make recommendations, so thanks for pointing that out. Maybe, though, the only people likely to fill that out are the people who come on here-all the old faces-and we know what they (we, me) will say in advance. I like the idea of reaching people who may not come on here - maybe an email like we get telling us what is coming out- but asking us what we would like to see coming out instead. The key is, it has to be "them" wanting a survey - as much, if not more, than "us" wanting to fill one in.

    Oro - thinking of casual fans of different eras, it reminds me of the fact that Deadheads didn't actually exist in the 1960s. I can't imagine early fans travelling around the country to see them. I guess it started with the invite to "Deadfreaks" on "Skull and Roses", but I would think it took several years before the travelling circus developed.

    It's interesting watching a documentary on late 60's San Francisco bands called "Go Ride The Music-West Pole". The main bands on this are Jefferson Airplane and Quicksilver Messenger Service - but at one point an interviewer asks people queuing up outside a concert hall, who their favourite bands are. I was expecting them to say "The Dead" automatically-but they don't. They are mentioned but they were clearly perceived at that time as just being another band, along with the two mentioned, Steve Miller, Janis etc.

    Mike - one of the great things about going to art galleries is how much more alive the originals are compared to the prints and posters you can see anywhere. I would say that going to an art gallery to look at paintings is a bit like going out to hear live music. If you go to any gallery, look at the originals, and then go in the gift shop and look at a book reproducing the originals you have just seen, the difference between the two is shocking.

  • #35
    icecrmcnkd
    Joined:
    Rehashing past speculation

    Don’t forget that several people, including myself, have previously told stories about talking to other deadheads who are completely clueless or disinterested in the official releases.

    The RFK Box is 15,000 copies and not sold out, although the banner says “less than 750 left”.
    My Boxes are packed away so I can’t check what the production numbers are, but 15,000 seems to be the limit except for a few releases that need an AME.
    I think that the last few Boxes were in the 10,000-12,000 range.

    Dave’s Picks can sell 25,000 due to people buying more than one subscription and resellers.
    And if you subscribe early bird you get 13 or 14 CD’s for $100, which is a pretty good deal.

    For those wanting to take a survey, there is a page on this site called ‘Requests - Box Sets’.
    I posted on it this morning, so use the ‘recent posts’ button to get to it, or use the search box.

  • #36
    That Mike
    Joined:
    Boxes & Paintings

    I am enjoying the discussion, because I’m hoping the marketing folks, or even the interns working at Rhino, see that this is a very passionate group of dedicated fans. Oro, I really think you have made some great points, and it is hard to please everyone (personally I have never been a hardcore 60s Dead fan, because that was before they came along with jewels like Wake of The Flood, Mars Hotel, etc, and all the outstanding concert material those albums brought forth), but so much work goes into the sourcing and mixing of the music in these boxes, and the art work, and the history to the scene happening at the time, that most, if not all, are home runs.
    Oro, you definitely hit the mark on many points, as did others, but collectively, as a group of fans, our mantra is “Keep ‘Em Coming!”

    DR - I love a wide range of art, and even doodle a bit myself, but Hopper is definitely an artist I have held in the highest esteem, for his amazing use of light and open space to paradoxically create figures of loneliness and solitude. If I can ever get my butt to NYC, the Whitney Museum of American Art is where I plan to sleep; the guy was an American master, and really nice to hear you too see his immense talent.

    Last listen - McLaughlin/Corea - Five Peace Band Live
    On Deck - Ry Cooder - The UFO Has Landed

  • #37
    1stshow70878
    Joined:
    Great Discussion

    I think I fall into the category y'all are citing here. Not quite into it as much as the die-hards but wanting it all anyway. The LTTR box was more money than I was willing to put out at the time so I chose the LIA vinyl instead. A trade off decided by my having already pre-ordered Dave's #1 vinyl and simply wanting to get more vinyl. Interestingly, all the fantastic comments have me alternately regretting my choice and being satisfied with a taste of '72. DR said recently the chunk I have on Light Into Ashes is the crux of the biscuit of the box so today I feel satisfied. My collecting took a hiatus around the time the big Europe '72 trunk came out but kindly folks here are helping me fill that void. Thanks to all for keeping the fire alive. It's so nice to have reliable information from everyone here in our disinformation shrouded world.
    Cheers all!

