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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • marye
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    Tim and others with disc issues
    if you're still having trouble, send me a PM and I'll pass it to the Doc.
  • TimP
    Joined:
    I too have had 2 issues with…

    I too have had 2 issues with this box set. 1 - my booklet had been bent during packing and I have 1 defective disc Disc 17 (disc 1 of 5/21/73 Seatle. Big scuff mark and skips on track 9 and fails to pick up on track 10 /11 / 12 after skipping.)

    Got the standard response from Rhino - filled in the forms and nothing back from them yet. Both complaints now over 30 day s outstanding - any advice on how to proceed.

    BTW -- a lot of fantastic music on this set -- but also a lot of recordng issues -- most of which have been already mentioned. This too is making me question whether to buy complete boxes in future ??

  • Apemantus
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    The Pacific Northwest ’73-’74 big box

    My big beautiful insane Pacific Northwest box arrived on Thursday afternoon, September 13. I opened it up, examined it for damage or weirdness. I found lots of weirdness, but no damage at all. It was (and is) perfect, but I was busy so I put it away on my living room bookshelf. Yesterday, November 4, I took the box into my office and started ripping and listening to the CDs. This is astonishingly beautiful music. The playing is intense, inspired, and precise, and the clarity and detail of the recordings (as rendered here) are breathtaking. There are some flaws scattered about – dropouts and balance issues – but for me these flaws do not detract at all from the immensity of the greatness of this box of beauty. These are among the greatest Grateful Dead recordings I’ve ever heard (and I have 288 hours of Grateful Dead recordings ripped so far). So thank you for this fantastic effort. A lot of work and care went into this, obviously. Similar to some of the Mosaic boxes of classic jazz recordings, this one is for people who want to hear all of it, not just curated highlights.

  • mbarilla
    Joined:
    MARYE - defective discs

    Hey I just saw your message in thread, I think I got it all sorted out with email to customer service. They replied with replacement disc on the way.

    I appreciate the speedy response and help.

    Time to rock out !!!

    Spinning some 1985 Grateful Dead

  • MDJim
    Joined:
    Re: Thinning Community

    I see this too, but there is a silver lining.. I am seeing lots of new folks step up and post positive comments, reviews and keep the vibe alive. The yang is there too.. a bit of complaining and the blem CDs and manufacturing error rate provides more than a valid reason to complain. I would consider providing CDs that play a core competency.

    Still we get some good with the bad and new inputs and perspective is a good thing. I hope we didn't lose more than we gained.. there are a few I have not seen in a while that consistently added to the mix.

  • Charlie3
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    Thinning Community

    I would agree with the points below, but it may also be the fact that there are multiple recent release threads - e.g. this PNW box thread, the DaP 28 thread and the DaP 2019 Subscription threads. Who knows, hopefully it will pick up again.

  • MDJim
    Joined:
    True

    I think Reijo has a point.

    Drifters, I see your point too. But I like that show and am still glad it got released. The China>Rider, WRS and Jam after Truckin' are very nice and I really like the young Peggy-O's which are somewhat special and rare. The fade is on the source recording so the choice is whether to release the show or not.. all the remastering in the world is not going to bring the vocals up in the mix.

    Dicks Picks used to place a caveat emptor on the back of the jewel case regarding sonic anomalies and the ravages of time, etc. The other point to make about some of these box sets is the tendency to make something very good and slip in a show that might not have made it as a Dave's Picks. Sort of slip one in on is. I don't think this is the case for this box, but 30 Trips had a couple of these. For $30 a show, and being a bit of a completist myself I am ok with it.. but I see the other side of things. I am sympathetic but happy to see these old tapes get special treatment. I appreciate the efforts they went through making this sound as good as it can.. but that's just me. One opinion.

    Love the latest Dave's Picks.. but a topic for another thread. Talk about exceeding expectations...

  • reijo29
    Joined:
    hate to complain but...

    They should really put these chats right under the product page the way it was previously. There are now less and less posts cause it's simply a headache to find these threads. I think the community is thinning out because of this. Steve Hoffman Forums is a great alternative community for GD superfans who want to chat up these releases or anything else.

  • Drifter's Escape
    Joined:
    Mix issues

    I totally understand there may be sound issues with recording sources that are 30-50 years old. Recently we've had the heavy 'reverb' on the GSTL from '77, the splice in Dave's 27, Eyes of the World, which seemed to enrage so many, and now the various issues with PNW. Bill and Donna are high in the mix at times and some say Jerry is too low.
    My complaint is on disc 1 of Portland '74. From about halfway into Sugaree thru El Paso the vocals are practically inaudible. Like karaoke versions. Which admittedly is kinda fun in a weird sorta way. But c'mon.
    Maybe there should be a page or paragraph or Something in the already included literature by the producer/engineer where they could address and acknowledge some of the issues with a particular release.

