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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • One Man
    Joined:
    And May I Add...
    1973 - This one is simply monstrous. It sputters a bit getting started, but by the time of China/Rider, there is no turning back. Yes, that TOO jam segment looks great on paper and it lives up to your wishes. There are a couple of aud patches and neither one is pitch corrected. These are minor blemishes, and this show will enjoy much play around here.
  • Younger_than_Y…
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    Joined:
    More Listening Required
    Listened to the first 4-5 shows last year and think I went in to much. Just listened to '68 and found it amazing! Jerry's guitar sounds so happy and bouncy. Rough sound at first and Phil is to high in the mix and Bobby to far back, but it gets better. 1967 is crazy good. No doubt primal Dead. The sound is very fresh. Has there ever been music like that since? No band could match these guys live.
  • One Man
    Joined:
    1966-1972
    Who scared away Kate? Stop doing that. I really miss her posts. Did she erase one below? Here are some thoughts thus far. I also have song-by-song notes, too long for here: 1966 – As you would expect, this show features embryonic versions of many songs that grew to much greater proportions in later years. It also contains a bunch of relative rarities, and it all sounds pretty good. I think this is a great choice to open the box, even if a couple of songs are incomplete. The vibe is very pizza parlor. 1967 – As expected again, our heroes have audibly expanded their musical talents by this time and have incorporated more original tunes into their act. The sound quality here is as good as possible, since it was mixed from an archived 8-track source tape, only one of two multi-tracks in the whole box. Pig is big on this show. I like his songs best, plus “New Potato Caboose”. “Viola Lee Blues” also got a lot of love from listeners, and while I think it’s grand, you could probably find a hotter one or two. 1968 – This is a short show, and it really takes off about halfway through, with the early rendition of “Dark Star”. The sound is a little rough, and probably would have prevented release in a stand-alone context. So we are lucky to have this little unpolished gem, and I for one will certainly give it an occasional spin. The jams are big, big, big. 1969 – There was some chatter about this show being in the same league as the famous Fillmore West run of just a few days hence. But it is not of that caliber, and because it shares so many songs with that more snazzy series of shows, I probably won’t be listening much to this one. I do particularly like the take on “Death Don’t Have No Mercy”. 1970 – This is the clear winner thus far. The sound is fuzzy at times, and the organ is but a shadow, but the playing makes up for any audio slights. Do not miss the jam out of “Drums”, nor the jam in “Dancing in the Street”. In fact, do not miss any of this show. 1971 – As much as I love the 1970 show, I find this one somewhat spotty, mainly due to under-rehearsed new songs and one inexcusable cut in “Goin’ Down the Road Feeling Bad”. The good stuff is good, however. Again, there is little chance this show would ever have seen the light of day if not for this giant thematic collection of goodies. 1972 – Are there any truly bad shows from this year? I think not. This one is marvelous, with only a couple of rough spots and two big jam vehicles to make up for any transgressions. I could see this as a Dave’s Pick, or whatever series you name. It will take its rightful place alongside all other official releases from 1972. You know what to expect here, and you get it.
  • Mr.Dc
    Joined:
    KYtrips
    I have enjoyed your 30trips show write ups, thanks for posting.
  • ladwasur
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    Joined:
    Nice
    good thing you dont have to pay to watch your seaside chats,, the audio is awful, a little thing called wind makes it worse than listening to an awful audience tape. For somebody who is always picky about sound quality, ya might want to get those things fixed, so its not painful to watch. http://www.worldworx.tv
  • KYTrips
    Joined:
    1971
    This is just a REALLY solid show, from beginning to end. There aren't a lot of super highlights, nor are there any clunkers, in my opinion. The Casey Jones opener is really strong, and the rest of the first set just continues in it's footsteps. Again, nothing stand-out, but everything is just really, really good. I particularly enjoyed "Me and Bobby McGee" (which I'm not normally big on) and "Ain't It Crazy (The Rub)". The shortened PITB near the end of the first set is also a nice change from the longer, jammy PITBs that would become the band's norm. The second set also is a good one, with my personal highlights being Truckin', The Other One and NFA. I hate to sound so repetitive, but really, there's nothing bad to say about this show and there are really no stand-out, blow your mind moments. It's just a really good show. Show rating: B+
  • KYTrips
    Joined:
    1970 (WOOOOOO!!!!)
