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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • perithecat
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    DaP 31

    Two more sleeps everyone 😺

  • Vguy72
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    Donna pre 74 and Donna post 74 are two different animals....

    ....she actually is in tune. Sorry, but it's true.

  • daverock
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    Carry on Screaming

    Donna's post retirement screams seem alright to me, as do the rest of her vocals. Her most frightening Playing moments come during 1974, 5/21 being a notable example.

  • Oroborous
    Joined:
    Ooopps, one more thing

    Kid, thanks for the intel about Bells.....shit looks tasty and according to their site Beerman should have some? So I’ll pick some up next time I go over there. I’ll look for some of that GreatDivide CJ spoke of also.....As far as the PBR....kegs no way eh! Has to be extremely hot out, has to be cans, and as I said, has to be super ice cold from the ice chest, and only like once in a blue moon as a novelty....
    PBR at a kegger, uuuuu, I think I just burped up my breakfast just thinking about it lol

  • Oroborous
    Joined:
    Big Foot, RFK Box, and 12/31/78

    Big Foot is pretty much the only B.W. I’ll drink, the rest are usually way to sweet. The Sierra Nevada Big Foot Barelywine is another annual mainstay usually grab a few cases while we can. (have a bottle from every year going back like 10-12 years, same with Sierra Nevada Celebration and Anchor Xmas ....So another that we’ll let the last cached supply sit during the hot summer months, then finish off during next winter season, and yes it does age well. Not sure about any alcohol increase....I’m sure I’ve read something about this but forgotten yet again, sigh....

    RFK BOX; did these fine shows this weekend, man they sound awesome, nothing like nice modern tech multis!
    Also, did one of my all time favs! Perhaps best first set ever?i have a mix of the amazing first set plus the Cryptically/TOO stuff from 2nd set, that all fits nicely on one disc......of 7/13/85, SMOKING! You can hear the positive vibes in the stage banter as well as the playing!
    Also gave 7/1/78 a spin since y’all been going on about it. As usual 78 not my favorite year, but I still can enjoy.....a good show is a good show no matter what era! Might try to squeeze in the Omaha show as that seems to be the top pick here? Might fire up some of the live Floyd bonus stuff from the Dark Side and WYWH reissues y’all was talking about last week or so? Haven’t listened to those much, but they kick ass for sure!

    12/31/78; thanks to Deadvikes for the proper info about this release(s).....I misspoke....I was thinking about that Winterland NYE Bonus from? Something, can’t remember (believe LMG just posted all that info recently, probably why I got mixed up )But that’s what I meant by Bonus CD Dennis......I do have the whole 12/31/78;show on CD as I often go digital direct from the DVD player to the trusty ML 9600 thereby eliminating a few conversion steps. It rips at higher resolution than redbook, but then down res to redbook during CD burning......I’ve done this with many of the DVDs and they sound ama....aaa, “PRIMO” 😉 I could burn higher resolution copies with the 9600 but the higher the res the less disc capacity, so you’d need several discs for a whole show......now that I’m thinking about it I’ll have to try it sometime.....

  • hendrixfreak
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    did someone say "Englishtown"? got a story...

    So my buddy Tommy picked me and 2-3 others up and we drove to Englishtown, 42 years ago this fall. We parked a couple miles away and walked into the site, defined by dozens of tractor-trailer boxes around the perimeter. We hit the growing crowd about one-third the way back and decided not to push it. We'd been in the scrum up front in big outdoor shows; no way to enjoy your liquid trip. During the show, a woman in front of the stage had to be renditioned: she was having a baby at the freakin' show.

    Vague memories of the openers, we wanted loud GD and we got it.

    I still remember Phil saying: "We haven't played to a crowd this size in a LONG TIME!" To cheers, of course.

