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    marye
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    Okay, folks, here's the plan as we roll over into the next stage of vining. Each vine will have its own topic. As has been noted once or twice before, Iz and I are the only ones who can start topics. Hence, if somebody has a vine they want to start, post the particulars here. Then Iz or I will cruise by, start the new topic, and delete the post from the New Vines area so it doesn't get unwieldy. We'll see how this goes...

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  • Oroboros
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    Crazy Quilt Vine #1
    This vine has 11 discs, 8 different artists, some are SDB, most are audience recordings, some are collaborators with members of the Grateful Dead, and one is a mystic who was admired by the band (and received a dedication of 'He's Gone' at one of the Dead's shows.) Each of these shows are already in circulation and as usual, I encourage everyone to buy these artist's studio & live music. But in the meantime-the Crazy Quilt Vine #1: BOB MARLEY & THE WAILERS 6-12-80 (SDB>?>CD) Westfalen in Dortmund, Germany. 2 Discs DISC I: 1. Natural Mystic 2. Postive Vibration 3. Revolution 4. I Shot the Sheriff 5. War 6. No More Trouble 7. Zimabwe 8. Jammin' 9. No Woman, No Cry 10. Zion Train DISC II: 1. Exodus 2. Redemtion Song 3. Could This Be Love? 4. Work 5. Natty Dread 6. Get Up, Stand Up 7. Coming in From the Cold 8. Lively Up Your Self DAVID GRISMAN & TONY RICE 4-30-95 at "Merl-Fest" (SDB>?>CD) 1 Disc 1. Turn of the Century 2. Mountain Dew 3. Wildwood Flower 4. Vintage Blues 5. I don't want your mandolins, Mister 6. Swing 42 7. I am a Pilgrim 8. Now or Never 9. Watson's Blues 10. ? (dawg tune) 11. Devlin 12. Cedar Hill 13. Take One PETER ROWAN & TONY RICE (w Mark Shatz) 8-15-99 Lexington, VA. (Aud source: AKG-460's>Beyer MV-100>Tascam DA-P1>Pioneer PDR-555RW>CD) 1 Disc Set 2: 1. Footsteps in the Snow 2. Ain't that just like You? 3. Old Santa Fe 4. Shenendoah 5. Tribute to Charles Sautel 6. Wild Mustang 7. Darlin' think of what you've done 8. Hear it Talk, Hear it sing 9. Trail of Tears 10. Wild Horses 11. Land of the Navajo JACKSON BROWNE & DAVID CROSBY with Pevar & Raymond, Music Benefit Show 9-11-00 Solvang, CA. (Aud>?>CD) 3 Discs JB=Jackson Browne DC= David Crosby DISC I: (JB) 1. I'm Alive 2. Shape of a Heart 3. Those Bright Baby Blues 4. Barricades of Heaven 5. Late for the Sky 6. Fountain of Sorrow 7. World in Motion 8. Say You Will (w Crosby) 9. Lives in the Balance (w Crosby) DISC II: (JB) 1. The Next Voice You Hear (w Pevar&Raymond) 2. Take it Easy > Our Lady of the Well. The rest is of the show is David Crosby (w Pevar&Raymond) 3. Map to Buried Treasure 4. That House 5. The Bridge 6. 3 Blind Fish 7. Coyote King 8. Long Time Gone DISC III: (DC) 1. Jerusalem 2. Angel of Mary 3. Breathless 4. In Your Eyes 5. Deja Vu 6. Ohio (note that Crosby is in FINE voice) RYAN ADAMS & the Cardinals 10-19-07 McFarlin Aud, Dallas, TX. (Source: Aud Milab VM Link>Lunatec V2>Korg MR-1000 w 8' stand>?> Cd) 2 Discs DISC I: 1. Peaceful Valley 2. I See Monsters 3. Beautiful Sorta 4. Goodnight Rose 5. Off Broadway 6. Combat Chicken Rescue 7. Rescue Blues 8. Cold Roses * 9. Please do not let me go 10. Games 11. Shakedown on 9th Street > 12. Bartering Lines DISC II: 1. Wild Flowers 2. A Kiss before I Go 3. Mockingbird 4. Two 5. NightBirds 6. The Sun Also Sets 7. Goodnight Hollywood,Graboff Joke & Happy B-day Spacewolf 8. Stars Go Blue * 9. Why Do They Leave? 