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bobby at the end of Sugar Magnolia

yeah a yeah a yeah!
yeah a yeah a yeah!
yeah a yeah a yeah!

why oh why can't 6/18/83 and 6/20/83 have pristine soundboards to give the full Norman to...

Loved your post on the 6/20/83 show since I too was there and it was quite memorable. Only one correction. There was an encore: Its All Over Now Baby Blue. Jerry's voice may not have been up to par in '83, but it was still a mighty fine rendition of Baby Blue.

As you said, that Merriweather show may not be one of the best show of all times, but it was incredibly magical to most who attended it. Just read the reviews on the Archive (or even here on Dead.net). Unlike you Jim, I was on the lawn and had to brave the monsoon. I made a brief venture to the Pavilion during the second set, but things were a little too weird there so I wondered around and eventually back out into the torrent of rain. I guess I'll share a quick personal story about that show. During the peak of Music Never Stopped, a casual acquaintance of mine came running toward me in her yellow dress with a handful of mud. She plastered that mud on the back of my white shirt. I don't think we had Garcia handprints just yet back then, but her slap on my back formed a perfect handprint, only with a middle finger unlike Garcia. She disappeared and I didn't see her again that night. I knew from friends that she went back to New York, and I ventured off to Colorado later that summer. What was so odd was that mud handprint stayed on my shirt in perfect form. For most of that three hour show I was standing in the most relentless deluge of rain and that handprint never washed off the shirt. Days after the show, the shirt dried and so did the mud, but that muddy handprint never flaked off and never lost it's shape or character. At the time, it was a memento of a magical evening so I left the handprint there for as long as it was last. Six months later I returned to Baltimore and saw my acquaintance friend at a party. We talked of how much fun we had at that Merriweather show and how special it was when we briefly saw each other. She still had the yellow dress and I still had the white shirt with her handprint. Perhaps it was a simple twist of fate, but I felt a spark. Five years later we married. Through the years the shirt, and the dress, have disappeared, but my wife and I are still together and have been married for 30 years (holy sh%#$!--30 years, really?) I'm fortunate that we're still together, but perhaps more fortunate that she likes to listen to the Dead as much as I do (which is a friggin' lot!!). Anyway, for me, that Merriweather show was a memorable evening indeed.

I share in the hopes for this box. We know one thing for sure. The tapes used to produce the Warfield acoustic release have not been recorded over, the expanded Dead set they released in the 2000s and the expanded Dead Ahead bonus material all have not been recorded over.
Maybe Dave will give us some hints tomorrow.

I am only hoping on suspicions also for a Warfield '80 Box Set. Someone had originally mentioned it on the RSD release thread that it might be a prelude to a Warfield Box Set...who knows? Also previous RSD releases were part of larger Box Sets, 4/25/77 comes to mind. It was a RSD release, and part of the 30 Trips Box Set. Also, 3/29/90 Wake Up To Find Out was a RSD release, and then a part of Spring 1990(TOO). I believe there are a few other RSD releases that were part of Box Sets, etc ? Certainly seems like it could be the lead in to that type of box, BUT It may not be for a couple of reasons: 1) Dave has stated that the 1980 Warfield/RCMH tapes were taped over after Reckoning/Dead Set. 2) They do very few if any releases from the 1980s, I wouldn't expect them to a total 1980 Box - but I'm hoping like others! Where is that Bowlo fella with hints?!?

My unsubstantiated suspicions were also that this acoustic Warfield release was a prelude to a Box of electric sets.

Also,
I noticed that 5-15-70 Road Trips rerelease is available for preorder on Amazon.

Okay RV3, do you have information that we will be getting a Warfield 1980 Box Set this year? Don't get me too excited as I am still at work!

Let us know. Thanks 😊

Ok KeithFan, you know you can't mention 4/16/78 without Sixtus chiming in. I mean, this is an all-time favorite of mine and I've had the tape forever. They need to release this one and I thought i saw it on the list of recovered boards?

