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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • Angry Jack Straw
    Joined:
    Mike

    WTF?

    I go to bed confident with a 2 goal second period lead at home and wake up to this crap. Your comments appear prescient.

  • 1stshow70878
    Joined:
    I like both

    The Band and Robby Robertson's self-titled solo album from 1987. It has the original Broken Arrow. I heard Phil got it from a cover by Rod Stewart. Produced by Daniel Lanois and with cameos by Peter Gabriel, Bono, The Edge, Garth Hudson, Ivan Neville, Gil Evans horns, and guitarist Bill Dillon who I don't know but rips it up on the whole album. I like every song on this album which is not something I can usually say. This album is ethereal and moody in a great way. I can't speak to the interpersonal issues The Band had but I respect the music. And I buy my Key brand denim at the farm supply store because I can't afford Levi's anymore. They hold up well.
    Cheers

  • lebowski99
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    Robbie Robertson the only cool rock dude???

    That's pretty funny, Led. To me Robbie was a poseur, especially by the Last Waltz. Wrote great songs though- which is really all I care about. (Of course, those songs were collaborations.)

    Not sure how anyone could find Levon uncool in any way shape or form. Levon, Richard and Rick all had major soul. Love each of their voices. But to each his own.

    Band tangent: Anyone seen that Rick James doc called "Sound and Fury?" Supposedly the Band stopped Rick from getting his ass kicked in Canada at the beginning of his career. Cocaine's a hell of a drug.

  • daverock
    Joined:
    One from George Burns

    It's not a judgement from on high, but I have never got The Band. I wish I did...so many people with good taste rate them, but their charms have always eluded me. The one thing I do like, which doesn't seem to get mentioned much, is the falsetto vocals of Richard Manuel. The other thing I like a lot by them is their playing on Ronnie Hawkins 1963 recording of "Who Do You Love". There's nothing like that on the brown album.

    Dissing Ziggy Stardust is another matter. It was definitely contrived, but it worked like a charm at the time. What has got lost in the mists of time is that a lot of this was basically music for people just out of childhood - not blokes in the 50-75 year bracket. When I saw David Bowie in 1972, I was 15. I don't know what I would have made of it all as 66 year old-but at 15 it was just the ticket.

    I have always liked this quote, by George Burns - "Sincerity - if you can fake that you've got it made"

  • Forensicdoceleven
    Joined:
    Proudfoot, I salute you!!!

    Knowledge is recognition of something absent; it is a salutation, not an embrace..........

    Not sure what motivated you to listen to that show, but I think you and I are the only folks to listen to that one in the last ten years. Having a soundboard of that one would be awesome! Maybe in those banana boxes............???

    Love cannot express the idea of music, while music may give an idea of love........

    Rock on!!

    Doc
    Music is the refuge of souls ulcerated by happiness.......

  • Mr. Ones
    Joined:
    C’mon Man!!

    LedDed: I respect most of your comments, but clearly, your musical palette is pretty limited. To quote you:
    Robbie Robertson was the only cool rock dude in that band.
    I hate the early 20th century drab, boring workingman's garb they generally posed out in. Yes, they went out of their way to get that "look," because no one else in rock dressed like that then. It was as calculated as Ziggy Starburst.

    The Band dressed that way because they didn’t want to be “cool rock dudes”. You certainly don’t have to like it, but since you don’t understand it, don’t comment on it.
    Live & let live. There’s only a few million people who disagree with you, brother.
    Listened to the new Metallica album. Same old, same old. There is no “questing spirit” in that band. Just find a riff, and drive it to death.
    Not saying it’s bad, just repetitive and boring.

  • Vguy72
    Joined:
    Dylan busted out 90 seconds....

    ....of Brokedown Palace in Japan.
    He almost broke my record. Ask Mrs Vguy.

  • proudfoot
    Joined:
    Floatin' my boat right now is....

    1/21/71

    Hot stuff

    Just be warned....there are some TALKERS very audible at times. It's especially annoying during a monumental Hard to Handle. Some chick keeps on "BLAAAAHBLLLAAAHH BBLLAAAHHH BLAAH!"

    SHUT THE FUCK UP WENCHLET!!!

    Why do some people think a loud rocknroll show is the right place to have a nice chat?

    And even in the outro from TIFTOO...blah blah blah fucking blah.

    And during Cosmic Charlie blah blah blah

    This show needs a soundboard. Or a way to cut out the tongues of the blabbing audience members.

  • hendrixfreak
    Joined:
    You a bad boy, doc

    Hey to all!

    And a merry spin of whatever show is floatin' your boat..................

  • LedDed
    Joined:
    Band of Boring

    The Band mostly bores me. I love Dylan and dig some of their collaborations, but once the Bard left the building a lot of the air went out of the sail, for me personally. I'm not here to share anyone else's thoughts. The Last Waltz film to me is the high of their career, first, because they were done, and second, because of all the amazing talent that shared that stage. Props to Marty for a brilliant film.

    Robbie Robertson was the only cool rock dude in that band.

    I hate the early 20th century drab, boring workingman's garb they generally posed out in. Yes, they went out of their way to get that "look," because no one else in rock dressed like that then. It was as calculated as Ziggy Starburst.

    Last 5 (songs):

    Symptoms of Love - Buddy Guy featuring Elvis Costello
    Wish I Knew You - The Revivalists
    Dirty City - Steve Winwood feat. Eric Clapton
    Inamorata - Metallica
    When the Hunter Gets Captured by the Game - Jerry Garcia

    \m/

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What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

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Chill with lambasting the sound quality of Dave's 45. If you only listen to the first two tracks (Promised Land & They Love Each Other), as Dave himself explains on the Seaside Chat, you're listening to Bob Menke's audience recording. There's no soundboard of those two tracks and Bob kindly provided his tape. Some have said that the Smith/Miller/Clugston aud (140589) on the Archive is a little better than the Menke. In any case, once you get past those two, you're hearing "recently" recovered Betty Boards from the stash of soundboards returned by ABCD Enterprises. The changeover to soundboard actually happens before the end of They Love Each Other. Check out Dave's Seaside Chat for more.

The two shows on Dave's 45's 4 CDs are great sounding once they reach cruising altitude.

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I get where you're coming from. My main complaint on sound on many DiPs and DaPs is the drums are too loud. I used to blame Mickey for being involved in the remastering, lol. But to have two shows for the price of one totally outweighs the defects, and frankly that's what the tone controls are for on our stereos. And I also applaud Dave for being brave enough to get us the two shows with an aud. patch at the beginning. Patches are something they don't do very often and only when it's worth it. Especially, these two shows are so worth it. Don't give up on it.
Cheers

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I remember getting this on cassette in the late 80s and loved both shows even if there was "some" missing. I have listened to this release several times and I love it. My question is: how is this still available? I've noticed the last few Dave's releases have been selling at a slower pace than just a few years ago. Just wondering, maybe the uptick to 25,000 units was a bit much? Anyway, have a safe happy holiday.

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