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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • That Mike
    Joined:
    Iced

    DaveRock - Lon Chaney was known as The Man of a Thousand Faces. Switch "personas" for "faces", and I think it applied to Bowie. He kept it interesting, no doubt.

    Jack - I was glad a few years ago when Kadri left the Leafs (for the Avs), because of bone headed stuff. Now we have Bunting. Gutless and stupid move. Speaking of Lon Chaney, how about that guy for the Jets - 75 (!!) stitches to the face during the Knights game, and he returns to play! He looked like a Chaney character! Wow.

  • Angry Jack Straw
    Joined:
    Ice

    You can further extrapolate that premise to include today's music. Even more so.

    My favorite comment while watching an old Traffic jam session on the tube - "Seven dudes with more talent than the entire music industry in 2022."

    Mike - Tampa could likely be in deep trouble with Hedman (and Cernak) potentially being out. By the way, has Bunting been hanging out with Marchand? Still backing the Leafs, but he's a punk.

  • icecrmcnkd
    Joined:
    Acting a role

    KISS, all show, no musical talent.
    Applies to a lot of 80’s big-hair bands too.

  • daverock
    Joined:
    Thatmike

    Sounds good to me ! Hockey isn't covered on the telly in England, so I know nothing about it. I guess it's more of an American or Canadian thing.

    There is an interesting interview with David Bowie in July 1972, in which he was challenged about being camp. He argues, in this one, that he isn't camper than anyone else in rock music - to which the interviewer replies " Nobody ever called Jerry Garcia camp". Bowie agrees, but points out that Jerry is a musician, and that he ( Bowie) isn't into music on that level. That he was using music, along with mime and theatre to create an effect.

    It was a weirder phenomenon than it at first appeared - that whole David Bowie/Ziggy Stardust schtick. Basically, a bloke called David Jones wanted to be a rock star, so he changed his name and personality and became David Bowie. When this didn't achieve the desired effect, the fabrication that was Bowie changed identity again, and became Ziggy Stardust. Bullseye.
    I don't think anyone who saw him in 1972-73 realised that what they were seeing wasn't seeing a real rock performer, but someone acting as a one. And when he announced his retirement on stage in 1973, everyone, I think, assumed that the real person was retiring. Clearly in retrospect this wasn't the case - it was just the role being played - the illusion, that was being laid to rest.
    I think there was an element of fabrication with most rock performers - people acting a role that the public thought was how they were in their private life. But it seemed more pronounced with David Bowie than most performers of my generation.

  • That Mike
    Joined:
    Reverse The Curse

    Jack - Good point about the 2004 Red Sox! We just got pounded by the better team, but it’s a series. You take a breath, and move on.
    Looks like it was the night for the underdogs - Bolts, Kraken, Rangers, and the Jets!

    DaveRock - I love hockey, and I love the Band and the Dead etc, proving great music and the thrill of in-the-moment sports are not mutually exclusive. But I get hockey is an acquired taste :-)
    Re: Ziggy Stardust - I read an interview with David Bowie once where he defended the glam movement from critics who said it introduced androgynous fashion into rock & roll. He said it was the current trends of the time that were androgynous, in that all men & women had the standard long straightish hair, the blue jeans & tees look. He was a pretty astute guy, Bowie, and he may have had a point.

  • daverock
    Joined:
    On the other hand..

    ...I prefer The Band to hockey. I think .

  • Vguy72
    Joined:
    Intermission at T-mobile....

    ....Jet player got sliced in the face during a huge scrum in the blue paint
    Over fifty stitches later, he's out there skating.
    Meanwhile, football players complain about turf toe.
    Flaming Lips Yoshimi five LP delivered. It's very pink. And it has a Seven Nation Army cover.

  • proudfoot
    Joined:
    1 21 71

    If a board of that show existed it would be very well known

    And 1 22 71...a board of that with the second set (only set one seems to be available).... schwingadingding!

  • proudfoot
    Joined:
    The Don Knotts of goaltending

    What a great line and image

  • Angry Jack Straw
    Joined:
    Mike

    Keep the faith and don’t get discouraged by tonight’s outcome. Sometimes a team needs a drubbing like this before they can coalesce. I say that as a long-suffering Red Sox fan who remembers 2004 quite well.

    This is my first time seeing the Kraken jerseys. I thought I would like them more than I do. They’ve got a weird neon, pastel color that doesn’t fit with the rest of the palette and certainly doesn’t look good on TV.

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What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

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Chill with lambasting the sound quality of Dave's 45. If you only listen to the first two tracks (Promised Land & They Love Each Other), as Dave himself explains on the Seaside Chat, you're listening to Bob Menke's audience recording. There's no soundboard of those two tracks and Bob kindly provided his tape. Some have said that the Smith/Miller/Clugston aud (140589) on the Archive is a little better than the Menke. In any case, once you get past those two, you're hearing "recently" recovered Betty Boards from the stash of soundboards returned by ABCD Enterprises. The changeover to soundboard actually happens before the end of They Love Each Other. Check out Dave's Seaside Chat for more.

The two shows on Dave's 45's 4 CDs are great sounding once they reach cruising altitude.

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I get where you're coming from. My main complaint on sound on many DiPs and DaPs is the drums are too loud. I used to blame Mickey for being involved in the remastering, lol. But to have two shows for the price of one totally outweighs the defects, and frankly that's what the tone controls are for on our stereos. And I also applaud Dave for being brave enough to get us the two shows with an aud. patch at the beginning. Patches are something they don't do very often and only when it's worth it. Especially, these two shows are so worth it. Don't give up on it.
Cheers

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I remember getting this on cassette in the late 80s and loved both shows even if there was "some" missing. I have listened to this release several times and I love it. My question is: how is this still available? I've noticed the last few Dave's releases have been selling at a slower pace than just a few years ago. Just wondering, maybe the uptick to 25,000 units was a bit much? Anyway, have a safe happy holiday.

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