    My buddy Tommy and I started out standing next to each other and as the acid came on, we were jostled a few feet apart. No worries. But each song, I noticed that we were drifting just a little further away from each other -- like being on the river when the current dictates your position -- and exchanged the glances that said we were aware of the situation, but not to worry. It's always good to have a tripping buddy around, despite the generally supportive vibe at a show. Well, at some point in the show, I looked over and Tommy was gone, gone, gone. I chuckled. Not to worry. I'd find him later. In a crowd of about 100,000. (Unwarranted optimism has been a personal trait, sometimes supported by a small square of paper with a cartoon character on it.)

    Anyhoo, as you know from the tapes, the band killed it that night and many, many people did not make it off site after the show. In a surreal landscape of klieg lights, bodies, garbage and, well, urban New Jersey, I found a palette of cardboard and admitted that I needed to hunker down til daylight. So I did. Woke with the sun and hundreds of concert-goers who had done the same. I managed to enter the stream of stragglers heading back to their cars and called for a ride home. Right away, two heads said, "Sure, man, come with us, we'll drive you home." And they did. I was staying with my folks at the time and we all came in, my folks were cordial and glad to see me, not knowing why I hadn't come home the previous night. My new friends had coffee, used the bathroom, hung out with my folks (we must have stunk to high heaven and we had LSD hangovers) and those boys drove off out of sight and memory. Strangers stopping strangers, just to shake their hand. (Which actually happened at Watkins Glen. I had to wonder about that when Mars Hotel dropped in summer '74 -- had Hunter been in the parking area?)

    Just another major GD show full of the classic elements: lose your friends, depend on the music, and then random Deadheads to get you home safely after a night of sleeping between sheaves of cardboard in the bushes after a show.

    Oh, and great show!

  • wilfredtjones
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    P.S.

    Dennis has the Soundboard tapes of 6/4/77 he just has to keep it private.

    I think he has a bunch of Fall '70 and Tulsa '79, too...

  • wilfredtjones
    Joined:
    playing sans screaming

    4/16/72. Interesting call on that one Jim. It is an early version, but when was it the wail added exactly? It has got me thinking. Was it present when the tune was introduced? Donna wasn't a member of the band until NYE Winterland '71, right? I was thinking of anomalies where she may not have been near the mike or simply gone for other reasons. It is interesting when you brace yourself to expect to hear something that never occurs... Clear! :-)

    P.S. Fire Hydrants and Crosswalks that dissolve and sometimes reappear! :-)

  • Dennis
    Joined:
    JGB

    Muleskin man, you mention Expressway to Your Heart. I have cut from a Jerry show from somewhere, sometime, and it's Ain't No Woman Like the One I Got. Has the flute guy (martin ferrio?) This things just floats along. I have a copy on my desktop and play it a lot when doing shit. So watch for the Ain't No's!

  • Dennis
    Joined:
    Muleskin and JGB

    If interested I have a massive amount of JGB stuff. I was sent a shitload of shows. I WAS ripping and shedding them into shape with proper labels and numbering. Got sidetracked. I think I made it to 81. But let me know, I might have that which you seek.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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In reply to by JimInMD

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I love the rankings game. Hard to argue with either of your Top 5s, really. I think I’d go (in no particular order):

DaP 3: 10/22/71
DaP 23: 1/22/78
DaP 29: 2/26/77
DaP 9: 5/14/74
DaP 8: 11/30/80

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In reply to by OKCDeadHead

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....you got me.
5
11
23
26
8 - matrix. sounds awesome.
If I'm wrong, and I might be, Sue me. I think that's it. Splitting hairs here.
And that's in ORDER! Lol.

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In reply to by Vguy72

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Nice, I go back and forth between 26 and 3 for my ‘71 pick but i always end up back at 3 for some reason. Interested in the love for 11 tonight. I get it, and love those bonus tracks (wink, wink). Although I prefer 11/14/72 to 11/15. Second set anyway.

Love seeing you guys’ Top 5. Long time lurker here, infrequent poster.

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In reply to by OKCDeadHead

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I need to revisit this release. When it first came out, I was horrifically busy and not in a good way. I listened to it many times but I don't think it ever got the attention it deserved. I am not sure it ever got a uninterrupted listen.

