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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • daverock
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    FW 2/28

    I've been quite lucky ordering this. I got it from Amazon UK-ordered it yesterday and it arrived this lunch time. I haven't got the cd box set, so I can't compare the sound, but this vinyl edition sounds superb.

    The show, of course, is phenomenal. The first four songs serve as a kind of framework on which the rest of the show is based. As soon as Lovelight starts, you can hear that they have moved up several gears. The drummers lead the way, Phil joins in and then Jerry supplies the pyrotechnics. I prefer Lovelights that are heavy on the jamming, less so on the rapping, and this one, in between the sung introductions and denouement delivers in spades. The intensity continues through the second set Other One which goes into Dark Star-quite a change of pace-it sounds almost incongruous. The two other Dark Stars I have heard from this run seem to develop more organically out of Mountains of the Moon. This Dark Star is quite unique-a completely different flavour from the previous nights-maybe a bit more melancholic, which is odd considering the sound and fury that precedes it.

    I haven't played the rest of it yet-but if memory serves me well, the best is yet to come!

    Incidentally, I can understand, sort of, why they are not re-releasing the cd box set, having announced that it was limited edition. But it shows a major lack of judgement by my reckoning. Why deprive the general public ( and, more specifically, Daverock) of getting to hear possibly the greatest run of shows by any band...ever? Still, at least the albums are coming out on vinyl-roll on 3/1!

  • nappyrags
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    @ALVARHANSO

    yeah that was the thing... on dead.net, sold out of To Terrapin...enter your email and we will let you know when and if it becomes available, I'm almost 70, I ain't got time to wait so the $30 on ebay was the most reasonable option...others had it for anywhere from $50 to $80!!!...and it was a new still sealed copy, and I managed to slightly tear the cover getting one of the discs out...oy! On my next allowance day I'm getting the Warfield set...

  • Angry Jack Straw
    Joined:
    FW 2/28

    For what it's worth, our local record store was late getting their allotted shipment. Evidently they've had a lot of difficulty recently with shipments from the warehouse/distributor. Sounds like the problem may not be isolated to just them. They were kind enough to hold a copy for me once it arrived.

    Good luck to all.

    P.S. This robot nonsense is a bit much. One correct response should be enough.

  • alvarhanso
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    Re: Nappyrags To Terrapin

    Hate to hear you had to buy it on ebay, I got a new copy in slim trifold packaging here at dead.net for I think 20 bucks a couple years ago, would have assumed it was still for sale here as that seemed to be a new pressing. But I checked and it is indeed not currently available. But speaking of that Hartford show and keithfan's comment on multi-part Playings, Hartford has a sweetnPlaying> Terrapin> Drums> Not Fade Away> Wharf Rat> Playing, Tuscaloosa had a similar sequence missing Drums and NFA, and 4/25/77 from 30 Trips features a wonderful Playing> Drums> Wharf> Playing, and, more recently DaP 29 had the Playing> Wheel> Playing from the Swing. I agree on the preference for a good 20+ min self-contained Playing (Donna yell and all), and the NYE 1976 one is one for the books, with a great bass-driven jam, but I can't deny some of those sandwiches are equal to or better than those 3 versions of The Sequence with UJB> Dew> UJB as the middle of the sandwich. 11/10/73 the middle night from Winterland '73 is my favorite of the 3 (the other 2 being 11/17/73 DaP 5, and 3/23/74 DiP 24).

    And while I was poking around the dead.net store Warfield was popping up, this time showing available and one went right into my cart. But, don't worry not gojng to be greedy and snap it up, I shall release it.

  • alvarhanso
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    Barnes & Noble

    I add my thanks on mentioning them. I was looking to see if I could get Fillmore West 2/28/69 there to no avail, but did stumble across Shrine 11/10/67 for 62.99, which is the best price I've seen. This FW 2/28 has been a major pain in the ass. I ordered it from a record store, only to have them email me that it was sold out, and they canceled my order. So I went to Amazon, and my shipping went from 7/11 to sometime in September, and the week before, they canceled my Warfield cd, despite the fact I ordered it the day it popped up on Amazon months before. I have put in a purchase through a seller on Amazon but have heard nothing from them, and their website does not show FW 2/28 in their inventory (they do have a lot of harder to find stuff for reasonable prices), so I've emailed them to see if they actually have it, and the shipping date is still 2-3 weeks away. Meanwhile Amazon is now selling the exact one I canceled and claiming 2 day shipping, despite telling me 2 month shipping. I don't understand why this wasn't just the RSD release along with the Warfield. That other record compilation had cool cover art, but terrible song selections. Or why not sell it here at dead.net? Or on Rhino.com?

