Spring 1990, Volume One Box - SOLD OUT
• 60 page hardcover Smyth-Sewn book featuring essays by Dennis McNally, David Lemieux, and Blair Jackson and photos by Jim Anderson & Mike Laurentis
• 25th Anniversary Tour Program
• Official Band Letters
• 6 Ticket Stubs
• 6 Cloth Sticker Backstage Passes
• 1 Tour Laminate
• Official 1990 Band publicity shot
• 6 complete shows on 18 discs
• 3/16/90 Capital Center, Landover, MD
• 3/19/90 Civic Center, Hartford, CT
• 3/22/90 Copps Coliseum, Hamilton, ON, Canada
• 3/26/90 Knickerbocker Arena, Albany, NY
• 3/30/90 Nassau Coliseum, Uniondale, NY
• 4/2/90 The Omni, Atlanta, GA
Box Dimensions: 12-1/8" x 3-1/8" x 12-1/8"
Recorded and Mixed Live by John Cutler
Mastered by Jeffrey Norman in HDCD
Original art by Wes Lang
Individually Numbered, Limited Edition of 9,000
Introducing The Next Box: Spring 1990!
And now for something a little different. This year's box set - Grateful Dead: Spring 1990 - offers six complete shows from the epic spring '90 tour, one concert from each city the band played, personally selected by Dead vaultmeister and archival release producer David Lemieux. The sizzling six are: 3/16/90 Capital Centre (Landover , MD), 3/19/90 Hartford Civic Center, 3/22/90 Copps Coliseum (Hamilton, Ontario), 3/26/90 Knickerbocker Arena (Albany, NY), 3/30/90 Nassau Coliseum (Uniondale, NY) and 4/2/90 The Omni (Atlanta, GA).
In his "Producer's Note" in the beautiful book that is part of the box, Lemieux, who attended the first 10 shows on the tour, states, "To my ears this was the last tour that was consistently great, where every show is excellent, not a dud in the bunch." And Grateful Dead historian Dennis McNally's comprehensive and informative insider's essay in the box is titled "The Last Great Dead Tour." These guys know what they're talking about.
Basically, the band had been on an upward trajectory since Garcia's return to the road in the spring of '87, following his near-death the previous summer. Of course, 1987 was a trip in itself, what with the unexpected mega-success of In the Dark and their first hit single, "Touch of Grey." But the momentum just kept building with each subsequent tour, as Garcia got back up to full speed (and then some!) and the group as a whole was as unified as they had ever been since Brent joined the band in the spring of '79. New original tunes were popping up and the old favorites were imbued with a freshness and spirit that was so uplifting and inspiring. The band was having fun again, and it was downright infectious.
The group's fall 1989 shows-as documented two years ago on the Formerly the Warlocks box (two shows from Hampton, VA, 10/8-9/89) and on the 2001 release Nightfall of Diamonds (a single night in NJ, 10/16/89)- kicked the energy level up another couple of notches, as the band reintroduced such loved classics as "Help on the Way" > "Slipknot!," "Attics of My Life," "Death Don't Have No Mercy" and "Dark Star."
And when the band hit the road in mid-March 1990, they had a bunch of other cool tunes to lay on their unsuspecting crowds, including the return of "Loose Lucy" (last played in 1974; it's not on this box), Brent's "Easy to Love You" (missing since 1980), a rollicking cover of the Rolling Stones' "The Last Time," The Band's "The Weight" (with all four singers taking a verse each) and a lyrically retooled "Black-Throated Wind" (absent since 1974), which elicited huge cheers every time it was played.
