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    clayv
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    An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

    We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

    Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

    Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

    Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • #51
    Lovemygirl
    Joined:
    *Re/ Keithfan

    ...Road Trips ‘The Wall Of Sound’ minus the Bonus Disc...I play it quit often! Thank you again my friend, I hope your still enjoying those major Europe 72’ shows...love it!
    🙏❤️😎

  • #52
    MDJim
    Joined:
    6/20/83 -The First and Most Memorable Merriweather Show

    I apologize for the length of this post.. but man.. that storm.

    I grew up perhaps an hour hike from Merriweather Post Pavilion.. and after getting harassed by Howard County's finest for hiding beer under my car instead of pouring it out on the curb as instructed at a Jethro Tull show a few months earlier culminating in a thorough and regretful search of my parents car and a loss of a nice pipe and some hash.. I just started walking to shows from that point forward (at least until I moved out of my parents house). I probably saw between a hundred and a hundred fifty shows there over the years.. probably about the same number of times I saw the Grateful Dead. I'm ashamed to admit now.. but I knew how to get in that place for free plus the ticket collectors were mostly people I went to high school with, so taping two stubs together and presenting an amicable grin was usually enough to gain entrance. I did buy tickets for many/most shows, certainly for all the Dead shows.. - never take unnecessary risks.

    Some background.. I wouldn't compare this to one of the greatest or best shows, but it was memorable for lots of reasons. My first show was 4/19/82 at the Baltimore Civic Center (perhaps my biggest lysergic GD moment, save that for another day).. I believe I made the Capital Centre shows in the fall that same year but they weren't playing super close in the Spring so we headed South to Hampton and my first GD road trip in April for my one and only birthday show. I think I drove and I am confident we did not tell my folks we were taking the family car to partake in all kinds of shenanigans and see the Dead.. in hindsight, so dishonest. Then it was announced that they would be playing two nights in the summer for the first time at Merriweather Post, my local venue. I couldn't believe it.. That would make this run my fourth and fifth shows.. I was still quite green behind the ears.

    I had friends that worked as busboys and room service at the Columbia Inn, where all the bands stayed back then that performed at Merriweather, they told stories of bands partying in the bar, tips they got (or not) and what floors they would put them in, etc.. so the night before, on whim.. we showed up and went to the bar. I could barely drive but with an older brother that looked similar, and the drinking age being 18 at the time, I had an ID and we headed past the lobby to find Phil sitting at a table by himself.. we closed the bar that night and had some passes for the next day... I have to say, he was super nice and not at all an icon or unapproachable. I do recall a few of the stories told, but the memory I left with was that I could not muster up the courage to offer anything intelligent to say and couldn't think of a decent question to ask until I was walking through the parking lot to the car at the end of the night. After a few beers, humor was flying and things seemed fine. Phil seemed happy to have a group to party with. I was so young I couldn't even order a beer correctly.. I asked for a tap beer and she brought me a tab (soda).. so she returned it and brought me a draft Budweiser.

    So the next day.. a few of us walked from the neighborhood where we all lived to the show, a bit early.. I had my pass and went backstage and it was so weird.. plus early. I just couldn't handle it. I didn't know anyone except my buddy.. and it was like being in a foreign country. Nobody seemed to want anything to do with us and the band wasn't there yet.. So we decided to split before the show started, inhale a bit in safety and get to our seats, which were pretty close.. I am fairly sure we took some mushrooms too which only made it all the more weird. So the only time I ever had backstage passes, I totally wasted them. ..Perhaps for the best.

    I don't think you can talk about the show without talking about the storm. Growing up there.. the only time I recall it raining harder was during Hurricane Agnes in 1972. This is the only time I recall the highway on the way in (Route 29) flooding and being shut down like it did that night. The storm was biblical and it wasn't just rain. It thundered and lightninged for hours that night and I believe lightning hit the lightning rod at the venue or perhaps the shed itself at least once (during He's Gone, Truckin' and perhaps one other time), but that's probably impossible to verify. You can hear it on the tapes though including the PA going in and out several times.

