• 1,689 replies
    admin
    Joined:
    jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

    What's Inside:
    •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
    •A portfolio with three art prints by Jessica Dessner
    • Replica ticket stubs and backstage passes for all eight shows
    •8 complete shows on 23 discs
          •3/14/90 Capital Centre, Landover, MD
          •3/18/90 Civic Center, Hartford, CT
          •3/21/90 Copps Coliseum, Hamilton, Ontario
          •3/25/90 Knickerbocker Arena, Albany, NY
          •3/28/90 Nassau Coliseum, Uniondale, NY
          •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
          •4/1/90 The Omni, Atlanta, GA
          •4/3/90 The Omni, Atlanta, GA
    Recorded by long-time Grateful Dead audio engineer John Cutler
    Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
    Mastered to HDCD specs by David Glasser
    Original Art by Jessica Dessner
    Individually Numbered, Limited Edition of 9,000

    Announcing Spring 1990 (The Other One)

    "If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

    Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

    With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

    For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

    Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

Comments

sort by
Recent
Reset
  • marye
    Joined:
    brianhahne
    you too. So sorry.
  • JimmyStraw
    Default Avatar
    Joined:
    I also had a disc problem
    Disc number two from the Omni Show (4/1/1990) will not play in my car. The car radio says "disc error" when I called Deadnet they told me they would not be able to replace the disc because it was over 30 days old. Can you help me? Who did you talk to when you called customer service? I am not very happy about this. Thanks!!
  • marye
    Joined:
    JimmyStraw
    send me your order # and the details and I'll see what the Dr. can do.
  • JimmyStraw
    Default Avatar
    Joined:
    Spring 1990 TOO Defective Disc-DeadNet will not replace
    I must say I am very impressed with the sound quality and strong performances of all of these shows. I have been listening off and on for the past couple of months. However when I got to disc two of the first Omni Show (April 1, 1990) I discovered the disc was defected and would not play. When I called DeadNet they told me there was nothing they could do for me because the purchase was over 30 days old. Well they did tell me to repurchase the box set and return it with the defective disc. I do not want to go through all of that. I payed close to $250.00 for this and Deadnet is not willing to replace a broken disc. Any advice?
  • wjonjd
    Default Avatar
    Joined:
    Audio inspector
    Audio inspector is the name of the software I was using. It makes some quick general assessments of the file and then starts to deeply analyze from the beginning. It takes a couple of minutes just to get through 15 seconds of a track, which is all I let it do as I didn't have much time. So keep in mind that I think those numbers are for the first 15 seconds. However, I coukd see and zoom into the entire file. It was immediately clear that the HD file was significantly narrower from top to bottom, indicating no gain (I don't know the technical terms for most of this, so I'm assuming yours is correct) or else much less gain had been applied to that file. Since everything I read indicates that the primary purpose for applying dynamic compression is to make room for gain, I believe that little or no dynamic range compression was used on the HD file (at least compared to the 16-bit file). The CD file on the other hand appears to use almost all the available amplitude range from top to bottom. Keep in mind that the -10db and -15dn peak numbers (and the other numbers as well) I referred to may be for just the first 15 seconds.
  • wjonjd
    Default Avatar
    Joined:
    JMT2010
    Hi JMT2010 - I posted a few links that go into a lot of detail about the technical aspects of digital audio - you can find them below. You're close, but not quite there in what you described. for instance, at the very end, you refer "the human ear does not pick up ..... it just hears a continuum". The issue here is that it doesn't have to pick or not pick up the individual samples. The digital to analog converter (DAC) takes the stored digital information and converts it back to an analog wave. The Nyquist theorm, on which the very idea of digital audio is based, states that as long as the frequency of sampling is as least twice as high as the highest frequency of sound being reproduced, then the ORIGINAL analog sound wave, of any complexity, can be reproduced EXACTLY. That's why the "stair step" concept that hi res websites like to display is a deception. When you look at a graph of a waveform stored digitally, yes if you zoom way in you can see "stair step" looking (jagged) edges to the waveform. It's a deception, because the DAC recreates from this the original sound wave EXACTLY - as long as the frequencies are below half the sampling rate. Another thing that was not quite right was