Over these six shows, most of the cornerstones of the Dead's repertoire from the era appear-splendid versions of "Scarlet Begonias" > "Fire on the Mountain," "China Cat Sunflower" > "I Know You Rider," "Playing in the Band," "Uncle John's Band," "Eyes of the World," "Estimated Prophet," "Truckin'," "Sugar Magnolia," "The Other One," "Terrapin," "Stella Blue," "Feel Like a Stranger," "Bird Song," "Let It Grow," "China Doll," "Box of Rain," "Morning Dew"; you name it. From the fall '89 breakouts come "Help-Slip-Frank," "Attics of My Life" and "Death Don't Have No Mercy." Among the still newish tunes are "Picasso Moon," "Blow Away," "Foolish Heart," "Just a Little Light," "Victim or the Crime," "Standing on the Moon," "We Can Run" and a couple that would get their final plays from the Grateful Dead on this tour-"Built to Last" and "Believe It or Not." There are stirring renditions of "Dear Mr. Fantasy" and "Black Muddy River," rockin' takes on "Gimme Some Lovin'" and "Iko Iko" and the only version of the full "Hey Jude" the band attempted in the modern era. And the "Rhythm Devils" and "Space" jams at the heart of each second set are as noisy-beautiful-scary-funny-intense-mysterious-wild as you'd expect/hope for.
Of course, we understand that some of you may have other favorite shows from this tour you wish were included on this box. Really, you can't go wrong with any of them. But at 18 discs, this is still the second largest Grateful Dead box (after Europe '72: The Complete Recordings) that's been released, and the non-inclusion of any other shows from the tour definitely does not preclude their future release! But this seemed like a more manageable way to go, while still giving a sense of the tour's amazing depth and breadth.
Besides the discs themselves, Grateful Dead: Spring 1990 has much to offer, including: a gorgeous 60-page hardcover book containing copious color photos by Jim Anderson and Michael Laurentus, unique artwork by Brooklyn-based fine artist Wes Lang, fascinating business letters and communications related to the tour, a detailed historical essay by Dennis McNally, a Producer's Note by David Lemieux and individual show descriptions by Blair Jackson; a reproduction of the Dead's 1990 tour program (printed and sold later in '90, for the fall and Europe '90 tours); tickets and backstage passes of all six shows; a band publicity photo from 1990 by Ken Friedman; Dennis McNally's tour laminate; and reproductions of the colored 8x10 sheets GDTS sent out with hotel, food and other information for each city on the tour.
With recordings made by longtime Grateful Dead recordist and producer John Cutler, mastered by Jeffrey Norman in HDCD, you just know it's gonna sound great-and it does!
So, that's the skinny this time 'round. This box is limited to just 9,000 numbered copies - please note, this is the only time these shows will ever be officially available on CD. There will not be an All Music Edition and single shows will not be available physically. Due to ship out August 31st, we anticipate that this extraordinary set will sell-out, so order your copy today!
If you're looking for more of a bite-sized taste of the '90s, Spring 1990: So Glad You Made It, a 2-CD set featuring a handful of favorites, will be in stores on September 18th.
4/2/90, The Omni, Atlanta, GA
Looks Like Rain>
The Last Time
David Lemieux on What’s Inside Spring 1990
David Lemieux on 4/2/90
No Duty or Customs Charges, just waiting for me when I arrived Home for Lunch!
Birdsong From Cap Centre playing right now!!
It costs what it costs, and I happily paid. Spring 1990 sounds wonderful and I appreciate the quality of the box. I also dislike the new lyrics for Black-Throated Wind.
I'm pointing out that 89/90s box sets command a premium per hour of music even though the recordings are pretty much ready to release, as the Cutler live mixes prove (based on comments from DL2). Both Winterland boxes, containing significantly longer shows, went through the presumably more expensive Plangent Process. And then you have Europe 72, 71 hours re-mixed from the 16-track recordings and yet costs less than half per hour as Spring 1990.
You would think it costs less to produce a practically-ready-to-go 2 1/2 hour recording than it would a 3 1/2 hour recording from 35-40 years ago.
I think every period/era of the Dead has pluses that make me want to listen and this late period Dead is no exception. Keep the releases coming-I must say that I haven't been disappointed with any of them other than some of the Road Trips that have terrible sound in my opinion(some not all) with the cardboard drums that drive me crazy. I am still happy to have them however because they are better than low bit rate digital crap and the music will tend to transcend the recording limitations generally. Thank you David, et al for this fine release.
When you have a great player like jerry he should be featured and front and center. equality or democracy in a band does not add up to greatness
then the happy ones are Rhino promomen?
People who whine about modern Dead, and insist they should only release '60s and 70s Dead are like the old farts who used to insist that the NFL started to suck once Johnny Unitas hung up his cleats, and this new football sucks...