    So the performance aside, there was other energy and stimulus going on that night.

    The setlist was fairly standard for the day.. my second Peggy-O, second Truckin', second China>Rider. The first set was pretty standard, but things started to get weird by The Music Never Stopped.. I forget exactly when the started and ended and then started again, but I think t had had rained in the first set and the beginning of TMNS, then the sun came out for a bit during this song, then set break.. then big cumulonimbus clouds, then it started getting spooky dark as the setbreak came to an end. ..and then things really got weird. In hindsight, we should have starting building an ark.

    The second set started with China>Rider>Sampson>He's Gone>Truckin'>Drums. By the transition in China>Rider, everyone was getting soaked and the rain entered the pavilion area as it was raining sideways. I had to pee as Sampson started and by then people were body sliding down the lawn and everyone was so soaked that it just didn't matter anymore. Soaked to the bone, you couldn't get more wet.. When I got back to our seats, the heavens opened up and the lightning started and it went from weird to downright scary. The people working at the venue sought shelter, anarchy ensued and there was a mad rush from the lawn to the pavilion area. Everyone got squashed and became bug eyed.. and safety became a big concern. We got pushed forward and what row you sat in mattered less than the need to create more room inside, under the shelter. By He's Gone, there became a general feeling of insecurity and helplessness, just as I began to peak. Lightning struck the shed and the power went out.. but the weirdest thing of all, the band was just as freaked as we were, but the they kept playing on. I swear Phil and Jerry were playing power chords in sync with the thunder and lightning. By the time Space ended, we got a rare Bob Star (one of three times played).. during Sugar Magnolia I think Bobby got shocked and put down his guitar and took his mike to a strange part of the stage and started wailing into the mike.

    There was no encore and no soundboards exist.

    So what to 20k tripping, soaked, disoriented hippies do when the show ends? The deluge had stopped but it continued to rain. There was a tiny creek between the venue and the parking lot, usually a trickle like you see on a water fountain.. it was flooded way over the banks and to make matters worse had washed away the foot bridges, so you really couldn't safely walk to the parking lot, but people managed.. the lawn was so eroded both from the rain but more from people doing mudslides down it that at dawn, they had to bring in heavy machinery and rebuild the lawn as there was another show that next night. After they Dead left.. they really went to town and had to do a total rebuild of the lawn area, changing the contour forever.. lots of heavy machinery. They spent the day off to rebuild it with different contours to the format we have to this day.

    When we walked home, still tripping.. we could not go the way we came, it was not passable. So we went an alternate route. Getting over the highway, which was still flooded.. we held hands as the current was strong and waded in waste deep water eventually getting to other side and about an hour later to mom and dads house. Some quick showers, then post show activities until the sun came up then sleep.. only to do it again the next day on a reformatted lawn with straw and new sod. They played Looks Like Rain that next day and you can imagine the crowd reaction.

    So back to the show.. Yea.. I sort of remember 6/20/83. It was the weirdest, highest energy GD show I ever saw. Not the best, but certainly one of the most memorable. I saw every GD/JGB show played there but this was perhaps the most fun. Thanks for jarring my memory.

  • #53
    KeithFan2112
    Joined:
    Unbelievable

    They say the oakwood interior of the cathedral was built in the year 1200, requiring trees that would have been 400 years old, thus sprouting out of the ground in the 8 or 9th centuries. Hard to believe.

    Bob t - thanks for the heads up on One From The Vault release date. I could use a change from the E72 binge. I did manage to get in 6/14/76 and 12/26/69 today, both on the Rolling Stone top 20.

    Lovemygirl - I don't recall which ones you sold me, I'm thinking Tivoli II, Lille France, and maybe one of the Lyceum shows? Lotta weed in between ;-) I don't remember what I sent you, refresh my memory. My memory is outstanding on everything until I was 25, and then past 3 weeks. But everything in between is shit.

