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    clayv
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    "Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

    As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

    Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

    GET IT WHILE YOU CAN

    *Limited to 2 per order. Very limited quantity available.

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  • KeithFan2112
    Joined:
    Lincoln, Nebraska - The Grateful Dead

    Spring '73. When you finish dosing on DaP 16 & 21, don't forget this old gem, Dick's Picks 28th. IMHO this duo will stand toe-to-toe with just about anything from 1973.

    The Dark Star is obvious, but The Greatest Story Ever Told will take you by surprise. The sleeper is The Other One => Eyes of the World from the Salt Lake City show.

    February 26, 1973 – Pershing Municipal Auditorium, Lincoln, Nebraska

    "The Promised Land" (Chuck Berry) – 3:36
    "Loser" (Robert Hunter, Jerry Garcia) – 6:58
    "Jack Straw" (Hunter, Bob Weir) – 5:17
    "Don't Ease Me In" (traditional, arr. Grateful Dead) – 4:01
    "Looks Like Rain" (John Barlow, Weir) – 7:24
    "Loose Lucy" (Hunter, Garcia) – 7:04
    "Beer Barrel Polka" (Lew Brown, Wladimir Timm, Jaromir Vejvoda, Vaclav Zeman) – 1:07
    "Big Railroad Blues" (Noah Lewis) – 4:00
    "Playing in the Band" (Hunter, Mickey Hart, Weir) – 17:23
    "They Love Each Other" (Hunter, Garcia) – 5:51
    "Big River" (Johnny Cash) – 4:36
    "Tennessee Jed" (Hunter, Garcia) – 8:03
    "Greatest Story Ever Told" (Hunter, Hart, Weir) – 5:26
    "Dark Star" > (Hunter, Garcia, Hart, Bill Kreutzmann, Phil Lesh, Pigpen, Weir) – 25:23
    "Eyes of the World" > (Hunter, Garcia) – 19:09[a]
    "Mississippi Half-Step Uptown Toodleloo" (Hunter, Garcia) – 8:00
    "Me and My Uncle" (John Phillips) – 3:26
    "Not Fade Away" > (Buddy Holly, Norman Petty) – 6:34
    "Goin' Down the Road Feelin' Bad" > (trad., arr. Grateful Dead) – 7:52
    "Not Fade Away" (Holly, Petty) – 3:02

    ****************************************************

    February 28, 1973 – Salt Palace, Salt Lake City, Utah

    "Cold Rain and Snow" (trad., arr. Grateful Dead) – 6:30
    "Beat it On Down the Line" (Jesse Fuller) – 3:23
    "They Love Each Other" (Hunter, Garcia) – 5:54
    "Mexicali Blues" (Barlow, Weir) – 4:03
    "Sugaree" (Hunter, Garcia) – 8:03
    "Box of Rain" (Hunter, Lesh) – 5:18
    "El Paso" (Marty Robbins) – 4:42
    "He's Gone" (Hunter, Garcia) – 12:06
    "Jack Straw" (Hunter, Weir) – 4:48
    "China Cat Sunflower" > (Hunter, Garcia) – 7:20
    "I Know You Rider" (trad., arr. Grateful Dead) – 5:46
    "Big River" (Cash) – 4:26
    "Row Jimmy" (Hunter, Garcia) – 8:27
    "Truckin'" > (Hunter, Garcia, Lesh, Weir) – 12:02
    "The Other One" > (Kreutzmann, Weir) – 15:07
    "Eyes of the World" > (Hunter, Garcia) – 17:02
    "Morning Dew" (Bonnie Dobson, Tim Rose) – 12:40
    "Sugar Magnolia" (Hunter, Weir) – 9:11
    "We Bid You Goodnight" (trad., arr. Grateful Dead) – 3:05

  • icecrmcnkd
    Joined:
    HENDRIXFREAK’s escapades

    And I thought I was cool at age 15 jumping my BMX bike.
    If I took off hitch hiking at that age my parents would have enrolled me in military school.

    Thanks for the stories, sounds like fun.
    Your shows should be released as a Box - Hendrixfreak’s Travels Box 72/73.
    Fully Plangentized and Normanized.

  • hendrixfreak
    Joined:
    Thank you sir!

    Thanks Dr. Jim or Jim in Maryland or whoever you REALLY are........!!

    Hope you're right, we've booked Sat, Nov 2, to crank this new one. If it doesn't appear, our fall-back plan is 3-2-69 FW, where the good Mr. Grease delivers a few hot ones. So we'll rock regardless.

