• 2,500 replies
    clayv
    Default Avatar
    Joined:

    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

Comments

sort by
Recent
Reset
  • Lovemygirl
    Joined:
    *Re/ Dicks Picks #23

    ....love it! 9/17/72
    🙏❤️😎

  • alvarhanso
    Joined:
    Random prediction

    3/24/93 Dean Dome with filler from 3/25. Really good later show, and being widely circulated hasn't stopped other shows from being Picked, also, it would be the first foray into the 90s in the Series, might as well make it good one. Guess we'll find out in about 45 minutes time... Good luck to those who didn't subscribe.

  • JimInMD
    Joined:
    Ha..

    "accompanied by a woman with beady eyes and tight pursed lips who would have a pencil in her bun hair-do, while carrying a clipboard"

    Now that's quite the visual.

    I've still got the wayback set to 4/21/69. It's time.

  • Dennis
    Joined:
    Sorry

    Sorry for the spacing on that last one. I copied it from a pdf file and I guess that's the way it was. Not worth fixing.

  • Dennis
    Joined:
    something for a chuckle

    Sorting thru EVERY Garcia show EVER done. Got to 81 and found this note. Thought maybe it would interest some.

    I went to this Palo Alto show with my usual plan. Hang in the parking lot and get my spot in
    line established in the front of the line. You could do that back then. You could be one of the
    first few people in line, establish your presence and go about your pre-show plans and
    everyone would respect your place in line. Then I could run around and socialize with the
    usual suspects, smoke pot, drink beer and wait. Once I got in I always got a front row table as
    the other "head of the line" people were always hot to be rail-rats on the dance floor. My habit
    was to score the front row table and then drop the appropriate amount of good ol' LSD.
    I got the table and then this guy shows up and asks if he and his friend can sit there. I had no
    problems with that. I didn't care how many people can fit in--- I got my seat! This was actually
    a good thing because now I can run around, hit the bar, have fun and not worry about my
    seat. I come back to the table and his guy is setting up recording equipment. Of course I
    asked if I get a copy? He said, "sure--write down your address". Well, that assignment was
    actually a tough one. The acid was coming on very fast and I had a very hard time getting
    a pen a paper and then writing something on it. I scribbled something and he wrote down his
    address and it said "Dead Echoes, Pahoa, Hawaii, I told him, "I know someone in Pahoa". He
    looked rather startled and said "Who". I said, "Dick Latvala". Now keep in mind that this was
    before Dick became the GD Archivist. He said, "what does Dick look like?". I described him
    and he taps his friend on the shoulder who was sitting, facing the stage with his back to us.
    This guy turns around and without missing a beat, looks at me and says, "Hi Jeff, gee, I
    haven't seen you in ages". I was stunned. It was Dick and I had not seen him since I left his
    house in Pahoa in late 1976.
    (Here is the picture that Dick took of us leaving his place in Hawaii. He handed back the camera to me and off
    we went to Hilo. The 'substance' in the rolling paper was ---- if you will -- "Dick's Gift" -- the β version!)
    Dick then he proceeded to turn me on to what they were doing and how they were doing it.
    The problem was that the acid I took was getting into full swing and I was having a hard time.
    Dick finally said, "Why don't you just send me a couple boxes of blanks and I will fill them up
    for you." I did, and he sent me this tape, and many others and my tape collection got a major
    infusion of top trading ducats, and I was now hot to tape shows myself. It just took me awhile
    to get going.
    I saw Dick many times after that until I moved from California to Florida in 1989. I came to the
    December 1992 shows and ran into him in the parking lot of the Oakland Coliseum Arena. I
    told him that I had been sober since Jan. of 1991. He shared with me that he was trying to get
    sober and get off of drugs, but he was having a hard time because shows always interfered
    with that plan. At that show, he was sober in terms of alcohol but he was going to dose for the