  • #54
    MDJim
    Joined:
    6/20/83

    Holy Smokes.. yes, I was there. It was biblical, as much or more from the storm then from the music.. but it all combined for a complete sensory overload.

    I wrote something on this a couple times over the years.. but I think I was too shy to share details, or perhaps too lazy to try and remember it all and it put to paper.

    Just getting home, if I have some time once I get settled I will try and put my arms around it..

  • #55
    Angry Jack Straw
    Joined:
    Our Lady

    Such sad news.

    Not just an architectural marvel, but one of the most important structures in the history of mankind.

    My deepest sympathies to the people of France.

  • #56
    nappyrags
    Joined:
    Hey Stone Jack Baller...

    I too just got my notice that the CD issue of the Warfield performances will be in my grubby paws in a few weeks...I tried at first on a couple of record shop websites that do online ordering of what is left of the merchandise on Sunday but no luck...I went to Amazon and Bingo! i feel like I won the jackpot considering how many copies are on Ebay for over a $100 a pop...can't wait...meant to say that the nearest record shop to me is over three hours away...at least it's all downhill but still...

  • #57
    bob t
    Joined:
    One from the Vault Anniversary 8/13/75, released 28 years ago

    Did anyone just see the post on facebook from the Dead about this. Released 4/15/91, 28 years ago..... This changed everything if you were trading tapes back then!!! Everyone had this show, either FM, or the bootleg called Make Believe BallRoom.. But now we had a legit release!! It really did change everything... It took away i have 1000 hours of tapes and only want to deal with someone who had the same amount and started to level the field..... Sorry to rant but I was in that era... bob t

    Edit my first copy of this were two cassettes!!! Didn't get the CD's because wasn't a fan yet!!!

  • #58
    daverock
    Joined:
    Fire

    Hopefully no lives were lost or people injured-doesn't seem to be much in the news about that. The only thing I could find was that one firefighter had been burned. Pretty remarkable.

  • #59
    Exile On Main St.
    Joined:
    Sounds to me

    like we have a false prophet among us.

  • #60
    Lovemygirl
    Joined:
    *RE/ Trainwreck, Keithfan & Paris

    ...first I’d like to make a statement about the horror in Paris today, a sad day in my soul, so much lost turning to dust & rubble, my prayers are with Paris’, May the songs of old play on in heart & soul. 🙏❤️😢
    ...Trainwreck, you asked me about my last post and by what I mean by “treasure trove” is a new batch of tapes have been recently found. 😉 I’ll share more info when I can. ‘Exciting News For Me’, I love new and unheard recordings of all bands, the Grateful Dead more so now in my life than my past with the likes of ‘Elvis’ & ‘Beatles’ Records lol ...Plus Some confirmed dates for new Dead releases/product...😌
    ...Keithfan, hope all is well as always. What three shows did I send you from the ‘Europe 72’ boxset, i can’t remember, but I do remember them being Primo Shows ! 😎 and the Primo Show you sent me, love it! 🙏❤️😎
    Off to dinner, have a grateful evening everyone...

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An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Submitted by Charlie3 on Thu, 02/07/2019 - 17:38

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...you really can't decide which disc is hotter. Had a chance to listen to all three discs so far and this is a nice release. I have never heard the show before, but it appears to live up to the hype for it on these threads the last couple of years. Particularly dug the Eyes on this one, but the H-S-F and the Playin-Wheel-Playin were smoking as well. As far as the filler, I liked it and I am with Seth - if filler is included at the end of disc 3 I'm all for it, if it breaks up the primary show on the release, not so much.

Spacebro, I really can't understand how you make a post with a mild criticism of those who complain about DaP 27 and once again the vitriol of the responses to your post seem more hostile and antagonistic than your original post. As VGuy noted, I didn't really see anything that harsh in your post, and a general statement that haters abound seems far less confrontational than some of the responses to your post. Honestly, I can't remember the last time you posted anything untoward or rude on these threads, but maybe I'm just not as easily offended and riled up as others.