    I hope that they've worked out the kinks and deliver early or right on time for most everybody. Good luck to our long-suffering bros in Europe.

    I did break out 3-28-73 in anticipation and I've been mining the PNW box and, man, that whole year was huge.

    I know this is wrong, big time, but I'm already thinking about #33. Though I won't venture a guess as to content. (Okay, it's gonna be 1969...) Though I'm going to go out on a limb and repeat my box prediction for 2020: fall '72. If I keep it up, someday I'll be correct. In fact, if I remember correctly, that's what my ex-wife said to me when she gave me the heave-ho... [rimshot!]

    Okay, gents (and I hope a few ladies). Good luck on delivery. This one's gonna rock.

  • JimInMD
    Joined:
    Re: HF

    Hola HF.

    I expect this either leaning against the inside of my mailbox or on the front porch before 11/1. except for the last one, they have been delivered on or before the due date the better part of the last year, year and a half.

  • hendrixfreak
    Joined:
    Question and a few memories

    So the "release date" is stated as Friday, Nov. 1.

    Does anyone recall whether pkgs -- for the lucky few for whom the system works -- actually show up on that date? Seems I remembered receiving a DaP on the "release date" in the past. (Tho not the last one.)

    Stoked to deliver this to my buddy living in the foothills here, without Internet (or women, but that's another story). The old man of the mountain has a monster old-school stereo that delivers WoS type impact.

    1973 holds a special place in my heart. Having attended 9-19-72, with Pigpen absent but alive, and the boys still sounding like E72, they turned a corner by early '73 and through evolving musicianship, instruments and sound system, they had a new sound. I got on a roll that year, two months after this show.

    In May, I saw the ABB at MSG -- I had a bong under my shirt. Cop stops me. What's that? An older cop tells the younger cop: "That's a bong. Let the kid go." Off we went. I was age 15.

    In June we jumped on a ride to DC, caught GD opening for ABB on 6-9-73; the Dead were good, but the ABB stole that one. I swear the extra half-tab to "top off" for the ABB had NOTHING to do with our impressions. But the day had cooled and the purple lights helped. EDIT: Yes, we missed 6-10-73 -- we were 15-year-old kids! No money, no food, due back in school...

    End of July '73, we jump on a ride to Watkins Glen and caught the whole two-day enchilada -- the afternoon/evening soundchecks for ABB, The Band and the extra-long evening GD warm-up, lying on sleeping bags in front of the stage, puffing fatties. Woke up the next day, right off snorted mescaline off a mini-cereal box and dropped a blotter as Jer & Co. came onstage at NOON. Etc. We hitched home and 48 hours later decamped to the lovely Roosevelt Stadium for two back-to-back shows with the GD and The Band (and Jer's b-day). Then one GD show at Nassau Coliseum in October. In 1974 I was hitchhiking across the country, turned 17 on the road, ended up in San Francisco in September, when the GD was overseas. I couldn't possibly hang for the October "farewell" shows -- no money, due back in school, had to cover 3,000 miles by thumb, blah blah blah.

    1973 ... a fine, welcome vintage. We will crank this one.

  • icecrmcnkd
    Joined:
    Yeah Ursa

    If it wasn’t for capitalism, there would not have been people standing outside the venue with a cooler waiting to sell you an ice cold beer as you exited the show.
    Those beers were awesome, even though I now think that Sammy Smiths is crap. But they were exactly what I needed after a show. I didn’t start drinking alcohol until after the show, when it was time to slide into the post-show state of mind.

  • Ursa Minor
    Joined:
    different reel sizes and sources

    I believe for most GD sources there is usually one common source especially for this show... I could be wrong about this but during 1973 many shows were recorded by Kid Canderlero who really was not a bona fide sound engineer per se.. he simply was assigned or volunteered to take on the responsibility of recording concerts. I also believe during this time it was rather a PA mix / soundboard recording. The GD was one of the 1st rock bands to capitalize on live recordings, Live Dead, Skull and Roses, Europe 72, Steal your Face 74 (which is the worst sounding LP ever produces by the GD), Dead Set, Rekoning, Without a Net; and numerous others. It's astounding to consider how much commercial live material they produced, probably more than any rock band. Off my head, I don't know any other group has released this much on major labels; I'm not counting the Dick's Picks type stuff. If you do count the other formats; the GD certainly have the record. As for most of the recordings, the GD never thought they would be releasing regular old soundboard "document" recordings but they have capitalized that market. They do a great job of restoration for the most part but sometimes you can't make a silk purse out of sow's ear like they say... some of the releases have been sub par in my opinion, April 6th 1982 is a good example ... it wasn't a upgrade at all really.

