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    With Yoda, You Can Listen

    Join Yoda as he travels from Mill Valley to Novato, California, listening to a selection from Dave's Picks Volume 3. (And stay tuned for an announcement coming soon!)

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    Anonymous (not verified)
    11 years 11 months ago
    Spacebrother, I'm there with you
    It's hard to talk about, because how do you argue against the Grateful Dead in the early 1970s? You don't. But then, you want to argue in favor of the Grateful Dead during certain periods of the 1980s and (yes, even) the 1990s. I am in no way complaining about the abundance of releases from the 70s (especially now, on my second trip through this Other One along with Yoda. It is amazing. And [this from a Brent fanboy] Keith is awesome). Nor am I complaining about this release--sounds awesome. Nor am I complaining about Dave's/TPTB's selections in general: I trust their selections wholeheartedly. I love the two drummer era from 1976 onward most of all, partly because I love the two drummer configuration, partly because the band's setlists only got better as they gathered more terrific songs (and this band only played great songs--if a song wasn't that good, they dropped it right quick). Their playing may have lost some of its psychedelic-manic energy after the mid-70s, but they were always capable of hitting transcendental heights on any given night, even up to the end, however rare those nights might have been. For me, a good 80s show (say, Augusta '84) is as good a show as a band can play. My first show (Eugene 8/22/93) is as good a rock n' roll show as most bands play in a lifetime. We'd love to hear those kinds of shows in pristine quality, too.
  • Byerly
    11 years 11 months ago
    80's would be nice
    I personally enjoy the pigpen era very much. Think Phil's bass lines during the Keith years are awesome. But I cut my teeth starting with 1984 and have also put a pitch in to Dave for 10/12 1984 Augusta Maine which holds a candle to any show during the Brent era which is what I personally enjoy the most Thank God we have a band with such diverse musical history that there are so many magical moments for us to hear for the first time. I listen to the Grateful Dead Channel every day and continue to hear things that have blown me away and may I say Thank You to some one that took the time to listen to who knows how many hours of archive tape and got it mastered to album quality so I could hear it for the first time ever. I will listen to the archive of this show and determine if I want to spend my money on it in continued hopes that the 80's gets put out some day. And by the way. I have had the archive video release in my cart for a while which has some very good Brent era shows on it, waiting till I can afford due to I spend most of my extra cash on current Furthur tour and musical equipment for my studio
  • Anna rRxia
    11 years 11 months ago
    If they only have to attract 2800 new buyers...
    It really DOESN'T matter what era/show they pick, from a business perspective. They will sell out. So then it just becomes a matter of what is available further reduced to the personal peccadilloes of the few people who have the final say. Sooo, why wouldn't they just release from the 4 main eras in turn?? After doing the listening party for this latest release I'm wondering why. Really. It is hard to figure out when the goal isn't to sell as many units as possible...
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Join Yoda as he travels from Mill Valley to Novato, California, listening to a selection from Dave's Picks Volume 3. (And stay tuned for an announcement coming soon!)

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Join Yoda as he travels from Mill Valley to Novato, California, listening to a selection from Dave's Picks Volume 3. (And stay tuned for an announcement coming soon!)