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Submitted by MDJim on Thu, 02/07/2019 - 17:54

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I have always liked a good snow day.. reminds me of being a kid and getting a day out of jail free card (snow day). In fact, I like all four seasons which we seem here.

Like the others have said.. how often do you get an all out jam sequence on each disc.. and a Morning Dew tossed in for good measure. A really nice release.

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Submitted by Butch on Thu, 02/07/2019 - 18:21

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A man commented that volume 27, the 80s release, was a sonic mess. Space broth,'s reply was: - Vol 27 is awesome and sounds great. It's an excellent show. Haters still abound here I see.

I have also been called a hater by space broth providing criticism about an 80s release. And it happened to be my first post here ever. So that is his pattern. Somebody complains about an 80s release, which is a non personal evaluation of a piece of music, and he responds with personal insults about the people who post. I was simply reminding him that that's no way to go through life son, fat drunk and stupid.

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Submitted by FiveBranch on Thu, 02/07/2019 - 18:22

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Splice in Franklin’s? Read some notes on archive that there was reel switch. With my listening tonight I noticed a few other hiccups on an otherwise silky sexy ride-- a certain premature bomb at the end of Minglewood, a flubbed Sugaree lyric after a dizzying guitar solo, an accidental sigh from Donna in Samson before Bobby was done with his business, blah, blah, blah…. but no disc skips and that’s the only thing that’d cause me to give a rat about. The rest is beautiful flutter.

What took me to archive in the first place though was looking for first hand reactions at hearing the Terrapin and Estimated breakouts. What was it like there out on the floor? Amazement? Blown away? Tepid? Meh“? Typically debuts don’t win a crowd over, but exceptions prove the rule and there has never been anything typical about GD. I’m still reading through all the comments and I haven’t found anything yet, although I did come across an encyclopedic account of the rig experimentations going on:

https://archive.org/details/gd1977-02-26.sbd.wizard.32009.sbefail.shnf

Looking forward to another listen this weekend. Got some Michigan lake effect snow coming in at some point. Hot dog Perfect! :0D

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Submitted by Vguy72 on Thu, 02/07/2019 - 18:43

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....tbh Butch, I thought Spacebro was referencing #29. Not #27. Guess I should've read it four times. My opinion? Yes. Boise is a sonic mess, but blame that more on Healy, rather than the band. That is, if we're talking the recording, not the performance.
....edit. Jerry flubs the lyrics in the Swing U.S. Blues encore pretty bad. I don't care.

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Submitted by Charlie3 on Thu, 02/07/2019 - 18:49

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Hey Butch, nice Animal House reference in your last post, that movie always puts a smile on my face.

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Submitted by MDJim on Thu, 02/07/2019 - 18:50

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or read it after four beers. That works too.

Anyway.. the original comment wasn't that bad, but it was unnecessary and put the original poster on the defensive, plus sure to draw someone out of the woodwork looking to relitigate old fights.

Hopefully we can move on without all hell breaking loose.

I had an employee once that we nicknamed Flounder. He lasted about as long as his brothers 66 Lincoln.

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Submitted by Charlie3 on Thu, 02/07/2019 - 18:54

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Good points MDJim, as usual. Hopefully things don't deteriorate to the point that we all find ourselves on double secret probation.

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Submitted by DSTAR59 on Thu, 02/07/2019 - 22:16

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My Dave's Picks Volume 29 copy arrived without being individually-numbered. The back reads Limited Edition: . That's it no number! Did anyone else encounter this? While being a rather insignificant problem, it did rob me of the ritual I share with a friend. The game of who got the most desirable number (lowest wins). The music contained within is of course what matters. This stellar show sounds fantastic and thank you for the 2-27-77 dessert

Un-numbered releases are the ones that are passed out for free - promo copies, copies for the band, etc.
Since you got one you shouldn’t have been charged. Rhino needs to credit your account for a future purchase.
You also won the game with your friend.