your interpretation of bit-depth. It's even simpler than your first sentence. What is actually contained in each "sample" is one amplitude measurement, just a number between 0 and 65,536 for 16-bit and between 0 and 16,777,216 for 24-bit, representing the amplitude of the wave at that moment. Forget about the noise floor for a moment. The ONLY thing stored in each sample is a number representing an instantaneous measurement of the amplitude of the sound wave at that moment. Quantization error is the difference between the ACTUAL amplitude of the sound wave at that point, and the measured amplitude using a discrete number of only 65,536 or 16,777,216 possible values. Dithering is the process which mathematically converts those errors to white noise, and noise shaping actually moves that noise to largely inaudible ranges of the sound frequency spectrum. Ultimately, it is the level of noise in a digital file that determines the "noise floor" of the file. This is the exact equivalent of the signal to noise ratio (SNR) of an analog recording (LP or analog tape). Keep in mind that the SNR of even a 16-bit recording is many times better than the SNR of LP OR analog tape. Most people don't understand that, either. So, taking your Pink Floyd "Time" example, a 16-bit recording can capture the quietest elements of the clocks ticking. Of course, THAT is a recording that was NOT originally recorded digitally - it was originally recorded to analog tape. So the SNR can NEVER be better than on the original analog tape - there is a minimum noise level already inherent in the recording to begin with. Modern recordings are recorded to 24/192 digital files, and then if converted to CD (or 16-bit downloads) they are converted to 16-bit using noise-shaped dithering. Done properly, the resulting 16-bit files have a slightly lower signal to noise ratio, however it is already below the level of human perception. The noise floor of your listening environment is ALWAYS (unless you're in outer space or something) higher than the noise floor of a properly dithered 16-bit recording. Noise you don't usually notice, the hum of the refrigerator, your breathing and heartbeat, the water heater, etc. - even the quietest of most rooms still has a noise floor that is above the noise floor of a 16-bit recording let alone a 24-bit one. This is nit-picking a bit, isn't it???? The other thing you referenced is HOW does a stream of amplitude measurements capture actual music. Take out a piece of paper. Let's say you're sampling at 10 times per second instead of 44,100 times per second. So, 1/10th of a second you capture an amplitude measurement (the height of a sound wave). On the piece of paper draw a dot at that height. It might be easier if you draw a rectangle with that height (just of like the rectangles under a curve in pictures of integration from a calculus textbook). When you connect the dots, you can see the sound wave shape. The more dots, the more exact the representation of the wave. This is where the Nyquist theorem comes in. Higher frequency sounds are going up and down across the x-axis in narrower bands than lower frequency sounds which take more time (stretch out farther along the x-axis) before coming back across the x-axis). The theorem states that as long as the sampling is rate is at least twice the highest frequency, the DAC can mathematically recreate the EXACT analog sound wave. So, 44,100 samples per second is enough to EXACTLY recreate any frequencies below 22,050Hz. This is above the range of hearing for human adults. So, some people who don't understand the technical aspects will pay more for a 24/192 file than a 24/96 file. Keep in mind what the actual difference is. A 24/192 file is taking 192,000 samples per second, and a 24/96 file is taking 96,000 samples per second. The Nyquist theorem states that the 192k/s file can PERFECTLY reproduce any frequencies below 96kHz. The Nyquist theorem states that the 96k/s file can reproduce any frequencies below 48kHz. Um, most adults can't even hear much beyond 16-18khz let alone 20khz. The ONLY difference between the fidelity of the 24/96 and 24/192 is that the 24/192 can encode frequencies from 48kHz to 96kHz and the 24/96 can't. Those frequencies are all and entirely WAY WAY WAY beyond the human hearing apparatus. But, go through some of these threads and watch some people saying things like, "are we paying for 24/96 or are we actually getting the full 24/192?" The question is nonsensical. NO ONE can hear ANYTHING in the 48-96khz range AT ALL. Not only that - none of the microphones used to record the music capture anything in those frequencies at all AND on the off-chance they did, they're filtered out for technical reasons. Just WHAT do people think they're missing in the 96 vs the 192 file? It shows that they just don't understand what they're spending their $$$ on. They are assuming that 192 has to be better than 96, and/or that if its more expensive (and larger) it must be better. Anyone who understands sound at all knows that a audio with or without frequencies between 48khz and 96khz is going to be identical unless you're