    show and he discussed that at length with me. He was trying to grasp how I could go to
    shows without at least getting high. He never "got that". I never got to see him again after
    that.
    On the information page of the 1-23-81 show, it says, “no info on Dick's recording rig”. I was
    sitting at the table watching the recording happen and I don't remember what sort of
    equipment was being used. Actually, at the time, I didn't know very much about portable
    recording equipment. Amazingly enough, someone did! Taperpat wrote in to the comments
    section on LL "My notes show a Technics 686 with Nak CM 300's.." I contacted him for more info
    and he said
    " I am an old friend of Dick and a long time taper/archivist. Which means I still have my old analog library
    consisting of reels and master cassettes. On reel I have the same complete 1/23 and the partial 1/22 which I
    picked up soon after it was recorded in the early '80s. Like Dick, I keep a written record on set lists, taping
    equipment, location and any important data bits. Much better than relying on memory. In this case, my notes
    show that this was the equipment used that night. The irony is that I didn't write down that Dick had actually
    taped the show which makes it a rarity unto itself as he recorded so little on location. This might have be his only
    recording that I know of. Does that help? "
    Well, Pat you can count on it helping. Now we all know and "we" all just love to know all this
    OCD tidbits!! If Taperpat knew this and just never had a reason to drag this stuff up from his
    memory, just think how much more music and information is out there just waiting to surface.
    I ran into Bob Nelson (bnmusic) at the May 2008 Phil shows in SF. (I had flown from Florida to see
    the Sunday show.) I had not seen Bob in years, and he said something close to "Jeff, you got a
    bunch of stuff that is uncirculated, you ought to get it out". I heard him and didn't really think
    much more about it until I spotted one of my shows on LL that came from Katfishjohn. It
    turned out that he and I went to shows back in 1982 and we had lost contact. Because of all
    this crazy Jerry-based influence many of the 1982 shows will soon surface. I recorded almost
    all of the SF Bay area 1982 Jerry Band Shows. I just wish I had done Stockton. I was there
    and didn't record!
    My sincere thanks to saturnus for his careful Manley SLAM!® transfers of these 1981 shows
    and the transfers by Matt Smith of 6-12-82 and 4-25-82. Hang on to your hats folks, because
    Matt has a whole bunch more of my 1982 Jerry Band recordings to put up on LL.
    I am so grateful that all this is taking place. I was thinking, that if back in 1982 I had said, "ya
    know, someday......all of these recordings will be available to anyone -- world-wide" ----
    'they' would have taken me away in a nice white coat with very fashionable straps,
    accompanied by a woman with beady eyes and tight pursed lips who would have a pencil in
    her bun hair-do, while carrying a clipboard, not to mention the two big guys who would seem
    to tag along!
    I hope everyone is enjoying all of this stuff as much as I am. You see, I don't know how to
    transfer all this stuff to digital. I don't have the equipment. I don't even know how to upload a
    new torrent! However, I am downloading the torrent files just like everyone else---- so I can
    listen to them on CD and enjoy them too! Aren't you glad you live in this age of computers?
    --------misujry@yahoo.com

  • JimInMD
    Joined:
    Uh oh..

    Uh oh.. My cover is blown and witness protection will no longer return my calls..

    Hanoi.. seems to point more to 1972 than 1969.. but we cannot ignore the lunar references that were flying high in 1969. Clearly the only way to resolve this conflict and avert the great vault riot of 2019 is to give us releases from both years, and quickly.

  • unkle sam
    Joined:
    anniversary of moonshot today

    announcement at 10 am today. I predict it will be a 69 show with a really space related theme, perhaps an unreleased Dark Star from 69? . After all, we are on our way to the moon 50 years ago, quite an exciting time. Launch, ground control to Capt. Trips, take your Owsley pill and put your helmet on....

