- 402 repliesizzie
Joined:Let's talk movies!!
- Randall Lard
Joined:Inuto ImagoInuto Imago Setouchi Triennale 2016 Inujima Performing Arts Program Kazuhisa Uchihashi Inujima Sound Project “Inuto Imago” Improvise music and musical workshop program held in Inujima Island Japan August 22 (Mon) - September 4 (Sun), 2016 Artists: Kazuhisa Uchihashi (JP) Rully Shabara (ID) Wukir Suryadi (ID) Iman Jimbot (ID) Featuring Artists : Samm Bennett (US/JP) Isabelle Duthoit (FR) Masaharu Sato (JP) Mikagami Koichi (JP) Hannoda Taku (JP) Yumiko Tanaka (JP) Concept: Kazuhisa Uchihashi Film by Gigi Priadji Produce & Production Management: Akane Nakamura Yoko Kawasaki (SAYATEI) Mihoka Kawamura Hikaru Tsuchiya Megumi Mizuno http://gigipriadji.net - mkav
Joined:LSTI liked it. I watched all episodes in one sitting, so some of the details are blurry.Overall, I agree that Parrish got too much air time, even if everything he said was straight up true. (Side note...watch Wayne's World 2, the expert they bring on to help get Waynestock going seems to be modeled after Parrish). I don't think I necessarily learned anything startling or new, because I've read some of the books and articles, and was there for a tiny part of the scene, but I think the overall project was done and presented well. Hearing Jerry's own words and voice about the impact of his dad's death was compelling. I have read (Bill's book for one) and now have seen/heard about the quantity and frequency of drugs ingested, and wonder how they functioned at all. I'm sure some would say that is how they managed to function in their own particular way. My only (small) disappointment was their using the Winterland footage from the Grateful Dead Movie as if was a news feel or personal movie or something. Maybe they figured we all I knew it, so why even comment? Anyway, I give it 2 thumbs up, as someone used to say. I'll watch it again at some point, because I did watch it all in one night, so I'm sure I missed details. - dwlemen
Joined:LSTI'm still digesting it. I really liked parts, and I was "glad" they didn't gloss over Jerry's struggles with stardom and drugs at the end. As well as how their finally reaching fame sort of was their undoing. I was disappointed at the screen time Parish got. Having read his book, I was already somewhat jaded against his version of their history. He kind of tries to glorify the transition to hard drugs and rationalizes his enabling of Jerry's heroin addiction. I suppose I would have preferred more content like Trixie or Barbara, who gave heartfelt interviews behind the scenes. Parish seemed more to glamorize the wrong things. As for the cinematography and such, I'm not sure. I liked how they weaved songs into the narrative, but the quick stock clips to literally show things said was not my favorite. A specific example is eluding me, but they would have been like, if the speaker said "and we took off like a rocket", we would cut to video of a NASA rocket taking off. Sometimes done, could be quirky, but it seemed like every analogy was done. I did, however, really like how they wove Frankenstein in. That was cool. But all in all, I'm glad it was made and that I got to see it. Peace, -Dave - Randall Lard
Joined:Hubert Selby Jr: It/ll Be Better TomorrowHubert Selby Jr: It/ll Be Better Tomorrow Directed by Michael W. Dean, Kenneth Shiffrin Edited by Ryan Brown Producers: Michael W. Dean, Ryan Brown Executive Producers: Suzanne Selby, Kenneth Shiffrin Narrated by Robert Downey, Jr. Narration written by Michael W. Dean Featuring: Hubert Selby Jr. & Alexis Arquette, Amiri Baraka, Anthony Di Novi, Arthur Boyars, Carmine "Tony" DeFeo, Darren Aronofsky, Desmond Nakano, Ellen Burstyn, Gilbert Sorrentino, Henry Rollins, James R. Giles, James Ragan, James Remar, Jared Leto, Jem Cohen, Jerry Stahl, John Calder, Kaytie Lee, Kenneth Shiffrin, Lou Reed, Luke Davies, Matt Polish, Michael Lally, Michael Silverblatt, Nick Tosches, Nicolas Winding Refn, Richard Price, Susan Anton, Susan Compo, Uli Edel - Randall Lard
