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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • KeithFan2112
    Joined:
    This is me

    Usually about a week after new Dead release comes out.

    https://youtu.be/xrg-RgF5F8o

  • gratefulgerd
    Joined:
    Oktoberfest in München

    Simonrob,
    it'll end up in the home cellar or home garden, same system as home office, i guess.

  • Sixtus_
    Joined:
    Thirty Licks

    KF, your 'dream sequence' had me guffawing-out-loud by the end; don't you just LOVE how things in ones dream never truly seem to translate into reality? The dog licking translation from your dream was too funny. Adds some levity to my morning.

    Now, what to jump into. Was looking for inspiration going through the most recent comments and I realized I hadn't listened to the Giants box/pre-91 shows in a while (thx Jimmy) so that just might hit the spot.

    Otherwise, dive into a great Dark Star or Other One today and take a ride.

    Be Well People
    Sixtus

  • simonrob
    Joined:
    Now it really is getting serious.

    Authorities in Bavaria have cancelled this year's Oktoberfest in München. Bad news for Gerd, Gerhard and others. Where will it all end?

  • daverock
    Joined:
    Country Weather again

    Curiously, considering I mentioned them on here last week, and then got a recommendation for their album by Simon, on the inner sleeve of the 30 Trips cd 4/22/69, their is a reproduction of a concert poster featuring the Dead...and topping the list...Country Weather. Never noticed it before.

    Still haven't ordered their album, although I am clearly being led to do so. I'm gradually getting over my worries about ordering things through the post being contaminated. Although, not to make light of things-and apologies for any offence caused - it would be a curiously apposite way for a bloke like me to meet his maker. Being offed by a rare psychedelic album. "It was that Country Weather album", they will say, "he didn't stand a chance."

  • KeithFan2112
    Joined:
    Lately I can Depend

    On my Black Lab waking me up at 5am to take a leak. He usually makes some dog noises at the door, but last night I fell asleep with the noise cancellation headphones on. I was having a Spicoli dream with a babe on each arm, except instead of being a surfer I was Mick Taylor right before he joined the Stones. It was all I could do to get away from an interviewer and back to my room with these women, one who is actually my neighbor's wife (wtf???) and the other was one of the Playboy centerfold's who adorned my room when I was 10 years old (wall2wall). Weird situation in hindsight - my dad had long since flown the coup and the lady next door used to bring over her husband's last month's Playboy magazines (story for another day). So lol, I'm chuckling just writing this - I'm in this dream trying to get away from this interviewer so I can get these ladies back to my room, and the logic in my mind about the neighbor's wife was if we got caught, we would just tell him she was with the centerfold woman and I was showing them how to read a map to get back home. But the interviewer wouldn't stop asking questions. I felt myself getting impatient in the dream and my manners ran out. I finally said, "listen man, they're licking my face for fuck's sake - we're ready to head out man - come to my room in the morning; we'll have coffee and room service and I'll answer all your questions". The guy told me it was cool and we headed off to a limo. I said ladies, you can stop licking my face now, he's gone. And then all of the sudden they were gone - poof - and my wife was standing there in my dream telling me the dog reaally has to go out. I woke up to this Black Lab licking my face, trying desperately to wake me and let him out.

    Jimbo - I read your notes on 6/17/75 and it's definitely the one I have. Just all of the patchwork in Crazy Fingers and the patch at the beginning of U.S. Blues is enough to prove it out. Sounds like I have the best available.

    I didn't actually start the morning with the requisite E72 show, which is the one disc "Dead Beat Club" show. This has a fantastic Othe One; at 21 minutes it's short and sweet. I went with Dave's Picks Berkeley, specially modified to kick off with the great Promised Land => Bird Song that DP 36 graced us with. I continue to screw with the set list, going so far as to move Sugar Magnolia up in the order and replace Sunshine Daydream with Bertha, which comes in perfectly on queue (I love Jerry's soloing at the end of Bertha). Heck I even included the soundboard Dark Star => Morning Dew from the night before, simply because "why not?" Audio's almost as good.....

    Daverock - I can't wait to get to that 4/26 show Other One you mentioned. If I had to try to come up with some original words to describe its quality.....hmmm.....I guess I would say "it's everything". I mean really, it almost plays out like a '72 Dark Star during the improv bits. I think Jerry was REALLY inspired by Dark Star, Part II on the 24th, and just wanted to continue that unplanned 15 minute bit of genius after Me and My Uncle. Just maybe . Come to think of it, "it's everything" doesn't really describe that 4/26 version of The Other One with the blend of quality and originality I was aiming for- I'd say it's more like "everything AND a bag of chips".

    I also recently learned to appreciate 30 Trips 1969 show as so much more than a two-track inferior spin-off of the Fillmore West Complete box set. Set lists are obviously very similar, but this show has some bite to it. I may revist today. Thanks for the reminder.

    Stage Banter (Jerry) "This ain't Kentucky man!"