10. Wonderwall 11. Let It ride 12. Come Pick Me Up 14. Oh My Sweet Carolina ( * Phil & Friends cover these tunes) NEIL YOUNG 10-20-07 Spokane WA. (Aud recording source: Schoeps>CCM4> Aerco>Ediriol R-09 @ 24BIT/48K) 2 Discs Set 1 is Neil acoustic Set 2-ELECTRIC DISC I: 1. From Hank to Hendrix 2. Ambulance Blues 3. Sad Movies 4. A Man Needs a Maid 5. No One Seems to Know 6. Harvest 7. Journey Through the Past 8. Mellow My Mind 9. Love Art Blues 10. Love is a Rose 11. Heart of Gold DISC II: 1. The Loner 2. Everybody Knows This is Nowhere 3. Dirty Old Man 4. Spirit Road 5. Bad Fog Of Lonliness 6. Winterlong 6. Oh, Lonesome Me 7. The Believer 8. No Hidden Path 10. Cinnamon Girl 11. Tonights the Night These audience recordings are top notch (in the Rowan as well as the Browne & Crosby, you can hear the crickets chirping in between songs) and I think that they represent the artists well!!
  • That Nice Hippy Guy
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    Sorry About that
    Sorry everyone, Ive never really thought of it as a commercial release. Not wanting to jeopardize anything here. It would be great if you could do that Bob. "You know the one thing we need is a left handed monkey wrench....."
  • Sunshine-daydr…
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    nice hippy guy...
    The New Orleans show has been vined and possibly the Fillmore show, not sure about St Louis, i have the shows, if interest i will put together a vine from this period Bob - - - - - - - - - - - - - - http://spanishsunshinedaydream.blogspot.com/ http://www.facebook.com/photos.php?id=633338979 Spanish Jam
  • Lucab12
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    REQUEST 4/4/93
    I know this is the Vine thread, but I am looking for the SB of the Sunday Nassau show that is streaming at the archive. Does anyone have it? I can B & P or have TONS of GD and other bands to trade Ross
  • marye
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    nice hippy guy...
    not having heard of Red Robin/Parrot before, I did a little googling, and let's just say I have the sense that this is such a contentious legal nightmare at the present time that I don't want to go there. The Vineyard exists and survives because we don't vine commercial releases. Bootleg commercial releases add a layer of legal murk, but I don't want to jeopardize our little vining scene by setting this one up. I cordially invite the more knowledgeable to point out possibly vineable sources for the same material. Thanks for understanding.
  • NYsteve
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    Thanks Tommo
    I appreciate the explanation...makes more sense now. To be honest, I've never had a problem downloading from archive.org...shows usually take 10-15 mins, some as fast as 3-4. Spring Ratdog shows this year have been lacking on archive.org and sugarmegs. Trying to figure out how I can convert .flac, .shn and .wma files to .mp3 just so i can burn them and add to my archive. Thanks again for the help ..even a blind man knows when the sun is shinin'...you can feel it!..
  • That Nice Hippy Guy
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    Best Damn Music In The World Vine
    2 cds released by Red Robin/Parrot records. The songs are taken from 3 1970 shows. Most of the Songs are incomplete but there are 2 hours of music here. Its pretty cool and a rare collection. Let me know if anyone is interested. Disc One Fillmore East 2/11/70 with Greg & Duane Allman & Peter Green 1.Dark Star 2.Alhambra 3.Turn on Your Lovelight St. Louis Fox Theatre 2/2/70 4.Cumberland Blues 5.Dark Star Disc Two 1.St. Stephen/Mason's Children The Warehouse, New Orleans 2/1/70 with Fleetwood Mac 2.That's it For The Other One 3.Turn on Your Lovelight "You know the one thing we need is a left handed monkey wrench....."
  • Tommo
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    Oops again!
    I can spell "graciously" too if I try hard enough!-Tommo
  • Tommo
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    Oops!