    Edited out the DiP part, because I went back to snatch one, and it's not actually there, it's through an online marketplace and the cost was $50 for an "acceptable" copy that is probably the same condition as mine. But I did also finally see a listing for FW 2/28 there this time, though it said unavailable.

  • icecrmcnkd
    Joined:
    Pabst

    No way man, I got standards.

    I was at a party about 15 years ago where the only beer was a keg of Pabst. Horrendous. But I suffered through it and said never again.

    Thankfully I can afford microbrew these days.

    Oro, and anyone else in CO.
    You can now get Bell’s in CO, I suggest you give it a try.
    It’s in NV now too Vguy.

    http://www.bellsbeer.com

  • nappyrags
    Joined:
    Thanks to...

    whoever it was that mentioned they had gotten a copy of "Reckoning" fairly cheap at B&N...being a member (and having a weekend goodie coupon) I got it for $20.35 with free S&H...sweet...also this past Thursday I drove into Flagstaff for some errands and browsing at a great used bookstore that also carries some music...I had hope to get a Live Jerry on Arista that I had never seen before but passed on the last time I was in town...of course it was gone but I did get a special "Without A Net" set that came in a double cardboard case that has the crazed clowns covers...I picked that up for $8 ...for someone who never cared that much on post '89 shows it holds a warm spot for me...once back then I was forced to hang in a dive bar for almost half a day waiting for a rescue ride...the bar had a new digital jukebox and I was able to play "Without A Net" over and over for fairly cheap...anyone have an idea what that Jerry release would've been? I guess I'll go for the Warfield set next...Also last week I finally picked up a copy of "To Terrapin: Hartford '77" on Ebay...a new sealed copy for $30...got it yesterday and have played a bit while driving into work today...

  • KeithFan2112
    Joined:
    Playing in the Band

    I find the Donna scream on the multi tracks to be much more normally balanced in the mix, and not harsh at all (Veneta & all E72). They don't bother me because they blend in at the right level. But forget about it on the prehiatus two track recordings, especially 1974. Oh well.

    I find most of the post-hiatus screams to be way toned down and not a factor. Try live at Cowboy Palace New Year's Eve 1976. Not only is it a post Hiatus multi-track, but it may damn well be the best two drummer Playing in the Band they ever did. And they didn't split it up into multiple parts, which is only acceptable if there is multiple Uncle John's Bands and a Morning Dew in the middle :D

    Closing Of Winterland - never loses its luster for me. Outstanding Scarlet-Fire; best ever I Need a Miracle & Stagger Lee; solid '78 Terrapin; Dark Star / 2nd Best Post-hiatus The Othe One / Dark Star part II (short and sweet; great extended Good Lovin' ; From The Heart Of Me; great 19 minute NFA. And I think some folks really dig the Round and Around. Great piano from Keith on stuff like Big River, which in my mind puts to rest any notion that the man lost his chops on account of drugs; I say he simply fell asleep once in awhile, but hey, so did Jerry. It's all Rock 'n Roll baby! Anyway, skills intact. My only criticisms of this show is the same of most post hiatus shows: Bobby's Gibson ES 335/345 are sorely missed, and Donna is over-utilized (don't need her on Wharf rat or Sunshine Daydream, or Ramble On Rose, etc). If you really want around this show out on your digital copy that you keep on your cell phone, add the Shakedown Street from the Egypt show, as it's also derived from a multi-track, so the sound is clean as can be. Oh, and the Playing in the Band is really good.

  • Dennis
    Joined:
    Orobor

    Thanks guy,,, I still got a call out to my buddy who burned me a copy years back to see what the deal was. But I will gladly take a copy when you have time and feel like doing it.