  • snafu
    Default Avatar
    Joined:
    7/13/84

    I was at that show in addition to the encore Dark Star they showed pictures recently received from Mars? from a space shot I don't recall which one on the video screen. As you can imagine it was impressive for all especially those of us sparking. Friday night shows started at 7 nice and dark by encore time, perfect for the pics

  • Vguy72
    Joined:
    Phish left a crater in Alpine Valley....

    ....my pick? A '90's show. It's time.

  • ngoaihanganh1
    Joined:
    Similar thinking guy

    Similar thinking guy

user picture
Default Avatar

Member for

6 years 2 months

Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

user picture

Member for

6 years 7 months

In reply to by JimInMD

Permalink

I love the rankings game. Hard to argue with either of your Top 5s, really. I think I’d go (in no particular order):

DaP 3: 10/22/71
DaP 23: 1/22/78
DaP 29: 2/26/77
DaP 9: 5/14/74
DaP 8: 11/30/80

user picture

Member for

16 years 11 months

In reply to by OKCDeadHead

Permalink

....you got me.
5
11
23
26
8 - matrix. sounds awesome.
If I'm wrong, and I might be, Sue me. I think that's it. Splitting hairs here.
And that's in ORDER! Lol.

user picture

Member for

6 years 7 months

In reply to by Vguy72

Permalink

Nice, I go back and forth between 26 and 3 for my ‘71 pick but i always end up back at 3 for some reason. Interested in the love for 11 tonight. I get it, and love those bonus tracks (wink, wink). Although I prefer 11/14/72 to 11/15. Second set anyway.

Love seeing you guys’ Top 5. Long time lurker here, infrequent poster.

user picture

Member for

12 years 11 months

In reply to by OKCDeadHead

Permalink

I need to revisit this release. When it first came out, I was horrifically busy and not in a good way. I listened to it many times but I don't think it ever got the attention it deserved. I am not sure it ever got a uninterrupted listen.

I will give it another spin soon.

user picture

Member for

6 years 7 months

In reply to by JimInMD

Permalink

TOO is really the only extended jam to speak of but great versions of so many standards, a Comes a Time and a great up-front mix of early Keith’s keys make this one a winner for me. Love Fall ‘71 though.

user picture

Member for

6 years 4 months
Permalink

1
5
9
23
29

user picture

Member for

12 years 7 months
Permalink

#10 - Thelma '69
#5 - UCLA '73
#6 - SF '69/St. Louis '70
#2 - Hartford '74
#18 - SF '76

Just missed the cut:
#1 - Richmond '77
#29 - San Berdoo '77
#19 - Honolulu '70

user picture

Member for

9 years 6 months

In reply to by JimInMD

Permalink

Whoa, what's next for you man? Keith's Picks?! You never know, we are getting closer to Vol.36, maybe your being groomed....

user picture

Member for

9 years 9 months
Permalink

I've already offered my assistance to help out with the picks. Dave politely let me know that there are already many ears in the process, gave me a cookie and thanked me for the offer :D

Dave's Picks Volume 3. I don't listen to this one a whole lot, only because I have so many official releases and it just doesn't come to mind often. I really think the brief second part of the Dark Star is awesome. If my memory serves me, it's a bonus track from the night before, and the cool thing is that it's Keith's first Dark Star. It's great to hear Keith playing some Hammond in there on a few DaP 3 tracks. You can definitely make out the difference in his piano tone, as he's playing a stand up instead of a baby grand or Grande - the Grands have a deeper fuller sound. The stand-up has that Barrel House bar room honky-tonk sound to it.

I'll tell you on a related topic, I recently listened to Keith's first show on 10/19 ("Enter Mr. Godchaux"), and I really got into the Zone on it. The audio quality is decent. They sound like they have been playing together for years at that point; it's really a wonder how these guys found each other. It reminds me of Mick Taylor joining the Stones. In hindsight you just can't fathom how such a perfect fit came about at random, for a band that was already together for several years and had achieved fame. On 10/19, there's a really good stretch of songs, I think starting with Casey Jones. I know there's a really good Brokedown Palace in there. Great stuff. Uncle Gary sent me that one. Everyone should have an uncle Gary.