    As for reel sizes, usually it's all from the same sound source or mix. The idea is to never miss a second of music since analog format has a finite amount of space because of tape length. The recordist would have multiple tape machines and would stagger their start times so there was always music captured, sometimes they would even run cassette machines, it's called "interleave" recordings. Now with the advent of digital workstations they can seam different reels with out any real detection of an edit. However, Betty Cantor had her own reel deck on the side as well; like many of us here we believed that she had the actual masters, maybe she did on some shows, but we now know that that's not the case. (Betty Boards were obtained when she had a storage locker that went unpaid and some "collectors" paid off that debt and acquired those tapes ... that's where the infamous Cornell 77 came from)

    Overall, the GD have done a great job of marketing their live music and let's face it, some folks believe they have sold out but I will be the 1st to say and admit - that the Grateful Dead's whole scene was a fury of capitalism, right down the grilled cheese sandwiches in the parking lot

  • unkle sam
    Joined:
    2nd He's Gone after Pig's demise

    Can't wait for this one, the entire 3rd disc is a real face melter. Jerry in ultra fine form, vocals like butter, honey butter, just fantastic, miss you Jerry.

  • icecrmcnkd
    Joined:
    Good find Jim

    ‘Bill Harris’ must be John Williams’ stage name.

  • DeadVikes
    Joined:
    Winterland 74

    Don't forget the laughing guy in hat with glasses and mustache disguise, a young OROBOROUS*?

    And you are right about Dave's 21, Mr. Charlie62, if the sound quality is anything like this will be an awesome show!

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"Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

GET IT WHILE YOU CAN

*Limited to 2 per order. Very limited quantity available.

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As I sit here listening, smiling--midway thru Disc 1 Jack Straw--I'm thinking to myself, "Ya know, I'd order a five-year Dave's Pick subscription if they offered it tomorrow"....then I thought to myself "ya know...shit, I'd order a life-time Dave's Pick subscription if they offered it tomorrow!!" Time for another beer.....

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Vinyl arrived today and already spun through once...this is an instant classic for me and will get multiple spins...all 3 discs are excellent, but highlights for me are Lay Lady Lay, Mountain Dew, and Don’t Think Twice it’s Alright/Understand Your Man outtakes.... but this whole set is one that I could listen to over and over!

#32 arrives tomorrow!

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In reply to by CaseyJanes

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Would love to hear more about how the sound quality is. Will not have mine in MN until Tuesday ☹️. For some reason, all year on the Dave's Picks for me have been 5 to 6 days past release date. I was lucky with the Giants Box, it arrived on the release date.

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In reply to by DeadVikes

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Don't know how they do it time after time. This is possibly especially nice. I just finished it. It was great

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10 years 6 months

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Got mine yesterday, at first, I thought it was another LP as it was a very small package for 3 pieces of vinyl, the format package reminds me of the gatefold covers of olde. Argent's "Ring Of Hands" and Johnny Winters " Live "
It is a great set of vinyl, even 'ere indoors ' commented on the Johnny Cash, my favorite part of the set are Sides 1 and 2 at the present time. DaP 32 may not arrive for another 3 weeks, so there is plenty of time to revisit this.

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To these rock-n-roll damaged ears, I thought the sound quality was outstanding....side note: my delivery order notice says/ and still says, "Monday-by the end of the day".......maybe I'll get two??....LOL

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My DP32 arrived today but only one of the two copies I pre-ordered was included. Prior to the warehouse transition I've always got what I ordered on time. Now nothing but delays and missing or damaged goods.

Now I play the waiting game, will they respond to customer service ticket?
I've already had several other tickets for orders go with no response yet in two weeks...

I guess I will hope for the best that I will still get what I paid for but they will probably be out of stock by the time they even read my customer service ticket. Someone needs to fix this mess..

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Am I the ONLY one, or is anyone else SICK and TIRED of the goddamn yellow box on the side telling you to get on the LIST???!!!

I'm on the fuckin' list already!

One fuckin line of code,,,, Is customer on list? Don't post yellow box! Seems like simple coding!!!

Good day all,,, time to rip in Bob for work tonight.

:-)

Thanks for feedback gents. Can't wait to get it next week.