Joined:Rising Tones CrossRising Tones Cross Direction, Camera: Ebba Jahn Editing: Jeanette Menzel Sound: Jost Gebers, Karola Michalic Ritter, Renate Sami 2nd Camera: Brian Denitz Featuring: Charles Gayle, William Parker, Patricia Nicholson, Peter Kowald Quartet, Peter Kowald Trio, John Zorn Duo, Billy Bang's Forbidden Planet, William Parker & Patricia Nicholson Ensemble, Charles Tyler Quintet, Don Cherry & The Sound Unity Festival Orchestra, Jemeel Moondoc Sextet, Iréne Schweizer Duo, Peter Brötzmann Ensemble The early 1980s were a period of transition for the avant-garde in New York. The loft scene - the days in which Ornette Coleman's home on Prince Street and Sam River's Studio Rivbea provided workshops for experimenters to develop their art - was drawing to a close, and the arrival of the Knitting Factory and it's explosive impact on the Downtown scene was still a few years away. It fell to the artists themselves to create new opportunities. As chronicled in Ebba Jahn's 1984 documentary, Rising Tones Cross, two such motivated visionaries were bassist William Parker and dancer Patricia Nicholson. The film centers around the Sound Unity Festival, a precursor to the couples' current Lower East Side bash, the Vision Festival. This film is a documentary composition of new jazz, New York as the city that generates it, and the musicians playing it. The thoughts of the saxophonist Charles Gayle and the bass players William Parker and Peter Kowald from Germany accompany the film. - Randall Lard
Joined:Freedom RidersFreedom Riders Directed by Stanley Nelson Producer: Laurens Grant Editors: Lewis Erskine, Aljernon Tunsil In 1961, during the first year of John F. Kennedy’s presidency, more than four hundred Americans participated in a bold and dangerous experiment designed to awaken the conscience of a complacent nation. These self-proclaimed “Freedom Riders” challenged the mores of a racially segregated society by performing a disarmingly simple act. Traveling together in small interracial groups, they sat where they pleased on buses and trains and demanded unrestricted access to terminal restaurants and waiting rooms, even in areas of the Deep South where such behavior was forbidden by law and custom. Their efforts were met with extreme violence and brought international attention to the fight against segregation, exploitation and racism known as the Civil Rights Movement. Freedom Riders chronicles the story behind this courageous group of civil rights activists.

spiritual renewal
enlightenment redemption rebirth
Cowboys & Aliens
space is indeed the place
The Ides Of March
The Guard
Fata Morgana
The Way
Nostalghia
Jan Švankmajer
The Interrupters
Le Fantôme de la liberté
Hunger Games
Recoil & In The Sun
This just in from Cannes...
on the road...
Silence
Silence (Trailer) from Harvest Films on Vimeo.
"The cuckoo calls from the well of my mind, more echo than thought, as it fades through the wind and flickers away to the silence beyond like the voice, in myself, of another." ‘Insomnia in Southern Illinois’, by John Burnside Eoghan is a sound recordist who is returning to Ireland for the first time in 15 years. The reason for his return is a job offer: to record landscapes free from man-made sound. His quest takes him to remote terrain, away from towns and villages. Throughout his journey, he is drawn into a series of encounters and conversations which gradually divert his attention towards a more intangible silence, one that is bound up with the sounds of the life he had left behind. Influenced by elements of folklore and archive, Silence unfolds with a quiet intensity, where poetic images reveal an absorbing meditation on themes relating to sound and silence, history, memory and exile. Financiers: Bord Scannán na hÉireann, RTÉ, Broadcasting Authority of Ireland, Section 481. Developed with the assistance of Bord Scannán na hÉireann / The Irish Film Board and the MEDIA Programme of the European Union. Director: Pat Collins Script: Pat Collins, Eoghan MacGiolla Bhríde, Sharon Whooley Producer: Tina Moran Photography: Richard Kendrick Editor: Tadhg O’ Sullivan Sound: John Brennan, Éamon Little Additional Camera: Colm Hogan Additional Sound: Chris Watson Featuring: Eoghan MacGiolla Bhríde, Hilary O'Shaughnessy, Andrew Bennett, Jens K. Müller, Patrick O'Connor, Michael Harding, Tommy Fahy, Tim Robinson, Peter Lacey, Marie Coyne, Jordan Shiels, Paul Rodgers.All The Notes
Within The Drone
In The Mirror Of Maya Deren
Shamans Of The Amazon
living for the sonic night
The Jerusalem Conspiracy
a naked lunch of place
Germany - DADA
A Journey To Avebury
This looks awesome! The 1992 Lithuanian basketball team
The Girl Chewing Gum
Berberian Sound Studio
The Death of the Hollywood Blockbuster
La Cicatrice Intérieure
Amplified Gesture
The Other Dream Team
La Cabina
Dummy Jim
Dummy Jim Trailer from Matt Hulse on Vimeo.