Also a great show from Uncle Gary that same week, is the Dead in Detroit, October 24th - and it was Dark Star Night. There are no wasted moments on 1971 Dark Stars. Great audio.

user picture
Default Avatar

Member for

9 years 1 month

In reply to by KeithFan2112

Permalink

Really just depends on my mood, but my general top 5 would be something like:

1. #9 (may 74)
2. #5 (nov 73)
3. #11 (nov 72)
4. #13 (feb 74)
5. #15 (april 78 - Nashville)

user picture

Member for

16 years 11 months

In reply to by 80sfan

Permalink

Yes, that Nashville '78 Dave's is underrated. Jerry botches the lyrics to the first verse of Bertha, (the 1st song of the 1st set) and after that, to my ears, there's nary an error. Its as close to a flawless show as i've heard. plus you have the best ever Wharf Rat.

Top 5's are tough, but i'll go

1. Wichita '72
2. Pauley Paviliion '73
3. Winterland Feb '74
4. Boston Garden '73
5. Swing Auditorium, '77

user picture

Member for

14 years 4 months

In reply to by Slow Dog Noodle

Permalink

these aren't Daves, but still are worth seeking out:

4/28/80

a surprise encore (don't look at the set list)

well that's one.

there are many others in 80 and 81 that will put a smile smile smile on your face.

still need to check out the rest of new daves...crawling out of my skin with anticipation.

user picture

Member for

16 years 11 months

In reply to by Slow Dog Noodle

Permalink

Can’t really vote because I don’t have them all, but so far I really dig #16 3/28/73

user picture

Member for

15 years 5 months
Permalink

This is a stupendous release, though I am a sucker for anything with Pigpen-- and I haven't even gotten to the Lovelight on Disc 3 or the Bonus Disc yet!! The Dark Star is full of moods and is a great prelude to the gorgeous one played one month later at the same venue (Dick's 4). The Tighten Up jam after the dissonance is fluid and pretty. My wife had to come downstairs to tell me to turn it down during the spacey portion-- that was difficult to do as I figured a fine jam was coming-- and it was. Oh, and the Eleven is fantastic. Not as frenetic as winter/spring 69 versions I have heard, but really a good version.

Top 5 was doable a couple years ago when there were 20 or 24 from which to choose. Now, it is impossible for me to do. I felt guilty taking any of my previous top five picks out for new ones, but the 2/26/77 and this new pick warrant attention. I have always liked the Wichita 11/11/72, Nashville 4/22/78, UCLA 11/11/73, Winterland 2/24/74, Thelma December 1969, Fillmore and St. Louis 69 and 70, Mosque 5/25/77. I mean, how do I bump any of those top shelf shows? Inconceivable.

user picture

Member for

15 years 5 months
Permalink

Oh yeah, the talk about Phish and Alligator takes me back to conversations I had with friends in college in the early 1990s. A friend put on Phish's song, "Possum" and I said that they were ripping off "Alligator." An argument ensued.

And I agree with Jim, while it is a great song, Alligator really is different from anything else Hunter wrote. I love the song, especially the early versions with the screams of 'Alligator!" at the end-- I truly miss that in later versions.

user picture

Member for

8 years 1 month
Permalink

...a grateful afternoon to everyone!
Took another dose of Daves Picks #30 early this morning and loved it even more than the last time I listened to the release. This releases opens a lot of doors in the Grateful Dead’s canyon and the Bonus Disc is just the perfect cherry on top of this sweet pick! 30 minute plus Dark Star which starts off CD#3 is far out there and I’m love’n every minute of it.
The Druming in Cumberland is primo! ;)
Keep on trucking my brothers & sisters!
...this aftternoon im enjoy 5/7/77 from the boxset. It’s one of those days folks. 🙏❤️😎

user picture

Member for

14 years 4 months

In reply to by Sixtus_

Permalink

with a license plate holder that informed me that the car was purchased in....GAINESVILLE!