a hummingbird or something. It's like thinking that a picture that has light going up to the x-ray range encoded in it is going to look better than a picture that only includes light in the spectrum our eyes actually have the hardware to respond to. And then, they will actually post about how much more depth there is to the music, how much more full and somehow realistic the experience is. It's clearly entirely in the realm of psychological expectations. Actually, properly dithered, a 16/44.1 digital file made from the EXACT SAME SOURCE as the 24/192 digital file is INDISTINGUISHABLE from each other by the human ear. ALL scientific studies done in controlled environments confirm this. You will NEVER convince some people of this, however. The idea that more bits and more samples must be better seems to make to much sense to most people, and marketing has done it's job. Lastly, as you can see in one of my last posts, I compared the 16-bit CD files to the hi res files that are being offered for Wake Up To Find Out. I compared them using Audio Inspector. That comparison confirmed that these two digital files are NOT from the same source. This has nothing to do with the inherent ability of a 16/44.1 file to be as perfect to human ears as a 24/192 file. What is being done is common in the practice of making CD's. They compressed the dynamic range (the range of softest to loudest sounds) so that they could then increase the amplitude across the entire range, making the CD louder at any given volume setting than it would have been. This was either not done to the 24/192 file, or not to the same extent, because the 24/192 file is not as loud, the amplitude of the sound waves at any given point is lower than on the 16/44.1 file. This was done INTENTIONALLY (I'd rather they didn't). It is probably done because people "expect" their CD's be play at a certain volume - they think something is wrong if they put another CD on, and it's way louder without turning the volume up - they ask, "why is this one so damn low!". So, they're dealing with consumer expectations. It has nothing to do with 16/44.1 versus 24/96 or 24/192.
  • JMT2010
    Default Avatar
    Joined:
    Confused about the meaning of bit depth and sampling
    From what I have read, the higher the bit depth, say 16 bit vs. 24 bit, the more decibels of signal is possible above a noise threshold. I get that. It is a metric of quietest sounds to loudest possible to be reproduced in fidelity perhaps. An analogy for that might be Pink Floyd's song 'Time' where you hear the clocks ticking very quietly in the beginning and then have the loudness of the alarms going off the next moment after. The loudness change is dramatic. OK, I am having a difficult time drawing analogies to the music we listen to on CD versus say cassettes or vinyl. The waveform for analog music is continuous if displayed on a graph. Music in the forms of ones and zeroes getting converted to analog is what escapes me. How doe the reproduction of the sound of a guitar and drums get unscrambled from the digital ones and zeroes? I get that the sampling rate captures 44,100 pieces of information per a second (44.1kHz rate) of a music passage, but what is the information stored in that 1/44,100th of second? Playback is at 44.1 kHz per a second I assume ( on a CD's WAV file format). The human ear doe not pick up the 1/44,100ths of a second "quantized" sound pulses. It just hears a continuum.
  • brianhahne
    Default Avatar
    Joined:
    Word of advice....
    If anyone is a big collector like me and bought a few box sets/poster combinations.. do yourself a favor. Open the poster container and make sure what you ordered is in there. There's 1 poster left available to buy onlne... you can't add more than 1 to the cart. I decided to open mine tonight. Suffice to say, the 4" and 3" containers I have, which should have multiple posters, only had 1 each. Nervous, scared and terrified doesn't begin to describe the butterflies in the stomach or stomach acid reflux in my throat... since they've been sitting in my closet unopened and uninspected since July. Word to the wise... check to make sure you got what you ordered. :-( Called customer service. Suffice to say, this has to go higher for any hope of resolution. Not how I wanted to start Christmas... check what you ordered... at least I checked now and not 5 years from now. But still... my faith is w/ Dr. Rhino or someone, to help.
  • One Man
    Joined:
    Gain
    Right, "make-up gain" is a post-compression volume increase that presumably brings the peak up to 0 dB (or wherever the engineer chooses). It's really odd that they chose -15 dB and -10 dB for the HD and CD files, respectively. That headroom (relatively huge) serves no purpose. So, how did you know the CD files were more dynamically compressed than the HD files?
  • rrot
    Joined:
    I expect they have to cater to consumer expectations.
    That's where my bet is too. Sadly. "Why do I have to turn *this* CD up louder than my other discs?" is a question that often (not always) can be answered "because it was better engineered."
user picture