In the meantime Winterland 73 has been getting a workout. Enough said on how great this box is. If any of you have missed this one, you can still get a used one on eBay or Discogs for under $150, which is well worth it.

Looking for some assistance with digital downloads. I have three from nugs.net, Download series 1, which is the 77 Palladium show from 4/30, this show kicks ass by the way, Download series 9 and 6.
All in ALAC loaded to iTunes and played through my Sonos system. All the songs have a 10 second audio out at the end of the songs, super annoying. Does anyone know how to get rid of that 10 second pause?
Much appreciated.

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Had a tape of this show, then a digital SBD copy from Archive (before SBD downloads were verboten). The sound on Dave's 32 is an improvement. What a GREAT show!

I don't know if it's the luck of the draw, but I've had few problems with my orders over the decades. A few bad discs, that were promptly replaced. I don't gamble, but perhaps I should try my luck in Vegas (kidding, all the flashing lights in casinos spook me).

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Arrived today, ahead of schedule, spinning Cumberland on disc 1 now. Sounds great, it's the Dead, it's from '73 - what more could I ask for?

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12 years 11 months
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..Has landed! Great show, sounds awesome! ;)

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In reply to by Moses Quasar

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....that's how they attract. Like moths to a flame. Will never find a clock in a casino either.
Good to see Moses Quasar is still here.
Also, good to see Cumberland representing. My ears definitely perk up when that comes on.

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I can usually eliminate any long pauses in GD shows by doing the following, keep in mind I have an older iTunes program.

1. Highlight the 1st song - unfortunately you'll have to do this individually for each song.
2. File > Get Info OR Right Click > Get Info OR Command/ 'I' All info for that song should appear.
3. There are 6 tabs at the top; choose 'Options'
4. The 'STOP' box with the song length should be there.
6. Check the small box to the left and adjust until it's exactly perfect.
7. Check the small box for 'Remember Playback Position' to the right of 'PLAYBACK'.
8. OK

Hope this helps, but like I said it's an older program.

DaP 32 has arrived today, and #991 to boot! Glad to have this one hassle free and really looking forward to spinning it as Spring 73 is the band's absolute pinnacle in my opinion. Shaping up to be a perfect autumn Saturday, cheers!

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Ho boy!! Now the weekend is complete. Ok, beer, check. Cigars, check. Dap 32, check. Pretzels, check. Good times.

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16 years 11 months
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Everything that you think that is going to be good listening to this is!!! Here Comes Sunshine, Playing in the Band, China>Rider, the stand alone Stella, He's Gone>(all of Disc 3).... Loser, Me and Bobby McGee, and Row Jimmy sort of stand out also!!!

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BobT is right. Finished a first listen and there is a lot of good stuff here, and that whole disc 3 smokes.

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Hooray!!!

Heres 2 fasst delivery 4 everyone

Thank you for the info on this Dave, I appreciate it.
Gave it a shot, unfortunately no change.
It is 10 seconds of dead air, no audio at all at the end of the songs. We always want to hear the transitions to the next song, very important. Maybe this is why the download series was short lived?

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I was thinking last week that you were probably the last guy to change his profile pic. And look at you now. Aren't you afraid that it might change your luck by getting rid of the lucky 7. If your going to play craps this week put me down for a two two on the hard four. $100 bet.

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I downloaded all the Download series releases as they came out. I cannot remember precisely what I did but they were certainly downloaded to a Windows computer and burned to CD using EAC or Nero (I cannot remember which). Tracks are contiguous i.e. no 2 second gaps or 10 second gaps between tracks. I did not use iTunes or anything Apple at any stage of the process. The Apple part could be what is causing you problems.

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Anyone else in the US that was a subscriber not receive a shipping notice for 32 yet?

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Here trying to re-rip some of my GD collection and I'm noticing disc 1 of Rocking the Cradle is not ripping for me. I looked at it and noticed incredible scratching on the disc surface. Funny thing is I took a glance at the rest of the set and they look relatively pristine! Help! :-)

P.S. Buses

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Is the one skipping most badly. I've scoured some of my backups and most of my archived copies seem fine except track 8. Anyone have that one track in FLAC?