I will give it another spin soon.

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In reply to by JimInMD

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TOO is really the only extended jam to speak of but great versions of so many standards, a Comes a Time and a great up-front mix of early Keith’s keys make this one a winner for me. Love Fall ‘71 though.

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1
5
9
23
29

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#10 - Thelma '69
#5 - UCLA '73
#6 - SF '69/St. Louis '70
#2 - Hartford '74
#18 - SF '76

Just missed the cut:
#1 - Richmond '77
#29 - San Berdoo '77
#19 - Honolulu '70

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In reply to by JimInMD

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Whoa, what's next for you man? Keith's Picks?! You never know, we are getting closer to Vol.36, maybe your being groomed....

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I've already offered my assistance to help out with the picks. Dave politely let me know that there are already many ears in the process, gave me a cookie and thanked me for the offer :D

Dave's Picks Volume 3. I don't listen to this one a whole lot, only because I have so many official releases and it just doesn't come to mind often. I really think the brief second part of the Dark Star is awesome. If my memory serves me, it's a bonus track from the night before, and the cool thing is that it's Keith's first Dark Star. It's great to hear Keith playing some Hammond in there on a few DaP 3 tracks. You can definitely make out the difference in his piano tone, as he's playing a stand up instead of a baby grand or Grande - the Grands have a deeper fuller sound. The stand-up has that Barrel House bar room honky-tonk sound to it.

I'll tell you on a related topic, I recently listened to Keith's first show on 10/19 ("Enter Mr. Godchaux"), and I really got into the Zone on it. The audio quality is decent. They sound like they have been playing together for years at that point; it's really a wonder how these guys found each other. It reminds me of Mick Taylor joining the Stones. In hindsight you just can't fathom how such a perfect fit came about at random, for a band that was already together for several years and had achieved fame. On 10/19, there's a really good stretch of songs, I think starting with Casey Jones. I know there's a really good Brokedown Palace in there. Great stuff. Uncle Gary sent me that one. Everyone should have an uncle Gary.

Also a great show from Uncle Gary that same week, is the Dead in Detroit, October 24th - and it was Dark Star Night. There are no wasted moments on 1971 Dark Stars. Great audio.

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In reply to by KeithFan2112

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Really just depends on my mood, but my general top 5 would be something like:

1. #9 (may 74)
2. #5 (nov 73)
3. #11 (nov 72)
4. #13 (feb 74)
5. #15 (april 78 - Nashville)

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In reply to by 80sfan

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Yes, that Nashville '78 Dave's is underrated. Jerry botches the lyrics to the first verse of Bertha, (the 1st song of the 1st set) and after that, to my ears, there's nary an error. Its as close to a flawless show as i've heard. plus you have the best ever Wharf Rat.

Top 5's are tough, but i'll go

1. Wichita '72
2. Pauley Paviliion '73
3. Winterland Feb '74
4. Boston Garden '73
5. Swing Auditorium, '77

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In reply to by Slow Dog Noodle

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these aren't Daves, but still are worth seeking out:

4/28/80

a surprise encore (don't look at the set list)

well that's one.

there are many others in 80 and 81 that will put a smile smile smile on your face.

still need to check out the rest of new daves...crawling out of my skin with anticipation.

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In reply to by Slow Dog Noodle

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Can’t really vote because I don’t have them all, but so far I really dig #16 3/28/73

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This is a stupendous release, though I am a sucker for anything with Pigpen-- and I haven't even gotten to the Lovelight on Disc 3 or the Bonus Disc yet!! The Dark Star is full of moods and is a great prelude to the gorgeous one played one month later at the same venue (Dick's 4). The Tighten Up jam after the dissonance is fluid and pretty. My wife had to come downstairs to tell me to turn it down during the spacey portion-- that was difficult to do as I figured a fine jam was coming-- and it was. Oh, and the Eleven is fantastic. Not as frenetic as winter/spring 69 versions I have heard, but really a good version.