    Moving into a new decade, the Dead don't miss a beat. The first time I listened to this show I was driving my car to work early in the morning. I thought... "Wow... this is a nice "Cold Rain & Snow" opener as it came to a delicious conclusion. Little did I know I was about to be ripped from my peaceful, easy, early-morning bliss by a sound which can only be described as the shriek of a banshee following the opening number. Woooooooo!!!! Ahh... Bobby Weir welcomes us all to Winterland. Let me just say... this show is a GEM. It's got everything I want in a GD show... energy, an interesting setlist, and some top-notch performances. CR&S opener, as mentioned, is a very nice version. It's followed by a great China Cat > Rider, which would only be better if Jerry hadn't screwed up the lyrics at what I believe to be the most critical point of this pairing. "Technical Difficulties" then ensue, which provide for some entertaining on-stage banter, followed by some more blood-curdling screams from Mr. Weir. "Mama Tried" is straight-forward as always, and done well here. Then, the show REALLY starts for me when they break out "It's A Man's World", with Pig laying down the vocals. A song I wish they'd played more often. A very early "Candyman" follows, and you can tell that the boys are still working this one out a bit. A great "Hard to Handle" and an unremarkable "Cumberland Blues" close out the first disc. The second disc starts with a big, fat, tasty "Cryptical Envelopment" sandwich, with "Drums" and some jamming leading into an awesome "The Other One" as the filler in that sandwich. Nicely done, boys! A great version of "Dire Wolf" follows and then the boys stretch their legs and get into "jam mode" and kick into a high-energy "Dancing in the Street". The show closes with an absolutely high-energy, delightful Lovelight > NFA > Lovelight which goes on for about 20 minutes! Overall, a fantastic show with very few "boring" moments for me. High point for me is definitely the first half of the second disc, but it's followed closely by the final 20 minutes of the show. Show grade: A-
  • Sixtus_
    Joined:
    re: The Eleven/75
    Thanks LoveJerry, glad I'm not the only one this has bothered and that others have noticed. It could have been a fun romp through the melody especially after the absence. We still have our beloved '68's and 69's when there's a hankerin'.... Sixtus
  • LoveJerry
    Joined:
    The Eleven / '75
    Sixtus, I was disapointed as well. The 30 Trips 1975 Eleven Jam is not the actual melody that underlies the vocal portion of the The Eleven, it's the bass line that they all jam to during the second part of the Eleven (so for example if you tune into the 10 minute mark of the Two From the Vault version, that's what they're playing on the 30 Trips 1975 Eleven Jam).
  • jrf68@hotmail.com
    Joined:
    Fish On!
    First brown of the year today in tha John D. Rockefeller,Jr. Memorial Parkway.(A little slice-o-heaven in between GT & Jellystone) ;0)
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Now THAT's a bucket list! ;) sorry,couldn't help it
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Barton Hall 5/8/77 will be announced as a single release on June 23, 2015.
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12 years 9 months
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That's pretty specific-why June 23rd? Eventually, it should be released just for posterity. (My copy was always missing beginning of Minglewood anyway)
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14 years 11 months
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Living in Australia and having to pay so much for the concert tickets was brutal and this was the last thing I needed...still got it though. Looks like there will a fair few more 50 hour work weeks.
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Any guesses as to how many more inaudible videos he'll continue releasing until he figures out you can shoot video indoors?
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10 years 9 months
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All I can say is....windscreen.:)
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It used to annoy me, the seaside distractions, wind, how a tsetsi fly can yank his mind from a killer Scarlet>Fire to, "Hey, look, a boat and a sea gull" Now it just cracks me up. I actually look forward to them. We should make a drinking (or toking) game out of it somehow. It wouldn't be a release video without the outdoor distractions and C- production effort. It would be like the year they did Saturday Night - "not live." Remember that? Didn't work. Just my two cents.
