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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • marye
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    Tim and others with disc issues
    if you're still having trouble, send me a PM and I'll pass it to the Doc.
  • TimP
    Joined:
    I too have had 2 issues with…

    I too have had 2 issues with this box set. 1 - my booklet had been bent during packing and I have 1 defective disc Disc 17 (disc 1 of 5/21/73 Seatle. Big scuff mark and skips on track 9 and fails to pick up on track 10 /11 / 12 after skipping.)

    Got the standard response from Rhino - filled in the forms and nothing back from them yet. Both complaints now over 30 day s outstanding - any advice on how to proceed.

    BTW -- a lot of fantastic music on this set -- but also a lot of recordng issues -- most of which have been already mentioned. This too is making me question whether to buy complete boxes in future ??

  • Apemantus
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    The Pacific Northwest ’73-’74 big box

    My big beautiful insane Pacific Northwest box arrived on Thursday afternoon, September 13. I opened it up, examined it for damage or weirdness. I found lots of weirdness, but no damage at all. It was (and is) perfect, but I was busy so I put it away on my living room bookshelf. Yesterday, November 4, I took the box into my office and started ripping and listening to the CDs. This is astonishingly beautiful music. The playing is intense, inspired, and precise, and the clarity and detail of the recordings (as rendered here) are breathtaking. There are some flaws scattered about – dropouts and balance issues – but for me these flaws do not detract at all from the immensity of the greatness of this box of beauty. These are among the greatest Grateful Dead recordings I’ve ever heard (and I have 288 hours of Grateful Dead recordings ripped so far). So thank you for this fantastic effort. A lot of work and care went into this, obviously. Similar to some of the Mosaic boxes of classic jazz recordings, this one is for people who want to hear all of it, not just curated highlights.

  • mbarilla
    Joined:
    MARYE - defective discs

    Hey I just saw your message in thread, I think I got it all sorted out with email to customer service. They replied with replacement disc on the way.

    I appreciate the speedy response and help.

    Time to rock out !!!

    Spinning some 1985 Grateful Dead

  • MDJim
    Joined:
    Re: Thinning Community

    I see this too, but there is a silver lining.. I am seeing lots of new folks step up and post positive comments, reviews and keep the vibe alive. The yang is there too.. a bit of complaining and the blem CDs and manufacturing error rate provides more than a valid reason to complain. I would consider providing CDs that play a core competency.

    Still we get some good with the bad and new inputs and perspective is a good thing. I hope we didn't lose more than we gained.. there are a few I have not seen in a while that consistently added to the mix.

  • Charlie3
    Joined:
    Thinning Community

    I would agree with the points below, but it may also be the fact that there are multiple recent release threads - e.g. this PNW box thread, the DaP 28 thread and the DaP 2019 Subscription threads. Who knows, hopefully it will pick up again.

  • MDJim
    Joined:
    True

    I think Reijo has a point.

    Drifters, I see your point too. But I like that show and am still glad it got released. The China>Rider, WRS and Jam after Truckin' are very nice and I really like the young Peggy-O's which are somewhat special and rare. The fade is on the source recording so the choice is whether to release the show or not.. all the remastering in the world is not going to bring the vocals up in the mix.

    Dicks Picks used to place a caveat emptor on the back of the jewel case regarding sonic anomalies and the ravages of time, etc. The other point to make about some of these box sets is the tendency to make something very good and slip in a show that might not have made it as a Dave's Picks. Sort of slip one in on is. I don't think this is the case for this box, but 30 Trips had a couple of these. For $30 a show, and being a bit of a completist myself I am ok with it.. but I see the other side of things. I am sympathetic but happy to see these old tapes get special treatment. I appreciate the efforts they went through making this sound as good as it can.. but that's just me. One opinion.

    Love the latest Dave's Picks.. but a topic for another thread. Talk about exceeding expectations...

  • reijo29
    Joined:
    hate to complain but...

    They should really put these chats right under the product page the way it was previously. There are now less and less posts cause it's simply a headache to find these threads. I think the community is thinning out because of this. Steve Hoffman Forums is a great alternative community for GD superfans who want to chat up these releases or anything else.

  • Drifter's Escape
    Joined:
    Mix issues

    I totally understand there may be sound issues with recording sources that are 30-50 years old. Recently we've had the heavy 'reverb' on the GSTL from '77, the splice in Dave's 27, Eyes of the World, which seemed to enrage so many, and now the various issues with PNW. Bill and Donna are high in the mix at times and some say Jerry is too low.
    My complaint is on disc 1 of Portland '74. From about halfway into Sugaree thru El Paso the vocals are practically inaudible. Like karaoke versions. Which admittedly is kinda fun in a weird sorta way. But c'mon.
    Maybe there should be a page or paragraph or Something in the already included literature by the producer/engineer where they could address and acknowledge some of the issues with a particular release.