    I actually know how to spell "dial"- I was typing too fast! -Tommo
  • Tommo
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    Hey NYsteve
    1. Last I heard, archive.org had suspended uploading of Dead shows, but I'm not sure if the ban is still on.2. mp3 is a convenience format, not a high fidelity format, and is not used when sound quality is valued. I use mp3 for my Old Time Radio collection, but that's mostly spoken-word material recorded in the 30's and 40's (BTW, archive.org has a fantastic assortment of public-domain OTR shows available for free download). mp3 sacrifices some of the file's information in favor of maximum compression, and is therefore referred to as a "Lossy" format, whereas FLAC (short for "Free Lossless Audio Codec") and SHN (which I believe is short for "Shorten") are lossless compression formats, which are capable of restoring exact copies of the original file when decompressed. The down side is that they require much larger files, which puts them out of reach of dail-up users, rendering mp3 the only workable alternative over dail-up. Even then, downloading a whole show is quite a chore. I downloaded a whole show on mp3 from archive.org a few years ago, and it took me several hours a night over 3 or 4 nights to get it all, and after all that you can hear "swishing" all the way through it, which is an artifact of the mp3 compression. You should check out The Vineyard on this site, where The Rhinos have graciuosly allowed show trading by mail- slow but good! -Tommo
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Okay, folks, here's the plan as we roll over into the next stage of vining. Each vine will have its own topic. As has been noted once or twice before, Iz and I are the only ones who can start topics. Hence, if somebody has a vine they want to start, post the particulars here. Then Iz or I will cruise by, start the new topic, and delete the post from the New Vines area so it doesn't get unwieldy. We'll see how this goes...
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one clue i am English and it was the second time i saw them live :-) Bob - - - - - - - - - - - - - - Spanish Jam
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16 years 10 months
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Got It ! That's A Great Show.I Keep A Copy In My Work Truck.
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16 years 10 months
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Was The Second Time,When They Were Touring With Jefferson Airplane In Europe?
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At the Roundhouse in London in 1968 also saw the Airplane at the first Isle of Wight festival Bob - - - - - - - - - - - - - - Spanish Jam
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Got the LZ disk from Yama...Wow!! I was expecting to hear more crowd and less music. Its an amzaing recording for a true boot source... Great catch... The filler is smokin also... I really like the fixed doors flac...Thanks Yama... Richard its going to be in your mailbox in a couple days...Watch out! Eric
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u r a miracle worker marye and we are truly grateful for all u do ! ps...that includes izzy and all the others involved behind the scenes as well ! stay safe and feel good! >><<<< :>
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I'd like to plant a new vine. 3 fine shows from the fine Fall '77 tour. 9/29 Seattle, 10/14 Houston and 10/29 DeKalb. Everyone has probably heard of the DeKalb show and a lot of people may already have it, but the other 2 are a little less widely circulated. I believe that all 3 shows are gapless and I will burn them on I-Tunes to maintain the continuity from track to track. One quick caveat, the 9/29 show starts off a little weak sound quality wise as Betty did not flip some switch or something (see Taper's Compendium for story) until just before Grow. The Franklin's Tower that ends the first set alone makes this show worth getting by itself but the second set is great as well. First person PM their address. 'Nuff said, here is the info from Deadlists. 