Dave's Picks Volume 2
July 31, 1974
Dave’s Picks Volume 2 is officially SOLD OUT.
Stay tuned for an upcoming seaside chat with David Lemieux as part of our Dave’s Picks series.
ABOUT VOLUME 2
We warned you. We said there was a chance that the limited edition Dave’s Picks releases could sell out. And sure enough, Volume 1 is a goner. No copies left. (OK, even we were a little surprised it sold out so quickly.)
Which brings us to Dave’s Picks, Volume 2. The thousands of you who bought the full-year Dave’s Picks subscription have nothing to worry about. Your CDs (and the bonus disc that comes with this one for subscribers) will be winging their way to you shortly. But NOW is the time when all you other good people who are interested in purchasing this potent slice of Dead history can submit your orders.
The show in question is a three-set wonder from Hartford’s Dillon Stadium during the heart of the Wall of Sound era, July 31, 1974, four days after the release of the Dead’s fine Mars Hotel album. Dwarfed by the Wall’s irregular columns of speakers on a hot and humid Wednesday afternoon, the band thrilled the sold-out crowd of 20,000 with a far-ranging collection of tunes and jams that showed how far they’d come as musicians, songwriters and interpreters of others’ songs in their decade together.
The 12-song first set kicks off with the still-new “Scarlet Begonias” (opening a show for the first of just three times in the Dead’s entire history), and includes such other early ’70s favorites as “Jack Straw,” “Brown-Eyed Women,” a pairing of “Mississippi Half-Step” and “Must’ve Been the Roses” and “Row Jimmy.” The '73-’74 versions of “China Cat Sunflower” > “I Know You Rider” have a unique character, and this one exemplifies that nicely.
Things start to open up a bit more in the second set. An expansive “Eyes of the World” is partnered with a particularly fragile “China Doll” mid-set, and the concluding take on the complete “Weather Report Suite” is filled with impressive shifts in dynamics and purposeful jamming during a 12-minute “Let It Grow.” That set also has a good “Big River” and an excellent “Ship of Fools” (another new song that year).
Set Three starts with a couple of short selections, hits an early emotional peak with one of the better versions of “To Lay Me Down” from that era, and then really goes into gear with the onset of “Truckin’,” so often a gateway to wondrous possibilities. This one rumbles and wanders and flits and crashes and dashes all over the place during a half-hour exploration that includes what is popularly called the “Mind Left Body” jam and a full-blown Spanish jam, before eventually winding up at the docks for a deep “Wharf Rat.” The set closer, “U.S. Blues,” was one of the anchors of the Mars Hotel album (and an FM radio hit at the time); a perfect summer anthem.
All Dave’s Picks releases are mastered to HDCD specs from the original vault tapes by Jeffrey Norman, and include a booklet containing an essay about the show and period photos. The Digipak is made of 100% recycled and PCW materials on heavier paper stock due to high demand. The limited edition consists of 12,000 numbered copies.
— Blair Jackson
DAVID LEMIEUX ON VOLUME 2 & MORE
David Lemieux sits down for a seaside chat about his favorite moments on Dave's Picks, Volume 2: Dillon Stadium, Hartford, CT - 7/31/74 and sheds a little light on how Dave's Picks are selected. Watch the video here:
...I think you mean 6/9-10/73.
There are quite a few shows that have been tape trader/collector favorites for many years that would be welcomed by most of us.
A few examples of popularly traded recordings that haven't been released yet and in no particular order...
3/29/90, 7/13/84, 8/27/72, 7/16/72, 7/27-28/72, 6/9-10/72, 10/26/89, 9/10/91, 9/26/91
There are many others, but these I listed off the top of my head.
Jerry's guitar is out of tune, which he gradually corrects (while performing), though maybe not completely; even so, his note textures are SO rich (though, as usual for this song in this era, yes?, there's no soloing lengthier than eight bars). I love the sound of that Irwin Wolf guitar, and its living presence in the '73(pre-"Wall")-'74 PA (and Jerry's note-sculpting).
(And the instrumental-ensemble fit and harmony in "He's Gone" on this disc are wondrous!)
I can't watch the video either Wilfred, but am unable to tell if it works or not. Not having a computer, the only access I have is my phone, and can't see anything that uses flash. Sorry if this isn't much help.
Finally made it to Canada! Got my email on May 8 that it had been shipped Jan 31, which was a typo obviously. Our post is slow, but not nearly that bad! Just relaxing into Scarlet, grate listening for the sunshine this weekend! !
I've not received mine yet but looking at Yeti_UK's comments brings back the argument of how much we have to pay this side of the pond to be a fan of the Dead.
I know no one is forcing us to buy this stuff but when you pay your subscription up front and postage then get hit with a hefty duty charge and a further $12 charge from good old Royal Mail for collecting the duty on behalf of Customs and Excise it adds up to a pretty expensive purchase.
Also noticed that in the past we were only charged duty on the goods, however now they are adding the postage cost to the sale price and taxing on the overall cost!
I have asked before if these items cannot be marked gift on the excise label as these have been pre-paid and are not individual purchases but no one seems to be taking me up on this.
I suppose we could buy the sets from retailers at this end but then we loose out on the bonus stuff.
I'm wondering what proportion of the 12000 were sold to fans outside the US and therefore what percentage of the fans worldwide are being hit with similar charges.
Sorry to whine but times are hard here in dear old blighty! Happy listening to all those who have received their discs!!!
The set hasn't arrived in MA yet (at least for me). I'm not worried, just commenting. I listened to part of the show on discs that I've had for years. I think it's a great show. Nice pace, nice selection, and I think the jam out of Eyes is fantastic. Looking forward to the upgrade.
Amen Zuckfun!! No one loves their fans more than the Grateful Dead. We must always keep that in perspective. They don't have to release another show, but we sure appreciate it when hey do. We still get the choice to buy 'em or pass and let someone else enjoy what we don't need.
How many shows are left in the Vault that are must haves? For me, there are hundreds more. There's nothing like Normanized glory. Every show that is beautifully mastered and mixed professionally for our listening pleasure is a must have. A perfect example is the first Dave's Picks. The Mosque show circulated in great quality for years prior to it's release. And now this show sparkles like never before. Of course we all want the most thrilling performances. How many of the finest Dead shows remain to be released? I would guess there are many more. On a side note, I counted up every archival release- somewhere over 350 total cd's. Nobody loves their fans the way the Grateful Dead do.
What's left? 12/01/79 !