    What's the old saying? "Don't piss on my leg and tell me it's raining". And don't say nothing and pretend that everything is just exactlty perfect. By saying Nothing it only makes people wonder if it's only their disc/equipment/ears/delusion.

  • MDJim
    Joined:
    Re: Unkle/Remix the Entire Box

    Perhaps I am behind in reading all these posts.. but the mix issues on my CDs seem to match up with the mix issues on the soundboards in the Archive. This means either the problems with the mix exist on the source master reels or all these sound engineers are hitting off the same crack pipe (which I guess is a possibility albeit a slim one). So remixing the entire box would likely yield the same result, but at great expense and causing much confusion for all.

    Just to make sure I was not seeing double (hey.. it happens), I took some time to compare the PNW box to my source soundboards that I pulled down from the archive long, long ago. The issues with the mix are consistent comparing one show to the next.

    Is this another poke to make sure we have maintained our sense of humor? ….remixing the entire box seems a bit silly perhaps, but not very much fun.

    Again, I could be missing something..

    One thing comparing my recordings to these did yield.. the PNW box sounds better than what I pulled down. Even the 73 shows sound quite good to me and my system with and without headphones.

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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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check PM
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Cheese and crackers, still going on about Catholicism? Great joke Vguy!! I haven't posted much since January 2017, but to move off that topic, I will bring up my recent revisit with Dick's Picks 16-- 11/8/69. I don't go for hyperbole very often, but this just might be the best Grateful Dead show in the band's history. There was banter on here a week or so ago about that gig, but I had loaded it onto my phone a couple of weeks prior, but hadn't gotten around to it yet. My commute is very different this summer as I am taking my soon-to-be 4 and soon-to-be 8 year old kids to daycare. My peaceful 25 minute commute is no longer my time of solitude and figured 11/8/69 was not right for the kids. Threw it in last night for my drive to/from softball and finished disc one with the kids this morning. Dark Star-Other One suite will be on the ride home-- the kids will love it! :) Going through the songlist refreshing my memory, that show is astounding. As I would go down the page, oh yeah, big Caution... oh yeah, Lovelight encore. Oy ve!! Turning the kids on in about 20 minutes! I haven't pulled the trigger on this box set yet. Looks great, but right now I just don't need more stuff. My hope for DaP 27-- goodness please, not 1976. I recently retried the Orpheum 76 release (DaP 18) after shelving it shortly after release and had to stop listening after a couple tunes. I am with Forensic Doc-- 1976 is GD on valium. I think they picked up steam in the fall (Day on the Green shows are great as is New Years), but those summer shows don't do it for me. I hope this had effectively changed the subject.
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because you wouldn't be talking about it in such terms on this message board. you do the real children a pretty big disservice by even pretending to be one for a second. truly disgusting human being.
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I never pretended to be one. And my heart goes out to those victims, as well as the ones from Penn State, Ohio State, and anywhere else.
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Never heard that show. Looks pretty darn tasty. I remember the crap center 1987 show on Mickey's birthday they put Sugaree in the second slot of the second set. It was unexpected and tasty.
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..nice Jaguar the girl in the middle's got, too.
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cray-cray, outside-the-box, ain't gonna happen no way, no how, 6/17/72. (2nd tune is Sugaree)Diggin' Garcialive, Vol.6, 7/05/73 - could be better than Keystone ... hot, hot, hot!!!
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Ok, I will stick my neck out a bit. It might have been mentioned here recently too.. but 12/31/72. Not sure if it's a four disc'r or not. Happy trails all.. One more Friday night. Be good.. be kind, forgive and for gods sake quit bickering. Let it go, your blood pressure will thank you.
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Watching Dear Jerry on AXS. I think maybe Jim was there if memory serves at all anymore. Jorma did a nice Sugaree and Frampton did a nice Road Runner. Nice little weekend treat.
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1/2/70 early and late show OR 1/3/70 Time to put Pig back on stage Monster Dark Star on that 1/2/70 show
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1/2/70 early and late show OR 1/3/70 Time to put Pig back on stage Monster Dark Star on that 1/2/70 show
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1/2/70 early and late show OR 1/3/70 Time to put Pig back on stage Monster Dark Star on that 1/2/70 show
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It was fun for a minute. But now there's a stank to the air and it's getting hard to breathe. You all keep at it though. Me? I'm going where the wind don't blow so strange...
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...Buffalo Springfield Again that is. Just about a perfect album.