and I smiled quietly to myself

:)))

user picture

Member for

8 years 1 month
Permalink

...I just got pulled into by 3/25/90 this late afternoon...
‘Quinn the Eskimo’(The Mighty Quinn) !!! ❤️😎
https://youtu.be/xN0X5IuU6jA
The video is from diff. Performance.

user picture

Member for

13 years 6 months
Permalink

Yes this is hard to do. There are so many grate releases.
I just finished re-listening to DaP7 4/24/78 and I was very impressed. You can hear Kieth really well, almost too loud in the mix in some places. So in no particular order...

5 11/17/73
7 4/24/78
11 11/17/72
13 2/24/74
29 2/26/77

nitecat

Edit: Oops I forgot the Fox - DaP 11/30/80 with that matrix mix and they are so ON!
I just listened to this again recently, loved it.

user picture

Member for

6 years 4 months
Permalink

Odd that you should mention it, Bolo. Even still...

user picture

Member for

10 years 4 months

In reply to by stoltzfus

Permalink

Getting through my first listen as it just arrived 2 days ago. The first Early Show is a B-/B, no real fire, even the TIFTOO suite is just okay. The segue to Cosmic Charlie is really nice. The Late Show on 1/2 takes a bit to start firing on all cylinders, but China Rider is really good, and Good Lovin' is fantastic. Monkey and the Engineer is fun because of the broken string and it leads to a high level Dark Star with a good amount of space before the Feelin' Groovy hits around 19 min in, then the nice proto-Sugar Mag Jam, and the fantastic, extended Soulful Strut Jam. I can't call this one Tighten Up, it does sound much more like Soulful Strut, and some Tighten Ups do sound like Archie Bell and the Drells, but whatever name ones gives to this 9 min, it's great and groovy, then a nice second verse and the extended composed section ending into an insanely quiet St Stephen intro. Great use of dynamics by the band on this show, something they were really getting into almost a year after the Dupree's and Mountains of the Moon acoustic numbers leading to the space of Dark Star. St Stephen is pretty good, great middle jam, some shakiness on the William Tell Bridge transition back, but The Eleven is just fantastic! Love the breakdowns, especially the drums. They were clearly feeling The Eleven as they start a little Eleven Jam in Lovelight a couple minutes in. And that's where I got out of the car. It took them a while, but they finally got heated up on that winter evening. So, Lovelight and the 1/3 material on my decently long drive tomorrow. I had to reorder the stuff after I ripped it, and then reordered it again after I saw it put it in a slightly confusing way. So, I just ended up creating folders for each show and putting the appropriate material in the appropriate folder. Kudos to Dave and Mr Norman for a fine release. The sound quality is odd for a Bear tape. Not his best recording, but the dynamic range is massive, and with 3 bands doing 2 shows, the man did a helluva job on the Sonic Journal. The quality did improve as the show went along.

I did a preview listen to 1/3 some weeks back, and based on that and some of the responses here, really looking forward to that tomorrow. I remember that TIFTOO was spectacular and full of fire.

These are by far the best liner notes in the Series. I wish they could do something like this every time. Bill Walton's on DaP 5 11/17/73 are also great, but two tales from 15 year olds scarred for life by the Dead at the Fillmore East on the same night in different shows is great.