9/29/77, Seattle, Paramount Theater One Mississippi Half-Step Uptown Toodeloo [9:19] ; Mama Tried [2:39] ; Deal [#4:16] ; Looks Like Rain [6:36] ; Ramble On Rose [6:59] ; El Paso [#0:31] ; Sugaree [12:#30] ; Let It Grow [9:30] ; Franklin's Tower [16:42] Two Samson And Delilah [6:23] ; Ship Of Fools [6:59] ; Estimated Prophet [9:31] > He's Gone [11:04] > Drums [4:37] > Truckin' [9:#40] > Stella Blue [12:59] > Goin' Down The Road Feeling Bad [7:58] > Johnny B. Goode [4:15] Encore Uncle John's Band [9:49#] Comments: Recordings SBD 180 with the following cuts: A minute or two off the beginning of Deal; El Paso is missing all but the final verse; the splices In Sugaree and Truckin' appear To be minor tape flips; And Uncle John's Band cuts off near the end, It is not A major cut. 10/14/77 Houston, Hofheinz Pavilion, U of Hou One Jack Straw [5:03] ; Mississippi Half-Step Uptown Toodeloo [11:22] > El Paso [4:06] ; Brown Eyed Women [4:53] ; New Minglewood Blues [5:05] ; Loser [7:#09] ; Passenger [3:24] ; Friend Of The Devil [8:13] ; Me And My Uncle [3:08] ; Tennessee Jed [8:46] ; The Music Never Stopped [4:16#] Two Bertha [7:08] > Good Lovin' [5:59] ; Candyman [7:28] ; Playing In The Band [16:#56] > Drums [3:35] > The Wheel [7:15] > Wharf Rat [13:49] > Around And Around [8:23] Encore Brokedown Palace [5:51] > Playing In The Band [4:13#] Comments: Recordings SBD 180. Cuts In Loser And Playing In The Band are relatively minor tape flips, cutting off of the Music Never Stopped is criminal And likely On the master. Playing In The Band Reprise cutoff is probably less than A minute. 10/29/77 DeKalb, Evans Field House, N. Ill Univ One Might As Well [5:20] ; Jack Straw [5:41] ; Dire Wolf [3:37] ; Looks Like Rain [8:13] ; Loser [7:23] ; El Paso [4:26] ; Ramble On Rose [6:58] ; New Minglewood Blues [4:50] ; It Must Have Been The Roses [6:25] ; Let It Grow [12:41] Two Bertha [7:46] > Good Lovin' [6:09] ; Friend Of The Devil [7:56] ; Estimated Prophet [11:15] > Eyes Of The World [12:55] > Space [7:38] > Saint Stephen [8:03] > Drums [2:58] > Not Fade Away [7:32] > Black Peter [12:12] > Sugar Magnolia [8:53] Encore One More Saturday Night [4:55] Comments: Recordings AUD 180 And SBD 180. Timed from an audience copy except for Friend of the Devil supplied by SBD. (1) (2) (3) (4)
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Discs are in the mail to dstache. Richard
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Fall '77 Vine I'm in. 1. Richard 2. Hal R 3.
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16 years 7 months
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I actually called this vine "Fall '77: Part 1" because I hope that some others will start a Part 2 and perhaps more. This is a great tour. Beside 10/29 (on this vine) and 10/16 (Yamadog), 10/2 and 10/11 are also considered great shows, the second set of the latter sans the Est > Eyes appearing as hidden tracks on a Dick's Pick. I have both those shows but alas not in gapless form. I'd love to see someone vine one of those shows + a couple of the following as Part 2: 10/6 Tempe, 10/12 Austin, 11/1 Detroit, 11/2 Toronto. I have tapes of 10/6 and 10/12 (maybe not in entirety) and there are definitely A SBDs out there of these shows (Taping Compendium could really use an update!!).
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dstache,I Can Kick In 10-11-77 And 10-9-77. Pm Me And We Can get Part Two Of The Ground.The Current Charlie Miller 11-1-77 detriot Has A Cut In Friend Of The devil And A Reel Flip In Truckin' I Was waiting On a Matrix version to Correct Those Problems But I Havn't Found one As Of Yet.But I Can Get The other One If Need Be,Any Way Pm Me And will Figure Something Out. (cause Theres an Easy Wind......Blowin' Cross The Bayou Today)
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Hey 'Heads! I am in communication with our Bayou friend and trying to figure out whether we can add a few more shows to this already fine vine. I have 9/29, 10/14 and 10/29. Yamadog is seeing what he can do about 10/9, 10/11 and 11/1. We should have that worked out over the weekend. If we decide to add them to the vine it'll take a little time before this vine starts to sprout, but believe me, when it does, there will be some very kind buds! If anyone else wants to add even more shows (a gapless 10/2, 10/6, 10/12, 10/28, 10/30, 11/2?) NOW is the time! Merry Christmas!
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I love seeing Brewster Boy's smiling voice on the boards; I think the picture was taken right after he received a new vine in the mail!
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16 years 11 months
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I'm holding off until yamadog, dstache et al. decide what they want it to include. Thanks!