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In reply to by wilfredtjones

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....notice would say Monday, so I’d stroll on down to the ole PO, and usually on Saturday there’d be a key in our box for one of those package boxes, and there it’d be, a new Dave’s or whatnot, in all its glory......last several releases, the torturous bastards haven’t been doing that, just the slip in the box, which one of us now has to try and get down there during their banker hours (when we’re supposed to be at work), and then stand in line for usually between 10-20 minutes and wait. Plus instead of having alllll day today to enjoy, I already know I’m not going to have enough time to sit down and actually LISTEN to the whole thing until next weekend, uugghh!.....really like to do that at least the first time, ahem, sorry, I’m whining like a little beeaatch, and yes I’m am jealous of all y’all that have or are going to wallow in the Golden yummy splendor of this magnificent gift from yee ole GD Gods!! Fuggin 73 Mates!, 73! Well, cheers to all you lucky Chil-rens that got yours, Enjoy!

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Finished this one up in the wee hours of the morning and man is it good. Sound quality is pristine. There are so many great shows in this series now that it gets tough to rank them, but this one jumps immediately into my top 5!

Highlights for me:

Disc One:
Cumberland
Box of Rain
Row Jimmy
Wave that Flag (fun to see the early workings & development of this one)
Disc 2:
Here Comes Sunshine
Me & Bobby McGee
China Rider
Stella Blue
Disc 3:
The whole damn thing fucking smokes.....gonna have to put it on again right now!!!

Enjoy this one dead peoples.....it really is something special...we are a super lucky group of robots!

Happy Sunday Funday!!!

KCJ

Oh and for those interested, here are the timing sequences for the songs on Disc 3:

He's Gone> (13:52)
Truckin> (10:04)
Jam> (22:30)
Dark Star> (4:10)
Sing Me Back Home (10:03)......(I really love this version)
Sugar Mags (9:43)
JBG (3:55)

I have the Download Series but no 10 sec. gap during any songs on any of the releases - anyone else have/don't have gaps with the Download Series? I'm using a MacBook Pro and just the usual time between songs with audience noise/clapping.

Well that's encouraging news. Thanks KCJ.

I think the next show (3/26, Baltimore) flows nicely after listening to this one. If it were me, I would release them back to back (or at the same time somehow). Fond memories of these two, so glad half the duo finally got the Full Norman.

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Got mine yesterday even though the tracking info said end of day Monday. Pleased to get it on the weekend, but like many of my fellow adult Deadheads, not enough free time to listen to it all yet.
First impressions from giving it a test drive while running errands around town:
Bertha - Fair to middling opener with funny blown "cue" by Jerry; average version.
Beat It On Down The Line - Oof. This is rough. The off-key Donna vocals are in full force. Hoping for better from Bobby on later tracks.
Don't Ease Me In - God, I love this song. Not a great version, but so nice to hear a young Jerry singing this.
The Race Is On - Pretty solid '73 version, nothing remarkable.
Cumberland Blues - Surprised to read so many positive comments about this version; didn't make an impression.
Box Of Rain - Quote from headyversion.com: "Seriously, this is awful. The only listenable versions are Sep 17 1970, and the two "breakout" versions in March 1986 (20 and 24)." Sounds about right.
Row Jimmy - Okay version. Doesn't have the shimmering quality of some of the Winterland '73 performances, but pretty good. Donna damages it, of course.
Jack Straw - Quality drop-off from the '72 versions, but not bad. Unremarkable.
They Love Each Other - First big highlight of the show. I love the bouncy versions of TLEO, and anything slower than the studio version on Reflections sounds like a dirge to me. This is a pretty great one with no notable fuckups.
Mexicali Blues - Better than the other Bobby performances so far; good version.
Tennessee Jed - Decent but, again, unremarkable.
Looks Like Rain - Jerry seems to have found a way to replace the lap steel from Europe '72 with a weepy guitar sound; unfortunately, this version is marred by Bob's vocals ranging from too quiet to too loud, and I had to adjust my volume up and down multiple times; background vocals predictably off-key.
Wave That Flag - Another pretty good version, as this develops toward becoming U.S. Blues.
El Paso - Okay version to end disc 1 on a bit of a thud (unless you're a HUGE El Paso fanatic); overall impression of this first disc: I might pop it in to hear the TLEO again some time, but that's about it.
CD 2
Here Comes Sunshine - Really nice, tight version; under 9 minutes, so it leaves me wanting more; some of the guitar work toward the end sounds distorted, but I can't tell if that's Jerry or the tape.
Me and Bobby McGee - Second surprise highlight after TLEO. A very solid version (although the drums at the beginning are surprisingly weak and plodding...weird); Jerry's bg vocals are priceless, and make me wish for more bg vocals from him and less from Phil and Donna.
Loser - Man, who doesn't love Loser? A very solid version. Jumped over to headyversion to look for comments on it, and there are none! Someone who posts there should give this bad boy a vote.
Playing In The Band - This is where my listening had to end. What I've heard so far sounds pretty good, but only made it a few minutes in before I had to bail.
Looking forward to the rest, but hoping for fewer (or lower-in-the-mix) Donna & Phil harmonies. The high ratings for Sing Me Back Home lead me to believe she may have actually hit a few on-key notes during the course of the show.
Will try to post more later in the week when I get a chance.