Top 5 (not including DaP 30, have yet to finish it, unfair to rank it, and it hasn't shot past my favorites as yet)
1. 11 11/17/72 great show, great filler.
2. 14 3/26/72 and bonus disc Truckin> Jam> The Other One>Me & My Uncle> The Other One> Wharf Rat, a Stranger, Cold Rain & Snow, Black Throated Wind, great shorter Playing, Greatest Story starts to hit its stride, a release I like more than most people. But that Good Lovin' thru Wharf Rat is just unbelievably good stuff.
3. 6 and bonus disc 2/2/70, 12/20-21/69, 2 Dark Stars, a top shelf Other One (no Cryptical, but fiery Other One), 3 Mason's Children, 2 shows with TC, one without, 2 St Stephens, an Eleven, 2 New Speedways, 2 big Lovelights. This one moved up on last listen.
4. 13 2/24/74 Weather Report Suite> Row Jimmy, Dark Star> Morning Dew, that about does it for me.
5. Several tied among them 5 11/17/73, 10 12/11-12/69, 26 11/17/71 & 12/14/71, 17 7/19/74, 1 5/25/77, and 2 7/31/74 with bonus disc from 7/29/74.

Other miscellany: the Wharf Rat from DaP 15 4/22/78 is fantastic. Jerry rips a second solo, I think, because his first one didn't come out like he wanted, and he nails the second one. DaP 29 2/26/77 has shot that show up in my opinion, I had a really low volume copy on cd for 20 years and never got into that show because it hurt to strain my ears to listen, still probably outside the top 10. DaP 16 3/28/73 is an underrated one. The last disc is a Grateful wet dream of Weather Report Suite prelude> 30 min Dark Star> Eyes> Playing, with a ton of weirdness/feedback in the Star and an incredibly energetic Playing to cap the show. DaP 21 4/2/73 is from a few nights later and the tour closer, and a better sounding tape, but not as great a performance to me.

Also, interesting in the liner notes, Starfinder credits Bear with some Dave's Picks where Kidd is listed as the recording engineer 9 and 17 are two examples. Whatever it means, I hope it means more undiscovered Bear recordings make their way out...

user picture

Member for

8 years 8 months
Permalink

...for me to catch on to Bolo's post. Yeah, you guys appear to have picked exclusively odd numbered Dave's picks for your top 5. Seems like a comment not a clue.

user picture

Member for

6 years 7 months

In reply to by alvarhanso

Permalink

That settles it, I’m going to have to give #11 a proper listen again. It’s been a while and I remember liking it a lot but it sure has made a lot of Top 5 appearances here.

user picture

Member for

6 years 4 months
Permalink

I also took Bolo's post as an observation and not a clue. But, on second thought, knowing Bolo as well as I don't, it might be.

Dave's 11 was a close contender for the Top 5, followed closely by 15. Both odd numbers as well. Hmmmm. This is starting to feel slightly Hitchcockian.

user picture

Member for

8 years 8 months
Permalink

I was surprised Oroborous was the first I saw who mentioned DaP16 3/28/73, that one is one of my favorites, I think Kiethfan2112 had a catchy name for it based on the funky house on the cover. Those '73 shows are just so long and I just can't get enough of that '73 sound, especially when there is a WRS>Dark Star>Eyes>PIB sequence. And to be honest, I may be in the minority, but I really dig Donna doing You Aint Woman Enough and that one has a cool Here Comes Sunshine also. Now that I think about it, DaP16 is due for another listen ASAP.

If the bonus disc is included then the DaP10 12/12/69 release is another favorite as that bonus disc is still my number one favorite bonus disc and the rest is also good stuff. Another even numbered release I return to often is DaP18 7/17/76, as I recall that one has a cool, slow feel to things.

Hard for me to really come up with a top 5, and to be fair, I don't have some early ones from the first couple of years, but I just thought I'd mention a few cool even numbered releases.

How cruel to make us consider a top 5 DaP list. I apologize.. but I have to admit it was really fun reading all these comments. So I guess.. no regrets. In the immortal words of Paul Reubens.. "I'm Not Sorry!!!"

A tip of the hat to OKCDeadHead for calling me out on my unintentional farce that I actually had a top 5. As soon as I read his respectful reply I knew I had been found out and listing a top 5 was close to impossible. Ooops.. my bad.

I do stand behind my post though.. disc three is special. I have listened to it twice more since. Perhaps it just agrees with me and my mood this week. I also think Alligator is perhaps the most whimsical of the original songs in the GD cannon, and I am happy for that. Love that song, and I am grateful it was such a rare gem. By the time they were back to one drummer, it was gone like the dodo. Rarities..