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Been a lurker but finally decided to join in. I cut my teeth on the Dead about 2 years ago and have been loving every minute of it. The music really is a conduit to whatever you want it to be. The fact that there are so many shows and so many ways to listen to them is mind blowing and I have a long way to go on my GD journey. This thread has been great, yes there has been bickering and some whining here and there, but overall, it's been a great teaching tool. I love when people mention show dates or versions of songs that they love, it gives me things to research and brings out the nuances of the music and differences in people's taste. Trying to find a copy of DP19 now, thanks for that info. There was no question for me, I had to have the box. I can't wait to see what this behemoth is going to look like already. Let's go Dave, show us some pics! "When you gotta shoot a video, you gotta shoot a video." And to add to the decade debate, I find myself gravitating to the energy and youthfulness of the 70's but there is something about Jerry's voice in the 89-90 run that I can't get out of my head. (FYI, the TOO box is worth the purchase.) The warble, the reaching...something magical is happening during the show's where he's on. I'm obsessed right now with Cold Rain and Snow from the 7/4/89 show. I thought it couldn't get any better until I recently heard his backup vocals on Desolation Row from the 7/19/89 show. Unbelievably haunting and beautiful. Can anyone point me to other versions of Row like this one?
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Fantastic! I´ve been listening to a handfull of the shows selected for the BIG BOX. They´re all great! I found them on archive.org, and I can only believe that they sound even better on CDs. There are many shows where Phil exels: Greek theatre, Parc des Expositions, and many others Being a bassplayer myself, it give me enormous pleasure to listen to them! If I could afford the box (and my wife would allow it: -When you´re gonna listen to them all? -You have everything else...hundreds of CDs!..&c) it I´d buy it immediatly.
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3-24-90, on Postcards of the Hanging
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Thanks - I missed the heck out of the old Eleven crew...that and the black hole gravitational pull of The Box wouldn't let me permanently escape deadnet's orbit. RD - Re: the "precursor" series - after burning a few videos for posterity sake, I sold almost all releases on ebay for a handsome profit. Unfortunately, having requested a comparably aged spouse, I had to dump him at a deep discount as that 80's stuff just don't sell as well with deadheadz. peace, K
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Long time lurker... First post. I'm thinking of buying a second box with the intention of trading it for a Europe 72 trunk + Dave's 1&2 with bonus. I would consider other combinations like Europe all music + Dave's 2012 complete. Pm me if you have any interest and I can order the box to be shipped directly to you. Possibly interested in some road trips.
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Pretty happening... Cryptical Envelopment -> Drums -> Jam -> Drums -> The Other One -> Cryptical Envelopment ->
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I have all the other Boxsets even the Fillmore set. Unfortunately I wont be able to bite the bullet on this one this year. But if someone wants to Miracle me one Im sure I have some music I can trade. :)
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Seth says: "I reviewed my LMA MP3 derived set of the complete Dead sets from 5/15/70 and can't find the Pigpen rant I have been angry about GDM removing during the Road Trips editing!I must have imagined it years before. It was so firmly entrenched in my mind that I never discovered it WASN'T THERE until you're disbelief made me check in with reality!" Dang! I would really like to hear this speech. A friend of mine swears that some choice banter that was on his 10/30 or 31/1970 tape didn't make it over to the digital realm. Perhaps that is the issue with 5/15/70?
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I just sent you a PM :)
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anyone know how many left? I was goofing with my wife last night, told hear about the 30 trips box. I said to her, oh, didn't you say the charge on the credit card? it should show on the card any day... Her jaw dropped... again, I did not purchase, but was curious to her reaction... good thing i didn't pull the trigger! dog house for sure...
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It's sold out. Sold out Thurs. when u go to checkout will say " basket contains item sold out or " item cannot be paid with V .me
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Hey Keithfan. They just dropped below 1900 left, so 4,600 out the door. They seem to be clicking along at 50 - 100 sold per day. So while it is not as fast as the E'72 box, it will sell out, probably end of June, early July. So that will give some folks more time to collect their coins. Rock on
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Nope. I can still add to the cart. Must have been an error on Thursday.
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I can. It's 700 bucks! That simple fact alone will keep lots of fans like myself from even considering purchasing this. Any way I shake it I just can't pay that much in one shot for a box set of cd's no matter how badly I want it.
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I'm with you, it's 700 bucks! Many of my buds were in shock when we heard that last week. I also can't believe that so many have actually sold. It's just out of reach for me but it sure will be something special. Spent all of Saturday night early Sunday revisiting the May 77 box. Loved reading the booklet & getting deep into the Alabama show.