Yeah, we know there was more jammin' during '69 and '70 & Europe '72. It's not like you need to tell us! People who can't judge eras of an amazing band (or anything else for that matter) in the context of their times are really freakin' annoying! If you don't like the modern stuff-don't buy it, but don't bitch that it's being released in first place, as if its some imposition upon you!
I hope 3/28, 3/29 and 3/14 all see the light of day as well in future. Can't speak for 3/18 Hartford, or 3/21, or 3/25 Albany. This tour was simply RIPPIN', where every show is at least very very good. No, it's not Europe or fall '72, but that ain't the point. It's a completely jammin' modern Dead, of which there has been very little released, all things considered.
Drums/Space during 3/26 is the shit, btw!
The old slogan, "If it ain't broke, don't fix it."
Ordered some Bonnie Raitt from North Carolina US to Helsinki Finland 8/21/2012. Got shipping notice with tracking number 8/22/2012. It arrived today 8/29/2012. Shipping cost for one cd and one dvd $7,40.
Daves Picks 3 (subcribe) not a clue where it is.
Spring 90 got a t-shirt a week ago and shipping notice for that today. Rest of the order not a clue. My order status says the poster is coming later. It doesn't say anything about the box itself. So I dont know if its coming or not.
Well it has been like this with Deadnetstore for a long time now. Almost always there is some kind of problem. I have accepted this as a part of collecting this music. I dont even expect ordered items to arrive in a reasonable time. I do hope I get the 90-box. According to order status it is not coming at all. However I have a order confirmation dated 8/1/2012. Some time before christmas would be nice.
Another thing are shipping cost to Europe (anyway). They are often very high if compared to other sellers (ebay, Amazon, Raitt)
Well this was my annual whining session. I ll be back some time next year. Be good everyone out there.
looks nice...btw....working through the spring box set. made it through copps. Drumz/Space awesome as usual. Crank It Folks!!! I think I knocked some siding off the house playing this box set. The post space portion of Copps is spectacular. The first verse of Hey Jude is rough, granted, but after the 3: 00 mark, it gets very satisfying. Amazing how good the first sets of this tour are. Lemieux was right. The "small" songs are almost better than the continuous second sets are. Although, Drumz/Space are still mind-blowing. Ahhhhhh.....the memories. Sorry, shedding a tear there...God Bless everyone. Enjoy the fruits of the Grateful Dead. Like a fine wine, they get better with age.
a most excellent post, cbs! Thanks for posting that breakdown. Maybe useless, but someone had to do it!
As your own calculations show, cbs, the winterland boxes cost as much per show as spring '90, and Warlocks shows cost essentially the same. What's your point? The sound is unbelievably good, and the set is priced consistent with other releases.
Anyway, beyond the pointless blathering about cost, this set sounds phenomenal.
Having just visited youtube and started watching a homemade video of 3/16 at Cap Center, I have ever greater appreciation of the sound quality of this release. The audio accompanying the youtube video was completely missing Bob's guitar, and, yes, Bob's playing is one of the highlights of this tour. Really it's the ensemble, as everyone has commented, but to my ears Bob and Brent in particular are on fire and both adding something that takes the music to another level.
IN my opinion, worth every cent, if anything is these days.
I find it interesting that the Fall 1989 and Spring 1990 is priced so high.
Perhaps that is due to additional demand due to the "Touch Head" effect?
Set F69 W73 W77 H89 E72 S90
Price $80 $100 $100 $70 $450 $200
Shows 4 3 3 2 22 6
Discs 10 9 9 6 73 18
Length 9:33:09 9:29:51 9:07:16 5:27:43 70:58:28 15:28:42
Hours/Show 2.39 3.17 3.04 2.73 3.23 2.58
Set F69 W73 W77 H89 E72 S90
$/Show $20.00 $33.33 $33.33 $35.00 $20.45 $33.33
$/Disc $8.00 $11.11 $11.11 $11.67 $6.16 $11.11
$/Hour $8.36 $10.53 $10.96 $12.82 $6.34 $12.92
Bonus discs for Fillmore West 1969, Winterland 73, and Winterland June 1977 are not included.
Bonus material on 3/26/90 Disc 3 is included (total time 35:31).