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I have a large vproject in mind for this, multiple Data Dvd's October/November 72 if you are interested and think you can handle it let me know. I have aload of shows to download, so it could be a while, but IMHO this THE BEST GOGD period Bob - - - - - - - - - - - - - Spanish Jam
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Hi folks I have been sorting out my files and it wasn’t much trouble to create an index of all GD Vines in the Vineyard so far. S0 here is my New Years gift to all viners: The VINDEX 2007 (non GD vines are not included) so now we know where the gaps are :-) Happy New Year! 1967/10/22 Winterland 10/22/67 Vine 1968/01/22 Eurovine #4 1968/01/27 Eurovine #4 1968/02/14 Eurovine #4 1968/03/03 Carousel Ballroom 3/3/68 Vine 1968/08/23 Eurovine #4 1968/09/20 Eurovine #4 1968/10/06 Eurovine #4 1968/10/12 Eurovine #4 1968/10/20 Eurovine #4 1968/11/01 Eurovine #4 1968/12/29 Eurovine #4 1969/09/01 Baton Rouge, LA Vine 1969/12/29 Holydaze 2007 Eurovine #6 1969/12/30 Holydaze 2007 Eurovine #6 1970/05/15 Dead-NRPS 1970 Vine 1970/11/08 Dead-NRPS 1970 Vine 1970/01/30 New Orleans Vine 1970/01/31 Repatriation Vine #1 13 from 70 1970/02/04 Repatriation Vine #1 13 from 70 1970/02/11 Repatriation Vine #1 13 from 70 1970/03/24 Repatriation Vine #1 13 from 70 1970/04/09 Repatriation Vine #1 13 from 70 1970/04/11 Repatriation Vine #1 13 from 70 1970/04/12 Repatriation Vine #1 13 from 70 1970/04/15 Repatriation Vine #1 13 from 70 1970/05/01 Repatriation Vine #1 13 from 70 1970/06/07 Repatriation Vine #1 13 from 70 1970/08/05 Repatriation Vine #1 13 from 70 1970/09/20 Fillmore East 9/20/70 Vine 1970/10/31 Repatriation Vine #1 13 from 70 1970/12/31 Repatriation Vine #1 13 from 70 1971/04/29 1971 Tour Vine 1971/10/21 1971 Tour Vine 1971/10/30 1971 Tour Vine 1971/12/04 Felt Forum 1971 Vine 1971/12/05 Felt Forum 1971 Vine 1971/12/06 Felt Forum 1971 Vine; Holydaze 2007 Eurovine #6 1971/12/07 Felt Forum 1971 Vine 1971/12/31 NYE 71/81 Vine 1972/04/04 Eurovine #1 1972/04/14 Eurovine #1 1972/04/17 Eurovine #1 1972/05/04 4 Europe Shows Vine 1972/05/11 4 Europe Shows Vine 1972/05/16 4 Europe Shows Vine 1972/05/23 Eurovine #1 1972/05/26 4 Europe Shows Vine 1972/12/10 Winterland 72/73 Vine 1972/12/11 Winterland 72/73 Vine 1972/12/12 Winterland 72/73 Vine 1973/02/09 Maples Pavilion Vine 1973/06/10 RFK 6/10/73 Vine 1973/09/12 Eurovine #3 1973/09/20 Eurovine #3 1973/09/21 Eurovine #3 1973/09/24 Eurovine #3 1973/11/09 Winterland 72/73 Vine 1973/11/10 Winterland 72/73 Vine 1973/11/11 Winterland 72/73 Vine 1973/11/14 Cream Filling #1 1973 Vine 1973/11/17 Cream Filling #1 1973 Vine 1973/11/20 Cream Filling #1 1973 Vine 1974/06/22 Jai Alai Fronton Miami Vine 1974/06/23 Jai Alai Fronton Miami Vine 1974/10/16 Winterland October 74 Vine 1974/10/17 Winterland October 74 Vine 1974/10/18 Winterland October 74 Vine 1974/10/19 Winterland October 74 Vine 1974/10/20 Winterland October 74 Vine 1977/05/05 May 1977 East Coast Vine 1977/05/07 May 1977 East Coast Vine 1977/05/08 May 1977 East Coast Vine 1977/05/09 May 1977 East Coast Vine 1977/09/29 Fall’77 Part 1 Vine 1977/10/09 Fall’77 Part 1 Vine 1977/10/11 Fall’77 Part 1 Vine 197710/14 Fall’77 Part 1 Vine 1977/10/16 Baton Rouge, LA Vine 1977/10/29 Fall’77 Part 1 Vine 1977/11/01 Fall’77 Part 1 Vine 1978/01/06 Eurovine #2 1978/01/07 Eurovine #2 1978/01/08 Eurovine #2 1978/01/18 Eurovine #2 1980/09/02 Rochester, NY 9/2/80 Vine 1978/09/14 Egypt 1978 Vine 1978/09/15 Egypt 1978 Vine 1978/09/16 Egypt 1978 Vine 1980/10/09 Warfield 10/9/80 Vine 1981/03/28 Grugahalle 3/28/81 Vine 1981/12/31 NYE 71/81 Vine 1982/07/31 Summer 82 Vine 1982/08/03 Summer 82 Vine 1982/08/10 Summer 82 Vine 1982/09/05 Summer 82 Vine 1983/12/31 Holydaze 2007 Eurovine #6 1985/03/28 1985 Vine 1985/09/10 1985 Vine 1985/10/28 1985 Vine 1985/11/02 1985 Vine 1989/06/18 Hampton ’89 Reseed Vine 1989/10/08 Hampton ’89 Reseed Vine; Eurovine #5; 10/8-9/89 - Hampton Coliseum Vine 1989/10/09 Hampton ’89 Reseed Vine; 10/8-9/89 - Hampton Coliseum Vine 1989/10/12 Eurovine #5 1989/10/26 Eurovine #5 1989/12/06 Hampton ’89 Reseed Vine 1989/12/27 Eurovine #5