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bolo24 "Why izzit? So many of my favorite shows have "Sugaree" in the second slot. I wonder what that means? Probably a good bet that aliens are involved in some fashion."
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....did come out in 1979. Aliens, however, came out in 1986. That 6.22.86 show i fell in love with last week definitely has the chops.
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Gary,I did get to see ARU 8-7-15. My only time. Special guest sit-ins were Jimmy Herring’s son (don’t know his name), Kofi Burbridge, and someone else whose name I don’t know. It was a good time and I would have gone again.
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Actually, 8/2/76 is high on my wishlist for a Dave's Picks release.
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from Las Vegas hot flashy titillating (giddy). apparently, covering your booty is optional now. and putting as much of demtitteez on display as possible is a competition. Red Rock Canyon! Valley of Fire State Park! desert surrounding Lake Mead! Hoover Dam Fremont Street Mob Museum and on the 457th day, God created air conditioning. hooray!
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....go early stoltzfus. Definitely worth it. Mob Museum? Check. Fremont Street? Ask boblopes about that. I think he remembers....if you like pinball, check out the Pinball Hall Of Fame on Tropicana. http://www.pinballmuseum.org/
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....the scenery can't be beat. And buffets. Some are outstanding, some not so much. Do some research. If you're gonna gamble. Some great craps odds if you know where to look.
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Hunter S. Thompson was an American treasure, like Hemingway. Yes they were rough around the edges and extremely politically incorrect. As if that's a problem. I just finished the Joel Selvin book. I believe I was the first to speak of it here. I wasn't in any great hurry to rush through it and it was boring. I've devoured most of the rock biographies out there and this one had precious little dirt. Selvin took the high road. He did seemingly have an axe to grind against the Leshes, but whatever. After what Phil has been through, I try to overlook some of the micromanaging. The best part of the book would be the play-by-play of Fare Thee Well. Having attended the shows, I more or less agreed. My axe to grind is Trey. He brought too little too late, energy, phrasing, pacing - all of it. The lead guitar chair was offered to him and he was mostly a shrinking violet. I've seen him wail like a man possessed with Phish - only a few times, they're not one of my bands but I had to experience it to form an educated opinion. I think he was just a little intimidated, under-rehearsed and not wanting to step on toes. Who would want to receive the obligatory tongue-lashing from Jill Lesh? No one, it would seem. Which will lead to my brief John Mayer sell. This guy doesn't have any issues with going out and playing Jerry Garcia in the band. He sings and plays and wails his ass off every night, uninhibited, confident, inspired. John Mayer has righted his career and cemented his legacy as no longer a goofball joke pop star, but a real musician, generous, talented, and keeping this ship afloat. Can't wait for the Boulder end-of-tour shows. Oh, and Water World was a blast. \m/
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Great post, agree with 98% HST; was one of the greatest American writers of the late 20th century! (IMHO that’s being extremely conservative) Can’t believe I lived so close and never got to meet him....bummer.
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Am I missing something here? Stoltzfus, why is Vguy not personal showing you with the finer, local points of interest etc? Or is it already too late....... ; )“We were somewhere near Barstow.......”
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I predict a Monday or Tuesday AM announcement.
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I would have looked up the good Mr. VGuy, but it was a core nuclear family thing (celebrating twins' 21st birthdays). Valley of Fire and Red Rock Canyon are magnificent, people. if and when you go to LV again, drive your car or rent one, and go to these two places, and then drive through the Nevada desert. c'est magnifique. Did you know it gets hot in LV? 106 degrees, it was. seeing the GD on 6/25/94 was 116 degrees. the show sucked donkeys. the next night was one of the top three of 94, but I had to return to Seattle, and didn't attend. (aww...)
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But it was a dry heat, right?Twins, that must of been fun when they were BOTH getting all hormonal in their teens!
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Spearmint Rhino. The steakhouse in the Fremont casino. The free nudie-cards the freaks hand out on the strip. Collect enough, make a deck. Winning $1,000 on a Wheel-Of-Fortune slot at the Excalibur, and another $500 at the Golden Nugget. The wave pool at Mandalay Bay, and the sand in your toes. Driving through Hoover Dam re-construction, coked out of our very minds and holding an ounce; having the elderly cop on duty at the checkpoint shine his flashlight in our faces and saying, "have a GREAT time, gentlemen!" as I got the hell out of there knowing an angel was on my shoulder. This was like 4am in a rented white Malibu from Denver. Rick said as long as we had a white car (and were driving across Utah, a virtual rolling felony), they'd never nab us. He was right. Taking the chopper ride at night bombing down over the strip and knowing I never wanted to be in a helicopter ever since Stevie Ray and Bill Graham crashed and burned, but doing it anyway. Getting dumped off from a limo at the Bellagio on New Year's Eve, and going in with my boy Bruce dressed up like Hunter S. Thompson, white Chuck Taylors, hawaiian shirt, cigarette holder. All that shit. Flask in hand, hash smoke bellowing out like Cheech and Chong. Go Raiders. \m/