  • Dennis
    Joined:
    chuckle for the day

    Maybe hits too close for us "not young" deadheads!

    https://www.youtube.com/watch?v=OOgd9hitEAE&feature=youtu.be

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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In reply to by JimInMD

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I love the rankings game. Hard to argue with either of your Top 5s, really. I think I’d go (in no particular order):

DaP 3: 10/22/71
DaP 23: 1/22/78
DaP 29: 2/26/77
DaP 9: 5/14/74
DaP 8: 11/30/80

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16 years 11 months

In reply to by OKCDeadHead

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....you got me.
5
11
23
26
8 - matrix. sounds awesome.
If I'm wrong, and I might be, Sue me. I think that's it. Splitting hairs here.
And that's in ORDER! Lol.

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In reply to by Vguy72

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Nice, I go back and forth between 26 and 3 for my ‘71 pick but i always end up back at 3 for some reason. Interested in the love for 11 tonight. I get it, and love those bonus tracks (wink, wink). Although I prefer 11/14/72 to 11/15. Second set anyway.

Love seeing you guys’ Top 5. Long time lurker here, infrequent poster.

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12 years 11 months

In reply to by OKCDeadHead

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I need to revisit this release. When it first came out, I was horrifically busy and not in a good way. I listened to it many times but I don't think it ever got the attention it deserved. I am not sure it ever got a uninterrupted listen.

I will give it another spin soon.

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In reply to by JimInMD

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TOO is really the only extended jam to speak of but great versions of so many standards, a Comes a Time and a great up-front mix of early Keith’s keys make this one a winner for me. Love Fall ‘71 though.

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1
5
9
23
29

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#10 - Thelma '69
#5 - UCLA '73
#6 - SF '69/St. Louis '70
#2 - Hartford '74
#18 - SF '76

Just missed the cut:
#1 - Richmond '77
#29 - San Berdoo '77
#19 - Honolulu '70

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In reply to by JimInMD

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Whoa, what's next for you man? Keith's Picks?! You never know, we are getting closer to Vol.36, maybe your being groomed....

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I've already offered my assistance to help out with the picks. Dave politely let me know that there are already many ears in the process, gave me a cookie and thanked me for the offer :D

Dave's Picks Volume 3. I don't listen to this one a whole lot, only because I have so many official releases and it just doesn't come to mind often. I really think the brief second part of the Dark Star is awesome. If my memory serves me, it's a bonus track from the night before, and the cool thing is that it's Keith's first Dark Star. It's great to hear Keith playing some Hammond in there on a few DaP 3 tracks. You can definitely make out the difference in his piano tone, as he's playing a stand up instead of a baby grand or Grande - the Grands have a deeper fuller sound. The stand-up has that Barrel House bar room honky-tonk sound to it.

I'll tell you on a related topic, I recently listened to Keith's first show on 10/19 ("Enter Mr. Godchaux"), and I really got into the Zone on it. The audio quality is decent. They sound like they have been playing together for years at that point; it's really a wonder how these guys found each other. It reminds me of Mick Taylor joining the Stones. In hindsight you just can't fathom how such a perfect fit came about at random, for a band that was already together for several years and had achieved fame. On 10/19, there's a really good stretch of songs, I think starting with Casey Jones. I know there's a really good Brokedown Palace in there. Great stuff. Uncle Gary sent me that one. Everyone should have an uncle Gary.

Also a great show from Uncle Gary that same week, is the Dead in Detroit, October 24th - and it was Dark Star Night. There are no wasted moments on 1971 Dark Stars. Great audio.

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In reply to by KeithFan2112

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Really just depends on my mood, but my general top 5 would be something like:

1. #9 (may 74)
2. #5 (nov 73)
3. #11 (nov 72)
4. #13 (feb 74)
5. #15 (april 78 - Nashville)

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In reply to by 80sfan

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Yes, that Nashville '78 Dave's is underrated. Jerry botches the lyrics to the first verse of Bertha, (the 1st song of the 1st set) and after that, to my ears, there's nary an error. Its as close to a flawless show as i've heard. plus you have the best ever Wharf Rat.