And ponder these other useless facts...
For Europe 72 two full shows plus big chunks of about 6 others were already released (4/24, 4/26, plus 4/7+8 and 5/23-26). Several of the four disc shows have quite a bit of empty space, but it was necessary to preserve continuity and avoid breaking up long sequences (resulting in a necessarily increased disc count)
I didn't tally up how much of what made it into Spring 1990 was already previously released, but it notably includes many songs from the first set of 3/26 and the H>S>F from 3/30.
The Spring 1990 Copps Coliseum 3/22 show could have been put on 2 discs, and so could have the 3/26 show if it didn't include the 3/24 bonus material. It would have been nice to see get the whole 3/24 first set uncut as a "bonus" disc instead of having to piece it
together from four separate releases with fades and slightly different mixes. 4/2 is pretty short for a three disc set at 2:15:56, and is the shortest 3-disc set among all those surveyed here.
The released Spring 90 show dates dovetail nicely into the Europe 72 dates if you like to listen to shows on or around their anniversary dates... 1990: 3/15, 3/16, 3/19, 3/22, 3/26, 3/30, 4/2; 1972: 4/7, 4/8, 4/11, etc...
Conveniently, if you use the venue names in your tagging these shows sort alphabetically in chronological order:
Capital Centre, Civic Center, Copps Coliseum, Knickerbocker Arena, Nassau Coliseum, The Omni
Some nice points, cimartin. I'm hopelessly a pre-hiatus guy and love self-indulgent noodling. But I agree the overall ensemble playing here is really top-notch. And Weir, especially, is at the top of his game. I only wish the jams lasted longer.
1200 left guess that kinda makes the whiners about I can't buy it blah blah look kinda silly. Oh yeah before you go there, all but the most important titles in music go out of print, so not being able to buy it forever isn't really valid.
I wasn't aware that it took so long for Fillmore '69 to sell out.
Weren't the Road Trips selections all initially advertised as limited edition? In fact, there are even a few currently in the dead.net store which state that there's "less than 500 remaining." (That reminds me: I need to get those ASAP!)
The problem with the Europe '72 set is that the box edition is practically worthless due to the All Music Edition and the shows being sold separately.
Fillmore West 1969 (10,000 units) sold out before it shipped, but it took about a month, IIRC. Another factor is that this set went up for pre-sale in prime vacation time (see edit), it costs quite a bit more ($80 vs. $200), and has the bad luck of coming out less than a year after we paid $450 for E72.
Edit: Fillmore West went up for pre-order on July 26, 2005 and sold out around September 7. Research done via Wayback Machine.
Fillmore West 1969 was the first release of it's kind from the Grateful Dead, was announced earlier in the Almanac, and it (still) took 6 weeks to sell out.
And as far as limited editions go, Fillmore West 1969 (10,000), Europe 72 Box Edition (7,200), Spring 1990 (9,000), and Dave's Picks Vol. 1-4 (12,000) have been the only ones advertised as such, right?
Earlier this morning I guess-timated that there were approximately 800 sets left. It seems I was way off! "Fewer than 1200." So, since Thursday evening they've managed to sell another 650-700 sets. That means they're selling about six sets an hour. No wonder they recently compiled the latest slideshow advertisement featuring "Loser" from 3/24: at this rate, this set will likely be available for yet another 2-3 weeks. By my reckoning, this set is selling at a snail's pace compared to everything else previous.
For the video on 3/30/90. Love the insights, love the new Box Set!
One thing I'm surprised at is that no one has offered up the individual shows on eBay. I bet plenty of folks not willing to drop $200 on the full set might spend $40 for a single show.
I will post some more numbers on this later, but there is definitely a premium price attached to the Warlocks and Spring 1990 boxes. Both the Warlocks and Spring 90 box sets are around $12.85 per hour of music, while Europe 72 comes out to $6.34.
Please send me a PM with your order details and we'll try to get this straightened out. Thanks and sorry.
when I called support on Friday afternoon, I was told by support that they were shipping the orders in the order they were placed. They told me at that time that my order would ship within two business days and had not shipped yet. The online order status was "in process" as well when I checked online. As of Saturday morning it was still "in process" but I was pleasantly surprised when the usps driver dropped it off later that day. I did not get the confirmation email till today. I ordered mine the first day I got the email (Aug 1)...
