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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Vguy72
    Joined:
    That 1973 Winterland Box....

    ....got it for $79.99 I believe.
    Kicked the can on the 1977 one. Then it skyrocketed in price.
    I think I got the better of the two. I think 🤔
    Time to spin 11.9.73 with Patriots/Jets in the background.

  • bob t
    Joined:
    11/9/73 Winterland

    On the Weather Report Suite... The Playing and Here Comes Sunshine are awesome... Agree with Billy the Kid about this being top three box set release. I actually listen to this box the most... The Dark Star from the 11th is my go to Dark Star that has been released... Bob T

  • The Good Ole G…
    Joined:
    The Legendary Marty

    Wow!

    November 8, 1970 is one of the all time great shows, it also seems like a sign post of sorts.
    Last 1970 Acoustic set (as far as we know)
    The End of Primal Dead

    Primal Dead... that's the stuff man. But it definitely came to an end as the band evolved. To me hearing this show and then looking at what we have on tape after this, this show feels like it's the last one where you just really didn't know where the music would take the band. It's raw and powerful and you can tell they're just feeling it and it's going places. After this, they still went places, but in my opinion with much more focus and control, this stuff here... this is just anything goes and nobody knows kinda Dead.
    Primal Dead.

    It's hard to say if any other shows in November or early December reach this level of improvisational freedom and continuity, but from what we have on tape. This is the last true example of that.
    Again, this is all my opinion. But suffice to say, listen to this show in it's entirety before you die.

    Love it!

    And as for the recording, I'd always listened to the recordings that Ken Lee made from this run as well as the June Capitol run, but yesterday I stumbled on to the Marty Weinberg recording and I have to say, it's quite enjoyable.
    Maybe better than Ken's? Not sure... but worth a listen.

    Marty's Legendary status has outlived his tapes. Not that many exist, and even those that do, aren't typically the best versions in comparison, but this might be his best remaining recording.

    And, here's what he had to say about this show -
    In regards to the Capitol run 11/5 - 11/8 - "In many ways, those shows were the best… The audience was very sophisticated. At those shows…there wasn’t a lot of clapping at weird times. It was an older audience, and the people listened… I was sitting in the first few rows of the theater with a lot of people who were true believers, who went to a lot of shows, and who really understood the better shows… You had a group of people in the first twenty rows that knew a good show..."

    For 11/8 Marty said - "It was a very magical show."
    Nuff said.. he's right, it was and is a VERY magical show.

    Strider, thanks for the inside insight. Man, I wish I coulda been there with you. The stuff you saw my friend, was the stuff to see!

    Great blog posts about this show at deadessays.blogspot

    If anyone has the Taper's Compendium Addendum please let me know, I'd really like to read the whole Marty Weinberg interview!

    Alright, moving on to 11/9/73 you say?
    Far out, based on my list, we haven't officially done that show, we did 11/10/73 on 4/27/20 and that may have been Bolo's first show... but maybe he can clear that up?

    What say you Bolo?

    Good stuff.

  • billy the kid
    Joined:
    Winterland 1973 Box/ 11/9/73

    What a great box set, in the top 3 of all time box sets. It's right there with Fillmore West and Europe 72. My brother went to 11/9/73, he had a great time.

  • JimInMD
    Joined:
    Re: Bolo

    Causing geopolitical mayhem no doubt. With elections over, perhaps we they will give him a day or two off.

  • DeadVikes
    Joined:
    Jim, 11/9/73

    Yes, we did this one in the Spring. I think it was Bolo's pick. He was there! Where is Bolo?

    Time to check in Bolo.

    I am marching on with the full box run, because it is so damn good. First release with Plangent. I remember when Bolo started this in March, holy crap.

    Stay well folks.

    And Happy Birthday Dave L.

    I will be joining you in the 50 club next month. Can't believe it.

  • JimInMD
    Joined:
    Winterland '73

    I just did the 9th a couple months ago.. did we do that one here?

    I might skip it and do the 10th and 11th.

  • DeadVikes
    Joined:
    Winterland 73

    Let's crank them out Bob t!

  • JimInMD
    Joined:
    Audience Tape(s)

    I agree with the quality of the 11/8/70 audience tape, one recorded by Ken and Judy Lee. Ancient and historic. If you haven't read this, check it out. For most of 1970, if there was not tapers in the audience, the shows might as well not have happened....

    http://deadessays.blogspot.com/2009/08/short-guide-to-1970-audience-tap…

    Sort of like the 1970 Good Lovin' > La Bamba > Good Lovin'
    If the tape didn't survive, we would not know it happened.