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Me neither. Talking about Veneta. I am shocked that thing is still available. I jumped on it the first day it went on sale. I consider it a top 5 all time show, it's incredible! The slipcase packaging is very cool, I display it next to my Todd Mcfarlane Jerry Garcia "action" figure. :)
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then after we win we can each buy a copy . So many good shows that deserve the official treatment, yet it is beyond my grubby little dollar colored fingers. Send me your dollars, and I'll play Lotto for you. Stoltzfus 169 Please Road Fatchoad, NE 0U812 cash only
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Looks like the 50th Anniversary T is back in stock... I can afford that! ;)
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IF I was to buy into this "thing" I would prefer to pick my own 30 Trips. That would mean so much more to me. If I say any more I would just get a bunch of people pissed off. So I would rather pick my own 30 trips and lets just leave it at that.
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Maybe I will get that shirt for Father's day, Ha! My dog Sugaree would love that stoneware bowl to eat her chow from. Honestly if I am out and about and I see something cool Dead related I will usually buy it, but I rarely purchase stuff like that online. I only think about the music when it comes to dead.net
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...but I wouldn't hold my breath waiting for THAT opportunity.
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I figured with Venetta, at least maybe the reason was because it's commercially available in (I assume) large numbers. Does anyone know how many Sunshine Daydreams were pressed? Was it limited edition? I bought mine at Barnes and Noble in April of 2014, and that's actually what got the ball rolling on me spending 1000s of dollars on Grateful Dead music, as my collection went from about 20 to 200 in the past year. We shall see how 30 Trips does. I hope it sells out.... With regard to comments that it hasn't sold out because of high price - I think the litmus test was E72 - wouldn't it be the same buyer pool? Are we saying that E72 was significantly less expensive, or significantly better? Or has it just not been enough time? Anyone know how long it took E72 to sell out of the original trunk limited editions?
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I will give you this $700 box set and you give me in return The complete Fillmore box with the bonus disk possibly some road Trips and some (I repeat SOME cash) Let me know. Thanks
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I have the idea that this box is not really attractive to scalpers, so they haven't been buying it up en masse. Most limited editions seem to sell on eBay for at least three times the original price, but how many people will be willing to fork out $2000 or more for this in 6 months or a years time? Not that many is my guess and I think the scalpers know this. Their other possible strategy is to sell individual shows but by doing that they risk getting stuck with a bunch of less popular shows. Furthermore, buying a whole bunch of these to sell later is going to cost a buttload of dollars with less certainty of a (quick) return on the outlay. Sure some copies will show up on eBay etc., but I would not expect to see as many of these as there are examples of (much) cheaper sold out limited editions.As I recall the Europe '72 box sold out in a matter of days, maybe 4 days. That certainly surprised everyone.
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but this would without doubt have given me cardiac arrest: 7/03 & 11/19/66 11/10 & 11/11/67 10/12 & 10/13/68 2/21 & 2/22/69 9/18 & 9/19/70 12/14 & 12/15/71 9/23 & 9/24/72 2/09 & 2/15/73 6/22 & 6/23/74 6/17 & 9/28/75 10/14 & 10/15/76 2/26 & 2/27/77 7/07 & 7/08/78 10/27 & 10/28/79 11/28 & 11/29/80 But what would one call it? Dead to die for? sheesh
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There is something to be said for a mass market release before the Chicago/California shows. This seems like a great opportunity to release a show that fans could pick up in person. Or maybe they'll be selling copies of the shows fans just attended.
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I am fairly certain that the limited edition box of Europe 72 sold out in less than 48 hours...