Member for

17 years 7 months
jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

user picture
Default Avatar

Member for

10 years 5 months
Permalink

Thank you. I think?
user picture

Member for

11 years 5 months
Permalink

I brought out Dicks Volume 2 this past weekend. Short but definitely very sweet... The Dark Star>Jam is one of my all-time favorites. Also recently listened to England '74. Can't remember the number off top of my head. Very good.
user picture

Member for

17 years 4 months
Permalink

I also have always been led to believe tht the band we all know & love so much got there start in 1965. So imagine my surprise when I found this pic while looking at some old photos of the Fillmore Westhttp://cps-static.rovicorp.com/3/JPG_400/MI0001/769/MI0001769217.jpg?pa… It clearly is labeled Oct. 23, 1964! Can anyone comment on this? Rock on
user picture
Default Avatar

Member for

17 years 4 months
Permalink

you're welcome? I think?not sure why i'm saying you're welcome... but you're welcome
user picture
Default Avatar

Member for

10 years 5 months
Permalink

I think just placed an order with you on ebay. Didn't know it was you until I got the reply.
user picture

Member for

13 years 2 months
Permalink

Don't know where you came across that photo, but I wouldn't put too much stock in the printed info at the bottom. The photo itself looks to be from a 1990 show, and look closely, there are TWO Bobs in it! Fairly easy to type onto a photograph these days. Check your Deadbase. No shows in October '64.
user picture

Member for

17 years 4 months
Permalink

Thanks Wharf. The photo certainly confused me. Guess I am too gullible! I trust people too much perhaps.
user picture
Default Avatar

Member for

10 years 5 months
Permalink

Look at the setlist on that bootleg. UJB PITB Ripple It sure isn't from the 60's.
user picture
Default Avatar

Member for

13 years 9 months
Permalink

Well, the first Playing in the Band was 2-8-71, and the last King Bee was 12-15-71 (with PigPen). So, if this is all from one show, it would need to be between those dates. I checked and cannot find any shows (that we know of) that have all of the songs in the list for this CD at one show. It is probably songs culled from shows between those two dates. If anyone else wants to check, the song list on the cd is: Uncle John's Band NFA-GDTRFB Morning Dew Playing in the Band Ripple Sugar Magnolia Casey Jones Me & Bobby McGee King Bee. Interesting puzzle, though :)
user picture
Default Avatar

Member for

17 years 4 months
Permalink

oh you did... ok? Then that's your road trips i just put in the mailbox. just a heads up... hit me up ahead-of-time next time via email.. I sell stuff there, but if you contact me, i will knock money off it if I know you're from here on this msg board.. can't do it after the fact though... but in the case of some folks here who buy a lot, it adds up
user picture
Default Avatar

Member for

10 years 5 months
Permalink

Thank You. You can keep your mod hat on.
user picture
Default Avatar

Member for

17 years 4 months
Permalink

Got your PM... you got one back. I'll send you my email too.
user picture
Default Avatar

Member for

12 years 6 months
Permalink

That was quite a morning read over my yogurt and granola. The best part of this cyber-community is that it helps me to stay connected to a great time in my life. The music and conversation sustain me on many fronts. Even the arguments and diatribes have their place (had some very intense discussions in the hotels, arenas, campgrounds, etc). The reality for all of us tied to this band is that we share a passion willingly with others. Some of us are nuttier than others (why I have the same show in four media formats or five different recordings is very hard to explain to the uninitiated). To get too serious or angry about any of this makes no sense. The music and memories should transport us to higher places in our minds. Sure it is personal, very very personal. In sharing the experience we need to give each other the space and respect we would give our neighbors at a show. Experienced plenty of true idiots there ( getting pissed on at calaveras 87 or having my girlfriend's head split open by a quarter thrown from the upper reaches at Nassau 85, trampling gate crashers, etc.) I like to think of these forums as being free of the idiots, a gathering of folks into it for the right reasons. I hope we can get back to this place. Thanks to Mary E for cleaning up the mess. Let's try to leave nothing but educated passionate footprints.
user picture
Default Avatar