Thanks to all for some really fun comments.. I have personally listened to three or four of the high points in some of my neglected releases and questioned my judgement every step of the way. Which is good, I think.

Even.. odd.. I spent half my life trying to be the even one. The other half I realized I am odd and have been much the happier person. Perhaps none of us were really meant to fit in, but to stand out and stand tall. Perhaps that was Bolo's way of saying thanks for being yourself. An odd little place it is.

user picture

Member for

6 years 7 months

In reply to by JimInMD

Permalink

Ha! Love the post, Jim. No sorries from me though. That was fun! I’m a list guy, what can I say? Once you mentioned #30 being a top 5, I needed to see what other four cracked it for a point of reference. I really enjoyed all the responses. Once I noticed all of the #11 love I almost wanted to initiate a poll for Top 5 ‘72 shows, again for a point of reference. That could prove to be just downright cruel so I thought it better to leave that one alone. Thanks for playing, everybody! Now, a second spin of #30 Disc 3 before the night closes.

user picture

Member for

16 years 11 months

In reply to by OKCDeadHead

Permalink

....indeed. Its an hour and a half drive from Santa Fe as the crow flies. Just saying. I get caught in a rut at times.
I also enjoy lists. Last five anyone? I think I may have started that. Or maybe it was cosmicbadger. Or slolettuce. Hard to tell.

user picture

Member for

16 years 11 months
Permalink

#2 - 7/74
#9 - 5/74
#11 - 11/72
#5 - 11/73
#13 - 2/74
I guess that kind of puts to rest what my favorite era might be! Lol
Rock on

user picture

Member for

16 years 11 months

In reply to by hbob1995

Permalink

....the defense rests. It's awesome we all agree on those two picks. Love you all. 11.17.
Wichita was recorded by Bear, with nice liner notes from Gary Houston. I know, cause I just started spinning it.

user picture

Member for

9 years 9 months
Permalink

I know I'm always blathering on about listening on headphones, but I'm going to do it again, because of the Wichita discussion going on. I believe it's the best sounding two-track we have from 1972. Vguy - I did not realize that Bear recorded this one, thanks for that tidbit. He did something right. Separation is great, fidelity is great, dynamic range is great, recording level is great. I only mention the headphones because that's the best way to catch the nuances in quality.

user picture

Member for

10 years 4 months

In reply to by KeithFan2112

Permalink

I really don't know why that one is so popular. The setlist isn't the most spectacular, even the long jam of The Other One is more of an exceedingly long Truckin Jam with a few minutes of actual Other One action, but the way it breathes into Brokedown Palace's gentle beauty is pretty sweet. The Black-Throated Wind, Bird Song, Jack Straw, Box of Rain quartet is the meat of the 1st set to me. Love the He's Gone, it's almost as good as the version from the next night at Hofheinz Pavilion. But how does that all add up to maybe the best DaP? Maybe it's just as simple as Fall '72. Or the oddity of falling on the date 11/17. Whatever it is, there is just something about that show that I go back to often. And the bonus tracks just add to the pleasure because you get an even longer Playing in the Band than Hofheinz, with similar jams as Hofheinz, just not quite the same level, and a very nice Wharf Rat and NFA>GDTRFB> NFA.