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Submitted by unkle sam on Fri, 02/08/2019 - 06:30

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glad you posted, good to see you here again. I applaud your posts, unlike some. The internet is a great place for some to come to be hostile, it's just the way of the those who have no real personal opinion, but just don't like what you say. The truth is but a lie, I like apple pie.

mine was unnumbered, too. i just assumed it meant they sold more than the limited number that they advertised. my only beef is that i pre ordered the year, and it would be nice if we got the numbered ones, and those buying individually get the unnumbered. i know it's quibbling, because the music is what counts, but i like seeing what number i get, too, though i don't have an ongoing wager...!!!!

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Submitted by Lovemygirl on Fri, 02/08/2019 - 11:25

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...I have forgotten who posted that each CD was great in its own right. I concur!!! Each CD is Great from the start til the end, #1 #2 #3 Pick one and I guarantee it will bring a smile smile smile to someone’s face every time ! IMO folks... love this release/ Daves Pick 29 for over a week now on my listening journeys, primo ; )

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Submitted by blueboy714 on Fri, 02/08/2019 - 12:38

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... best of all GREAT show. This is the first CD box that didn't skip out of the 4 releases I purchased. I bought my subscription about an hour after receiving early-bird email last November. Mexico must have finally bought a decent press.

MP51 - I got #2 out of 12,500 on one of the early Dave's Picks. What do I win?

- blueboy714

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Submitted by bob t on Fri, 02/08/2019 - 16:20

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Sorry I can't remember who said a few days or weeks ago that they listened to The Dicks Picks 72 Stanley Theatre show and enjoyed it a lot more after dismissing it after the first listen. This week I was driving down to Stamford and 7/5/78 Omaha show came on Sirius. I have been a big fan of this box set since it came out, but wow was it awesome!!! Just hearing it on the noon show on Sirius gave me a complete different perspective!!! If you don't have this box set please check it out before it is gone. If you are an old tape trader like myself 3 of these shows were never available on Sound Board, the Red Rocks shows were!! Have a good weekend everyone... bob t

Yes, my Dave's Picks 29 is numbered (16988).
All my Dave's Picks are numbered EXCEPT:
DaP 15 - 4/22/78 Nashville Municipal Auditorium

ALL my official releases play without error/skipping, very rarely do I have any compact disc skip during play. I attribute that to my players and there's no problem with them. Only one, an early Sony (1986?) I forget that model number, but it was bad. To make a long story short, I bought a new Onkyo (I forget the model) and never had a skipping problem wth any CD in that Onkyo or any player since - including OEM car players.

....into a glorious rhapsody. Relistening now. I also have to give kudos to the Samson. The Cow Palace NYE take is my favorite one ever. This one is like a first cousin. Sounds grate. Top Shelf Dead. The bottle was dusty, but the liquor was clean.

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Submitted by Deadheadbrewer on Fri, 02/08/2019 - 21:29

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I have numerous CD players and an AVR that all have HDCD decoding. Recently I purchased a Cambridge Audio Azur 651 blu-ray player that also has HDCD. Interestingly, the HDCD decoding on the Cambridge can be turned off. So I took out what I consider to be one of the best-sounding GD releases (the RFK 1989 two-show box), and put that in. I played it for a minute with the decoding on, then a minute with it off. Back and forth, back and forth. I'll be darned if these 48-year old ears could tell a difference. I'm no longer convinced that HDCD decoding is crucial on playback.

I also recently acquired a Denon 2910 (which has HDCD, but also SACD). That player allows one to easily switch between the SACD and regular Redbook layers of a disc. Again, back and forth, back and forth, over and over, between the two layers on a certain SACD. I could not tell a difference.

And all this is through a very decent Onkyo receiver, played through some Magnepan MMGs. Your mileage may vary.

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Submitted by Charlie3 on Fri, 02/08/2019 - 22:59

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Deadheadbrewer, I had been wondering how much of a difference an HDCD player would make. Not wondering enough to get an HDCD player, but curious nonetheless. I am far from having dog ears myself, but I do like to maximize my listening pleasure. Currently my cd player is hooked to my receiver with the digital connection so the DAC in the receiver is actually doing the work and the cd player is really just reading the disc and sending the digital data to the receiver.