Member for

12 years 6 months
Permalink

That was quite a morning read over my yogurt and granola. The best part of this cyber-community is that it helps me to stay connected to a great time in my life. The music and conversation sustain me on many fronts. Even the arguments and diatribes have their place (had some very intense discussions in the hotels, arenas, campgrounds, etc). The reality for all of us tied to this band is that we share a passion willingly with others. Some of us are nuttier than others (why I have the same show in four media formats or five different recordings is very hard to explain to the uninitiated). To get too serious or angry about any of this makes no sense. The music and memories should transport us to higher places in our minds. Sure it is personal, very very personal. In sharing the experience we need to give each other the space and respect we would give our neighbors at a show. Experienced plenty of true idiots there ( getting pissed on at calaveras 87 or having my girlfriend's head split open by a quarter thrown from the upper reaches at Nassau 85, trampling gate crashers, etc.) I like to think of these forums as being free of the idiots, a gathering of folks into it for the right reasons. I hope we can get back to this place. Thanks to Mary E for cleaning up the mess. Let's try to leave nothing but educated passionate footprints.
user picture

Member for

16 years 8 months
Permalink

Garcia Live, Vol 4. Start the spin this evenin'. BTW-saw Robert Hunter is appearing at Newport Folk Festival. Saw him last time around in Boston-great show. Listened to the CSNY 74 1 disc compilation from the new box set. Nice versions of some of the more well known songs on this 1 disc version. Ironically it makes me apprec. the Dead all that much more-less hype, more jams, more chances taken, less politics, more timeless IMHO.
user picture

Member for

14 years 9 months
Permalink

Mary Ramon(e) Tommy Ramone passed recently...hooray for the Ramones! or, Gabba Gabba Hey! Revolver sounds REALLY good right now :))) I recommmmmmmmmmmmmmend Love or Confusion by Jimi H Exp. Wanna blow your mind? Read Beloved by Toni Morrison. CREEPY. HARTFORD 83!!!
user picture

Member for

12 years 5 months
Permalink

you missed the original post that started it all...so, yea that should be removed as well... peace to you, Brother Seth... ♤
user picture
Default Avatar

Member for

17 years 3 months
Permalink

Does anyone remember the Blair J and Big Donnie smackdown on the Europe 72 thread a few years ago? That was something to behold.Speaking of BlairJ, you never see his postings anymore. Could BlairJ be posing as Bolo24? Just wondering.
user picture

Member for

15 years 2 months
Permalink

That does make a lot of sense, indeed. Oh that mysterious Bolo...
user picture

Member for

13 years 11 months
Permalink

UnderTheVolcano: You are in for a treat... I was blown away by this release.The set list looks very ordinary but the performance is awesome. The sound quality is top notch. Love the background vocals with both Donna and Maria...
user picture

Member for

17 years 3 months
Permalink

Yep. Bolo, same first letter as Blair. J is the 10th letter of the alphabet. 24, or 2 + 4, = 6 6 + 6 = 12. Subtract 12 from the number of letters in the alphabet (26) and you get 14. Take the 4 from Bolo's name, and subtract it from 14, and you get 10 (J!) It's obvious! (The "olo" is just there to confuse us)
user picture

Member for

15 years 9 months
Permalink

Who cares who or what message started it? Please respect a very good moderator in Marye and just let the back-and-forth end. Marye does a great job and rarely gets involved in these spats between members. She isn't banning you guys, just saying cut it out. Now, where is the DaP11 announcement? The timing of this box announcement really will leave DaP11 little space of its own. I am sure it will get the love it deserves, but I wonder if some non-subscribers will have to forgo purchasing because of this $250 box already announced. Lastly, release of individual shows would be fantastic. My guess on the E72 individual releases is that there was a quick demand for the music-only box, but that did not live up the hype. So, they have them in-stock now. Personally, I love that the E72 tour is available individually-- I didn't get the box, but have been chipping away at shows. Someday, maybe I will have the tour...

Member for

10 years 5 months
Permalink

Does bolo24 have part of the cover art for DaP11 up as an avatar?Saw it this morning and it's been bugging me. Is that it? So much confusion, so little mind. Bobaloo is curious..............
user picture

Member for

11 years 2 months
Permalink

...or the "olo" are not letters, but numbers. Hmmmmm
user picture
Default Avatar

Member for

14 years 7 months
Permalink

This is pretty random, but Manuel Neuer is Germany's Goalkeeper. His name is abbreviated Ma. Neuer. And his nickname is "The Horse" Ma. Neuer. That is total BS. Of course his last name is pronounced "Noyer."
user picture

Member for

15 years 9 months
Permalink

Do we know if more than the entire box and the Branford show is available for individual purchase? I want several of the shows with a Branford hardcopy but not necessarily a complete run...
user picture