    "11-11-70 is a wild, long show, with the first La Bamba in Good Lovin (I don't think they repeated this for 17 years!), and an hour-long series of jams with Jack Casady & Jorma Kaukonen; unfortunately the recording is pretty poor."

    http://www.archive.org/details/gd70-11-11.aud.cotsman.17081.sbeok.shnf

  • Strider 808808
    Joined:
    November 8, 1970 Capitol Theater / Basement Tape mythic quality

    The song selection is all over the map. It reminds me of Dylan and the Band at Big Pink. Was there with Kirk and Judy. We sat in pretty good balcony seats. Of a few bands and nine Dead shows I went to at the Capitol Theater 11/8/70 was my only time sitting in the balcony. The big-O -Otis was there, liked the balcony the best.
    Started listening 5am. The acoustic set was fantastic opening with Dire Wolf and then slow version I Know You Rider.Was gettin jiggy during Rosalie Mcfall and operator .
    NRPS set with Jerry and Mickey was standard 1970. Garcia’s pedal steel guitar was always so sweet . Any NRPS recordings are worth hearing.
    The Dead’s electric set was also spectacular. Morning Dew opener wow! Only time Mystery Train was played, First Around and Around . Truckin has an interesting fall 1970 unique jam sounding Chicago Blues back into slow shuffle, killer. Baby Blue was one of the best versions I’ve ever heard from the Dead. First verse only.Dark Star with spectacular post 1st verse jam, space/feed back. The Celtic art work and plaster work on the Capitol walls glowed purple . The Dead did not have a light show at the Capitol like at the Fillmore. February 71 were only slides for the ESP experiment. The band was in top form November 8th, at the same time David Lemeiux was being born. Auspicious.
    I was way impressed with the quality of the audience tape. Not the highest quality audio but the historical aspect of that particular night and set list.
    I count my lucky stars to have been 16 fifty years ago and lived 15 miles from the Capitol Theater.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

If we are going to do 11/8/69, I am going to have to carve out the requisite amount of time like we did Saturday.. no distractions, no cell phones, no texts, no questions, no one tapping me on my shoulder.. and not the dreaded words, "one more thing" .. and of course get in the proper frame of mind beforehand.

Honestly.. these two shows, add in 2/14/68, 2/13&14/70, sprinkle in FW 69 for good measure and I have taken a liking to 1/2/70 + Bonus disc and an honorable mention for what I think of when I want to get in the transportation business.

Boy does listening to these shows take a lot out of you.. perhaps that's why they wrote AB & WMD.. to slow things down just before we careened off that cliff and into mental oblivion.

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GMLSG sounds as smooth as butter,,,

re, Well... I just hit play but, I paused it. Jim, when is a good time for you I'll wait??

The planets seem perfectly aligned this Thursday. That seems enough time to plan.

That will give us some time to switch things up too.. play around the calendar, pick shows from different periods too.

Does that give us enough time to plan?

That's a pretty nifty number ya got there!

I am all for Dick's 16, but if we need to pause on it to soak up Jai-Alai, I get that too. Let's keep this thing going! I am all for GD from any era!

Today was a good day for 74 Dead around here. Shortly after my early morning Dave's 34 was delivered (at 6:30 am!) I got another package from Real Gone containing Dick's 31, which I looked into after all of the discussion around these parts.

I hope I don't over do the 74 stuff - wait, I don't think that will ever happen.

Peace

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In reply to by Thats_Otis

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....and the sound is already impeccable. And to quote Bobby "Its the real thing".
Just like Billy Sunday in a shotgun ragtime band. This pick came at the right time.

We can pause while the WOS gently peels the plaster from our ceilings.

Whatever works.

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In reply to by JimInMD

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Okay on the pause for the Picks. I will keep my own going tomorrow as my #34 is still in CA.. Okay, no whining here, that gets old.

Oh yah I might have chased a couple women around..., the waiting is the hardest part.

Week eight of this crap, be well people.

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No problem all good. Those who have received the 34 happy listening!

"New ones coming as the old ones go"

Alright, sounds like the Pick of The Day is in hold pattern as we wait for & listen to the Pick of The Dave.

#34 to be exact - 6/23/74 & 6/22/74 Bonus Disc

Roger that.

I'll proceed accordingly...

Sherman set the Wayback machine to June 1974, we're going to listen to the Wall of Sound.