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at least now i can check where the gaps are we need more 69 thyat is for sure Bob - - - - - - - - - - - - - - Spanish Jam
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16 years 10 months
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Mr Badger,You are awesome! Thank you, thank you, thank you. Richard
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16 years 10 months
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Is the office sounding good?obviously plenty of time spent there. this saved me a job i will leave the 80's to other people mostly 69 and autumn 72 coming next watch this space Bob - - - - - - - - - - - - - - Spanish Jam
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a few dates out of order in 1970 and 80....
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16 years 6 months
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Thanks for all your hard work & witty conversation PEACE Leanne
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16 years 10 months
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Now I know what cosmicbadgers do when they are holed up for the winter. This really helps make everything just exactly perfect.
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16 years 7 months
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I may soon have another stack of shows in my possession. Waiting to hear back from the guy re: the following: From '69: 4/6, 5/23, 5/31, 12/12, 12/30 From '71:10/19, 10/21, 10/29, 11/7, 12/1, 12/14, 12/15 From '72: 11/24, 12/31 From '73: 9/11, 9/15, 10/21, 10/25, 10/30, 11/1, 11/23, 11/25, 12/6, 12/8 From '77: 5/4, 5/11, 5/13, 5/15, 5/26, 5/28, 10/1, 10/6, 10/28, 10/30 From '79: 2/17, 8/12, 10/27, 11/5 I think I and some other guy cleaned him out of most of his '72 collection last time or I'd get more. Very excited about hearing the '73 shows, hopefully the sound quality is good. The '77 shows are mostly gap-fillers but there could be some nuggets in there. Early Keith from fall '71 should be interesting. And can't go wrong with some '69!
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You are correct sir, you can't go wrong with ' 69 ! By this time next year people will be struck with "Awe" when they hear my music collection.. Thank you kindly U R THE MAN PEACE
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I've never heard nor seen soundboards of the Saenger Theatre shows from 10/18-19/80. If someone has these, HOLLER. Lame audience recordings exist, 2 from my Sony unit!For the best Eyes ever, check out 6/18/74. Package this up with some other late spring shows from 1974.
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Sign ups for both are so far in the same order, I’ll make sure my offering is in the post tomorrow, see if it can catch up. It’s coming from the UK (Scotland), tomorrow is Sunday but it might get over the pond without too much delay. Whatever, Greg
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16 years 9 months
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Hey Everybody-I need Hunter's address. If anyone has it, please PM me. Thanks.