Top 5's are tough, but i'll go

1. Wichita '72
2. Pauley Paviliion '73
3. Winterland Feb '74
4. Boston Garden '73
5. Swing Auditorium, '77

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In reply to by Slow Dog Noodle

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these aren't Daves, but still are worth seeking out:

4/28/80

a surprise encore (don't look at the set list)

well that's one.

there are many others in 80 and 81 that will put a smile smile smile on your face.

still need to check out the rest of new daves...crawling out of my skin with anticipation.

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In reply to by Slow Dog Noodle

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Can’t really vote because I don’t have them all, but so far I really dig #16 3/28/73

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This is a stupendous release, though I am a sucker for anything with Pigpen-- and I haven't even gotten to the Lovelight on Disc 3 or the Bonus Disc yet!! The Dark Star is full of moods and is a great prelude to the gorgeous one played one month later at the same venue (Dick's 4). The Tighten Up jam after the dissonance is fluid and pretty. My wife had to come downstairs to tell me to turn it down during the spacey portion-- that was difficult to do as I figured a fine jam was coming-- and it was. Oh, and the Eleven is fantastic. Not as frenetic as winter/spring 69 versions I have heard, but really a good version.

Top 5 was doable a couple years ago when there were 20 or 24 from which to choose. Now, it is impossible for me to do. I felt guilty taking any of my previous top five picks out for new ones, but the 2/26/77 and this new pick warrant attention. I have always liked the Wichita 11/11/72, Nashville 4/22/78, UCLA 11/11/73, Winterland 2/24/74, Thelma December 1969, Fillmore and St. Louis 69 and 70, Mosque 5/25/77. I mean, how do I bump any of those top shelf shows? Inconceivable.

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Oh yeah, the talk about Phish and Alligator takes me back to conversations I had with friends in college in the early 1990s. A friend put on Phish's song, "Possum" and I said that they were ripping off "Alligator." An argument ensued.

And I agree with Jim, while it is a great song, Alligator really is different from anything else Hunter wrote. I love the song, especially the early versions with the screams of 'Alligator!" at the end-- I truly miss that in later versions.

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...a grateful afternoon to everyone!
Took another dose of Daves Picks #30 early this morning and loved it even more than the last time I listened to the release. This releases opens a lot of doors in the Grateful Dead’s canyon and the Bonus Disc is just the perfect cherry on top of this sweet pick! 30 minute plus Dark Star which starts off CD#3 is far out there and I’m love’n every minute of it.
The Druming in Cumberland is primo! ;)
Keep on trucking my brothers & sisters!
...this aftternoon im enjoy 5/7/77 from the boxset. It’s one of those days folks. 🙏❤️😎

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In reply to by Sixtus_

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with a license plate holder that informed me that the car was purchased in....GAINESVILLE!

and I smiled quietly to myself

:)))

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...I just got pulled into by 3/25/90 this late afternoon...
‘Quinn the Eskimo’(The Mighty Quinn) !!! ❤️😎
https://youtu.be/xN0X5IuU6jA
The video is from diff. Performance.

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Yes this is hard to do. There are so many grate releases.
I just finished re-listening to DaP7 4/24/78 and I was very impressed. You can hear Kieth really well, almost too loud in the mix in some places. So in no particular order...

5 11/17/73
7 4/24/78
11 11/17/72
13 2/24/74
29 2/26/77

nitecat

Edit: Oops I forgot the Fox - DaP 11/30/80 with that matrix mix and they are so ON!
I just listened to this again recently, loved it.

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Odd that you should mention it, Bolo. Even still...