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I love the overlap of old ( psychedelic ) & new ( country/workingmans ) . It’s the palindrome 69 major phase shifting. The sound of small venues compared to larger halls or outdoor concerts all have different ambience . Same goes for instruments ( Jerry’s guitars) . Gibson SG in 1969-70. A whole slew of different axes in 1971. Wall of Sound 1974, with Doug Irwin Wolf Guitar.
Suggesting different eras of GD has been educational, even heard / seen fresh, and in 2020. Who would have known fifty years ago.

RE: STRIDER 88

Interesting observation and I believe you've tapped into something.

Hypothesis:
Does inspiration then lead to a love of learning?

I would venture to guess.. Yes!

Prediction:
Being inspired by Grateful Dead music, if I listen to the Grateful Dead from many eras over and over and over, through the course of many days and years, I'll want to learn more and will be loving it!

Test Prediction:
Continue listening to lots and lots of Grateful Dead from many different eras and discuss with friends.. ad infinitum

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Perfect timing. I got an amp and speakers on the way. Had to take advantage of the 30% offer. I got the speak's for half price and ac line filter for free. I'll be putting off listening to 34 till I get set up.

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In reply to by fourwindsblow

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Carson, CA 5.5.90. 30th anniversary.My final Brent shows.
https://archive.org/details/gd1990-05-05.141262.sbd.miller.flac2496/05S…
Rumors were rampant these shows that Timothy Leary was backstage dosing everyone. The band does sound "fat and juicy", so I can see where it could be true. Phil was turned WAY up.
I remember hanging out with some hare krishnas after the show eating free rice.

Strider...I think Jerry started playing a strat at some gigs in 1969, and on through 1970, as well as the mighty SG. This always seemed to me to be a signifier of the bands gradual shift to a more country based sound. As you indicate, they could still turn on the psychedelic power in 1969 and 1970 - but the times they were a changing .

Whew.. saved from an 11/8/69 induced nervous breakdown.

Edit: Saved for now. It's always the bats that start these things. Well, a melty PITB, then the bats. Look out for Dark Star>The Other One>Dark Star's too. A sure sign that society is in collapse.

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Bats have got themselves a bad reputation lately. Hunter knew it long ago.

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DaveRock , I can only go on photographs before 1970. I believe you’re correct, Jerry would use a strat for some late 69-70 songs. Of the ten times I saw them in 1970 I only remember the Gibson SG. 1971 was all over the map. Starting with seeing the SG my last time same night as Mickeys last show 2/18/71. The next few nights was the peanut Alembic experimental . By April Jerry was playing a Les Paul and then the peanut some nights. First time I saw Jerry play a Fender Stratocaster was at the Felt Forum 12/4/71. Then 2-3 strats through 72/ 73. The Wolf was a real game changer.
This is a fresh way of listening the good ole Grateful Dead.

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In reply to by Strider 808808

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Strider...I am only going off photographs of course-I have nothing like the first hand experiences you are talking about. It must have been amazing to see them in 1970-1971-truly a mythical time. The photos I remember of him with a strat in 1969-70 are mainly in the Taping Compendium. Jerry is holding a sunburst strat in the picture accompanying the Feb 70 shows.
Its always interested me which guitars he played at shows-and Bob too, to a lesser extent. I watched the Festival Express dvd a few weeks ago, and Jerry is jamming with...a band who's name escapes me...but he is playing a tele. I don't think he played one of those very often.

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In reply to by daverock

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Good call Daverock, I need to watch that this weekend

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In reply to by Strider 808808

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Thanks for joining in on this one Vguy and Jim. Loved the cover last night Vguy. Recording is Multi Track excellence as all these shows are. Have not listened to this show in maybe three years. Of the three Omni shows, I usually pull 4/3/1990, maybe because of that glorious Shakedown opener.
Anyway, Vguy, agree with you on this show. Great first set, with a great Althea, to Lay me Down, Music Never Stopped. Even the Victim is good. China Rider, what did that guy say last night about Ship of Fools??
Great Truckin, Stella, Sugar Magnolia and one of favorite encores, It's All Over Now Baby Blue. Great show.

Check it out if you have not listened in a while.

Be well all!

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In reply to by DeadVikes

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....Victim -> Lay Me Down -> MNS is solid. Raucous Sugar Mags. And who doesn't like a Baby Blue? I know this guy does!

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*

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I'm half way through 4/1/90. Althea was playing on our boombox at a motel room at an airport at the giants show in '89 with my friends. Like anyone would care.

