By Blair Jackson
Over in one of the discussion groups on DeadNet Central recently, someone was fondly recalling Keith and Donna’s final show, at the Oakland Coliseum on Feb. 17, 1979, noting it was a rare great show from their late period with the band.
By Blair Jackson
The vending scene outside Dead shows started so innocuously. Before or after shows in the ’70s, if anyone was selling anything, it might be a handful of people peddling homemade T-shirts out of a backpack, or perhaps something small, such as pipes, stickers or low-key food items—brownies, cookies, etc.
Summer flies and August dies / The world grows dark and mean…
—Robert Hunter, “Days Between”
Don’t get me wrong—I love 1970s Grateful Dead. It’s the decade they made their greatest albums, introduced most of their coolest songs (both originals and covers) and played hundreds of their finest shows. Just look at the number of official releases of ’70s Dead concerts—it dwarfs any other decade.
The 35th anniversary of the release of the Dead’s Terrapin Station album on July 27, 1977, got me thinking about that magical year and how—or if—that disc fit into that time, and the ways it represented the Grateful Dead to the outside world.
I had a wonderful experience last weekend, when Regan and I took a whirlwind trip up to Portland, Ore. We had some Alaska Airlines flight certificates that were going to expire if we didn’t use them, and it seems as though a lot of our friends have been raving about how cool Portland is these days. It had been many years since either of us had been there.
Recently, I’ve been on a kick of listening to big chunks of certain Grateful Dead tours in chronological order. It started after I lauded the summer 1991 tour in this space a few weeks ago. I decided to check out the last 10 shows of that jaunt—from Charlotte through Sandstone (Kansas), to see if they were as good as I remembered.
I must admit, when the lineup for this year’s Gathering of the Vibes in Connecticut July 19-22 was first announced, it got me seriously salivating.