• https://www.dead.net/features/tapers-section/april-2-april-8-2007
    April 2- April 8, 2007
    This week, with plenty of Spring Tours happening throughout the years, we have plenty of music to play, spanning the years 1972-1990. Applicable this week and next, it should be pointed out that the first half of the much-requested April, 1978, tour is missing from the vault, 4/6 to 4/16.

    Starting this week out is some magnificent music from the first show of the Europe ’72 tour, 4/7/72 at Wembley Arena in London. The first music that most of us had ever heard of this show was the second set jam featured on CD Three of Steppin’ Out with the Grateful Dead: England 1972, and although there were some recording issues on the multi-track masters during some of the first-set material on 4/7/72, the latter part of the set and the second set were salvageable. So, for the first time, here is the short-but-powerful Playing In The Band from the first set, and the second-set closing Not Fade Away>Goin’ Down The Road Feeling Bad>Not Fade Away from 4/7/72. Anyone leaving Wembley Arena in 1990 after the Grateful Dead’s shows there will fondly remember the exit signs that proclaim, simply, “Way Out.” Way out, indeed.

    Next up is a terrific jam from 4/2/73 in Boston, featuring an early Weather Report Prelude>Eyes of the World>China Doll combination, all relatively new tunes to the repertoire. Jerry plays some particularly chaotic music during the Eyes outro jam, music that certainly thinks outside the box.

    Jumping ahead to the 1980s, we will start out with some music from the Phildelphia Spectrum. First up, from 4/5/82, is one of those nice, meaty Deep Elem Blues that are just so much fun. And, from the next night, this Shakedown Street features some great interplay between Jerry and Brent. Also from the 4/6/82 show is the post-Drums sequence of Truckin’>The Other One>Morning Dew, another great moment in the Grateful Dead’s recorded history in Philadelphia. All selections from the cassette masters.

    The Spring Tour of 1985, recorded very nicely to Beta PCM digital audio tapes, featured some very inspired playing and unique jamming and song selection. From that tour, we’ll start out with the nice first-set closer of Lost Sailor>Saint of Circumstance>Deal from 4/4/85 in Providence. And a return to the Philadelphia Spectrum gives us some cool moments: from 4/7/85 is this She Belongs To Me>Women Are Smarter sequence, and from 4/8/85 is the very unique first-set opening sequence of Midnight Hour>Walking The Dog>Big Boss Man, as well as the mid-first-set jam of Down In The Bottom>Ain’t Superstitious>Althea.

    In 1988, the band played a very interesting three-night run at the Hartford Civic Center, featuring cool song selection, song sequences, song placement in sets, and Jerry’s absent voice on the 4/3/88 show. Amongst all the chaos was some exquisite music, and from the second set of the final show, 4/5/88, we have this excellent Iko Iko>Louie Louie>Samson and Delilah jam. This is, of course, the first-ever performance of Louie Louie sung by Brent.

    Finally this week, have some more of that incredible Spring Tour of 1990, thankfully recorded in its entirety to 24 track tape during the Without A Net project. From the final show of the tour in Atlanta on 4/3/90, we have this masterful opening trio of Shakedown Street, Hell In A Bucket>Sugaree. There was so much great music played from the Summer of 1989 through the Spring of 1990, and we’re very fortunate that virtually all of it was recorded on multi-track tape.

    Please check back next week, as we’ve got more great music, including some rare performances from 1971, as well as a fair amount of 1980s-era Dead, including 1982, 1983 and 1989. Plus some 1970 and 1972 for good measure. Feel free to get in touch with questions, comments or suggestions for release, or just to discuss Stanley Cup playoff predictions.

    David Lemieux
    vault [at] dead.net
    1881
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  • gratefullydeadicated
    12 years 4 months ago
    dude sometimes the squek
    dude sometimes the squek fromthe senetars or his partner phil would couse the none senetars to for get what they were playin thats why dark star67
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    DaleyPage
    16 years 4 months ago
    4/8/85
    Although unconventional I truely enjoyed both the opening Midnight Hour>Walking The Dog>Big Boss Man as well as the mid set jam of Down In The Bottom>Ain’t Superstitious>Althea. I would love to hear the rest of this night and find out what happened during the second set. From what I have heard I think this is another magical night.
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    darkstar67
    16 years 9 months ago
    What happened?
    What happened to the rest of April? Before the changeover there were a few gems (many?), that seem to now be missing, including, but not limited to a Help-Slip-Franklin's that is otherworldly. Please advise, Otherwise- hail, hail the tapers section Many thanks, Sincerely, darkstar67
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This week, with plenty of Spring Tours happening throughout the years, we have plenty of music to play, spanning the years 1972-1990. Applicable this week and next, it should be pointed out that the first half of the much-requested April, 1978, tour is missing from the vault, 4/6 to 4/16.