Top 5 was doable a couple years ago when there were 20 or 24 from which to choose. Now, it is impossible for me to do. I felt guilty taking any of my previous top five picks out for new ones, but the 2/26/77 and this new pick warrant attention. I have always liked the Wichita 11/11/72, Nashville 4/22/78, UCLA 11/11/73, Winterland 2/24/74, Thelma December 1969, Fillmore and St. Louis 69 and 70, Mosque 5/25/77. I mean, how do I bump any of those top shelf shows? Inconceivable.

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Oh yeah, the talk about Phish and Alligator takes me back to conversations I had with friends in college in the early 1990s. A friend put on Phish's song, "Possum" and I said that they were ripping off "Alligator." An argument ensued.

And I agree with Jim, while it is a great song, Alligator really is different from anything else Hunter wrote. I love the song, especially the early versions with the screams of 'Alligator!" at the end-- I truly miss that in later versions.

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...a grateful afternoon to everyone!
Took another dose of Daves Picks #30 early this morning and loved it even more than the last time I listened to the release. This releases opens a lot of doors in the Grateful Dead’s canyon and the Bonus Disc is just the perfect cherry on top of this sweet pick! 30 minute plus Dark Star which starts off CD#3 is far out there and I’m love’n every minute of it.
The Druming in Cumberland is primo! ;)
Keep on trucking my brothers & sisters!
...this aftternoon im enjoy 5/7/77 from the boxset. It’s one of those days folks. 🙏❤️😎

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In reply to by Sixtus_

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with a license plate holder that informed me that the car was purchased in....GAINESVILLE!

and I smiled quietly to myself

:)))

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...I just got pulled into by 3/25/90 this late afternoon...
‘Quinn the Eskimo’(The Mighty Quinn) !!! ❤️😎
https://youtu.be/xN0X5IuU6jA
The video is from diff. Performance.

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Yes this is hard to do. There are so many grate releases.
I just finished re-listening to DaP7 4/24/78 and I was very impressed. You can hear Kieth really well, almost too loud in the mix in some places. So in no particular order...

5 11/17/73
7 4/24/78
11 11/17/72
13 2/24/74
29 2/26/77

nitecat

Edit: Oops I forgot the Fox - DaP 11/30/80 with that matrix mix and they are so ON!
I just listened to this again recently, loved it.

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Odd that you should mention it, Bolo. Even still...

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In reply to by stoltzfus

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Getting through my first listen as it just arrived 2 days ago. The first Early Show is a B-/B, no real fire, even the TIFTOO suite is just okay. The segue to Cosmic Charlie is really nice. The Late Show on 1/2 takes a bit to start firing on all cylinders, but China Rider is really good, and Good Lovin' is fantastic. Monkey and the Engineer is fun because of the broken string and it leads to a high level Dark Star with a good amount of space before the Feelin' Groovy hits around 19 min in, then the nice proto-Sugar Mag Jam, and the fantastic, extended Soulful Strut Jam. I can't call this one Tighten Up, it does sound much more like Soulful Strut, and some Tighten Ups do sound like Archie Bell and the Drells, but whatever name ones gives to this 9 min, it's great and groovy, then a nice second verse and the extended composed section ending into an insanely quiet St Stephen intro. Great use of dynamics by the band on this show, something they were really getting into almost a year after the Dupree's and Mountains of the Moon acoustic numbers leading to the space of Dark Star. St Stephen is pretty good, great middle jam, some shakiness on the William Tell Bridge transition back, but The Eleven is just fantastic! Love the breakdowns, especially the drums. They were clearly feeling The Eleven as they start a little Eleven Jam in Lovelight a couple minutes in. And that's where I got out of the car. It took them a while, but they finally got heated up on that winter evening. So, Lovelight and the 1/3 material on my decently long drive tomorrow. I had to reorder the stuff after I ripped it, and then reordered it again after I saw it put it in a slightly confusing way. So, I just ended up creating folders for each show and putting the appropriate material in the appropriate folder. Kudos to Dave and Mr Norman for a fine release. The sound quality is odd for a Bear tape. Not his best recording, but the dynamic range is massive, and with 3 bands doing 2 shows, the man did a helluva job on the Sonic Journal. The quality did improve as the show went along.