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Submitted by daverock on Sat, 02/09/2019 - 04:25

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It can be a bit tiresome, trying to work out which way to get the best sound when you have multiple options. The King Crimson box sets, much as I love them, stun me by enclosing multiple mixes of each single album- each with different sound options over a range of formats-cd/blu ray/dvd.

These "I am not a robot" questions don't get any easier either!

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Submitted by MDJim on Sat, 02/09/2019 - 06:24

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Third world problems to be sure.. Still, we all want it to always sound exactly perfect.

Does anyone remember hissy audience tapes? :D

Back to Gainesville.. isn't there a problem with the first set soundboard? I always assumed this was destined to not be released for that reason.. we are used to splices but an entire set might send some of us buggy. There is a great Jim Wise / Charlie Miller audience out there too, which is what I assume everyone is listening to. The early 80's had same audience tapes.. the crowd wasn't as rowdy as it would get by the mid and late 80's.

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Submitted by icecrmcnkd on Sat, 02/09/2019 - 08:16

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Yeah, I remember them, had a bunch of them.

How about a muddy, hissy digital file?
Try this one on for size.

gd76-07-13.sbd.bertha-ashley.9978.sbeok.flac16

Can a robot detect hiss?

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Submitted by DeadVikes on Sat, 02/09/2019 - 08:25

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Thanks for the info Deadheadbrewer on HDCDs. I think you answered my question that you really can't tell much of a difference. Of course SACD and DVD Audio are a completely different ball of wax. Again here we are talking multi channel audio which is just awesome. I chased these formats for years and there is just not much affordable material out there and of course no Dead live material in these formats. I do have some great DVD Audio of Steely Dan and Frampton Comes Alive. And some studio Dead releases.
The Dead have released some of their new releases in FLAC, has anybody listened to any of these releases in FLAC?

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Submitted by icecrmcnkd on Sat, 02/09/2019 - 08:44

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The Song Remains The Same on BluRay Audio sounds awesome.

Also, I believe that the BluRay version of 8-27-72 has a 24/196 option on it.

#2...!!!! I've never got one that low. I think I got one in the hundreds once, but that's it. But watch out, I'm certain to win w/#30. "I got no chance of losin' this time."

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Submitted by Thats_Otis on Sat, 02/09/2019 - 12:54

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First off, Bob, that Summer 78 Box is so good! I'm amazed that it hasn't sold out. Personally, 78 is not my favorite vintage Dead, but that set sounds so great, and the physical box with that amazing artwork may be my favorite released yet.

On to Swing - this may overtake DaP 5 for the best of the series... the only drawback is that I, along with many of you, had already known this show in a crystal Betty tape. That being said, to hear the work done on this to balance it all out, plus the wizardry that is Normanization, I feel like I am hearing this show for the first time again - and what a show it is!!! This is taking the place of SkullFuck and/or Europe 72 as my "If you haven't 'really' heard the Dead, listen to this" recommendation. (One petty criticism - I too am getting really sick of the skeleton artwork. This one is really nice, but the overall theme is getting tired. It just seems like there is so much an artist could do for these releases... skeletons are cool, but...)

I hope you all are having a great weekend! Port Chester 2/19 was on Sirius as the wife and I were doing errands today. Made me miss our friend Forensic Doc. Doc, if you're out there, I hope you're killing it! (though that would be a dark way to get business :)

Also, did you hear about that guy in Colorado that was attacked by a mountain lion and killed it with his bare hands?

Thank god he had bear hands... (giant paw motion required...)

Peace

Edit: Also, I am surprised that this Swing show wasn't a mass release. Perhaps they are moving away from those.

....DaP 5 is my favorite Dave's as well. Schwing gets into the top 5, but Pauley still rules.
Top five Dave's, off the top of my deadhead....
5
11
23
29
10
....a plethora of goodness.
That Schwing Samson tho. Can't get enough.

