Grateful Dead
Rolling Stones
Back to zero
So you wanna blow us all to pieces
Go meet your maker, head hung down
And give him all your explanations
Go ahead, throw down
Back to zero, back to nothing
Straight to meltdown, back to zero
That's where we're heading
It's a monkey living on my back
I can feel my spine begin to crack
I'm looking to the future
I keep on glancing back
I prefer to rot
I don't want to pop
[ Lyrics from: http://www.lyricsmode.com/lyrics/r/rolling_stones/back_to_zero.html ]
I think I'll head back to the jungle, alright
Don't want to see no big bad rumble, too fright
Back to zero, that's where we're going
Back to nothing, right now, right now
No heroes? No more heroes
Back to meltdown
That's where I'm going, back to zero
My whole life is hanging on a thread
I'm the fly inside the spider's web
I'm looking to the future
I keep on glancing back
I prefer to rot
I don't want to pop
I worry about my great grandchildren
Living ten miles beneath the ground
I worry about their whole existence
The whole damn thing's in doubt
Back to zero, that's where we're going
Back to nothing, that's where we're heading
Straight to meltdown, that's where we're going
Back to zero, right now, right now
We're going nowhere
Right now, right now
Back to zero, that's where we're heading
Back to zero
Searching for answers,
Of how we lost our way,
Forgot how to play,
You open a door,
And at the end of the hall,
There stands a ten foot wall.
As you approach,
You become blinded for a few,
Your nostrils become filled with the scent of dew,
When you listen for an all unforgettable tune,
You flash back to old days,
Filled with wondrous haze,
With loved ones and praise,
You awake on the shores of that black muddy river,
And realize,
He’s come to take his children home.
Lyrics By: Bob Dylan
Music By: Bob Dylan
They're selling postcards of the hanging
They're painting the passports brown
The beauty parlor's filled with sailors
The circus is in town
In walks the blind commissioner
They've got him in a trance
One hand is tied to the tight-rope walker
The other is in his pants
And the riot squad they're restless
They need somewhere to go
As Lady and I look out tonight
From Desolation Row
Now Cinderella, she seems so easy
"It takes one to know one," she smiles
And puts her hands in her back pockets
Bette Davis style
And in walks Romeo, he's moaning
"You belong to me I believe"
And someone says, "You're in the wrong place, my friend (note 1)
You better leave"
And the only sound that you can hear
After the ambulances go
Is Cinderella sweeping up
On Desolation Row
Now Ophelia, she's neath the window
For her I feel so afraid
On her twenty-second birthday
She already is an old maid
To her, death is quite romantic
She wears an iron vest
Her profession's her religion
Her sin is her lifelessness
And though her gaze is fixed upon
Noah's great rainbow
She spend her time peeking in
On Desolation Row
Einstein disguised as Robin Hood
With his memories in a trunk
Passed this way an hour ago
With his friend, a jealous monk
He looked so immaculately frightful
As he bummed a cigarette
Then he went off sniffing drainpipes
And reciting the alphabet
Now you would not think to look at him
But he was famous long ago
For playing the electric violin
On Desolation Row
Now the moon is almost hidden (note 2)
The stars are beginning to hide
The fortune telling lady
Has already taken all her things inside
All except for Cain and Abel
And the hunchback of Notre Dame
Everybody is making love
Or else expecting rain
And the Good Samaritan, he's dressing
He's getting ready for the show
He's going to the carnival tonight
On Desolation Row
Doctor Filth, he keeps his world
Inside of a leather cup
And all his sexless patients
They're all trying to blow it up
Now his nurse, some local loser
She's in charge of the cyanide hole
And she also keeps the cards that read
"Have mercy on his soul"
They all play on the penny whistle
You can hear them blow
If you lean your head out far enough
On Desolation Row
Across the street they've nailed the curtains
They're getting ready for the feast
The Phantom of the Opera
In the perfect image of a priest
They're spoonfeeding Casanova
To get him to feel more assured
Then they'll kill him with self-confidence
After poisoning him with words
And the Phantom's shouting to skinny girls
"Get out of here if you don't know"
Casanova is just being punished for going
To Desolation Row
Now at midnight all the agents
And the superhuman crew
They go and round up everyone
That knows more than they do
They take them to the facory
Where the heart attack machine
Is strapped across their shoulders
And then the kerosene
Is brought down from the castles
By insurance men who go
Make sure nobody is escaping
To Desolation Row
Praise be to Nero's Neptune
The Titanic sails at dawn
Everybody's shouting
"Which side are you on?"
And Ezra Pound and T.S.Eliot
They're fighting in the captain's tower
While calypso singers laugh at them
And fishermen throw flowers
Between the windows of the sea
Where lovely mermaids flow
And no one has to think too much
About Desolation Row
Yes I received your letter yesterday
About the time the doorknob broke
When you asked how I was doing
Was that some kind of joke?