  • #38
    Oroborous
    Joined:
    Great comments

    Mike, the 60s vibe, that’s a good example of what I’m saying. To “US”, the hardcore lunatics at deadnet, there appears to be an overwhelming unified consensus demanding a 60s box, but perhaps if you did a survey like DR suggests, our sample might be quite small comparatively? Just talking out me arse, but worth a thought?
    You’d think they’d be doing marketing , but maybe not? Maybe they have been so fortunate to have enough of a loyal, reliable, bankable demand that they could just go with whatever they felt was good?

    Personally, I think it’s good when things don’t sell out immediately. Gives some folks like P.T. etc a chance to decide or what not if they want to buy it. Or maybe you didn’t hear about it right a way, and as the bastard Murphy would have it, your busted after getting yet another of your kids braces, while the other kid smashed the car, and your washing machine broke. Like “Whaaaa???, you want $300 tomorrow morning, Dooaahh”
    But these are singular micro type scenarios and we’re talking macro level.
    Maybe DR is right and the nostalgia factor is bigger then I think, in that logistically, because of age, there are more casual fans from the later years than the early ones. Hell statistically, comparatively there weren’t that many causal fans in the early years. Let’s face it, for good or for ill, as time advanced there were way more causal “lets just go party and check it out folks” going to shows.
    So maybe that’s part of it, when/if something that this larger population feels more akin to comes round, their more likely to buy it, then yet another older moldy from a time they don’t know or care about because they’ve never been in that deep?
    I guess it’s probably a perfect storm of all the things we’ve been discussing? All these factors add up and the amount of units we’re talking about isn’t really that large, so…
    But!….that’s all the more reason to deliver more, but smaller batches of certain eras!

    Though I understand why a Giants type box would sell so fast, I still, do not understand fully how this box, by now, has not? Shifting market demographics and saturation is my guess though?
    Just goes to show…

  • #39
    daverock
    Joined:
    Tip of the hat

    ThatMike - my eyes lit up when you mentioned Edward Hopper. I really like his work too. About 20 years ago there was great exhibition on in London, and it was a real treat to be able to go from room to room and get drawn into his world. You can see his influence sometimes in films -"Deep Red" by Dario Argento features a scene that is clearly modelled on "The Nighthawks". And although I can't think of specific examples at the moment, Alfred Hitchcock and David Lynch feature scenes in some of their films that look to me to have been influenced by Hopper's way of seeing things.

  • #40
    PT Barnum
    Joined:
    format? sound quality? putting great shows with good shows?

    IMO there seems to be lots of reasons why this has not sold out. I did not buy it and I buy them all. After the so so patch jobs on the PNW box which I did not care for, I passed on this box. These are all good shows, with great shows mixed in. Call me a snob but I want all great shows with no cuts or patches. If that's not possible then I will just keep what I got from the archive or from etree, why spend that kind of scratch for shows I already have that only sound a bit better?
    The format could be the reason, some only want from the era they were a part of, mostly 80's from what I gather here. I like the progression of the band from psychedelic juggernaut to what they became, but not everyone's cup of tea.
    Perhaps it's the ploy of putting out most requested shows with shows that are not up to the great show that they are centered around? The original great box was a tough act to follow, seeings how the E72 tour was their best tour and it was the first one released with a massive 73 discs. With that great price. How to follow that? It's been what tptb have been asking themselves since.
    The spring 90 boxes are a good example of that also, a great tour with consistently great shows released at a great price, which sold out quickly.
    But what do I know? just the ramblings of an old deadhead on the first day of Spring.

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Submitted by Srinivasan.Mut… on
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Dead Store Products

What's Inside:
7 Previously Unreleased Complete Shows On 20 Discs
Fox Theatre, St. Louis, MO 12/09/71
Fox Theatre, St. Louis, MO 12/10/71
Fox Theatre, St. Louis, MO 10/17/72
Fox Theatre, St. Louis, MO 10/18/72
Fox Theatre, St. Louis, MO 10/19/72
Kiel Auditorium, St. Louis, MO 10/29/73
Kiel Auditorium, St. Louis, MO 10/30/73
Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
Mastered in HDCD by Jeffrey Norman
Restoration and Speed Correction by Plangent Processes
 
Individually Numbered, Limited Edition of 13,000

Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
 
LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
 
The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
 
The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
 
All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
 
Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
 
Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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Submitted by Forensicdoceleven on Sun, 12/05/2021 - 02:08

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50 years ago today…..