I did a preview listen to 1/3 some weeks back, and based on that and some of the responses here, really looking forward to that tomorrow. I remember that TIFTOO was spectacular and full of fire.

These are by far the best liner notes in the Series. I wish they could do something like this every time. Bill Walton's on DaP 5 11/17/73 are also great, but two tales from 15 year olds scarred for life by the Dead at the Fillmore East on the same night in different shows is great.

Top 5 (not including DaP 30, have yet to finish it, unfair to rank it, and it hasn't shot past my favorites as yet)
1. 11 11/17/72 great show, great filler.
2. 14 3/26/72 and bonus disc Truckin> Jam> The Other One>Me & My Uncle> The Other One> Wharf Rat, a Stranger, Cold Rain & Snow, Black Throated Wind, great shorter Playing, Greatest Story starts to hit its stride, a release I like more than most people. But that Good Lovin' thru Wharf Rat is just unbelievably good stuff.
3. 6 and bonus disc 2/2/70, 12/20-21/69, 2 Dark Stars, a top shelf Other One (no Cryptical, but fiery Other One), 3 Mason's Children, 2 shows with TC, one without, 2 St Stephens, an Eleven, 2 New Speedways, 2 big Lovelights. This one moved up on last listen.
4. 13 2/24/74 Weather Report Suite> Row Jimmy, Dark Star> Morning Dew, that about does it for me.
5. Several tied among them 5 11/17/73, 10 12/11-12/69, 26 11/17/71 & 12/14/71, 17 7/19/74, 1 5/25/77, and 2 7/31/74 with bonus disc from 7/29/74.

Other miscellany: the Wharf Rat from DaP 15 4/22/78 is fantastic. Jerry rips a second solo, I think, because his first one didn't come out like he wanted, and he nails the second one. DaP 29 2/26/77 has shot that show up in my opinion, I had a really low volume copy on cd for 20 years and never got into that show because it hurt to strain my ears to listen, still probably outside the top 10. DaP 16 3/28/73 is an underrated one. The last disc is a Grateful wet dream of Weather Report Suite prelude> 30 min Dark Star> Eyes> Playing, with a ton of weirdness/feedback in the Star and an incredibly energetic Playing to cap the show. DaP 21 4/2/73 is from a few nights later and the tour closer, and a better sounding tape, but not as great a performance to me.

Also, interesting in the liner notes, Starfinder credits Bear with some Dave's Picks where Kidd is listed as the recording engineer 9 and 17 are two examples. Whatever it means, I hope it means more undiscovered Bear recordings make their way out...

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...for me to catch on to Bolo's post. Yeah, you guys appear to have picked exclusively odd numbered Dave's picks for your top 5. Seems like a comment not a clue.

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In reply to by alvarhanso

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That settles it, I’m going to have to give #11 a proper listen again. It’s been a while and I remember liking it a lot but it sure has made a lot of Top 5 appearances here.

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I also took Bolo's post as an observation and not a clue. But, on second thought, knowing Bolo as well as I don't, it might be.

Dave's 11 was a close contender for the Top 5, followed closely by 15. Both odd numbers as well. Hmmmm. This is starting to feel slightly Hitchcockian.

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I was surprised Oroborous was the first I saw who mentioned DaP16 3/28/73, that one is one of my favorites, I think Kiethfan2112 had a catchy name for it based on the funky house on the cover. Those '73 shows are just so long and I just can't get enough of that '73 sound, especially when there is a WRS>Dark Star>Eyes>PIB sequence. And to be honest, I may be in the minority, but I really dig Donna doing You Aint Woman Enough and that one has a cool Here Comes Sunshine also. Now that I think about it, DaP16 is due for another listen ASAP.