Hang in there, it's worth the wait.
My 2 pennies on the streaming debate: I believe if people allowed by the band to tape the show via mic or soundboard link, they should be able to make the music available to others for free.
With that said, I do believe if the Dead take the time and expense to remaster shows with such awesome audio quality, they should be able to offer this to their fans for a profit.
As a consumer with limited funds, I did not have the funds to purchase Europe 72 box set, but did splurge for the 1990 set and very happy that I did. I chose not to buy a Dave's pick's subscription and bummed I missed out on the first release. By the time I had the money, it was sold out...
Noticed there are no Me & My Uncle > Mexicali blues > Big River > Mama Tried's anywhere in this box set. You know what that means. If there is a Spring '90 Vol. 2, get ready for a lot of cowboy songs. Just wanted to point that out. Still, AWESOME box set. I cannot overstate that enough.
Donahue.luke I'm in the same boat and know of at least 1 other person besides me and you. My order is in process when I check on the site, and customer service told me it will ship the 31st. The best part is paying 45 bucks for overnight shipping in hopes of getting it early lol. I am just glad they have my order. few more days of waiting and being so damn excited it hurts . hopefully all those of us they haven't shipped yet will do so by the 31st at the latest. Good luck getting yours.
I won't draw comparison between Spring '90 and Europe '72 other than that the Grateful Dead had grown beautifully. The depth and dynamics of their playing in Spring 1990 was as spot on as always.
I've had my copy of the box since Saturday, and I'm casually taking it in. Listening in chronological order, I'm only up to Copps Coliseum, and I can hear the band just getting better and better with each show. Jerry sings and plays with more soul on this version of Must Have been the Roses than almost everything else I've ever heard from the bands and Jerry's solo work. Phenominal. This one song is worth the price alone! Priceless!
Has anyone else received the email that the box is shipping, but then when they call, they're told that spring 90 won't ship until the 31st of august?? The wait is killing me and nobody picking up the phones seems to know anything except that the box is "in process," which it's been for over a week.... I can't spend anymore days sitting on my porch waiting for it--my self-respect dwindles...
I've heard first two shows-both very different shows but each with stellar moments-check out "Eyes" onward in Hartford-amazing Rhythm Devils. Cap is consistently wonderful. Hartford more peaks and valleys but definately worth the price of admission.
Please, pretty PLEASE, perhaps Dark Star and Birdsong from 3/29/90 with Branford??
Will we have to wait until Record Store Day (next April)?
Got my set over the weekend and my only criticism is no Loose Lucy! Other than that all I have to say is great job and thanks a ton! Been an advocate of late '89 - early '90 for some time now despite the criticisms others have. As with any era of the band we take the bad with the good and this one is no exception. Lately I've been asking friends "If you could only pick one tour to listen to for the rest of your life, which would it be?". You could pick Europe '72, but have fun not hearing Eyes, Scar>Fire, Estimated and about a dozen others. Or maybe you want to go with Spring '77? Guess what, you don't get Dark Star. Spring '90 is my answer. Great variety, great playing and just all around pretty solid. Sure other tours reached greater heights but this one has always seemed best all around to me.
Over the years we've been pretty blessed as fans that we've been able to reap the benefits of a fairly aggressive release schedule from the vault. And while the 70's are justifiably the most well represented era, I'm glad to get a big release from this tour and really hoping the rest of it comes out some day.
If your looking for mixes that have Jerry front and center, your are right, there are probably better places to go. Like Dick's Picks Vol. 10, for example. It's a low quality recording with Jerry blazing away over top of everyone in the "mix" -- and he's on fire -- almost reaching metal god performance. It sounds great. Vol. 10 is one the releases I save for special occasions. However, if you are looking for superior ensemble playing and a proper mix, I really don't think you can top '90, even though the venues they were playing were anything but intimate. For example, the way that Bob's guitar pick harmonics blend with Brent's keyboard tinkling during Peggy-o. You won't find that on Europe '72, as great as some of that tour is. Nor will you find the interesting percussion and drums happening underneath it all. And you will not find Jerry's improvisations to be as disciplined and on point. I know the criticisms of Brent. His keyboard playing relied too much on keyboard cliches. His song writing ability -- well, he had none. But damn, he could do good backing vocals, and often his keyboard work was perfect in the moment. (Kudos to Norman for the perfect mixing). This tour was one of the Dead's finest moments. Bobby in particular was enjoying an artistic and performance peak. You can have your off-key Pigpen and pointless, self-indulgent instrumental noddling. I won't begrudge you. But give me the finely honed, beautifully crafted music heard here in Spring 1990. More late Brent period please.