December 5, 1971
Felt Forum, New York City, New York

Set 1:Bertha-Beat It On Down The Line-Big Boss Man-Brown-Eyed Women-I Washed My Hands In Muddy Water-Jack Straw-Mr. Charlie-Tennessee Jed-El Paso-Deal-Playing In The Band-Next Time You See Me-Comes A Time-Casey Jones-One More Saturday Night

Set 2: Truckin'-Ramble On Rose-It Hurts Me Too-Sugaree-Sugar Magnolia-Dark Star Jam>Me And My Uncle>Dark Star Jam>Sitting On Top Of The World-Me And Bobby McGee-Big Railroad Blues-Mexicali Blues-You Win Again-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

Encore: Johnny B. Goode

Deadicated to jrpaulson2009, canonico, pauldaley1, pony, b o, dirtrider5, alain, neveralull, ed.head, ords120, djaspen, manofort, zygster, mistercharlie, saintstevie, rockysgraetful, the tailgunner, doctorpat, and punster61, because weirdness accrues….

A new member of the family, a vote for male chauvinism, the youngest old timer, the erudite strong backbone of the organization, a very very youthful, ebullient and a very very dirty softball player, and the godfather of rock and roll play a show for the ages……

Was there something in the water? One of the greatest, weirdest, most loved, and most bootlegged shows of 1971, which has just about everything 1971 Dead that anybody could reasonably expect---equipment problems, rowdy crowd, rock and roll, Pigpen, cowboy songs, soulful Jerry, ethereal Truckin’, Dark Star, fiery Not Fade Away suite. I have probably gone through more versions of this broadcast than any other single Dead show I’ve ever had. If a clean soundboard were to suddenly surface---and circulate!---I could die a happy man. Truly very, very deserving of official release. Please, TPTB, make it so!!!!

Who was Uncle Sal???

Rock on!!

Doc
This whole world is wild at heart and weird on top…..

Nice quote form David Lynch's "Wild At Heart" below. One of the most imaginative directors I have ever come across. I started watching the third series of "Twin Peaks" again last week - and it really is one of the most unusual things I have ever seen in my life. It seems to bloom out from the collective unconcious completely unchecked. Reminds me a bit of Salavador Dali saying-to paraphrase - that he didnt take drugs, because he WAS drugs. So's "Twin Peaks".

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Submitted by daverock on Sun, 12/05/2021 - 10:49

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Another one from a David Lynch film-Mulholland Drive. Truer today than ever.

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9 years 8 months

Submitted by KeithFan2112 on Sun, 12/05/2021 - 17:58

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That's a huge setlist. When the 12/7/71 Dave's Picks came out, I put Dark Star and Muddy Water in there, along with the best extra stuff from 12/6. Made a unique "reboot" cover and it's been paradise ever since. Looking forward to the 12/5 Full Norman someday, but it's been pushed back a couple of times in lieu of other Autumn shows since the big recovery of tapes to the Vault.

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Submitted by Forensicdoceleven on Mon, 12/06/2021 - 01:29

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50 years ago today……

December 6, 1971
Felt Forum, New York City, New York

Set 1: Truckin'-Loser-Mr. Charlie-Jack Straw-China Cat Sunflower>I Know You Rider-Run Rudolph Run-El Paso-Tennessee Jed-Mexicali Blues-Black Peter-Next Time You See Me-Casey Jones

Set 2: Big Railroad Blues-Me And My Uncle-Ramble On Rose-Playing In The Band-Cryptical Envelopment>drums>The Other One>Me And Bobby McGee>jam>The Other One>jam>Wharf Rat-One More Saturday Night

Encore: Uncle John's Band

Deadicated to GM and JF, because music is essentially built upon primitive memory structures….