I was standing in my driveway yesterday when the USPS truck pulled up and the guy handed me a DaP 32. I told him that tracking said delivery on 11/5. He said that it did in fact arrive on 11/5 but he thought that I should have a weekend to enjoy it so he borrowed Jim’s John Deere and brought it to me on 11/2.
So, thanks Jim.

Made it through the whole thing yesterday and didn’t notice any skips or defects.
Listened to CD3 again last night once I was nicely marinated and holy smokes!! Smokin’ playing there and sound quality is amazing. The Jam has bits and pieces of just about everything you would expect from that era and then the quick Dark Star proper and a smooth slide right into Sing Me Back Home.
Pretty sure I listened to CD3 at least twice, but that’s where it gets a little fuzzy......
.......woke up at 11 am today, took the dog out, started making coffee, then realized that it was only 10 am.
Crap, forgot about the time change, could have slept in longer. Oh well, coffee is already brewing (super dark roast Columbian that I roasted myself - another thanks to Jim for convincing me to buy a roaster a few years ago) Might As Well take advantage of this extra hour and get started on a second listen to DaP 32.

Yes, an excellent choice Dave. Mighty fine mastering Norman.
Quality playing (currently on Row Jimmy) and excellent sound. Lots of Phil, had the house rattling yesterday. Drums seem at an appropriate level, no excessive kick drum like in 74.

Oh yeah, just remembered that last night after a Donna wail I concluded that I would take any Donna wail/scream over Wave To The Wind any day.

Credits:
Recorded by Rex and Kidd.
10” tapes provided through the assistance of ABCD Enterprises.

Thanks again ABCD!!

Here’s the story on ABCD for anyone who doesn’t know.

http://www.legalnews.com/detroit/1457673

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In reply to by icecrmcnkd

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We must be listening to different shows because I didn’t detect any of the negativity that he seemed to find.
Probably because I went into this with an open mind and open ears. Wasn’t trying to compare it to other 73 releases, and I don’t pay attention to what is written on heady version.
We’ll have to wait for Vguy to give his verdict on Cumberland since he’s a big fan of that song.

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Thanks for helping! :-)

Hilariously Deader-than-thou response. Did I really just read a post implying that I don't go into a release with an open mind and open ears? Did this smug person read my post with an open mind?
The irony is so thick, you could cut it with a knife.
Yeah, man, we must be listening to different releases. Hooooo... (eye roll).

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10 years 8 months
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Can't be sure what show arrived for Mr. Heartbreak, because we listened last night to the first set, Bertha thru Playing, and to our ears, this show (3-24-73, right?) is outstanding! The playing was so engaging and the sound quality so amazing, this is rated top shelf in my world. No work to listen, the band was in the zone and the well-articulated parts meshed perfectly. This show is in that top tier where there's no call for ranking anything. It's in the pool of those shows where it sounds effortless and that attracts the ear. As I said, no work on the listener's part to enjoy.

If any of this show sounds "meh" to you, may the gods have mercy on your soul.

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14 years 9 months
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Would reeeeeeeeally like 3/21/73 to join this March/April constellation.

No complaints from me at all.

Following up 3 24 73 with 7 7 78, an O.T. show. Original Tape from the early 80s.

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6 years 8 months
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Don't have mine yet. Is Donna having an exceptionally bad night, or is she on par with her usual sound?

I was thinking Dark Star would be the defining track on this set...but looking at the timings, its only just over 4 minutes long! I notice the jam leading up to it clocks in at over 22 minutes though. I think of Dark Star as being a jam more than a song anyway, so maybe its not so clear when the so called jam ends and Star begins.

Looking forward to getting it however the dice falls.

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17 years 3 months

In reply to by Trainwrecked

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....I don't play craps anymore. But when I did, it was 6 & 8 all day. Hardways are a sucker bet.
....edit. just as I posted this, daverock posts a comment of letting the dice fall. Amazing!!

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