The Pauley Pavilion love is easier to spot as that setlist is more hallucinatory dream, and it also falls on 11/17 one week after the Winterland '73 shows. Surprised at the amount of top 5 love for DaP 9 5/14/74. Not that it's a bad show or anything, just never got into it personally. Mainly due to the weirdness of the Dark Star, put it on to fall asleep to once, and it was not a good choice as I didn't fall asleep before things started going askew. But as happens every time with these lists, I'll revisit 9, though it's never moved much with new listens. I do love that Playing, extremely high energy. WRS> Dark Star> China Doll ought to be right up my alley, maybe this time will be the right mindset and circumstances to achieve liftoff... But first up is the 1/3/70 material starting off with Morning Dew. Then Warfield 1980.

user picture

Member for

8 years 7 months

In reply to by alvarhanso

Permalink

31
32
33
34
35

I don’t have them, thus they are the ones I want to listen to the most.

user picture

Member for

12 years 11 months

In reply to by icecrmcnkd

Permalink

Ha.. 36 is a smoker.

user picture

Member for

16 years 6 months
Permalink

I have a difficult time putting together a top 5 list. So many good choices so far out of 30. Unfortunate for me it is easier to put together a top 5 list of what I don't play... Up after 5/11/77 is 5/11/72 good old Rotterdam.. Have a good weekend all... bob t

user picture

Member for

8 years 1 month
Permalink

...top five include(d) ;) Pigpen!!! 🙏❤️😎

user picture

Member for

6 years 7 months

In reply to by alvarhanso

Permalink

One last thought since “He’s Gone” got mentioned from two different 11/72 shows. I too love both Wichita and Houston and I admit full bias here but 11/14/72 is one of my favs. Especially the outro jam musical argument that closes He’s Gone. Truckin’ says Phil, Jerry says “nah.” Bobby pushes for TOO, denied again. After a bit more of this back and forth, Phil gets his wish. Then TOO follows. Great stuff! Maybe someday we’ll get a OKC Civic Center 11/14-15/72 release with both shows. The only time they had a two-show run in my home state. A man can dream...

user picture

Member for

16 years 11 months
Permalink

Had mine for about a week and-a-half and just now ripping to iTunes. Look forward to hearing it.

Trying to keep up with the anniversary listening program but have only made it halfway through 5/9/77. Lots of May shows released.

user picture

Member for

15 years 1 month
Permalink

Haven't made it though the full set, but this is a very nice release. I am surprised at how good and tight the "newer" material sounds at this show. The Cumberland is a disaster though.

TCs playing is also very subtle and subdued. Again, I'm surprised at how well he contributed to the newer material at this show, which I have never thought before until I heard this show.

The mix is also very fantastic. Not muddy and saturated like the many later recordings from May1969 forward. Thelma is very muddy and saturated compared to this show just a few weeks later.

Looking forward to the Live Dead sequence. I wish they would have found a way to sneak in Death Don' Have No Mercy into these shows. That's about all that's missing.

The Fillmore East was truly a special place, and probably the most iconic GD venue out there.

user picture

Member for

6 years 4 months
Permalink

Because this goes to eleven...

user picture

Member for

16 years 11 months

In reply to by SkullTrip

Permalink

.... different strokes for different folks I guess kevjones. I mean, it's not a Wichita Cumberland, which is 🔥, but it's worthy. Don't forget. I have a PhD in making five dollars a day.
Skulltrip. I see what you did there. Nice.

Thanks, Vguy. Should have guessed that one wouldn't slip past your radar.

This Cumberland's cruisin' along fine inside my ear sockets. Haven't heard it crash yet. Then again, I rarely ever ride trains so...

user picture

Member for

7 years 3 months
Permalink

In 1976 when I was in elementary school, they gave us American flag bicentennial 1776/1976 bicycle spoke reflectors that I proudly adhered to my Schwinn scrambler.

At that time, I was unaware that the Dead's leaden tempos from this period would be the precursor to today's Dead & Co. pace, seemingly bogged down in molasses.

I hear it now, I hear the space in which the soloists, unhurriedly, pull off some gems. Keith's piano solo from the 6/9/76, Boston, They Love Each Other is brilliant! (playing now).

I guess Dead & Co. can get a pass, as there is a precedent for the slowness. I do love 1976.

\m/

product sku
081227923761
Product Magento URL
https://store.dead.net/special-edition-shops/dave-s-picks-store/dave-s-picks-vol-30-1.html