Beneath all the madness, a bundle of joy, the Grateful Dead…..

It can be really tough being the show that comes immediately after a classic. While this one isn’t as weird and cosmic as the previous evening, it’s a well played, high quality, enjoyable December show. Not top tier, but still recommended………

One recognizes one's course by discovering the paths that stray from it…..

Rock on!!

Doc
He who binds to himself a joy
Does the winged life destroy
But he who kisses the joy as it flies
Lives in eternity's sun rise…..

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Submitted by KeithFan2112 on Mon, 12/06/2021 - 11:57

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Did a straight run through of 12/6 only. Really enjoy the Hammond / Piano combo on these shows. Highlights for me: Bobby McGee, Wharf Rat, Ramble On Rose, and I'm always up for '71 UJB.

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Submitted by KeithFan2112 on Mon, 12/06/2021 - 14:47

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Anniversary of another great show. We only got the highlights or at least most of the highlights on the Road Trips 2011 bonus disc (heh, don't go- a-buying that one on eBay!). 40+ minute Dark Star gets top billing, but there's a biggie that's not there on the bonus disc: Here Comes Sunshine. Absolutely undoubtedly top 3, weighing in at 15+ minutes and just exactly perfect.

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Submitted by Forensicdoceleven on Tue, 12/07/2021 - 01:18

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50 years ago today…..

December 7, 1971
Felt Forum, New York City, New York

Set 1: Cold Rain & Snow-Beat It On Down The Line-Mr Charlie-Sugaree-Jack Straw-Next Time You See Me-Tennessee Jed-El Paso-Brokedown Palace-Run Rudolph Run-You Win Again-Cumberland Blues-Casey Jones

Set 2: Sugar Magnolia-Ramble On Rose-Big Boss Man-Mexicali Blues-Brown Eyed Women-Me & My Uncle -Smokestack Lightning-Deal-Truckin'-Not Fade Away>Goin’ Down The Road Feelin’ Bad>Not Fade Away

Encore: One More Saturday Night

Deadicated to Alan Richman, because some men's memory is like a box where a man should mingle his jewels with his old shoes…..

A solid, well played, if unspectacular show. For some, the lack of a “big jam” might knock this two a notch or two. There’s some good stuff here, but you have to dig for it. Decent dose of Pigpen (including a rare Smokestack Lightning, which, while good, is not “rave worthy”), cowboy tunes, and an up tempo closing segment. Definitely worth a listen.

You cannot create experience. You must undergo it……

Rock on!!

Doc
The natural effect of sorrow over the dead is to refine and elevate the mind…..

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Submitted by Forensicdoceleven on Tue, 12/07/2021 - 05:58

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Yo! Rockers!!!

KF--I think everybody except you and me are busy napping...................

Rock on!

Doc
Sometimes, only one person is missing, and the whole world seems depopulated.....

just been a bit non-verbal, and pushing through these next two weeks before winter break arrives. The break is nice and welcome, but it squishes tasks up a bunch.

12/5/71 is spectacular
12/6/73 is spectacular
I love love love the LTTR boxset

there are times when we hit some posting doldrums, for sure

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Submitted by 1stshow70878 on Tue, 12/07/2021 - 07:50

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Tried to answer here a few minutes ago and it would not let me sign in, even though I was already signed in to the home page. Weird, but not that unusual. The answer is everyone's over on DaP40, the most recent release has been the go to. I check every morning for Doc's words of wisdom. And the reviews are nice too.
Cheers!

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15 years 3 months

Submitted by estimated-eyes on Tue, 12/07/2021 - 08:11

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Last night gave the 12/10/71 Fox Theater show another listen (discs 2 and 3). What a great Good Lovin' and the jam sequence on disc 3 is spectacular. The Comes a Time might be my favorite version pre-hiatus (those 76 and 77 versions have that soaring solo that really make the song shine)-- really fine playing and singing.

Then i put in 12/7/71 for the commute to work this morning. Got through Sugaree and will play favorites on the way home. Gotta hear the Smokestack today.

I think we are all lost since they took down the Dave's forum. I heard that Jim was wandering aimlessly on an early DOS chatroom that he was able to dig up while others are busy chatting on the Facebook thingy.