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Submitted by KeithFan2112 on Sat, 02/09/2019 - 14:12

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Wait a minute, did somebody forget to push the Dolby noise-reduction button? Or you just forgot to buy a high bias tape?

Ah, yes, while I missed the Dead tape collection period, I was heavily invested in Maxell XLII-S tapes for the preservation of my vinyl collection, which ended up eating it in a flood anyway, and of course tapes are now a thing of the past. If I knew all that money would eventually have been wasted I would have tried coke in the 80s.

Captcha is kicking my ass today.

DaP 5 is priceless, for sure. I was just listening to Eyes the other day - perhaps the best '73 version. I think this Swing Aud show compliments Dave's 1 beautifully. It may be in my head, but I DO think there is something extra special about that 5/25/77 show from the Mosque. Even for May, the performance is near-perfect, the vocals are dead-on, and the set list is excellent. It also captures Keith after he retired the Moog-like synth / organ he was using in early '77. I'd put DaP 1, 5, and 29 in my top 7 without a second thought.

Vguy - very pleased to see DaP 10 so high in the list. I'm not sure how that one slipped through the cracks for many, but I think it's one of the best T.C. era releases out there. Such a great set list, and then the bonus disc just kicks the ass a bit more. The UJB intro is worth the price of admission for me.

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Submitted by Thats_Otis on Sat, 02/09/2019 - 15:36

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Off the top of me little head...
I'd love to have the time the sit and listen....

29
5
3
13
11...
So many decisions, but i'll stick with my gut. (If I always listened to my gut, I'd have shit for brains...)

Peace

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Submitted by bob t on Sat, 02/09/2019 - 16:18

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Feeling in a Pig Pen mood tonight listening to 4/17/71 Dillon Gym... Haven't listened in probably 20 years!! What a great Pig Pen show... 19 song show, with a Big Boss Man, Hard to Handle, a 28 minute Good Lovin with drums, King Bee, and a Turn on Your Lovelight.. I think the Paris May 4, 1972 is a really good example of highlighting Pig Pen. This Princeton show rocks... Please listen to the Good Lovin after Drums for a great Pig Rap!!! Besides From the Vault 3, there is a big gap in the early 71 era... Not the longest shows so I don't know if that affects a release... Have a good night everyone, and Pleaseplease.. listen to the Good Lovin....... bob t Edit I forgot about the 3/18/71 show on 30 Trips... ooops

Listening to it right now.
The other day someone pointed out that in From The Vault Box 8-13-75 had been remastered. So I ordered it, and it arrived today. Went 1-2-3, and am on 2-19-71 CD2 right now.
Haven’t yet compared 1 and 2 to the older copies I have, but both 1 and 2 sounded great.
Now that I’m half way through a bottle of Brooklyn Brewing Black Ops, 3 seems to sound better too......

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Submitted by snafu on Sat, 02/09/2019 - 20:50

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The person who said vault 2 upgraded was responding to me and my comparing original nonhdcd to reissued hdcd. They claimed it was remastered therefore I couldn't make a valid comparison. In the Dead's own word's it was upgraded to hdcd, 3 cds and new packaging. Nothing about remastering. I stand by my point that hdcd is noticeably superior and vault 2 is a good way to hear the difference

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Submitted by jaydoublu on Sat, 02/09/2019 - 21:57

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Dave's Pick 30 is going to be 1/2/70......anyone have any info on this show?

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Submitted by Trainwrecked on Sun, 02/10/2019 - 05:34

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Hi Snafu, I made the comment. Processing audio to HDCD is, in and of itself, an element of the mastering process, so to go from standard Red Book CD to HDCD, as you mentioned they did with Two From The Vault, by definition, is remastering the CD. But that info alone does little to advance the discussion.

I think you may be mixing up the term remastering with "remixing"? To remix is to go back to the multiple tracks that comprise the master recording, and re-work the levels and effects from scratch. This did not happen to the Vault trio. It was remastered.