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In reply to by stoltzfus

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Getting through my first listen as it just arrived 2 days ago. The first Early Show is a B-/B, no real fire, even the TIFTOO suite is just okay. The segue to Cosmic Charlie is really nice. The Late Show on 1/2 takes a bit to start firing on all cylinders, but China Rider is really good, and Good Lovin' is fantastic. Monkey and the Engineer is fun because of the broken string and it leads to a high level Dark Star with a good amount of space before the Feelin' Groovy hits around 19 min in, then the nice proto-Sugar Mag Jam, and the fantastic, extended Soulful Strut Jam. I can't call this one Tighten Up, it does sound much more like Soulful Strut, and some Tighten Ups do sound like Archie Bell and the Drells, but whatever name ones gives to this 9 min, it's great and groovy, then a nice second verse and the extended composed section ending into an insanely quiet St Stephen intro. Great use of dynamics by the band on this show, something they were really getting into almost a year after the Dupree's and Mountains of the Moon acoustic numbers leading to the space of Dark Star. St Stephen is pretty good, great middle jam, some shakiness on the William Tell Bridge transition back, but The Eleven is just fantastic! Love the breakdowns, especially the drums. They were clearly feeling The Eleven as they start a little Eleven Jam in Lovelight a couple minutes in. And that's where I got out of the car. It took them a while, but they finally got heated up on that winter evening. So, Lovelight and the 1/3 material on my decently long drive tomorrow. I had to reorder the stuff after I ripped it, and then reordered it again after I saw it put it in a slightly confusing way. So, I just ended up creating folders for each show and putting the appropriate material in the appropriate folder. Kudos to Dave and Mr Norman for a fine release. The sound quality is odd for a Bear tape. Not his best recording, but the dynamic range is massive, and with 3 bands doing 2 shows, the man did a helluva job on the Sonic Journal. The quality did improve as the show went along.

I did a preview listen to 1/3 some weeks back, and based on that and some of the responses here, really looking forward to that tomorrow. I remember that TIFTOO was spectacular and full of fire.

These are by far the best liner notes in the Series. I wish they could do something like this every time. Bill Walton's on DaP 5 11/17/73 are also great, but two tales from 15 year olds scarred for life by the Dead at the Fillmore East on the same night in different shows is great.

Top 5 (not including DaP 30, have yet to finish it, unfair to rank it, and it hasn't shot past my favorites as yet)
1. 11 11/17/72 great show, great filler.
2. 14 3/26/72 and bonus disc Truckin> Jam> The Other One>Me & My Uncle> The Other One> Wharf Rat, a Stranger, Cold Rain & Snow, Black Throated Wind, great shorter Playing, Greatest Story starts to hit its stride, a release I like more than most people. But that Good Lovin' thru Wharf Rat is just unbelievably good stuff.
3. 6 and bonus disc 2/2/70, 12/20-21/69, 2 Dark Stars, a top shelf Other One (no Cryptical, but fiery Other One), 3 Mason's Children, 2 shows with TC, one without, 2 St Stephens, an Eleven, 2 New Speedways, 2 big Lovelights. This one moved up on last listen.
4. 13 2/24/74 Weather Report Suite> Row Jimmy, Dark Star> Morning Dew, that about does it for me.
5. Several tied among them 5 11/17/73, 10 12/11-12/69, 26 11/17/71 & 12/14/71, 17 7/19/74, 1 5/25/77, and 2 7/31/74 with bonus disc from 7/29/74.

Other miscellany: the Wharf Rat from DaP 15 4/22/78 is fantastic. Jerry rips a second solo, I think, because his first one didn't come out like he wanted, and he nails the second one. DaP 29 2/26/77 has shot that show up in my opinion, I had a really low volume copy on cd for 20 years and never got into that show because it hurt to strain my ears to listen, still probably outside the top 10. DaP 16 3/28/73 is an underrated one. The last disc is a Grateful wet dream of Weather Report Suite prelude> 30 min Dark Star> Eyes> Playing, with a ton of weirdness/feedback in the Star and an incredibly energetic Playing to cap the show. DaP 21 4/2/73 is from a few nights later and the tour closer, and a better sounding tape, but not as great a performance to me.

Also, interesting in the liner notes, Starfinder credits Bear with some Dave's Picks where Kidd is listed as the recording engineer 9 and 17 are two examples. Whatever it means, I hope it means more undiscovered Bear recordings make their way out...

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...for me to catch on to Bolo's post. Yeah, you guys appear to have picked exclusively odd numbered Dave's picks for your top 5. Seems like a comment not a clue.

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In reply to by alvarhanso

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That settles it, I’m going to have to give #11 a proper listen again. It’s been a while and I remember liking it a lot but it sure has made a lot of Top 5 appearances here.

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I also took Bolo's post as an observation and not a clue. But, on second thought, knowing Bolo as well as I don't, it might be.

Dave's 11 was a close contender for the Top 5, followed closely by 15. Both odd numbers as well. Hmmmm. This is starting to feel slightly Hitchcockian.