If the bonus disc is included then the DaP10 12/12/69 release is another favorite as that bonus disc is still my number one favorite bonus disc and the rest is also good stuff. Another even numbered release I return to often is DaP18 7/17/76, as I recall that one has a cool, slow feel to things.

Hard for me to really come up with a top 5, and to be fair, I don't have some early ones from the first couple of years, but I just thought I'd mention a few cool even numbered releases.

How cruel to make us consider a top 5 DaP list. I apologize.. but I have to admit it was really fun reading all these comments. So I guess.. no regrets. In the immortal words of Paul Reubens.. "I'm Not Sorry!!!"

A tip of the hat to OKCDeadHead for calling me out on my unintentional farce that I actually had a top 5. As soon as I read his respectful reply I knew I had been found out and listing a top 5 was close to impossible. Ooops.. my bad.

I do stand behind my post though.. disc three is special. I have listened to it twice more since. Perhaps it just agrees with me and my mood this week. I also think Alligator is perhaps the most whimsical of the original songs in the GD cannon, and I am happy for that. Love that song, and I am grateful it was such a rare gem. By the time they were back to one drummer, it was gone like the dodo. Rarities..

Thanks to all for some really fun comments.. I have personally listened to three or four of the high points in some of my neglected releases and questioned my judgement every step of the way. Which is good, I think.

Even.. odd.. I spent half my life trying to be the even one. The other half I realized I am odd and have been much the happier person. Perhaps none of us were really meant to fit in, but to stand out and stand tall. Perhaps that was Bolo's way of saying thanks for being yourself. An odd little place it is.

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In reply to by JimInMD

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Ha! Love the post, Jim. No sorries from me though. That was fun! I’m a list guy, what can I say? Once you mentioned #30 being a top 5, I needed to see what other four cracked it for a point of reference. I really enjoyed all the responses. Once I noticed all of the #11 love I almost wanted to initiate a poll for Top 5 ‘72 shows, again for a point of reference. That could prove to be just downright cruel so I thought it better to leave that one alone. Thanks for playing, everybody! Now, a second spin of #30 Disc 3 before the night closes.

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In reply to by OKCDeadHead

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....indeed. Its an hour and a half drive from Santa Fe as the crow flies. Just saying. I get caught in a rut at times.
I also enjoy lists. Last five anyone? I think I may have started that. Or maybe it was cosmicbadger. Or slolettuce. Hard to tell.

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#2 - 7/74
#9 - 5/74
#11 - 11/72
#5 - 11/73
#13 - 2/74
I guess that kind of puts to rest what my favorite era might be! Lol
Rock on

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In reply to by hbob1995

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....the defense rests. It's awesome we all agree on those two picks. Love you all. 11.17.
Wichita was recorded by Bear, with nice liner notes from Gary Houston. I know, cause I just started spinning it.

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I know I'm always blathering on about listening on headphones, but I'm going to do it again, because of the Wichita discussion going on. I believe it's the best sounding two-track we have from 1972. Vguy - I did not realize that Bear recorded this one, thanks for that tidbit. He did something right. Separation is great, fidelity is great, dynamic range is great, recording level is great. I only mention the headphones because that's the best way to catch the nuances in quality.

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In reply to by KeithFan2112

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I really don't know why that one is so popular. The setlist isn't the most spectacular, even the long jam of The Other One is more of an exceedingly long Truckin Jam with a few minutes of actual Other One action, but the way it breathes into Brokedown Palace's gentle beauty is pretty sweet. The Black-Throated Wind, Bird Song, Jack Straw, Box of Rain quartet is the meat of the 1st set to me. Love the He's Gone, it's almost as good as the version from the next night at Hofheinz Pavilion. But how does that all add up to maybe the best DaP? Maybe it's just as simple as Fall '72. Or the oddity of falling on the date 11/17. Whatever it is, there is just something about that show that I go back to often. And the bonus tracks just add to the pleasure because you get an even longer Playing in the Band than Hofheinz, with similar jams as Hofheinz, just not quite the same level, and a very nice Wharf Rat and NFA>GDTRFB> NFA.