This box is well put togehter and if you like brent you must be in heaven. I just can't see how this is one of the greatest dead tours. There is sure some interesting stuff hear in the box like the covers of last time and the weight.. I just don't see jerry or hear jerry as prominent in the whole of the box. The stuff blair is talking about in 72 on his latest blog that made that time so special is lacking here. the least best show from e 72 totally blow away anything in the new box.. Most of the raves I've seen on the sight for music are about dave's picks 3. Please no more late brent era. There is so much to choose between 69 to 85 that jerry is on fire but I am sad to say not here.
Plucky: "told to go buy music that has and should always stay free."
Why the heck should it be free? How absurd. Get your head out of your hippy acid soaked butt!
You try to do what the Dead did and then give it away.
Do you work? Do you get a paycheck and then give it away?
has anyone gotten their box that paid for overnight shipping? just trying to figure out if iI need to buy another one or if my order is going to be shipped sometime.
Got my Spring 1990 box on Friday. I was pleasantly surprised to find it waiting for me when I got home from work, especially considering I only paid for the standard shipping, and wasn't expecting it to be shipped before the end of the month. All I can say is "Wow!" This thing is a beauty. I didn't order the Europe '72 set when it came out (mainly due to the price tag), but now I'm going to totally reconsider that. The sound quality on these discs is fantastic. The set definately captures a moment in time for me. I'd forgotten how vital Brent had become to the sound of the Dead at this point in time. Makes me wish I'd appreciated him more when he was around. The first set of the Cap Centre show is flawless. Can't wait to dig into the rest of this box. Heck, I was still enjoying Dave's Picks, Vol.3 when this arrived, so now I'm Dead-set for the near future. Also, the extras (especially the tour program and the hardcover book) are very cool. A lot of thought went into this thing, and I'm looking forward to future similar treatment for these GD box sets.
This box is already worth half of what some Fillmore '69 sets are currently going for on eBay, many those now being rather well-circulated and banged up. What concerns me is that there is definitely not nearly the demand for this set as there was Fillmore '69 or even Europe '72. This lack of demand will definitely affect re-sale value. It will take much longer for somebody willing to dish out $600 for this set versus Fillmore '69. Enough time has elapsed so that the gameplayers who would have been willing to drop $600 at re-sale have now had their chance to purchase one brand new. I've got to admit that I'm sort of confused by the suckers who have their Spring '90 box listed on eBay right now while the set is still available here. I suspect that there's about 800 left in the warehouse, and those 800 will take some time to sell through.
I f you have 2- track recordings of Fall tour ' 89 that sound like these do. Could you please release them?
Spring box Vol. 2 I'm in.
These sound so good!
Just got mine in the mail today. It was here before I knew it, as i finally got my order in on Thursday. I've got the majority of this tour on tape as well and the Hartford 3-19 as well as 3-16 Cap Centre shows where pretty solid. the bird song from 3-16 is mind blowing. unfortunately my first show was 7-19-95, and never got to see the dead in it's peak years, but after listening to this it makes me feel as if i was there. From the shows I've heard so far as I'm listening to them in order as we speak. The mix sounds very well balanced and appealing to the ears. These shows were very well prepared. overall very happy myself. thanks David, Jeffery, and the entire GD staff.
Hey David, for the next vault show please select 4-2-73 Boston Garden, or maybe a box of 87' Red Rocks. oO!!!! If the box looks anything like the spring 90' tour, I'll be for sure in on a buy for it. just for a heads up, I'll definitley be purchasing vol 2 as well. pCe!!