  • daverock
    Joined:
    Transitions

    Listened to 4/22/69 from 30 Trips yesterday, and I would say it earns its reputation. I love its low key, meditative start with Dupree's Diamond Blues, and how this segues into Mountains of the Moon and on into Dark Star. The music seems to cast a beautiful unearthly glow. It occurred to me that, whereas the 1972 Playing's have the effect of containing infinity within finite boundaries-the songs intro and triumphant return - Dark Star was more framed by the songs on either side of it than by the verses of the actual Dark Star song. And my favourite entry point to Dark Star, from any point in their career, is Mountains of the Moon.

    This morning I went through the great Lovelight from Frankfurt 4/26/72, and its superb journey to Goin' Down the Road.

  • Alain
    Joined:
    Still waiting too

    In France too, I am still waiting for the June 76 box.

  • sheik yerbones
    Joined:
    still waiting

    Still waiting for June 76 in France. It is a good oportunity to listen to E72 and all these beautiful Dark stars, wembley, Hamburgh rotterddam, Paris (betty board), Lyceum.
    Ripple is the song of the day with the so well named Playing for Change

    https://www.youtube.com/watch?v=MHo1fNnXFVU
    you can also check Keb Mo Walking Blues on the same channel.
    Stay safe my dear friends

  • Vguy72
    Joined:
    I would hire them on the spot.....

    https://i.redd.it/spqj9mh3g2u41.jpg

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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Some periods have setlists that didn't vary much, but it would be a crime not to release box sets from those periods simply because there is significant repetition in the setlists. So sez I.

It still hasn’t arrived, so Dead Net customer service has now offered me a replacement. I am told that it will be at least six weeks before it arrives here. I will pay customs fees on the first one that turns up! I am not entirely sure how a box this size goes AWOL, and this is the first time I’ve ever had issues with a delivery from the USA, having been buying stuff from across the pond for nearly 40 years now. It had better be worth it!!!!😀

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Looking most forward to the anniversary day run through of this set.

Starting with Road Trips Vol 4 N 5 into the Boston Music Hall run.

I like that Dave put this out. Same kind of energy from '77. A little more exploring and raw with less predictable segways and setlist slot placements.

What a great era. I used to kind of gloss past this to the more known and widely circulated. What a treat.

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Segue is sometimes confused with Segway. Segue is a verb that means "to move without stopping from one topic, song, etc., to another." Segway, on the other hand, is a trademarked name for an electric transportation device.

Grammar police, Segway division.

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I read somewhere once that the inventor of the Segway died after his malfunctioned and went off the side of a cliff (with him riding it) :-O

-edit- Cursory google research shows it was the owner of the company, not the inventor that passed away in this unfortunate fashion. But still, :-O

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8 years 7 months
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My current cd player has finally given its all to rock and roll. Anyone has recommendation for a HDCD player? Preferably multi-discs function??

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In reply to by simonrob

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Hi SimonRob,

The package arrived in Finland at 27.5 and I paid custom duties immediately but Finnish Post Company needed another (new) fee, which I was not aware of. Anyway, I got the 76 package yesterday and I am currently listening to it. Wonderful, I am really very happy of the music and how the Dead sounds. I would recommend the 76 package to anybody.

Regards, Juha Pekka

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Good to hear you finally received it, Juha. Getting hit for both customs and postal charges is a bit much but nothing to be done about it but to pay up. Now you can sit back and enjoy it.

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My best advice to you is to forget about HDCD capability and purchase a quality CD player that fits your budget. I have spent hours agonizing over HDCD possibilities the past few years, but have discovered that I don't hear a difference. I finally got a Cambridge Blu-Ray player with HDCD capability, but that decoding can be turned off. I went back and forth with one of the RFK box shows one day, using HDCD, then not. I didn't notice a difference, and in my hours of research found few people who thought HDCD was still a good thing, given the better DACs and mastering processes available to sound engineers these days.

Very few manufacturers are bothering with HDCD any longer, so the quest to find a player gets more difficult every year. You end up spending tons or purchasing a very old player. Or, you could just pick up a nice changer that fits your budget, then use the time you WOULD have spent agonizing over finding an HDCD player listening to the Good Ol' Grateful Dead! :) My most recent CD player purchase does NOT have HDCD. Honestly, I would pick up an inexpensive Onkyo CD changer, then run the digital out through a nice DAC, like the Maverick Tube Magic D2.

BTW--I no longer believe in or care about SACD capability either. And I don't purchase hi-rez music files.

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In reply to by jpkamari

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My box set has finally arrived in Manchester UK, almost three months to the day from posting. I must have gotten lucky cos I didn’t pay any customs fees at all (unlike Dave’s Picks 34, which is a fraction of the size and weight - go figure!) Thanks are due to Dead Net Customer Service in their help in getting this resolved. Yay!

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In reply to by Deadheadbrewer

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Thank you for the advice! I ended up getting a Sharp bookshelf 5-cd changer to save on space. Nice little setup but hope to upgrade in the future.