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12 years 9 months

Submitted by JimInMD on Tue, 12/07/2021 - 08:29

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Here too.. I have been reading it all, just a little too busy to participate at the moment.

Funny.... I have a reply to a doc question he wrote last week. When I come up for air, I will put thought to words and finish.

I am enjoying every minute of it and have been (almost) keeping up with the 71 shows. By almost meaning I missed a month or so but am still tracking where I can.

Thanks all.. keep up the good vibes and good spirit. Lord knows we need it, it's much appreciated.

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Submitted by Sixtus_ on Tue, 12/07/2021 - 08:45

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...ha ha sames, I had brought this up yesterday on the DaP 40 board but I actually insisted the 12/6/73 HCS was a top 2, second only to Dick's Picks One/Tampa.
Because we ALL know we can agree THAT ONE is the tippy top tier HCS, amirite.

Sixtus

Yeah, WTF?
Would of dug that more than yet another China-Rider, nothing against, just comparatively speaking.
Think of it: HCS, DS, and that Eyes…I’d never listen to anything else lol.

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Submitted by daverock on Tue, 12/07/2021 - 11:08

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Doc's words of wisdom are usually quotes from other people. The fact that he doesn't credit his sources can give the impression he has written them himself. Purely an oversight, I am sure, with no wish on his behalf, to mislead anyone. He might know a lot about 1971, but he isn't Willam Blake !

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Submitted by billy the kiddd on Tue, 12/07/2021 - 11:11

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30 years ago tonight I was at the Warfield Theatre for the start of a great 3 night run with Garcia & Grisman. These shows were fantastic, when Garcia picked up his banjo that crowd was lit up. Anybody else here on the forum make to these shows? Garcia was in top form. It would be really nice if these shows were released as a box set, very special set of shows.

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Submitted by Forensicdoceleven on Tue, 12/07/2021 - 11:40

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Yo! Rockers!

I have never implied, suggested, hinted at, or claimed that those "words of wisdom" were my own work.

Maybe next time people will think first and contact the person in question, instead of calling them out and flaming them in public..........

Didn't intend to announce this just yet, but I'll be leaving deadnet after January 2, 2022. Hopefully forever. I won't be missing this type of nonsense.................

Just goes to show that no good deed goes unpunished. Oops, sorry, guess I stole that from somebody too. Oscar Wilde, Clare Booth Luce, Billy Wilder, Franklin Pierce Adams, Andrew Mellon. There, happy now?

Doc
People trash talk me (Zlatan Ibrahimovic)

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Submitted by 1stshow70878 on Tue, 12/07/2021 - 12:34

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I certainly knew Doc's words were quotes but I don't think we need footnotes and citations here. A bit formal for this crowd. What I can appreciate is someone who is widely read and can bring that to the comment at hand.
Love it Doc! Keep 'em coming. Most days it's all that's worth reading here, at least to keep me motivated. Always forward, never straight as someone else posted recently. And on that note I do like your opinions Daverock on lots of different music. Grateful to all.
Cheers

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12 years 9 months

Submitted by JimInMD on Tue, 12/07/2021 - 19:48

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I even recognized a few of them. I enjoyed how they were folded in with the context of the posts in real time, sort of like a transition between songs. Well done, thoughtful and entertaining. Many thanks to the good doctor.

As you were.. back to your regularly scheduled Yellow Dog > Hard to Handle.

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Submitted by KeithFan2112 on Tue, 12/07/2021 - 20:13

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Your post reminds me of the Harvard bar guy from Good Will Hunting. You know which scene I'm talking about - everyone's at the bar having a real hootenanny, and then the Harvard prick walks up and tries to piss on their good time by flexing the 'ol knowledge muscles. But the actual smart guy in the room calls him out as the needy attention prick he is. Sort of what happened with the comedy you started here today. The humor is Doc's reply and the joke's on you. You named one guy - William Blake - and he helps you out with a half dozen more: Oscar Wilde, Clare Booth Luce, Billy Wilder, Franklin Pierce Adams, and Andrew Mellon. I chortled when I read that. You ought to thank him for helping you out with a few others.