Member for

11 years 2 months
Permalink

Very interesting! But I don't think it's BS. HS, maybe.
user picture

Member for

17 years 3 months
Permalink

Dantian, that's it! You've figured out the code. I can't reveal what I now realize though, it would not be fair. PS - “If you go flying back through time, and you see somebody else flying forward into the future, it's probably best to avoid eye contact” - Jack Handy PPS - Cosmicbadger - I think Peace, Love, and Understanding are freakin' hilarious.
user picture

Member for

10 years 9 months
Permalink

Great tune! sort of bang it out on my acoustic from time to time
user picture
Default Avatar

Member for

12 years 1 month
Permalink

...at Bolo's avatar, and you can see (in VERY tiny print) "9/14/82" !
user picture

Member for

17 years 4 months
Permalink

nice pick
user picture
Default Avatar

Member for

17 years 4 months
Permalink

DUDE! I got your PM.I have what you're looking for. 1 left. Check PM for my direct email and info... check SOON though....
user picture
Default Avatar

Member for

10 years 5 months
Permalink

...at anything and you can see anything. In tiny print. I'm really liking the new Jerry Band release. Wonderful music for a long summers day and night.
user picture

Member for

16 years 1 month
Permalink

Looks more like 7/10/81 to me. :-D
user picture

Member for

11 years 2 months
Permalink

I've finished translating the rest of it. Don't get on that ship! The rest of the book, it's... it's a cookbook!
user picture

Member for

16 years 1 month
Permalink

cue Twilight Zone theme
user picture
Default Avatar

Member for

12 years 1 month
Permalink

So, as we sit twiddling our thumbs in anticipation of DaP 11... In heavy rotation: Sturgill Simpson's "Metamodern" Howlin' Brothers' "Howl" Rodney Crowell's debut Hey - music beyond the Dead. Whodathunk?
user picture

Member for

15 years 9 months
Permalink

Fennario, How does the JGB Vol 4 compare to the Pure Jerry Warner Theatre Release? I love the Warner version of Mission - just bursting of energy and my wife loves Midnight Moonlight, so the second disc gets a lot of rotation in the car. Trying to figure where to spend my grateful music dollar... Music in play: Box TOO, JGB Vol4, GDMovie Soundtrack, SSDD, new CSNY box, Led Zep remasters, E72 boxset - Love it all, but can't get it all. Listening to the Spring 90 shows from bttree/archive, digging what I'm hearing thus far...
user picture
Default Avatar

Member for

10 years 5 months
Permalink

I missed out on the Pure Jerry which is one reason this release makes me so happy. One caveat: It's missing the last few minutes of Midnight Moonlight according to the small print on the CD case if that matters to anyone (tape apparently ran out). I'm sure it does matter to some of you :) IMHO It's worth it for the piano playing alone. Keith and Ozzie must have been competing for Jerry's approval!
user picture
Default Avatar

Member for

10 years 5 months
Permalink

...it might matter to your wife, huh?
user picture
Default Avatar

Member for

10 years 5 months
Permalink

it says "the first few minutes". My eyes are horrible...double vision.
user picture
Default Avatar

Member for

10 years 5 months
Permalink

It's the end that's missing. The song ends abruptly. Pretty ugly actually. Unless I have a defective CD?
user picture

Member for

16 years 1 month
Permalink

Cy Dune - "Shake"Wooden Wand - "AZAG TOTH" People of the North - "Judge A Man By His Fruits" William Tyler - "Blue Ash Montgomery" M. Geddes Gengras - "Ishi" Ghost - "Snuffbox Immanence" When the Sun Goes Down Vol.1 - "Walk Right In: The Secret History Of Rock 'n' Roll GD - "Formerly the Warlocks"
user picture

Member for

12 years
Permalink

If you're thinking of the CSNY box, I'd say go for it. It's fantastic. Sure, it was cleaned up a bit by Nash, but the music is phenomenal. It's a nice portrait of the tour. The single disc version at Best Buy isn't too shabby a sampler, but the full three set summary is worth the cash. I've had it in since I bought it last week.
user picture
Default Avatar

Member for

10 years 5 months
Permalink

I bought the single disc from Amazon and it came with Auto Rip. The auto rip included all 40 tracks - YMMV of course.
product sku
081227958688