Starting this week out is some magnificent music from the first show of the Europe ’72 tour, 4/7/72 at Wembley Arena in London. The first music that most of us had ever heard of this show was the second set jam featured on CD Three of Steppin’ Out with the Grateful Dead: England 1972, and although there were some recording issues on the multi-track masters during some of the first-set material on 4/7/72, the latter part of the set and the second set were salvageable. So, for the first time, here is the short-but-powerful Playing In The Band from the first set, and the second-set closing Not Fade Away>Goin’ Down The Road Feeling Bad>Not Fade Away from 4/7/72. Anyone leaving Wembley Arena in 1990 after the Grateful Dead’s shows there will fondly remember the exit signs that proclaim, simply, “Way Out.” Way out, indeed.

Next up is a terrific jam from 4/2/73 in Boston, featuring an early Weather Report Prelude>Eyes of the World>China Doll combination, all relatively new tunes to the repertoire. Jerry plays some particularly chaotic music during the Eyes outro jam, music that certainly thinks outside the box.

Jumping ahead to the 1980s, we will start out with some music from the Phildelphia Spectrum. First up, from 4/5/82, is one of those nice, meaty Deep Elem Blues that are just so much fun. And, from the next night, this Shakedown Street features some great interplay between Jerry and Brent. Also from the 4/6/82 show is the post-Drums sequence of Truckin’>The Other One>Morning Dew, another great moment in the Grateful Dead’s recorded history in Philadelphia. All selections from the cassette masters.

The Spring Tour of 1985, recorded very nicely to Beta PCM digital audio tapes, featured some very inspired playing and unique jamming and song selection. From that tour, we’ll start out with the nice first-set closer of Lost Sailor>Saint of Circumstance>Deal from 4/4/85 in Providence. And a return to the Philadelphia Spectrum gives us some cool moments: from 4/7/85 is this She Belongs To Me>Women Are Smarter sequence, and from 4/8/85 is the very unique first-set opening sequence of Midnight Hour>Walking The Dog>Big Boss Man, as well as the mid-first-set jam of Down In The Bottom>Ain’t Superstitious>Althea.

In 1988, the band played a very interesting three-night run at the Hartford Civic Center, featuring cool song selection, song sequences, song placement in sets, and Jerry’s absent voice on the 4/3/88 show. Amongst all the chaos was some exquisite music, and from the second set of the final show, 4/5/88, we have this excellent Iko Iko>Louie Louie>Samson and Delilah jam. This is, of course, the first-ever performance of Louie Louie sung by Brent.

Finally this week, have some more of that incredible Spring Tour of 1990, thankfully recorded in its entirety to 24 track tape during the Without A Net project. From the final show of the tour in Atlanta on 4/3/90, we have this masterful opening trio of Shakedown Street, Hell In A Bucket>Sugaree. There was so much great music played from the Summer of 1989 through the Spring of 1990, and we’re very fortunate that virtually all of it was recorded on multi-track tape.

Please check back next week, as we’ve got more great music, including some rare performances from 1971, as well as a fair amount of 1980s-era Dead, including 1982, 1983 and 1989. Plus some 1970 and 1972 for good measure. Feel free to get in touch with questions, comments or suggestions for release, or just to discuss Stanley Cup playoff predictions.

David Lemieux
vault [at] dead.net
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I almost fell over with that Eyes..Super powerful stuff...This is why im so stuck with 73, the band seemed in my mind to be so locked in and focused in melting minds and waging audio space wars with invisible aliens......Hardcore 70's picks this week, Playin was like you said, short but oh so sweet....
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Praised be: David Lemieux. Praised be: Jer, Bob, Bill, Mick, PHIL & Brent. Praised be: All those who hath created heretofore website. This version of "She Belongs > Women Are Smarter" brought firstly chills to me, followed by a virtual dandy Dance of Joyoussnesses! Praised be: Archivists. It's now officially Oatmeal Stout Time!
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What happened to the rest of April? Before the changeover there were a few gems (many?), that seem to now be missing, including, but not limited to a Help-Slip-Franklin's that is otherworldly. Please advise, Otherwise- hail, hail the tapers section Many thanks, Sincerely, darkstar67
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Although unconventional I truely enjoyed both the opening Midnight Hour>Walking The Dog>Big Boss Man as well as the mid set jam of Down In The Bottom>Ain’t Superstitious>Althea. I would love to hear the rest of this night and find out what happened during the second set. From what I have heard I think this is another magical night.
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dude sometimes the squek fromthe senetars or his partner phil would couse the none senetars to for get what they were playin thats why dark star67