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I was surprised Oroborous was the first I saw who mentioned DaP16 3/28/73, that one is one of my favorites, I think Kiethfan2112 had a catchy name for it based on the funky house on the cover. Those '73 shows are just so long and I just can't get enough of that '73 sound, especially when there is a WRS>Dark Star>Eyes>PIB sequence. And to be honest, I may be in the minority, but I really dig Donna doing You Aint Woman Enough and that one has a cool Here Comes Sunshine also. Now that I think about it, DaP16 is due for another listen ASAP.

If the bonus disc is included then the DaP10 12/12/69 release is another favorite as that bonus disc is still my number one favorite bonus disc and the rest is also good stuff. Another even numbered release I return to often is DaP18 7/17/76, as I recall that one has a cool, slow feel to things.

Hard for me to really come up with a top 5, and to be fair, I don't have some early ones from the first couple of years, but I just thought I'd mention a few cool even numbered releases.

How cruel to make us consider a top 5 DaP list. I apologize.. but I have to admit it was really fun reading all these comments. So I guess.. no regrets. In the immortal words of Paul Reubens.. "I'm Not Sorry!!!"

A tip of the hat to OKCDeadHead for calling me out on my unintentional farce that I actually had a top 5. As soon as I read his respectful reply I knew I had been found out and listing a top 5 was close to impossible. Ooops.. my bad.

I do stand behind my post though.. disc three is special. I have listened to it twice more since. Perhaps it just agrees with me and my mood this week. I also think Alligator is perhaps the most whimsical of the original songs in the GD cannon, and I am happy for that. Love that song, and I am grateful it was such a rare gem. By the time they were back to one drummer, it was gone like the dodo. Rarities..

Thanks to all for some really fun comments.. I have personally listened to three or four of the high points in some of my neglected releases and questioned my judgement every step of the way. Which is good, I think.

Even.. odd.. I spent half my life trying to be the even one. The other half I realized I am odd and have been much the happier person. Perhaps none of us were really meant to fit in, but to stand out and stand tall. Perhaps that was Bolo's way of saying thanks for being yourself. An odd little place it is.

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In reply to by JimInMD

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Ha! Love the post, Jim. No sorries from me though. That was fun! I’m a list guy, what can I say? Once you mentioned #30 being a top 5, I needed to see what other four cracked it for a point of reference. I really enjoyed all the responses. Once I noticed all of the #11 love I almost wanted to initiate a poll for Top 5 ‘72 shows, again for a point of reference. That could prove to be just downright cruel so I thought it better to leave that one alone. Thanks for playing, everybody! Now, a second spin of #30 Disc 3 before the night closes.

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In reply to by OKCDeadHead

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....indeed. Its an hour and a half drive from Santa Fe as the crow flies. Just saying. I get caught in a rut at times.
I also enjoy lists. Last five anyone? I think I may have started that. Or maybe it was cosmicbadger. Or slolettuce. Hard to tell.

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#2 - 7/74
#9 - 5/74
#11 - 11/72
#5 - 11/73
#13 - 2/74
I guess that kind of puts to rest what my favorite era might be! Lol
Rock on

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In reply to by hbob1995

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....the defense rests. It's awesome we all agree on those two picks. Love you all. 11.17.
Wichita was recorded by Bear, with nice liner notes from Gary Houston. I know, cause I just started spinning it.

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I know I'm always blathering on about listening on headphones, but I'm going to do it again, because of the Wichita discussion going on. I believe it's the best sounding two-track we have from 1972. Vguy - I did not realize that Bear recorded this one, thanks for that tidbit. He did something right. Separation is great, fidelity is great, dynamic range is great, recording level is great. I only mention the headphones because that's the best way to catch the nuances in quality.

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In reply to by KeithFan2112

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I really don't know why that one is so popular. The setlist isn't the most spectacular, even the long jam of The Other One is more of an exceedingly long Truckin Jam with a few minutes of actual Other One action, but the way it breathes into Brokedown Palace's gentle beauty is pretty sweet. The Black-Throated Wind, Bird Song, Jack Straw, Box of Rain quartet is the meat of the 1st set to me. Love the He's Gone, it's almost as good as the version from the next night at Hofheinz Pavilion. But how does that all add up to maybe the best DaP? Maybe it's just as simple as Fall '72. Or the oddity of falling on the date 11/17. Whatever it is, there is just something about that show that I go back to often. And the bonus tracks just add to the pleasure because you get an even longer Playing in the Band than Hofheinz, with similar jams as Hofheinz, just not quite the same level, and a very nice Wharf Rat and NFA>GDTRFB> NFA.