Jim hails from Cairnbulg, a close-knit community on the North East Coast of Scotland, neighbouring Inverallochy. Folk here are descended from proud, hardworking Scottish fishermen. Locally Jim is well-known as 'Dummy Jim', or simply 'The Dummy'. A wee while ago he set forth alone on a Continental cycling tour which might have taken him from Scotland to Spain and Gibralter, and finally to Morocco. However, he encountered difficulties on route. He took a route Northwards, in a direction that eventually led him to the Arctic Circle. "If you want to make God laugh, tell him your plans." Jim kept a journal of these Continental experiences that was published in 1955 with the title 'I Cycled Into The Arctic Circle', under his proper name - James Duthie. There has since been a beautiful website inspired by Jim's trip and an extraordinary album by The One Ensemble & Sarah Kenchington. There's also a Limited Edition artists' book that commemorates the 60th anniversary of his trip. In 2012 a feature film will be completed, starring deaf actor Samuel Dore, released along with a richly illustrated reprint of the original journal. DUMMY JIM IS HAPPENING - In May 1951 a profoundly deaf 30 year old Scotsman called James Duthie – known to his local community as ‘Dummy Jim’ – cycled solo on a return trip from the small fishing town of Cairnbulg in the north east of Scotland to the Arctic Circle. The round trip of 6000+ miles took three months and was managed on a budget of just £12. On returning to Scotland, Duthie wrote about his travels and in 1955 a slim volume called ‘I Cycled into the Arctic Circle’ was published. James sold copies of the book door to door to cover the cost of future excursions. Sadly the cyclist was killed in a road accident in 1965. In 2000, artist Matt Hulse received a copy of the book from his mother, who had unearthed the hidden gem whilst working at a second hand bookshop on Iona. Inspired by the journal’s eccentricity and genuine warmth, Matt decided to set about making a film of James Duthie’s unique story. A year later the wheels were set in motion with the blessing of an SAC Creative Scotland Award. http://dummyjim.com/ https://www.facebook.com/DummyJim Matt Hulse - http://vimeo.com/anormalboy http://anormalboy.wordpress.com/ Come rain or shine, friend or foe, hill or flat, puncture or no, Matt and his team have not stopped pedalling.Lincoln
The Tortured
I Dream Of Wires
I Dream of Wires: The Modular Synthesizer Documentary - Nov 2011 Promo from I Dream Of Wires A documentary about the history and resurgence of modular synthesizers. The film, directed by Robert Fantinatto, is currently in production. Jason Amm is serving as producer for the film. I Dream Of Wires started off as a modest exploration of the passion and obsession of a few designers, manufacturers, collectors and musicians, but interest in the film has convinced us that there is a demand for a comprehensive documentary that will explore, both geographically and thematically, the wide ranging influence of the modular synthesizer. http://idreamofwires.org/
Throb N Whistle
Chris Carter: IDOW Extended Interview #9 from I Dream Of Wires on Vimeo.
Extended interview with Chris Carter.Zero Dark Thirty
The Bourne Legacy
Blood Suckle and Honey Suck
boys. school showers and swimming pools full of them.
This is not the movie we are expecting
that ship has probably sailed
Grateful Dead
Argo
Moonrise Kingdom
I liked Lioncoln, Skyfall
flicks