Re-mastering is a much simpler process that takes the original tapes and re-processes the existing, previously mixed, two channel audio, implementing various techniques to enhance the sound (like applying an EQ to make the sound clearer, using "limiting" and compression to control loudness, and of course, reducing noise).

I don't have an HDCD player, but the Two From The Vault re-issue sounds better. This is the result of the remastering that went into it, not the merits of the HDCD encoding, which I cannot hear, because I don't have an HDCD player. What I'm saying is that Two From the Vault is not a good litmus test for evaluating any improvements resulting from HDCD encoding, because they did additional processing to improve the sound quality, and this additional processing can be heard on an ordinary CD player.

The best test for evaluating the benefits of HDCD encoding would be to listen to the HDCD on your HDCD player, and then, if there is a button to disable the feature, go ahead and disable it. I'm not familiar with HDCD players, so I don't know if that is a realistic option. The next best option would be to have two CD players hooked up to your system, and then just listen to a track once on the HDCD player, and then a second time on the regular CD player. Unfortunately, this is not the most reliable method, because you would be introducing other variables when you play it back on the regular CD player (for example, even regular CD players that are non-HD possess different gradients of audio playback quality, primarily along the lines of error correction and output hardware & type).

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Submitted by mbarilla on Sun, 02/10/2019 - 06:09

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This copy is a dud. Might need some Viagara so I can Schwing to the Swing. I really hope anyone , including myself that got sent a defective one does not get shut out. I have contacted Rhino customer service and requested a complete replacement.

Not sure what they will do since it's sold out and they may have not held any back for subscribers and sold the rest a la Carte. The case was dented up too on the spine. Definitely took some hits in transit. I was going to let the cosmetic issues slide but when "Terrapin Station"started to skip on the first play. That did it. New Minglewood , They love each other skip city. I really hope they send me a full replacement , new product. because when I had disc skip issues ( 2 defective discs out of 19) for the Pacific Northwest box set I got replacements , however the replacements I received are different from the original. The original discs have color and artwork. The replacements were bland looking compared to the original , lacked the color on artwork.

2.26.77 on hold for now.

Spinning August 1971 shows

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Submitted by marye on Sun, 02/10/2019 - 08:27

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Very sorry to hear this. If it doesn't get resolved quickly lemme know.
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Submitted by stoltzfus on Sun, 02/10/2019 - 10:44

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Grateful Dead

9/3/67

Rio Nido

If you like the GD, you absolutely must hear this show.

This would make a superior release.

Would you please recommend this show for release, Dave? Dave? "Dave, I really think I'm entitled to an answer to that question."

:)))

1/2/70

Fillmore East

go to archive.org, look for Steal Your Face logo, click on it, and you'll find 1/2/70 with a short search (use 1970-01-02)

you'll like it

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Submitted by bob t on Sun, 02/10/2019 - 12:26

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If you have Fall Out from the Phil Zone, the In the Midnight Hour was on it, all 31 minutes!!!! Think it was released in 97.. bob t

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Submitted by icecrmcnkd on Sun, 02/10/2019 - 13:20

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On my non-HDCD Onkyo, both of the reissues of 1 and 2 sound better than the originals.
The reissues sound cleaner and fuller, have more bass, and are louder at the same volume setting.
Glad I bought the Box.

Yes, in answer to you question I highly recommend that this show be officially released. Both The Midnight Hour and Viola Lee Blues, as so far released, are excellent. Hang on....were you asking the OTHER Dave? (sorry)

I didn't notice that Two From The Vaults had been re-released with better sound. Quite an omission on my behalf-I'd better get looking.

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Submitted by direwulf on Sun, 02/10/2019 - 16:04

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A weird thing on my discs was the titles and folder names created during the burn. Factory embedded Track titles were all ordered wrong and misspelled, some in rather humorous ways and then split into about 12 different sub folders. Disc folder names were auto generated and even more amusing some were labeled as old Gov't Mule shows, others as Larry Ayers albums?! Never had ANY of that happen before, save for the occasional misspellings of song names, discs play fine though.

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