The Pauley Pavilion love is easier to spot as that setlist is more hallucinatory dream, and it also falls on 11/17 one week after the Winterland '73 shows. Surprised at the amount of top 5 love for DaP 9 5/14/74. Not that it's a bad show or anything, just never got into it personally. Mainly due to the weirdness of the Dark Star, put it on to fall asleep to once, and it was not a good choice as I didn't fall asleep before things started going askew. But as happens every time with these lists, I'll revisit 9, though it's never moved much with new listens. I do love that Playing, extremely high energy. WRS> Dark Star> China Doll ought to be right up my alley, maybe this time will be the right mindset and circumstances to achieve liftoff... But first up is the 1/3/70 material starting off with Morning Dew. Then Warfield 1980.

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8 years 7 months

In reply to by alvarhanso

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31
32
33
34
35

I don’t have them, thus they are the ones I want to listen to the most.

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12 years 11 months

In reply to by icecrmcnkd

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Ha.. 36 is a smoker.

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I have a difficult time putting together a top 5 list. So many good choices so far out of 30. Unfortunate for me it is easier to put together a top 5 list of what I don't play... Up after 5/11/77 is 5/11/72 good old Rotterdam.. Have a good weekend all... bob t

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...top five include(d) ;) Pigpen!!! 🙏❤️😎

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6 years 7 months

In reply to by alvarhanso

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One last thought since “He’s Gone” got mentioned from two different 11/72 shows. I too love both Wichita and Houston and I admit full bias here but 11/14/72 is one of my favs. Especially the outro jam musical argument that closes He’s Gone. Truckin’ says Phil, Jerry says “nah.” Bobby pushes for TOO, denied again. After a bit more of this back and forth, Phil gets his wish. Then TOO follows. Great stuff! Maybe someday we’ll get a OKC Civic Center 11/14-15/72 release with both shows. The only time they had a two-show run in my home state. A man can dream...

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Had mine for about a week and-a-half and just now ripping to iTunes. Look forward to hearing it.

Trying to keep up with the anniversary listening program but have only made it halfway through 5/9/77. Lots of May shows released.

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Haven't made it though the full set, but this is a very nice release. I am surprised at how good and tight the "newer" material sounds at this show. The Cumberland is a disaster though.

TCs playing is also very subtle and subdued. Again, I'm surprised at how well he contributed to the newer material at this show, which I have never thought before until I heard this show.

The mix is also very fantastic. Not muddy and saturated like the many later recordings from May1969 forward. Thelma is very muddy and saturated compared to this show just a few weeks later.

Looking forward to the Live Dead sequence. I wish they would have found a way to sneak in Death Don' Have No Mercy into these shows. That's about all that's missing.

The Fillmore East was truly a special place, and probably the most iconic GD venue out there.

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Because this goes to eleven...

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16 years 11 months

In reply to by SkullTrip

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.... different strokes for different folks I guess kevjones. I mean, it's not a Wichita Cumberland, which is 🔥, but it's worthy. Don't forget. I have a PhD in making five dollars a day.
Skulltrip. I see what you did there. Nice.

Thanks, Vguy. Should have guessed that one wouldn't slip past your radar.

This Cumberland's cruisin' along fine inside my ear sockets. Haven't heard it crash yet. Then again, I rarely ever ride trains so...

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In 1976 when I was in elementary school, they gave us American flag bicentennial 1776/1976 bicycle spoke reflectors that I proudly adhered to my Schwinn scrambler.

At that time, I was unaware that the Dead's leaden tempos from this period would be the precursor to today's Dead & Co. pace, seemingly bogged down in molasses.

I hear it now, I hear the space in which the soloists, unhurriedly, pull off some gems. Keith's piano solo from the 6/9/76, Boston, They Love Each Other is brilliant! (playing now).

I guess Dead & Co. can get a pass, as there is a precedent for the slowness. I do love 1976.

\m/

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