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....I remember that show! Going to YouTube it now. 21 year old twins? In Vegas? You've got your work cut out for you my friend. The sun rises at noon. Been there. Too many times to count. VegasBorn. https://youtu.be/dij4b7UdwIE 106 degrees? It's 96 in the shade. Better than shoveling snow for hours or slipping on black ice. But that's me....plus, titties. The universal truth.
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I won $500, my friend won $1000. Same day, different casinos.But seriously folks, the sure way to beat the casino is at the Prime Rib and Crab Buffet. You can easily eat 3-5x the cost of admission (compared to buying it in a restaurant).
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....yeah. Sit there punching buttons watching flashing lights. Play craps. Learn the rules. Best odds in any house, plus it's social. 6 and 8 all night baby. If you insist on roulette, 17.
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At my age I would "really" appreciate one of the Greek shows perfectly remastered. I'll keep my aging fingers crossed! Mr. Pete-----------> aging hippie
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...to whoever recommended 19th October 1973. I was so unfamiliar with it, I wasn't sure what kind of release it was-Daves Picks?, Road Trips?-I finally found it among my Dicks Picks, as you might expect. But a great show, and a pleasing harbinger of what's to come. The absolute peak of the show, for me, is "Eyes of the World". Perfectly placed late in the set, it gains momentum and energy as it develops-without losing its jazz like feel. This was one song that seemed to peak early in the bands career-the versions from 1973 and 1974 are beautiful. I notice there are three "Eyes" on the new box set, too. One from 1973 and two from 1974-all similarly placed towards the end of the sets, when the band was already, most likely, firing on all cylinders and deep in the zone.
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That must have been incredible. The guy who used to set up my guitars talked of seeing him at a small festival here in England sometime in 1967-and said he could easily of gone up to him to talk to him after his set-he was just milling about like an ordinary person. Last year I went to his old flat in London, that has been lovingly restored to how it approximately was when Jimi lived there. It has some of his guitars, photographs and old album covers representing his record collection. Its like going to a modern church, in a way.
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Funny you mention this GFar. We have had this box of old reel to reels marked SB - GD / HGB 5/10/1970. Sports Arena, Atlanta GA. I never knew what they were and they look too old to play. I'm sure that's just a coincidence. Never mind...
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...I believe it's a show from the 90’s era...
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as everyone knows.. Pigpen was, if nothing else, compulsive about his hygiene.. hence his nickname. Low blow I say.. Sugaree, second song huh.. now that narrows it down.
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Glad to see Hitmeister give this one a shout out. The only thing I ever hear anyone say about this show is how they got a rough time from the Angels when they tried to bring alcohol in. No prob for me as that as never really a big draw for me. My substances were not liquefied! This was the last show ever at Colt Park. We had a blast and enjoyed the show very much. I loved the late afternoon / early evening shows in the summer. They start out in blazing sun and finish in the moonlight. I always felt like I had been there all day long! All I know is that somehow I ended up with a huge Japanese flag and I was waving it wide & high during the U.S. Blues final encore. I have a boot of this one and would love to see it Normanized. Rock on
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That's my guess for Dick's 27. It has Sugaree in the 2nd slot, and is not too long after the 'Close Encounters' show for the alien tie-in. My 2nd guess would be an 82 show for E.T. Too lazy to look up Sugarees from 82.
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...for the next Daves Picks coming in. The two for 1972 seem okay though-31/12 and 6/17, if I remember rightly. The former is a great show, and although I can't recall hearing the latter, neither can I recall hearing a 1972 show I didn't like. It would set us up nicely for the 73/74 box set, too. The two predictions for early 1970 looked promising, too.
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....UB40 is playing here at the end of July. A co-worker of mine is a huge fan. Says I should go with him. Anybody ever seen them? My knowledge is limited.... Kingston Town, Red, Red Wine, Rat In Mi Kitchen. That's about it. Spotify is your friend....DaP 27 thoughts? '70, '79, '82. Those sit well with me. Ask me tomorrow and I may have a different response.
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