The Pauley Pavilion love is easier to spot as that setlist is more hallucinatory dream, and it also falls on 11/17 one week after the Winterland '73 shows. Surprised at the amount of top 5 love for DaP 9 5/14/74. Not that it's a bad show or anything, just never got into it personally. Mainly due to the weirdness of the Dark Star, put it on to fall asleep to once, and it was not a good choice as I didn't fall asleep before things started going askew. But as happens every time with these lists, I'll revisit 9, though it's never moved much with new listens. I do love that Playing, extremely high energy. WRS> Dark Star> China Doll ought to be right up my alley, maybe this time will be the right mindset and circumstances to achieve liftoff... But first up is the 1/3/70 material starting off with Morning Dew. Then Warfield 1980.

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8 years 7 months

In reply to by alvarhanso

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31
32
33
34
35

I don’t have them, thus they are the ones I want to listen to the most.

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12 years 11 months

In reply to by icecrmcnkd

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Ha.. 36 is a smoker.

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I have a difficult time putting together a top 5 list. So many good choices so far out of 30. Unfortunate for me it is easier to put together a top 5 list of what I don't play... Up after 5/11/77 is 5/11/72 good old Rotterdam.. Have a good weekend all... bob t

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...top five include(d) ;) Pigpen!!! 🙏❤️😎

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In reply to by alvarhanso

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One last thought since “He’s Gone” got mentioned from two different 11/72 shows. I too love both Wichita and Houston and I admit full bias here but 11/14/72 is one of my favs. Especially the outro jam musical argument that closes He’s Gone. Truckin’ says Phil, Jerry says “nah.” Bobby pushes for TOO, denied again. After a bit more of this back and forth, Phil gets his wish. Then TOO follows. Great stuff! Maybe someday we’ll get a OKC Civic Center 11/14-15/72 release with both shows. The only time they had a two-show run in my home state. A man can dream...

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Had mine for about a week and-a-half and just now ripping to iTunes. Look forward to hearing it.

Trying to keep up with the anniversary listening program but have only made it halfway through 5/9/77. Lots of May shows released.

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Haven't made it though the full set, but this is a very nice release. I am surprised at how good and tight the "newer" material sounds at this show. The Cumberland is a disaster though.

TCs playing is also very subtle and subdued. Again, I'm surprised at how well he contributed to the newer material at this show, which I have never thought before until I heard this show.

The mix is also very fantastic. Not muddy and saturated like the many later recordings from May1969 forward. Thelma is very muddy and saturated compared to this show just a few weeks later.

Looking forward to the Live Dead sequence. I wish they would have found a way to sneak in Death Don' Have No Mercy into these shows. That's about all that's missing.

The Fillmore East was truly a special place, and probably the most iconic GD venue out there.

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Because this goes to eleven...

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In reply to by SkullTrip

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.... different strokes for different folks I guess kevjones. I mean, it's not a Wichita Cumberland, which is 🔥, but it's worthy. Don't forget. I have a PhD in making five dollars a day.
Skulltrip. I see what you did there. Nice.

Thanks, Vguy. Should have guessed that one wouldn't slip past your radar.

This Cumberland's cruisin' along fine inside my ear sockets. Haven't heard it crash yet. Then again, I rarely ever ride trains so...

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In 1976 when I was in elementary school, they gave us American flag bicentennial 1776/1976 bicycle spoke reflectors that I proudly adhered to my Schwinn scrambler.

At that time, I was unaware that the Dead's leaden tempos from this period would be the precursor to today's Dead & Co. pace, seemingly bogged down in molasses.

I hear it now, I hear the space in which the soloists, unhurriedly, pull off some gems. Keith's piano solo from the 6/9/76, Boston, They Love Each Other is brilliant! (playing now).

I guess Dead & Co. can get a pass, as there is a precedent for the slowness. I do love 1976.

\m/

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