    What's the old saying? "Don't piss on my leg and tell me it's raining". And don't say nothing and pretend that everything is just exactlty perfect. By saying Nothing it only makes people wonder if it's only their disc/equipment/ears/delusion.

  • MDJim
    Joined:
    Re: Unkle/Remix the Entire Box

    Perhaps I am behind in reading all these posts.. but the mix issues on my CDs seem to match up with the mix issues on the soundboards in the Archive. This means either the problems with the mix exist on the source master reels or all these sound engineers are hitting off the same crack pipe (which I guess is a possibility albeit a slim one). So remixing the entire box would likely yield the same result, but at great expense and causing much confusion for all.

    Just to make sure I was not seeing double (hey.. it happens), I took some time to compare the PNW box to my source soundboards that I pulled down from the archive long, long ago. The issues with the mix are consistent comparing one show to the next.

    Is this another poke to make sure we have maintained our sense of humor? ….remixing the entire box seems a bit silly perhaps, but not very much fun.

    Again, I could be missing something..

    One thing comparing my recordings to these did yield.. the PNW box sounds better than what I pulled down. Even the 73 shows sound quite good to me and my system with and without headphones.

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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Careful, there's a curmudgeon running around on the loose in here!
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Only reason I bought it was for the 1967-10-22 show. I've already got a really good soundboard of it but I'm listening with nice headphones right now & it's definetly worth it. Sounds fantastic.Get some... a little further in now...massive upgrade. Thanks :o)
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I can't believe someone objected to Hippychic's posts. It reminds me of that Seinfeld episode where Kramer freaks out when Jerry threatens to report his female neighbor for walking around her apartment naked. Madness. I love this space, where every topic under the sun is fair game, but lets face it, it is mostly a sterile, barren, sexless sausage fest. especially since Kate C. no longer posts. Please keep the posts cummin Hippychic.
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You're a gentleman and a scholar!
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Getting off the subject of the Grateful Dead, a blast from my past: Lothar And The Hand People. I never really got to see them many years ago at the Roxy Theatre in Northampton, Pennsylvania, but I definitely do remember the name. I used to have their 1st Capitol Records LP, I guess -the one with pictures of the band members photos on the front cover on a tan background. I thought the their facial expressions in these photos were hilarious, and ages ago I bought the album with that being one of the reasons for buying it. Another reason to buy it was to "explore" new music and it was quite low-cost price for the time. ($2.98 or something like that) Anyway, with that being said, here's a sound sample - I think it's the whole album, or at least the opening track on Side 1, "Machines": https://www.youtube.com/watch?v=dDpIz8E6wvs&list=PLW1w8neoXejs188MBadMB…
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My first comment here, after lurking for a few months, ha! I personally would love to see 6-4-76 Paramount Theater, Portland, OR. Great setlist, historic show, and does not circulate in SBD. That said, a mini box of both 6-3 and 6-4 might be warranted, so perhaps they'll hold off (provided 6-4 is even in the vault). Just sayin'. Hey everybody!
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Fresh transfer with new audio upgrade.
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I like the build up for the announcement. Just hoping for a good show with great sound. I'll probably be busy and miss the announcement going live, but will be checking for a Listening Party at lunch after Taper's Section in the morning. May all who need to get it a la carte have your dreams come true tomorrow!
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If you're a fan of Americana and Roots music you might enjoy thisDITTYTV.com or Ditty TV streaming on your AppleTV or Roku. Ive been watching it a lot as its like MTV was when they did videos. Learning a lot of new groups and sounds and the shows are really enjoyable. Check it out and see if it gets you goin Lost on Cedar Key.................
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Thats the placebut its 5000 light years from the mainland I really don't want to leave.........ever check this out...........http://cedarkeybedandbreakfast.com/ this is the place Ive been longing for......... Awaiting tonights soul satisfying sunset
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I was there last night. I didn't think it was dub steppy at all. Actually I thought it was fucking awesome!
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No not the guitar company or the mental thing... the Miles Davis album. Miles Davis, E.S.P. Man, is this beautiful music. The last two songs, "Iris, and Mood" are just hypnotic. I was at the Dead & Co. shows in Boulder the last two nights. I was with some buddies Friday and had a great time though I felt the pace dragged a little. So, taking the wife last night, I kept hyping it - that Friday maybe wasn't the most stellar show and being end of tour, last night would kill it. It lagged even more than Friday. When Bob took the band into a languid, "Days Between" right out of a long-ass drums/space, I think half the stadium fell asleep. Still love the band, but, that was exactly the moment to go into "Me And My Uncle, or Truckin'," something to put a little juice in the proceedings. As usual the sound was immaculate; pristine. That band has the cleanest, purest live sound mix I have ever heard and they get it outside. Amazing. Shakedown street there at Folsom Field is a beautiful scene. You can get great food, cool swag and there are several full bars. The cops just hang out behind their sunglasses with their arms folded and watch the girls. A great weekend. Happy Sunday everyone.