I completely concur with this being a standout from the early part of the year, overall. It has my all-time favorite Peggy'O that made it onto personal compilations in the past simply due to Jerry's solo in there....he takes things around the block several times and the naughty dirty guitar sounds emotionally exceptional. And of course the Scarlet > Fire to END the first set is pretty unique and rare especially that ">", wherein they do some very cool stuff and Donna's timely input during that ">" peak actually helps things out IMHO. But I truly love that Estimated > Eyes; the Estimated has some very slinky, prodding, mysterious vibes to it before it drops into Eyes of the World. And, although this is a faster version, Eyes cannot be underestimated - Keith belts out expressive supporting chords as the frenzy hits, and even note the very end....where they once again COME BACK to the Eyes theme as it seems to be fizzling...and it comes back WITH A FURY before settling into drums. And then I always loved that Iko coming out of drums, it was such an early take, followed by a fully rockin Sugar Mag.

People should give this one a listen for sure.

As for E'72, I need to get back on track, but I have always wondered: WHAT HAPPENED TO BIRD SONG????
We don't ever see it sitting on the wire during this tour - and that's a shame in consideration of the epicness it projected shortly thereafter.

Sixtus

P.S. also enjoyed the various stories and musings from the gang; as others note it sort of puts one into the shoes of another for some fun and unique perspectives.

And my heart goes out to Notre Dame; very sad but glad to see it still stands in defiance and will shine once again.

P.P.S. Thanks to peeps here, I was able to grab a copy of the RSD Warfield on CD via Amazon for exactly.....zero dollars. Such is the benefit of buying so much stuff off Amazon that I had enough "points" to cover this CD. I like the cost when it's zero.

…. or J Pan Fan.

Seems only a couple of your avatar photos feature a "red" square on the cup. I downloaded and blew up,,, still can not tell what the red square says?

Yea, this is a nice 2-show acoustic sampler....but I'm surprised they haven't announced the WARFIELD '80 box Set for this year, maybe soon ; )

I've returned to E72, April 17 show. This is the one you can see about an hour's worth on YouTube. I like the first-ever He's Gone. My first listen to this song was when Rockin the Rhein came out. That one, this one, and the one from hundred-year Hall on April 26th are the only ones that don't have the middle 8 / going where the Winds Don't Change verse. I like these the best. I also like the fast tempo. For the versions that do have the middle 8, the last show at the lyceum is pretty cool because of Bobby's tremolo effect on his guitar. I think this is another case of me getting used to the first version I hear of a song, and it sticking. The Berkeley show from Dave's Picks 20 whatever also has a really great he's gone. Pardon the spelling and case fluctuation, I'm in the car Google a voicing it. Anyway, April 17th, Tivoli x2 - another outstanding show. Those Lucky Bastards got two Great Dark Stars. These are some of my favorite Cautions ever. With Keith onboarding, they were much more streamlined and accessible. They only played it five or six times on this tour. I'll tell you what would have been cool on the pigpen front, is if they played a few less good Lovins, and threw in some smokestack lightning and Midnight Hour. The smokestack from Dave's Picks 22 shows just how potent that song had become, just a couple of months before the Europe tour. And the Midnight Hour from ladies and gentlemen might be the best ever. And of course the more wistful side of me laments that they did not have the new bird song arrangement together in time for this tour. And heck, why not a Saint Stephen or two. I also really did are you lonely for me baby from Dick's Picks 30. They could have fine tune to that one into something special. If Jimbo ever gets that way back machine fixed, we're visiting Sam Cutler and putting some ideas into his head. Because I saw a long strange trip, and those boys respected him. I'm sure if he said to practice a couple of those Tunes I mentioned, they probably would have played all of them except Saint Stephen :-D. Alligator is also suspiciously missing after April of 71. They had pared it down to 4 1/2 minutes at the last performance of it at the Fillmore East, so why not just keep it in the repertoire. I mean really, is any song shout it out from the crowd more than alligator? Paint It Black you devils!

I found a 5-hour YouTube mix of all Grateful Dead jams from 1969 to I think 1983. Great stuff. Always interesting to hear what somebody's going to put in the mix like that.