All these people that you mentioned
Yes I know them they're quite lame
I had to rearrange their faces
And give them all another name
Right now I can't read so good
Don't send me no more letters, no
Not unless you mail them
From Desolation Row
Played by Bob Weir with the Grateful Dead from the mid-1980s, as well as with Ratdog and Weir/Wasserman.
(1) this line is as Weir sings it (and as on the 'official' Dylan lyrics). But I recently heard Chris Smither do a great (if truncated) version where he sang "... you're in the wrong play my friend" which is a great variant.
(2) Bob Weir misses out this verse on the version on "Postcards Of The Hanging." He includes it on the version on "Downhill From Here" - but note that in the original Dylan version it's the third verse not the fifth. Thanks to Tim Cahalane for clearing this up for me.
Ty Cobb eats corn on the cob like a slob.
Named in the Hall of Fame as the greatest outfielder, an all American leader.
It was the bottom of ninth, the score tied.
When a towering pop fly, soared into the sky.
In sight in step Ty went to catch the ball when something went terribly wrong.
What's that smell the drunks in the bleachers yelled.
Where'd it come from, was it you, it wasn't me they argued angrily.
It curled their noses most unpleasantly.
Ty Cobb dropped a pop fly who on earth could answer why?
The winning run crossed the plate was it an error in judgement, played out his fate.
When the equpiment manager had to wash his pants.
That's when the rumor started, thats how the truth came to past.
Ty Cobb dropped the ball, because he farted corn.
They say it sounded like a bull horn.
Did you poop in your pants? the reporter asked.
"I just misplayed the ball, you can't blame me at all"
=-=[`/`/HY HIT TIZ JOY US CHILL IN HELD EARZ}<(`-=-=-=[DEE FEET US MASSA BAY IT LA TERD}-=-=-==-=-=....this is for the tea~partay on the reefer guitar star wheel AXIS varios strata..~~~800 or so dancing girls on segwayz rigged with foam paint shakers up front and a butt shaker exersize belts and able to flip over with corn~shitz fountain of corn spraying out..banging their heads on the ground for the /\/\cameltokenz toupee phone ` fire at the open gentle, them useing 'T'shape turdz to pry feetus slathering spinning swastikr turdz hitting golf , tennis ,ping pong ,etc.spot on for the /\/\enu~shitwhattsikkzz (chain of fast food~Feest Folk Meel Mode) ,/\/\. in front of the huge buttox shaped hill behiend the Hippo zepher ,guitar shape reef looking up at the /\/\ ^ ..calm honest merkin burg~toy /\/\nteapython`esk etc... candle light vid~ [Feest~Folk~Meel Mode}<(`- '
Hurried to Tunisia
Grabbed that plane
Landed in London
Khadaffy picked lamb from between his teeth
What the New Virgin Said to the Old Goat
—for Henry Miller
Don't get me started on how your writing
(like lightning electrified Ben Franklin)
lit my once extinguished wick, igniting
long strings of sensations, then life sank in.
No, don't let me tell how your purple prose
(banned for decency's sake in fifty states)
ripped my sense and resurrected a rose,
which was propagated in Tropic's straits.
And please don't fret me about hustling dough
(not true grift, just soft fleece to foot a bill)
as if only one of us came to know
the poverty of the verb to fulfill.
Now each day I live as art to master
what once had been a fucking disaster.
=-=[Kuntfilturdpeesh seas]}<(`-=-=--=-[Poop of rom on main schevetz]}<(`-=-==-=-[Hey Rent taco tex]}<(`-=-==-=-=
We are not photonic
We are other
Like black absent white
Not distinctly lit
Nor similar
We seem as though you are

Rolling Stones
Well, when you're sitting there
In your silk upholstered chair
Talking to some rich folks that you know
Well I hope you won't see me
In my ragged company
You know I could never be alone
Take me down little Susie, take me down
I know you think you're the Queen of the Underground
And you can send me dead flowers every morning
Send me dead flower by the mail
Send me dead flowers to my wedding
And I won't forget to put roses on your grave
Well, you're sitting back
In your rose pink Cadillac
Making bets on Kentucky Derby Day
I'll be in my basement room
With a needle and a spoon
And another girl can take my pain away
Take me down little Susie, take me down
I know you think you're the Queen of the Underground
And you can send me dead flowers every morning
Send me dead flower by the mail
Send me dead flowers to my wedding
And I won't forget to put roses on your grave
Take me down little Susie, take me down
I know you think you're the Queen of the Underground
And you can send me dead flowers every morning
Send me dead flower by the US mail
Say it with dead flowers at my wedding
And I won't forget to put roses on your grave
No I won't forget to put roses on your grave