My ears aren't cut out to be an audiophile. So this will do for now.

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Send me a private message if you want some help setting up an inexpensive stereo system. For not much, one can get some very good sound.

And the easiest and cheapest way to reach 80% of audio perfection is to simply get a good set of open-back headphones, like the Grado 80s. For that $100, plus maybe $15 more for an extension cable, you will be receiving nearly everything audio has to offer, in my opinion. CAN you spend more on all kinds of gadgets and trickery? Certainly. Will all that spending improve your sound in an appreciable manner? Questionable. Those Grados through your new Sharp system will be nearly the equivalent of a pair of $300 speakers hooked to a $200 amp.

Now, sometimes you do want to listen without the headphones, and that's where we should talk, if you start wanting to upgrade . . .

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*Listen back to Bob Dylan and The Grateful Dead’s mammoth 74 track rehearsal session, 1987!
...if anyone remembers, I posted about this when the ‘Giants Boxset’ Boxset was first released. 🙏❤️💀🌹

https://faroutmagazine.co.uk/bob-dylan-the-grateful-dead-rehearsal-sess…
*** https://archive.org/details/gd1987-06-01.sbd-rehearsals.fraser.97489.sh…

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I see this forum has grown quiet, but I just want to say I LOVE THIS BOX! I've more or less finished two passes on it and it will be a go to box for many years to come. One of my favorite things is Jerry's guitar sound, which is sometimes sweet and rich, and sometimes kinda snakey.

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Agree with the sentiment Nitecat, there is a lot to love about this box, the sound quality is fantastic and the playing is sublime. I dig that '76 sound. The Help - Slip - Franklin's from these shows are all top shelf, they just keep pulling me back into another listen. Currently spinning the 6/19/76 show again, and once again it does not disappoint.

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The packaging and booklet are very well done, The CD cases have cool artwork on them.

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In reply to by MadDoc

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I ordered this recently, since there are less than 1K to go, and I have to say, I'm really pleased with the appearance of this set. It showed up quickly, having avoided the initial rush to get it, and it's a beautiful package. Sounds good so far. I know I'll get much enjoyment out of these tunes, of course.

For those who wondered about the booklet: this is not a defect. I'm in the publishing business, and I know that most paperbacks these days are what's called "perfect bound," which means the pages are glued in. Open the book completely, crease the spine, and you'll leave a mark; open and close it enough, and the pages will start to fall out.

This booklet is more like a very slim version of an old paperback, where the pages are held by string. That means you can open it up and flip through it many times for years to come, with no worries that the pages will fall out. It's both an aesthetic decision and a practical one. So it may look weird on the spine--it's not a paperback?--but it's a quality move. Very nice, and much appreciated on my end.

Looking forward to cranking up that Crazy Fingers!

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Just surpised it hasn't sold out yet. It is much much better than I was anticipating - really getting 1976 now.

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i just received my copy. it came in an outer box that had clearly been reused. some of the old labels were torn off, others were partially covered by newer labels. the tape was poorly replaced, but worst of all, the inner box had the cellophane torn and the box was scratched.

i’m so disappointed. for $150 i expect a better product.

these are the first CDs i’ve ordered from this site...if they all come like this, i don’t know that i’ll order again.

i’ve emailed the fulfillment company. hopefully i’ll hear back soon.

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send me a PM with your order details and I'll see what the Doc can do about this.
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Testing with Lossless Audio Checker shows the June 1976 FLAC download in 24/192 format
( https://store.dead.net/music/digital/june-1976-flac-192-24-1.html )

and the Pacific Northwest '73-'74- The Complete Recordings FLAC download in 24/192
( https://store.dead.net/music/boxed-sets/pacific-northwest-73-74-the-com… ) to be "Upsampled."

I have notified Jeffrey Norman and Rhino. I sent Jeffrey the logs of the LAC test results showing 80% of the June 76 files being upsampled. While he was very nice in his response, he had no explanation for the finding. Rhino has not responded to any e-mails. It is important to note that the files on both test “Clean” after downsampling to 24/96, which, likely, means the files, were originally digitized at 24/96 or digitized at 24/192 and downsampled to 24/96 for mastering. Whatever the case Rhino needs to disclose this fact on their web site or change the files for sale to 24/96.

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I am a relatively new deadhead (5 years or so) and had never really focused on 1976 because in some ways it seemed like it was a warm up for the greatness of 1977. At first listen to the box set, I thought there were some great moments, but it really didn’t change my opinion (I admit likely because of my bias going in). However, I put the June 14 Beacon show in the regular rotation and found myself coming back to it regularly, so I decided to re-listen to the whole set and my goodness, what a great batch of shows this is. Every show is very well played and every night had greatness as well. Several of these shows are in the regular rotation now and even as a newbie, I can see how the band was progressing from these shows, to the early 77 shows (I love the Swing show), which then progress to the spring and fall 77 shows.

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