I'm so glad everyone is enjoying this set! I love this era of Grateful Dead so much. Unfortunately, I cannot afford this set. I know I'm missing out, but I picked up the downloads of the Pittsburgh shows from 4/2/89 and 4/3/89, so I can kinda live vicariously through those. Plus the download was $19.00 for two complete shows. I think I'll get the 2-disc compilation when it's available.
Keep the positive vibes comin everyone! Cheers to Spring '90. This set will probably be worth more than the Fillmore set when it's all said and done. If it's still available around September 12 or 13, I may pick it up.
Can't wait for the next DP release! C'mon 60's show!
And gave out 2 or 3
from the box it was shipped in to the flyers showing camping areas, hotels and restaurants. The mix is superb. I haven't played my tapes for oh....7 or 8 years. And probably never will again. Most of my shows attended were in '89 and '90 and after listening to all the seventies releases recently, forgot how freaking good they were at this point in their trip. Brent is on literal FIRE!!!!. Tight and precise...they WERE a well oiled machine about now. Drumz and space are incredible every show presented here. Don't skip those tracks. The calypso jam out of Women Smarter was classic. Repeated that track 3 times in a row, dancing the whole time. The box is awesome. Artwork kickass. Worth every penny.......Now about Dave's Picks 3...Hmmm..still waiting for that one. Hear it's really good too, but I'm on this 1990 kick right about now. Thanks for reading. God Bless the Grateful Dead.
p.s. gonna save that shipping box as well. you never know when you may have to move and lug your precious belongings along with you.
We can share the music we can share the wine because we done shared all of mine.
Because people like us pay $200 for these shows these shows get beautifully mixed and mastered -- and eventually everyone in the GD community will have it. I am sure there are people who have bought who will share it. Just look around a bit.
I'm with you though, I don't know why they remove it from archive.org. I can't see how streaming rough "mixes" at a low bit/sec hurts sells of the polished product. In fact, I would think they could use it as advertisement. But I know nothing about the business of it.
This is by far the best dead release yet can't wait for vol 2
Got #5645 in NH today and I'd say it's nearly perfect. This is a beautiful, beautiful box -- great production, plentiful goodies, spectacular sound and playing. Thanks to all involved! I love seeing all of the tour logistics, like the roadies' breakfast supplies and schedule.
Hey now, snafu. Grate to meet another Zappa Freak. I just received the 4 disc set, put out by Vaulter Native Records, of Zappa & The Mothers at Carnegie Hall - October 11, 1971, in the mail. It also includes the opening set by The Persuasions. I'm listening to it right now. I'm very happy to report that the sound is excellent on what I've heard so far. It brings back great memories. I had front row seats for the 7:30 show. The discs have both the 7:30 and 11:00 Zappa shows. Highly recommended to all.
opening this boxset was magical. So much thought and detail are packed in.
Beyone thrilled. and the sound is pretty damn excellent (even though they cheesed out on the 24track).
Seriously, it sounds fantastic.
have a defective disc--I have just conferred with the boss, and he says NO, DO NOT SEND THE WHOLE BOX BACK, and has reminded customer service that we don't want this.
Instead, please send your info to firstname.lastname@example.org and we'll try to get it resolved speedily.
Keep me posted. Thanks.
I don't remember very many free concert tickets.
I'm not sure why you and others believe that soundboards recorded by the band for the band (or in the case of Fall '89->Spring '90, specifically for commercial release) should be free ~ as opposed to audience recordings taped by tapers.
But you do have a point ~ if a release is a limited quantity run, and you CAN'T buy it once it's sold out ~ then I don't know why audio streams would be removed for those. At the end of the day, though, the music still belongs to the band ~ not to us (unless we taped it).
As for audience tapers who were allowed to plug into the soundboard who share THEIR soundboard tapes on the Archive ~ and maybe that's what you meant ~ well, room for debate, there, I suppose. But even then, I think the pendulum lands on the band ~ the tapers allowed to access the soundboard received a gift that night, and that should not preclude the band's ultimate ownership of the feed from its own soundboard. Just my opinion.
So because you people who pay $200 for these shows, or $500 for Europe 72'; people like me who listen to these shows on archive.org discover that we can't listen to soundboards anymore and now get told to go buy music that has and should always stay free.
I have passed along your message.