Doc's been gracing us with these fine bits of wisdom for months, but we haven't heard from you until today. Did you just figure out he's been quoting people? I'll let you in on a little secret - we already knew! I guess we're.....what? A room full of halfwits you wanted to bring up to speed when the light bulb went on this morning?

I've been reading posts from Doc and you for a few years, and trust me - the man doesn't need to quote anyone to write circles around you, 1971 or otherwise. He does it, I suspect, to entertain and to bring out our "inner-introspective" which I've found to be....a good thing. There is no better deed than to bring a good thing to someone's day.

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Submitted by DeadVikes on Tue, 12/07/2021 - 21:36

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We need more people like you on this site, not less.

Hang in there.

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Submitted by daverock on Wed, 12/08/2021 - 02:20

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Sorry about that, I thought last night after I posted that you probably knew about the quotes. But I'd put my laptop away by then.

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Submitted by daverock on Wed, 12/08/2021 - 02:30

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You've come out fighting! I misinterpreted Ist show's comment about Doc's words of wisdom which he has rightly corrected me about, and which I have duly apologised for. I think you got a bit over emotional there.

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Submitted by dreading on Wed, 12/08/2021 - 05:08

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I disagree that anyone responded out of line. I think if this was the first time you "corrected" somebody than "it was a simple misunderstanding" would be fine. That is not the case. In the past several months you have crossed a line I have noticed on a few occasions and become argumentative about your opinions instead of respectfully disagreeing, and the thing is I noticed on these occasions that your negativity is not in response to something negative (in other words you seem to be the instigator). I thought to myself in the past, that was a little odd for Daverock, he is not usually harsh like that. If this were the first time, it would be tolerable but unacceptable still. Maybe you had a bad day is what I thought. Your comments yesterday were just flat out unnecessary and seem mean spirited. I am not sure where the misunderstanding was on your part, but it's not important now. Your apology came late and seems a little half hearted considering how many people spoke out against your posting. Now it seems you are trying to dismiss somebody's remarks about your behavior as overemotional it seems to me to deflect the spot light. Apologies do not come off as sincere when you shift the focus to someone else. Doc is well respected on these boards because he's a genuinely good guy and KF's reply is what you need to hear. I believe most people enjoy seeing you here (and I do too) but maybe lighten up on people a bit.

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Submitted by daverock on Wed, 12/08/2021 - 05:45

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It's your prerogative to disagree of course - bur my apology to 1stshow was sincere. I simply misinterpreted what he said as implying that he thought Doc's words of wisdom were his own.

My post didnt include any criticsm of Doc himself. I pointed out what is evident in his posts-that he quotes people without credting who, and that he knows a lot about 1971. I didn't say he necessarily should credit his sources, but in not doing so, he runs the risk of misleading people. This is what I, mistakingly as it happens, thought had happened. I went on to say in my original post that if he had mislead people, then I was sure it was unintentional.

Keithfan's post seemed more like a general attack on me, as he felt that I had attacked someone he respects. No harm done at all.

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Submitted by Forensicdoceleven on Wed, 12/08/2021 - 06:00

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Yo! Rockers!!

OMG PLEASE STOP!!!!

So that we may return to the usual nonsensical, often meaningless babble about our favorite garage band..........

Rock on,

Doc
I beg you take courage; the brave soul can mend even disaster.......(Catherine the Great)

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Submitted by Cousins Of The… on Wed, 12/08/2021 - 06:53

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Forgot who recommended this show, but it's excellent. First time I noticed they changed the 2nd chord from a G major to a Em, to match Marty Robbin's version. When did they switch?? This kind of stuff keeps me up at night

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Submitted by proudfoot on Wed, 12/08/2021 - 07:11

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not sure about El Paso chord changes

I have wondered when the big change in lyrics of Comes a Time happened

"the words come out in an angry stream
you hear yourself say things you could never mean
the heat cools down
and you find your mind
you got a lot of words to stand behind"

or something close to that

those lyrics disappeared...when?

that would be a good release
but prolly no soundboard

1969, Dave.

1969.