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16 years 5 months
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This Is the XM Radio show "Then Again Live". The ABB recreate the classic album "Eat A Peach". This is a truley must-have show. There is talking in between songs, as Geroge Taylor Moore interviews Gregg and Butch. They offer some insight Into the songs and the time period after Duane Died. Features Performances of all the songs off of Eat A Peach. I would say the sound is A+. It really is an essential for all ABB fans. Allman Brothers Band 09/28/04 XM Performance Theater, Washington, DC 1. XM Intro-Ain't Wastin' Time No More 2. Les Bres Chat-Les Bres In A Minor 3. Melissa Chat-Melissa' 4. Mountain Jam Chat-Mountain Jam 5. Naming The Album Chat-One Way Out 6. Trouble No More 7. Stand Back 8. Blue Sky Chat- Blue Sky (Gregg Vocals) 9. Duane/Eat A Peach Chat- Little Martha (Derek and Warren Acoustic)
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I also have the show and was hoping that would become a vine here if anybody is interested Peace Isaac
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16 years 9 months
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Yo Bob, the tail end of disc 4 on DP 36 contains the following: 9/3/72 Folsom Field, Boulder, CO "He's Gone" (Garcia, Hunter) – 10:30 "The Other One" (Weir, Kreutzmann) – 28:57 "Wharf Rat" (Garcia, Hunter) – 10:16 Will your Vine have the entire 9/3/72 show? Can you describe the recording lineage?
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3rd Sept 72 this is what i have Grateful Dead 9-3-72 Folsom Field, University of Colorado, Boulder, Colorado primary source: SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3) secondary source: AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3) Disc 1 (73:01) set 1: 1. tuning/banter (1:01) 2. Promised Land (3:07) 3. //Sugaree (7:37) 4. //Me & My Uncle (3:31) 5. Tennessee Jed (7:40) 6. Black Throated Wind (6:21) 7. //Bird Song (10:41) 8. Beat It On Down The Line (3:11) 9. //Mississippi Half Step (6:48) 10. Playin' In The Band (17:03) 11. //Casey Jones (5:57) Disc 2 (52:03) set 2: 1. //Bertha (6:11) 2. El Paso (5:04) 3. Brown Eyed Women (5:14) 4. Mexicali Blues (3:57) 5. China Cat Sunflower--> (6:22) 6. I Know You Rider (6:24) 7. Truckin' (9:48) 8. tuning/banter (1:47) 9. Loser (7:12) Disc 3 (56:07) set 2 continued: 1. He's Gone--> (10:34) 2. The Other One%--> (30:42) 3. Wharf Rat (10:48) 4. Johnny B. Goode (4:01) Disc 4 (66:20) set 3: 1. //Cold Rain & Snow (5:29) 2. Sugar Magnolia (8:33) 3. stage banter (2:25) 4. Deal (5:48) 5. Jack Straw (5:03) 6. Ramble On Rose (7:40) 7. Rockin' Pneumonia & The Boogie Woogie Flu (4:52) 8. Not Fade Away--> (7:10) 9. Goin' Down The Road Feelin' Bad--> (7:28) 10. Not Fade Away (7:19) encore: 11. //One More Saturday Night (4:26) Caveat: --The audience recording that supplies the first set is fairly decent through Tennessee Jed, though the quality drops to quite poor once BTW begins, and never improves for the rest of the first set. Notes: --the tape was stopped between songs on the audience master, leaving many minor cuts at the beginnings of songs during the first set. --minor tape stoppage at 5:50 in Bird Song --Bertha is provided by the audience recording --aud patch in O1 from 12:23 to 13:57; (from 13:41 to 13:57, a higher gen aud was needed for the patch); there is still some missing material here at 13:57, as both the AUD and SBD sources had overlapping tape/reel flips. --the first few seconds of Cold Rain are clipped --aud patch provides the end of Sugar Magnolia --the encore, OMSN, is provided by the audience recording (first few notes are clipped) --Sound Forge was used for normalization, minor pitch corrections, and other edits part of The Music Never Stopped Project 2002 Thanks to John Steinhaus, Uli Teute, and Hanno Bunjes edits/encoding by JCotsmanks to John Steinhaus, Uli Teute, and Hanno Bunjes edits/encoding by JCotsman - - - - - - - - - - - - - - Bob http://spanishsunshinedaydream.blogspot.com/ Spanish Jam
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16 years 9 months
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Wonder what happened to Owsley and the masters? I have a hodge podge of varying quality sources, too. Thanks for the description.