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Shouldn't be surprised with a '71 release... First six releases from the previous series: Dick's Picks: 73 71 77 70 79 83 Downloads: 77 70 71 76 88 68 Road Trips: 79 77 71 78 90 68 Dave's Picks: 77 74 71 ?? .. .. Curiously, this year there was no Spring vault release. There wasn't one last year, either, but considering they put out the E72 that is understandable.
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Hey cmd, I am going to check out some of the shows you listed.thanks for the tip. I know there were some good shows in that relatively weak period. I was really trying to point out that the 70's were so hot that it is not surprising that releases are so heavy to the time period. I have listened to the entire Europe 72 box set and I struggle to pick a best or worst show. They were all so great. Back to back killer shows. I am so thrilled with that set. If they were to release a set of 20 or so consecutive shows from the 80's.....I would not be able to bring myself to pay $450 for it. I would purchase great shows from the 80's and even maybe two or three consecutive shows if the reviews were good. But I would not have confidence in anything too large. If they want me to put down another 450 and have the music be from the 80's the only thing I could imagine is a set with two of the best shows from each year. That might open my wallet. Once you hit 89>91 my wallet would open for a large Europe run. Thanks for the show recommendations I will have to check some or all of them out
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Hey cmd, I am going to check out some of the shows you listed.thanks for the tip. I know there were some good shows in that relatively weak period. I was really trying to point out that the 70's were so hot that it is not surprising that releases are so heavy to the time period. I have listened to the entire Europe 72 box set and I struggle to pick a best or worst show. They were all so great. Back to back killer shows. I am so thrilled with that set. If they were to release a set of 20 or so consecutive shows from the 80's.....I would not be able to bring myself to pay $450 for it. I would purchase great shows from the 80's and even maybe two or three consecutive shows if the reviews were good. But I would not have confidence in anything too large. If they want me to put down another 450 and have the music be from the 80's the only thing I could imagine is a set with two of the best shows from each year. That might open my wallet. Once you hit 89>91 my wallet would open for a large Europe run. Thanks for the show recommendations I will have to check some or all of them out
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But certainly something like Dick's Picks 21 — it couldn't have been an accident that Spoonful, Gimme Some Lovin', She Belongs to Me, and Gloria, had not been officially released before. That was a happy accident. That was a great show. And again, 1985 is a year where there are a lot of tape problems. The master tapes we have on cassette. And then we've got the PCMs, the Beta tapes, starting with the New Year's run of '82 up until about New Year's '87. We've got these digital tapes that are Betamax videotapes with no video on them, just an audio-only track. The earliest digital audio we have is from 1985. Early digital had real bass issues. It's really bass shy. We looked at quite a bit of it from that era. For instance the bonus material on Dick's Picks 21 from Rochester 9-2-80 with the tremendous Iko Iko — we thought about putting on the Space>Werewolves of London>The Music Never Stopped medley that opened the night before, and a lot of people said, "Why didn't they do that? They had 40 minutes." The reason is that the tape really lacked bass. It literally had no bass in the mix. It's those sorts of issues that rendered that specific tape unusable. So with '85 there were a few shows that I won't say we rated higher than Richmond 11-1-85, but that we equally valued, and they just didn't hold up as far as the sound quality goes. And the performance at that Richmond show is pretty amazing energy, and I think the energy that the band brought that night is what caused such an incredible set list. I don't think it was the set list that caused the energy. I think it was the band playing so incredibly tightly on that whole tour — that whole year really — that something magic happened that night and they probably walked on stage and said, "Let's mess it up a bit tonight." Hence, we got two Jerry ballads before Drums, and then the post-Space is stellar. So to get back to your question, no we didn't say, "This is a cool set list." We don't go through DeadBase looking for unusual set lists. I know the set lists as well as anyone does. I know which shows are the sought after ones. We've done polls. I'm a tape trader myself so I know what's going on, and there are quite a few people involved in the process who [provide] input. Dick's Picks 21, specifically, was both a really good show and highly sought after. It happened to be a really good sounding tape, and it was very popular. With so much circulating now there's not really much left in the way of surprises. You know the criteria used to be: performance, then sound quality, then sound mix, and then the song selection. The fact is at number 22 in the Dick's Picks series we're not going to really find much in the way of songs that haven't been put out. Read more: Interview from the Vault - A Conversation with David Lemieux (Part One) http://www.musicbox-online.com/dl-vault1.html#ixzz1yj7okLIA
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That pretty much takes care of this whole debate about why other eras have not been released. Sad, really, that the band had so many issues with recording their own performances. They had such a gold standard set by Betty Cantor. They should have paid somebody to be on tour to do what she did (I know, Healy was that person and he screwed up) if they didn't want her around anymore. Don't know what the story was there and don't want to, just sayin'.
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That's a great interview, thanks for the link darkstartheotherone. One of the more revealing comments to me is that a multi-track show takes about 8 weeks to mix properly. This is a bit of a glimpse into how much effort went into the Europe 72 Box. And the result- A lifetime of treasure.
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I've been trying to figure out why they went so cheap on the production end of the E72 box. From that comment it looks like they blew the budget on mixing the shows. If Norman was the man he must have reaped on that project! I can live with the cheaply constructed (no felt?) box that has bowed in already but the cheap cardboard and cheap quality CDs are unforgivable. The holy grail is the holy grail though.
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from Dave's interview: "the Dead's history and the legacy of what they left behind is too important to just focus on 4 years or 10 years or whatever without revealing the fact that this band was unbelievably dynamic and diverse." This is not a complaint about the forthcoming release or releases from the 70s or anything in general. Just interesting to note that Dave is trying to represent the entire history/legacy of the band, while at times there is a clear privileging of a certain span of years (i.e. '69 through '78, and particularly '72 through '78). Obviously recording quality plays a major part in that, as does the consistency of performances. If only there were pristine, Bear-quality recordings of every show ever, all remastered in HDCD, we could all get busy listening to every single one and debating their respective merits.
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It never bothered me that the Dead releases were always 72-78, my favorite period, but I know lots of folk who never heard the 70s Dead and would like a 80s show, right? Did they not record the eighties? I mean, you think that recording devices would improve as time traveled. When did Betty Cantor Stop? I have seen good videos from the eighties, so i know they still sounded good, in ways better in ways worse.
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All three of the current Dave's Picks circulate in pristine form in the trading community. While I tend to steer clear of post 82 shows myself the folks at rhino are seriously neglecting a large % of the fanbase by their selections. Honestly, the level of excellence in the online community now precludes any need for "official" releases imho.