I think we all know that the written word is easily open to misinterpretation, and that most communication is 'non verbal'. I'm sure if we were all sat around a campfire or wherever chatting most of the recent misunderstandings and upset wouldn't happen, or would be more easily sorted. I know i have both caused upset and been upset by comments on here.
So, please, take a couple of deep breaths if you're contemplating having a go at someone.
This is not the place
Thank you

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Submitted by 1stshow70878 on Wed, 12/08/2021 - 08:36

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In the late 90's when I was forced to listen to a country western FM station over the PA at work all day in a retail store I decided to call in a request during their "classic country" segment in the morning. Didn't know the artist, I told the DJ, but it's called El Paso. He thought that was a great classic and aired Marty right away. Next day I asked for Big River, which he also dug. After about a week of calling in GD country covers he asked where I got these and was I an old timer that remembered them from when they were new. When I told him that I was learning where these great Grateful Dead covers came from there was silence, then he thanked me politely for calling in. I tried a couple more times but clearly he was on to my radical hippy plot and my requests were ignored. But I did learn a lot! It also helped me listen for the modern rock guitar lines in what was passing for country then, and I did develop a taste for rockabilly too. Gotta make it somehow in the dreams you still believe in.
Cheers!

Cousins of the Pioneers: I have a "cousin" who is a masterful telecaster player for Marty Stuart Named "Cousin Kenny" Whitney. He is actually my ex-brother in law's cousin and has some solo work out there too. First saw him playing for Patty Loveless and much later for Lucinda Williams (replaced at times by Doug Pettybone, another great guitarist).

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Submitted by billy the kiddd on Wed, 12/08/2021 - 09:09

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"If you want something for nothing, jerk off": Bob Weir

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Submitted by JimInMD on Wed, 12/08/2021 - 10:02

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Ha.. that's a great one.

I see things are almost back to normal.. Good thing, I was getting ready to do my best Rodney Dangerfield.

Ok.. I have a little catch up to do and I really want to hit Dave's #40 again, then I plan to hit another listen to Listen to the River Sing Sweet Songs. Third try's a charm I say..

Don't visit for a few days and lookey wha' happens...On the other hand a couple of days ago was my 52nd Anniversary of attending Altamont...sheesh...I was planning on heading to a biker bar in town and getting my ass kicked to commerate the day but some snow kept me from traveling....

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Submitted by Vguy72 on Wed, 12/08/2021 - 13:36

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....Pee Wee's Big Adventure immediately came to mind.
"I'm trying to use the phone!"

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Submitted by daverock on Wed, 12/08/2021 - 14:25

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Nappyrags-you may well already have written about this in the past-in which case ignore me-but I wondered if it felt as ghastly being there as it looks in "Gimme Shelter." Granted, the cameras are focussed on the front of the stage, and the crowd looks like it stretches back into the distance, so for most people it may just have been like another festival. The lucky ones. A historic event, though, for sure.

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Submitted by proudfoot on Wed, 12/08/2021 - 14:25

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you were at Altamont? Truly?

The actual event was probably different from the myth, but still...

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14 years 7 months

Submitted by Cousins Of The… on Wed, 12/08/2021 - 14:34

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Did you mean Cousin Kenny Vaughn perhaps? He's with Marty Stuart's aptly named Fabulous Superlatives. He's amazing! So is the rest of the band.

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Submitted by Cousins Of The… on Wed, 12/08/2021 - 14:42

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D-> Em -> A in 3/4 hungry

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Submitted by 1stshow70878 on Wed, 12/08/2021 - 14:55

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Duh! Yes Kenny Vaughn. I used my ex-brother in law's surname. Hadn't seen him since my sister's wedding where we were very long haired teen ushers when I got to see him play with Loveless in the early 90's. Then lost track of him again until I saw this skinny guy with Buddy Holley glasses tearing it up on Austin City Limits with Lucinda. A lot of paying his dues in Nashville before and in between. Not bad for a long haired rocker gone rockabilly! And Marty Stuart, I think named after Marty Robbins if I have that straight and no slouch himself on guitar, has really helped Cousin Kenny shine. Thanks!
My last 5? All Lucinda Williams (on Ytube) doing covers of Stones, Dylan, Clash, Bobby Gentry, et.al. She slays me.

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