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He called us fools talking about potholders and other normal things. Strange.

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In reply to by Vguy72

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I didn't make it through the whole show.. but made it beyond the Victim/Lay Me Down. Let it be known I LOVE To Lay Me Down, but the Victim was so much better ( a song I don't normally adhere to).

Anyway.. just had to comment. Not coherent enough to add much more than that.

Who's fucking idea was it to watch Festival Express anyway.. a great yet terrible idea all at the same time. Thank god nobody drives cars anymore. My liver and my lungs both suddenly hurt both at once.

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Man, it was HOT down there!

Anyway, just catching up. I did dabble with disc 2 of Dick's 16 the other night... that is some mind-altering stuff. It looks like yesterday was 4/1/90 - just started "Touch" now.

Today is Three from the Vault? Sounds good to me :)

Peace

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In reply to by Thats_Otis

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Sounds grate, and it’s not even Plangentized.

Smokestack Lightning! Grease it up.

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I’m there. And was there.

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I loved that Omni show! I didn't get either of the Spring 90 boxes, so this show was new to me (at least for a good, quality sit-down and listen.) I LOVED it! The band is so hot, Brent in particular was on fire, the Bobby tunes rocked, and there were so many high-quality Jerry ballads. I mean, a show that has a "Candyman" "To Lay Me Down" "Ship of Fools" "Stella Blue" AND "Baby Blue" - c'mon... all played very well too!

Just started on 2/19/71 - the first Billy-solo show. Was this chosen to celebrate Billy's b-day? Good choice! I haven't listened to this one in a while!

Peace

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I remember from 2/19/71 was, “where’s Mickey?”. Was disappointed at the beginning of the show. The level of musicianship had greatly evolved since 1967 or last time as five piece. They blew the roof off the Capitol Theater that night. Jerry played his Alembec experimental “peanut” guitar for the first time on 2/19 and continued to play it the next several nights.I went Thursday through Sunday nights. I vaguely remember Weir commenting on Sunday as it being slow. As I remember it was sold out all nights. Unlike November 1970 shows in Port Chester when I could buy tickets night of the shows at the box office. Fillmore East was harder to get Dead tickets and February 71 shows sold out in hours . I bought tickets by getting in line at 5 am on a December (1970) Saturday morning. “What’s become of the baby that cold December morn”. Blair Jackson was in that same ticket line. 70/71 was quite the phase shift. Keep em guessing.

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In reply to by Strider 808808

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Strider...do you remember much about the ESP experiments at these shows?

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In reply to by daverock

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Nice pick Conekid!.
Always thought it was odd this came out in 2007 and with no real explanation why it took so long to get it out.

Great recording with A+ sound quality. Really good Truckin, Dark Hollow, China Rider. Really liked the Greatest Story, early Bird Song. Did somebody say, Easy Wind? This was great and I wish this got more play as well as New Speedway Boogie.
Great finish!

Strider, you were there, really cool.

Good to see you here Oroborous, I thought a Spring 1990 pick might peek your interest.

Otis, as a huge Brent fan, you should consider the Spring 1990 box sets. Highly recommend.

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I think this is the thread where Jim mention Victim -> Lay Me Down (1990-04-01). I'm a huge fan of Victim, this is a great one. I think this is the depths that, Just a Little LIght, Blow Away, Foolish Heart (if Jerry could remember words when he came out of jam :-) ) could have reached. Picasso Moon probably didn't have much too go! :-) But I really like a good Corinna.

Great Victim though, thanks for pointing it out.

Is there a better "Just a Little Light", than Dozin' at the Knick? Come on? Is there? Just took it off , best.

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Only that it was a random image , not all the time. I do remember Bob and Betty being set up on a side balcony booth. Saturday night was the major rave up night. NRPS finishing their set w Honkey Tonk Woman and the crowd going bonkers, balcony shaking. Weir, Pigpen and Pigs girl friend Veronica watched the end of the NRPS set from back stage right, Bobby shaking his head as if to say”tonight’s the night”. Highlights from 2/19 for me are Smokestack Lightning. Jerry’s use of the Alembec experimental peanut guitar looked amazing after he used his Gibson SG the night before. The peanut guitar was very small in its size but belted out a sweet big sound that was especially evident during Johnny B Goode, that had most of the audience up dancing. A few people at my high school would go one night only , but I was completely consumed.
Too bad there are not many (any)more 1970 tapes. Anything from either 1970 or 1971 is no less than spectacular .