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I have a little bit of a different perspective. I only got into the Dead a few years ago, and while I've never seen them, I love the music - we're talking non-stop tunes in my house. My uncle had hooked me up with a starter set of Ladies and Gentlemen, Go To Nassau, Dozin' at the Knick, and Hundred Year Hall. I didn't even know who was who in the band other then Jerry and the good looking other guy. I immediately stayed away from Dozin at the Knick because I sensed something different in the keyboards, and that something was Brent Mydland's sound. There is something very distinctive about his sound that I can't even describe, but it's not a classic grand piano sound like you get with Keith Godchaux's playing. Even today I can't tell you what the difference is in their equipment, but Brent's keyboard is very abrasive to me, and I mean his piano synthesizer, not the organ like sound that he sometimes uses in the early 80s (Hammond?). Anyway, I kept buying shows, Crimson White and Indigo was another, so was Closing of Winterland, and the pattern with the keyboards seemed to follow Brent Mydland, so I began to steer away from those CDs. I also don't care much for his voice. He does not sound good at all when he tries to harmonize with the others, and I was in chorus for 5 years in my youth, so a high level of discordant singing is very apparent to me. I guess if I had to sum up my position, it is as an unbiased historian. I've never seen the Grateful Dead, I wasn't around when they were making music (for the most part), so I am simply replaying recordings as an unbiased listener and observing that there is a huge discrepancy in the quality of songs when you compare a live performance of a song like let's say Cassidy or Jack Straw or Scarlet Begonias between the 70s and let's say Spring 90. What I hear in 1990 is a tired Jerry, an out of tune, gravelly voiced Brent, and these piano sounds that sound loud and out of tune with the rest of the music (and by out of tune, I mean it doesn't mix in well like Keith's Grand piano sound, it doesn't make a "whole" full sound, the audio frequencies do not mesh to create something bigger than the individual parts). So, I don't find myself putting on anything after 1978 too much. I try from time to time, in the interest of discovering something, or "getting past" my hang-up, but it always goes back to the fact that comparatively speaking, the music doesn't sound nearly as good after 1978 as it does before. I get some enjoyment out of songs that were new to the 80s era, such as Feel Like a Stranger, Alabama Getaway, etc, but that's about it. I can understand why some people like it - I think the people that like it were probably introduced to the Grateful Dead in the 80s or 90s, or followed them out of the 70s and into the 80s and 90s. I think these folks probably saw a lot of the shows or at least shared in them together with friends when the shows were originally played, and so there is an emotional investment that makes these shows more appealing. I even get the "pre-hiatus" people, as there was a tectonic shift in the music after the hiatus that is clearly the result of having two drummers - gone were the days when the Dead played Dark Star, and the improvisations always went so far!
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10 years 9 months
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Looks like they've got the new Best Of on vinyl.Good price too.:)
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12 years 1 month
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I believe E72 Trunks sold out within a few days could be wrong
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17 years
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Sydney Bechet "The Best of" (Blue Note) 6/08/39 ("Summertime")James P. Johnson "Snowy Morning Blues" 6/08/44 Roland Kirk "Introducing" 6/07/60 Gigi Gryce "Rat Race Blues" 6/07/60 Grateful Dead Winterland 6/07/77 Set two Scarlet > Fire > Good Loving Bob Marley "Easy Skanking" 6/08/78 Boston Music Hall What?
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10 years 9 months
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11.21.85 ,, Some incredible stuff here Crazy Fingers > Playing In The Band > She Belongs To Me > Drums
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16 years 11 months
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seems to think the mass-market release is going to be 8-4-76 w/ DVD. Anyone else hear this?
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12 years 5 months
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Want to go there, yes I think I will. From what year will DP 15 be? I say 1976. HAPPY MONDAY DEADLAND, so glad it's (almost) over!!!! Peace
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16 years 11 months
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If I remember correctly, they were gone within four days.
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10 years 9 months
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i would be happy with a lot of offerings from this year, but a few standout.. 7.18.76 - 2nd set jam fest Might As Well Samson & Delilah Candyman Lazy Lightning-> Supplication-> Let It Grow-> Drums-> Let It Grow-> Wharf Rat-> The Other One-> Saint Stephen-> Not Fade Away-> Saint Stephen-> The Wheel-> The Other One-> Stella Blue Sugar Magnolia, Encore: Johnny B. Goode 1st set also worth checking out with a great choice of tunes
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16 years 11 months
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Yeah, 7-18 is 24K.I would love to see the entire Orpheum 76 run get the box treatment, or at least compiled as a solid compilation with 7-18 as the centerpiece. I'm still thinking 73 for Dap 15....3-16 would fit the bill nicely.
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14 years 8 months
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http://www.dead.net/features/europe-72/holy-s-it’s-complete-europe-’72-box-over-60-discs Hey now! Due to overwhelming demand, surprising even those of us with huge faith in the Europe '72 project, the entire limited edition run of 7,200 boxed sets has sold out in less than 4 days. We thank you beyond words for your support and belief in this unprecedented and wonderful release.
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