Grateful Dead

dead.net the official site

I was not at my Computer Vato....And the Smart Phone wasn't smart enough to Translate from Swahili or whatever He was speaking into English....But...I FINALLY got thru to him...I believe it's on it's way....PEACE....TOMAS.

Not at my computer at time of ordering, I speak English, Spanish Italian and Athabaskan, (My Mothers language,,,aka Apache)...But I just couldn't understand this Dude...Hence the Phone call....CRAZY HUH !...PEACE....TOMAS....

I dig the cocktail jazz that was the Doors at the end. Pete Townshend is an artist, he interprets subject matter and possibly as a catharsis releases it in his material. He wrote all the lyrics Roger just belted them out. New Dead, I don't usually even queue up Lemieux rambling on about all the minutiae concerning a given recording. I'll listen, and fill in the blanks myself. It goes quicker that way, I mean, does the guy seriously fire up a fat one before blathering on endlessly? Current listen: The Strange Remain, The Other Ones. The Grateful Dead never really left us, what with all the incarnations over the years. Yes, when Jerry got on the elevator it was an immeasurable loss, but the music continues.

Imagine a who book around the fiddle about and you have Townsend's book. It was sick.

Hey snafu, I was never much of a Tommy fan, but had an extraordinary listening experience last week after hearing Keithfan's live track. Highly recommend it. Takes the best released performances and ties it all together in one track. The not so great songs are not there. There's a link on the Dave's 25 page.

I don't hate The Who I didn't mean to give that impression. I just have a really hard time getting through "Fiddle About" on Tommy it grosses me the hell out. It always bothered me even when I first bought the album in 12th grade. and just recently I mean the whole line of "who is it? i'll rape it" or what not in Quadrophenia I was like what the good fuck?

...it’s in a written clause, contract. It’s all about business...Like somebody once said, ‘Money beats soul’ ;)

I like both bands. Some deeper comparisons.... Robby Kreiger vs Pete Townsend Both are iconic guitar players. I think Pete Townsends strengths are with his theatrical presence, a riff master and coming from Europe, perhaps a more classical music sensibility, where Robby Kreiger comes from a background of blues, jazz, flamenco and soul. Might have to give Robby Kreiger the edge here. Keith Moon vs John Densmore Hands down, Keith Moon at his best was pretty phenominal. Sure, he had the famous incident where he got to high on pills to play, but at his best, right up there with the greatest rock drummers. Densmore is more of a finesse soft touch player, but still great. Roger Daltry vs Jim Morrison Daltry always seems like the consumate professional. Still belts it out. His lyrics tend to take themselves less seriously. Morrison the poet certainly had his merits as a lyracist and at his best, a decent vocalist, when he wasn't fried. Certainly unpredictable and by todays standards would have probably been considered bipolar. Still, both iconic. Probably give Daltry the overall props here. Entwisle vs Ray Manzarek's left hand Obviously Entwhistle, because, he was a bass player. Huge part of the Who's sound. Albums I suppose the Who has a more iconic catalogue. High production value. The Doors first three albums and LA Woman are iconic as well. Probably overall, The Who wins out for me, but I do like Waiting for the Sun and Strange Days a lot. Apples and oranges in many ways. Now if someone were to draw comparisons to Jimi Hendrix, it would be hard for me not to put him at the very top of the 60's rock and roll food chain. Electric Ladyland may be the best album by any artists from any era....ever....imho. Clapton vs Beck vs Page Jeff Beck all the way. BB King vs Freddie King vs Albert King No debate. All three are essential, especially for blues. Coltrane vs Miles At this point, why even compare?

I know some of you purposely avoid listening to these, so the whole experience is brand new. So, you can skip this post, or let it tantalize you at your own risk. The sound on the 11/17 tracks is just fantastic! What a great recording by Betty or Rex, and a great mix by Mr. Norman. The band sounds really fired up. I'm more excited for this release after checking this out and the video with Dave's usual overly effusive ebullience. Looking forward to 2 Other Ones, especially with that kind of talk of Bob and Phil playing aggressively. The whole thing about covers on the bonus disc makes sense, but those 2 examples from years back are definitely not public domain, Smokestack is credited to Howlin' Wolf, and Good Lovin' is credited to Rudy Clark and Arthur Resnick, maybe Rhino heard from a lawyer or two since then. Perusing a few of the Road Trips, they have Lovelight as a fairly popular bonus disc track, Not Fade Away shows up, Hard to Handle, a Sing Me Back Home, etc. This site allows one to quickly search the tracklists: https://www.whitegum.com/bonus.htm Also, The Who are, to me, the greatest rock band of them all. The Dead are my pick as the best American rock band, and their varied setlists make engaging in such recording hoarding a much more addictive venture, though I have about all The Who live recordings and studio stuff, outtakes, the Townshend demos (which if you don't know about them, his demos of him recording at his home studio are just astounding on their own, they are fully realized tracks with a straighter, more basic drum and bass playing, and Pete singing everything, and they've been officially released in the Scoop series, well worth getting), but their is a more finite amount of releases than with the Dead. With the Dead, I get at least 4 new shows, perhaps a box or two with some cool extras. And the ever changing setlists and ways of playing songs and the explorations of the Dead have me listening at work and in the car most of the time, but I could just as easily fall down a several week rabbit hole of Who, with lots of repetition, or go off on a Duane Allman listening excursion for a month, or split time with String Cheese and Dead, but the mainstay is Dead. So, shorter answer Who over Doors. Thus ends the rant. Carry on with fervor for Dave's 26, and SUBSCRIBE in November and avoid the pains of scrambling for 200 or 300 copies.

Ha interesting reaction to the who. You might not have got it from my post but I was far from as big a fan as my friends were though I did like the early days who. What songs were most shall we say puke provoking to you. I started Townsend's auto a year ago. Serious vomit material. I read a lot, have a large library I not only stopped reading halfway which I rarely do I threw it away which I never do