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I thought the Boulder shows looked pretty good on paper. But, I wasn’t there and I didn’t do the stream. I did catch the free stream of Set 1 opening China/Rider and thought it was great. Agree with LedDed that D&C has spectacular concert sound. So does Roger Waters. Worst concert sound I experienced: Van Halen 2007. Horrendous. It was indoors, but I have also seen Roger Waters 3x and D&C 2x at the same place and they sounded great. For RW in 2012 I was one row in front of the same seat I was in for VH 2007, and it sounded great, so can’t blame the arena for the bad VH sound. Saw VH outdoors in 2015 and it sounded way better, but not even close to how D&C sounds outdoors.
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Hey now I just came a cross this on ebay, it's probably already been discussed. Are any of these extra tracks on the bonus third CD of Long Strange Trip previously unreleased? EXCLUSIVE Bonus Disc Three TRACK LISTING: 1 Playing in the Band (Beat-Club, Bremen, West Germany, 4/21/1972) 9:48 2 Eyes of the World (Roosevelt Stadium, Jersey City, NJ, 8/6/1974) 18:35 3 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 4:47 4 Not Fade Away (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 16:20 5 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 2:04 6 Dark Hollow (Warfield Theatre, San Francisco, CA, 10/7/1980) 4:04 7 Stella Blue (Zoo Amphitheater, Oklahoma City, OK, 7/5/1981) 10:14 8 Days Between (Madison Square Garden, New York, NY, 10/18/1994) 13:56 the only ones I question are the Zoo from 81 and Days Between? Didn't the Eyes come out on a Dicks picks? Help I'm not a schooled archivist. :> Thanks, nitecat
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First I don't really like Van Halen, that said,, I think I caught the same 2007 tour, and yes the sound really sucked. Really, really.
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You are right. Only the last two songs of the bonus disc were previously unreleased. Been hoping for a full 7/5/81 release for a while now. Great ‘81 show but also a hometown one for me. Enjoy the CD!
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....the last '81 release was met with spittle and brimstone. Not by me tho....
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I have to listen to post brent. cuz im pretty close to having a crash and burn and chucking the grateful dead out the window.
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if you sit and just focus on the sound mix quality of that '81 dave's picks you're going to have a bad time. its one of those you have to look at the whole overall package
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Agreed-a superb album-Herbie Hancocks piano and Tony Williams drumming-exceptional. All those mid 60s Miles Davis album are great-but E.S.P might just be my favourite.I only got into Bitches Brew this year. There is a 3 cd 1 dvd anniversary edition of this out, that doesn't cost so much, and sounds brilliant. Much, much better than earlier editions-to my way of thinking.
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Vguy - Love ya, but I disagree that the '81 TTATS was met with "fire and brimstone". No one dissed the show itself (as I recall). The general consensus was that it was one of the weaker recordings in the box - merely a statement of fact. '81 is one of the worst-recorded of the Dead's 30 years, so it was to be expected, no? "Fire and brimstone" seems a bit dramatic, but perhaps I'm forgetting some of the comments.
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Figured I would spend my Monday morning looking for news on 27th Dave. While waiting I streamed that Dicky Elizabeth Reed video. Wow, that hit the spot. I always thought volume swells could only be done on a Strat. What a glorious intro by Dicky. Thanks for posting
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I think that Vguy was referring to 12-9-81.Other than the AUD splices, I don’t have a problem with that release. T - 103 minutes until the DaP27 announcement
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I think tracks 6 and 8 are unreleased. Unless perhaps by November download? (Anyone?)
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Thin-I was thinking nitecat was referring only to the last two tracks on the bonus disc from the Amazon-exclusive version. You are correct, there are several unreleased tracks throughout the 3-disc version. https://en.wikipedia.org/wiki/Long_Strange_Trip Happy DaP 27 announcement day, everybody!
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thx for clarifying. Nevermind my previous comment.... 34 minutes until they announce 5/25/74 as DaP27....
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So excited for the announcement of 27 my bellybutton has been puckering and un-puckering all day.
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9/2/83
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excellent - looking fwd to this one
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We have a WINNER, keep the early 1980s coming for the next 4-5 picks DL!!
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First Wang Dang Doodle and Throwing Stones of the series...and I think only the second H>S>F in the series. Looks awesome - can't wait!
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Nice - Glad they found a good show and good recording form the 80's. Help Slip Franklin's is one of my favorites, and is one of the songs that no one has enough of. Glad to hear Eyes is NOT one of the super-speedy versions that was the norm in the 80's. BRING IT!
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